Jeri Jacquin
Coming to theatres this Friday from director/writer Gary Dauberman, James Wan and Warner Bros. Pictures is ANNABELLE COMES HOME.
Leaving town for a night, the Warren ’s leave their daughter in the care of
trusted babysitter Mary Ellen (Madison Iceman). When her friend Daniela (Katie Safire)
learns where Mary Ellen is babysitting, she wants to see the house of the
demonologists.
The sitter has other plans which are to make a cake for Judy
who is going to have a birthday soon. Seeing the parents off, the two settle in
for a little cake baking time but are interrupted by Daniela who barges in.
Mary Ellen isn’t thrilled but when Judy wants to skate around the block,
Daniela volunteers to watch the cake baking.
In fact Daniela has other plans as she finds the keys to the
artifacts room. Instead of being curious, she has opened the door to a room full
of things that have been waiting to get out – especially the doll Annabelle.
That’s when a night of scares begins and the reality of what
has been freed means the Warrens
need better locks!
Iceman as Mary Ellen is as sweet as can be and looks very
responsible from the get go, but then she is easily swayed by a someone who
doesn’t seem to care about a friendship. Once the evil is out, Iseman gets a
chance to show her flashlight skills but not her common sense.
Grace as Judy is a kid living with parents that are
demonologists – let that sink in! Judy is a moody kid but with reason yet that
reason seems to disappear as quickly as it came. She seems more disturbed about
her birthday party than a doll wreaking havoc on her home.
Sarife as Daniela is an arrogant, self-absorbed and
disrespectful teenager who, at the era the film is supposed to represent, would
have gotten an ass whuppin’. She is asked to leave – doesn’t, she is asked not
to touch anything – does – repeatedly, and is given a gentle slap on the wrist
for endangering a child’s life? Yea, didn’t work for me.
Wilson and Farmiga return for a bit before and after the
film which saddened me. They ARE the reason for all of the films success and
are whittled down to practically a cameo.
I do, however, give high fives to Bob (Michael Cimino) for
his cuteness, scared tenacity in the name of love and wolves and knowing how to
use a guitar properly under pressure. I cheered for Bob!
ANNABELLE COMES HOME is a sad ending to a series of films
that otherwise always got my attention. I’ll be honest; it’s mainly for the
story’s that included the Warrens .
The characters played by Farmiga and Wilson are the very reason people crowded
to the theatres. They Warren ’s
made us jump, scream, grab and throw popcorn in fright. Without them, there
really isn’t anything left and there shouldn’t have been an attempt to try.
But this is Hollywood
milking the last bit of cash from a doll that has clearly lost her mojo. The
first ten minutes I thought were a peek at what the film’s frights might be but
instead I got a pre-teen and teen film filled with the most ridiculous
happenings. I laughed at the comedy of it all.
Yes, there were “scary” moments but nothing along the lines
of what we have seen in Wan’s prior Warren-based THE CONJURING stories. The
tease of what could happen shows up and then falls flat. It’s like this story
was thrown together with everything but the kitchen sink and the only reason
they didn’t use that is because it was full of unwashed dishes.
There was so much more than could have been done in this film,
the artifacts are there for the telling and yet it gets the slight of hand and
the odd remark here and there. The ending is ridiculously pat and layered on
thick like the icing on Judy’s cake.
Let’s hope the doll stays in her case – permanently – or at
least until someone takes THE CONJURING/ANNABELLE genre a little more seriously
and remembers what made us all jump and cheer in the first place. Get back to
that, get back to the basics and for gawd sakes bring Wilson and Farmiga back
into the game coach!
In the end – she comes home to stay!
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