Jeri
Jacquin
Currently
available on digital, streaming platforms, and coming to 4K Ultra HD and Bluray
from director David Frankel and 20th Century Studios is what we have been
waiting for with THE DEVIL WEARS PRADA 2..
It
has been twenty years since Andy Sachs (Anne Hathaway) and Miranda Priestly
(Meryl Streep) were in the same room together at Runway. Spending years as a
journalist and winning an award, Andy discovers that her job has become
expendable, along with fellow journalists. At the same time, Miranda is with an
article accusing her of using sweatshops for fashion. Erv Ravitz (Tibor Feldman),
owner of Runway, is working on finding a way to restore the magazine's
credibility.
Without
speaking with Miranda, Ravitz hired Andy to become the features editor for
Runway, to start on that credibility process. Miranda is not happy, but then
again, when is she, and how can you tell? The first thing that needs dealing
with are the advertisers. Miranda, Andy and Nigel (Stanley Tucci) head to a
meeting with one such advertiser at Dior, Emily (Emily Blunt). Shocked to hear
that Andy is the features editor at Runway, Emily’s claws are sharpening on Amanda’s
plight.
When
Andy’s articles aren’t getting the traction Runway needs, she kicks into high
gear getting the one interview that no one else seems to be able to get. That
is with recluse Sasha Barnes (Lucy Liu). Miranda is thrilled that it puts a
promotion Erv has been promising back in play. Andy’s life picks up because of
it and she brings a man into her life, Peter (Patrick Brammall). As Nigel
starts to make plans for the Milan runway show, a tragedy makes huge changes as
Jay Ravitz (B.J. Novak) starts to make everyone’s life incredibly difficult.
Then,
Andy gets an idea that can change the face of Runway with the help of Emily and
her boyfriend Benji (Justin Theroux). Sometimes, what looks like a good idea
brings about the truth about old feelings that just never go away. That doesn’t
mean you should never stop trying, at least in Andy and Miranda’s minds!
Hathaway
returns as Andy, a woman who has made her way up the journalistic ladder on to
be shot down once again. Making it clear in a rant that goes viral about the
loss of value for writers, she finds herself back where she began, in front of
Miranda Priestly. What I love about Hathaway’s return is that although she has definitely
changed her style a bit, not everything about her has changed. She still
believes in the fight, her reconnection with Nigel and isn’t quite sure how to
feel seeing that Miranda is being forced to change. Also, I love that she still
has friendships from the previous film.
Streep
as Miranda is exactly how you might think she would be twenty years later.
Still dismissive, still standoffish, but finding that the world that she has
always been in control of, might be slipping away. You have to give this
character props for having the ability to not only stand her ground but also show
vulnerability when the pressure isn’t turning into a diamond. Streep became the
icon for Miranda Priestly, and no one, absolutely no one, could have taken over
this role. I love her feistiness, and the reality of change brings her back to
the fact that she has to let others in, including Andy.
Tucci
as Nigel, lovely, lovely Nigel is just as insightful as ever. Watching
everything happening around him, he never stops pushing forward. Watching Tucci
and Hathaway rekindle their friendship is just heartwarming and funny, as he
still is the only one to be able to dress her. Ever loyal to Miranda, no matter
how many times he is overlooked, I love that Tucci’s portrayal is quietly
loving, loyal to a fault, and still sees things that no one else does. It must
be said, Nigel is the friend we all need, especially when access to a dress
closet is included.
Blunt
as Emily also hasn’t changed in the slightest. Working at Dior, she finds
enjoyment in lauding Miranda’s problem over her. Always one step ahead of Andy,
there are moments of brilliance and moments of jaw-dropping, but it’s to be
expected of Emily. Blunt is chic, very cool, a bit of a narcissist (like we
didn’t know that), and is about to discover that old grudges never serve well.
I just adore her, though!
Novak
as Benji is following in his father’s footsteps, but more so in the social
world than in the hard copy of Runway. His role is a little different, as it
should be, because twenty years ago, Runway was all print; he recognizes that
medium isn’t working. Theroux as Benji is just a tad creepy from beginning to
end. At first, I didn’t recognize him, but there he is, being a weird AI dude
who forgets that the world doesn’t live in his realm of belief, as he is about
to find out.
Shout
out to Branaugh as Stuart, Miranda’s current husband, who seems to be so secure
in himself that he lets Miranda be Miranda. Supportive and loving, he is just a
charming addition that doesn’t need what it seems everyone else does.
Other
cast include Rachel Bloom as Talia, Larry Mitchell as Mack, Pauline Chalamet as
Ilana, Wes McGee as Frank, Simone Ashley as Amari, Caleb Hearon as Charlie,
George C. Wolfe as Paul, Helen J. Shen as Jin Chao, and Tracie Thoms as Lily.
Cameos
include Ciara, Doyoung, Kara Swisher, Amelia Dimoldenberg, Kal-Anthony Towns,
Jon Batiste, Callum Harper, Rory Mcllroy, Law Roach, Ronny Chieng, Moon
Ga-young, Heidi Klum, Jenna Bush Hager, Lady Gaga, Naomi Campbell, Winnie
Harlow, Donatella Versace, and Marc Jacobs.
Twentieth
Century Home Entertainment brings award-winning global products and new
entertainment to DVD, Bluray, and Digital HD. Their amazing collection offers
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Bonus
Features include Level Up: Updating the Icons: Join the cast,
crew, and other notables as they look back on the iconic first film and its
timelessness. Then see how the characters and their wardrobes
have evolved for the sequel, and follow the shoot in New York, Inside the
Fashion Closet: Sit down with the cast, filmmakers, and lead costume
designer Molly Rogers as she talks about dressing Miranda, Andy, Emily, and
Nigel. Discover their of-the-moment but timeless fashion looks that shine a
spotlight on each of their personalities, Front-Row Access:
Shooting in Italy, join the cast, crew, and director David Frankel as he talks
about the production in Italy and shooting during Milan’s fashion week. Hear
how top design houses supported the production and how Runway’s own fashion
show and concert was created.
“Runway” Music Video by Lady Gaga and Doechii: Turn it up with Lady Gaga and
Doechii in their music video for the movie’s new song, “Runway,” Gag Reel:
Check out the fun on set in these outtakes from the making of the movie and Audio
Commentary by David Frankel, Aline Brosh McKenna, and Molly Rogers: Watch
the film with audio commentary by director David Frankel, writer Aline Brosh McKenna,
and costume designer Molly Rogers.
DEVIL
WEARS PRADA 2 doesn’t try to capture lightning in a bottle but instead guides
us twenty years into what the world is now, which is another kind of lightning.
Social media, digital articles, clickbait, and AI are bringing Runway into the
future but not without its bumps and growing pains. That is where we are now in
the world, as a writer, I totally understand the problems and aggravation that
Andy and Miranda are struggling with.
Both
Andy and Miranda are wholehearted believers in the tradition of the written
word and in the beauty that should be shared traditionally. Instead, they are
both met with the harsh reality that no one seems to care about that. Being
they are both fighters, they still need time to figure out where they fit in
the grand scheme of things without losing their moral code. I love that about
this film, that the original characters are holding on to that and that,
although willing to compromise on some levels, they refuse to let go where it
counts.
So,
for all the fans of the original THE DEVIL WEARS PRADA, you will be thrilled at
the new story, the return of iconic characters, and that Andy, Miranda, Nigel,
and Emily do not fail to deliver. THE DEVIL WEARS PRADA 2 brings laughs,
freshness, love, fashion, the tests of loyalty, friendship, and perspective –
what a way to bring our beloved characters together again.
In
the end – the devil is in the details!