DISCLOSURE DAY

 

Jeri Jacquin

Coming to theatres this Friday from writer/director Steven Spielberg, Universal Pictures, and Amblin Entertainment comes the story of hiding the truth in DISCLOSURE DAY.

Daniel Killner (Josh O’Connor) finds himself in the middle of a deal for the return of his girlfriend Jane (Eve Hewson). For that to happen, he must deal with Noah Scanlon (Colin Firth), the head of Wardex. The only one to help them is Hugo Wakefield (Colman Domingo). It is immediately clear that Daniel has something that Scanlon desperately wants.

Margaret Fairchild (Emily Blunt) is a weather girl at a local Kansas City station. Living with musician boyfriend Jackson (Wyatt Russell), her life begins to change when a Cardinal lands in her apartment. When she is in front of the camera, an event happens that has caught the attention of the wrong people.

Daniel and Jane are on the run! He must finally reveal all to Jane, and it costs her immediately. At the same time, Margaret’s new abilities let her know that the only way for her is to also run, but toward the danger. As much as these instincts might frighten her, they also empower her to find the one name that keeps coming to her mind – Daniel Killner.

Wanting to stop them both, Scanlon uses every piece of technology he has, including one specific piece of technology that isn’t quite of this planet. One side wants to keep secrets at all costs, and the other wants to disclose to the world that we are not alone in the world.

O’Connor as Daniel is a young man with a past that brought him to work for Wardex. While there, he discovers that he was hired to keep secrets when Daniel believes the whole world should know what has happened in 70 years. I have become such a fan of O’Connor and the characters he plays. In this film, the character he plays just doesn’t do him justice. Without giving anything away, Daniel’s story connects.

Blunt as Margaret doesn’t waste any time involving herself in the mystery of not only the things she can mysteriously do, but also piecing together her part in the grand scheme of it all. The conflict with this character is something from her past that has led her to the moment she stepped in front of the studio camera. Blunt is one of my favorite actresses. She has the ability to give such a wide range of emotions, some of it through humor. As Margaret, she drives the roller coaster of every human condition.

Firth as Scanlon believes he is doing the right things, but some believe it is for all the wrong reasons. His need to control every situation and those in the situation; he has no fear of using whatever technology or manpower that is available. There is a part of his character that believes he has the right to do so. Firth has always been on my watch list because he always chooses the unexpected roles. As Scanlon, he believes he is justified in everything he does, good or bad. I’m thrilled to see him on the screen.

Domingo as Hugo, is the connection between everyone. A former employee of Wardex, he has taken it upon himself to see everything through with Daniel and Margaret. Knowing Scanlon is hot on their trail, he makes it clear that everything will come together as it should, and no one is going to stop them. Domingo is such a wonderful actor, and as Hugo, he gives compassion and the belief that fear is what stops everything that needs to be embraced.

Hewson as Jane, brings in the religious element, challenging whether the human race is God’s only creation, but what if we are not? It’s an interesting thought, although I’m not sure it works in the film. Hewson does offer up that thought choice. Russell, as boyfriend, Jackson is a musician and more concerned with his life than that of his girlfriend. He is also playing the stereotypical role of a boyfriend who doesn’t listen. Great.

Other cast includes Delaney Cuthbert as young Margaret, Tyler Renaud as young Daniel, Henry Lloyd-Hughes as Casper Boys, Hettienne Park as Serena, Tommy Martinez as Dave Santiago, Gabby Beans as Angela Childs, Jeremy Shamos as Claypool, Revon Yousif as Agent Reza, and Elizabeth Marvel as Sister Maura.

 

All the musical tracks are done by the incomparable John Williams. He actually has composed the music for other Spielberg films such as JAWS, CLOSE ENCOUNTERS OF THE THIRD KIND, RAIDERS OF THE LOST ARK, E.T. the EXTRA TERRESTRIAL, JURASSIC PARK, SCHINDLER’S LIST, and SAVING PRIVATE RYAN.

This review isn’t going to make me any friends, and, as much as I adore Steven Spielberg and his co-writer David Koepp, I can’t get on board with this film. In the two hours and twenty-five minutes I sat through the film, I had to hold my tongue. I’m not sure what Spielberg and Koepp thought they were writing about, but I have to hope they didn’t see the audience as unobservant.

I could have cut out an hour of the film and still want to cut more. The story is muddled, unbelievable in any sense of the word, and has no cohesion. Seeing some of my favorite actors go through the film is painful to watch. The cast of extraordinary actors is wonderful, and their performances stand out, given what they had to work with.  

Instead of keeping my eyes on the screen, I’m turning to the people I screened the film with to make sure I wasn’t the only one feeling frustrated and disappointed – I wasn’t. The ending? Anticlimactic! Will the film do well? Sure, it’s Spielberg, and no one wants to tell an icon that an update on E.T. would have been much more enjoyable than this film.  

The list of reasons is endless and would probably take longer than the running time of why I’m disappointed. To be honest, I came home and watched E.T. The Extra-Terrestrial and CLOSE ENCOUNTERS OF THE THIRD KIND back-to-back because I had to wash this film out of my brain. Maybe Spielberg and Koepp wanted one more shot at creating a good alien film, but this isn’t it.

In the end – welcome to Disappointment Day!

The Iconic FIGHT CLUB comes to 4K

Jeri Jacquin

Currently on 4K Ultra HD and Bluray from Regency, 20^th Century Studios, and director David Fincher comes the classic and iconic 1999 film that still reminds us about FIGHT CLUB.

Working at an office job, Narrator (Edward Norton) thinks it's time to go to the doctors, because he is drowning in insomnia, not to mention the drag of corporate life. He has no life except for looking at IDEA catalogs and is detached from everything. Then, he meets soap salesman Tyler Durden (Brad Pitt). Meeting at a bar, Tyler gets in his punches, telling his new friend about consumerism, but ends up allowing him to stay at his place…under one condition. Tyler wants him to punch as hard as he can.

Now, the blow begins, and it creates ‘Fight Club’ at the bar with the premise of helping men take control of their lives. The one thing about Tyler he is going to learn, he is charismatic, an anarchist, and going to find trouble with Marla (Helena Bonham Carter). Through Fight Club, the narrator begins to change. What begins as an underground bare-knuckle fighting space turns more dangerous when Tyler goes missing. What the narrator thinks is true begins to blur lines, and the reality of it all comes crashing down.

Norton as the Narrator is the perfect actor to play this role. Starting out as someone who seems to be floating through life with his insecurities. He is cynical and yet still the backbone of the film, watching the character's psyche unravel slowly, and often painful to watch. The duality between the meek corporate robot to the aggressive and raging character is masterful to see.

Pitt as Tyler is a character filled with charisma and magnetism, and comes through as the larger-than-life person that the Narrator feels he isn’t. Pitt’s character holds the chaos together while pushing the stereotype of masculinity through punching. Tyler brings an unhinged energy along with his charm, which are traits the Narrator knows he doesn’t possess. This is one of Pitt’s most outstanding and obviously memorable performances.

Carter as Marla Singer adds another layer of complexity. She’s messy, unapologetic, and just as lost as the narrator, serving as both a mirror and a disruption to his unraveling psyche. I have always loved the characters that Carter has chosen throughout her career, and this is just another memorable role that still haunts us to this day.

Other cast includes Holt McCallany as Mechanic, Zach Grenier as Richard Chesler, Eion Bailey as Ricky, Peter Iacangelo as Lou, David Andrews as Thomas, Rachel Singer as Chloe, Thom Gossom Jr. as Detective Stern, Meat Loaf as Bob Paulsen, and Jared Leto as Angel Face.

Twentieth Century Home Entertainment brings award-winning global product and new entertainment to DVD, Bluray, and Digital HD. Their amazing collection offers fans an opportunity to expand their own home libraries with the best films. To discover what other titles they have, please visit www.20thcenturystudios.com.

4K Ultra HD Bonus Features include Commentary by Director David Fincher, Commentary by David Fincher, Brad Pitt, Edward Norton & Helena Bonham Carter, Writers’ Commentary by Chuck Palahniuk and Jim Uhls, and Technical Commentary by Alex McDowell, Jeff Cronenweth, Michael Kaplan & Kevin Haug.

Bluray Bonus Features Include Commentary by Director David Fincher, Commentary by David Fincher, Brad Pitt, Edward Norton & Helena Bonham Carter, Writers’ Commentary by Chuck Palahniuk and Jim Uhls, Technical Commentary by Alex McDowell, Jeff Cronenweth, Michael Kaplan & Kevin Haug, A Hit in the Ear: Ren Klyce and the Sound Design of Fight Club, Flogging Fight Club Featurette, Insomniac Mode: I Am Jack’s Search Index, Work Behind-the-Scenes Vignettes with Multiple Angles and Commentary, Deleted and Alternate Scenes, Publicity Material Trailers, TV and Internet Spots, PSAs, Music Video, Promotional Galleries, Art Galleries and More!

Fight Club is a literal psychological gut punch wrapped in rebellion, identity crisis, and dark humor. Released in 1999 and based on Chuck Palahniuk’s novel, the film dives headfirst into the hollow core of modern consumer culture and masculinity, leaving audiences both unsettled and strangely exhilarated.

What begins as underground bare-knuckle fighting evolves into something far more dangerous—a cult-like movement fueled by rage, anti-consumerism, and a desire to feel something real. Fincher’s direction is razor-sharp, blending gritty visuals with surreal storytelling. The film’s pacing mirrors the narrator’s descent, growing more chaotic as reality fractures.

What truly elevates Fight Club is its twist—one of the most iconic in cinema. It forces a complete re-evaluation of everything that came before, turning the film into a haunting exploration of identity and self-destruction. Themes of toxic masculinity, societal pressure, and the search for meaning hit just as hard today, if not harder.

This isn’t a film that holds your hand. It challenges, provokes, and at times, disturbs. Some viewers misinterpret its message, mistaking critique for endorsement—but that ambiguity is part of its brilliance. Fight Club is bold, controversial, and unforgettable. It’s not meant to be comfortable—it’s meant to make you question everything.

In the end – know the first rule of fight club!

War Has Built-In PRESSURE

 

Jeri Jacquin

Coming to theatres from director Anthony Maras, Studio Canal and Focus Features comes the true story of the seventy-two hours before D-Day, when they are all under PRESSURE.

The plans have been made, and General Dwight D. ‘Ike’ Eisenhower (Brendan Fraser) is preparing for all contingencies. The one thing he cannot predict? The weather. That’s when the general calls in Group Captain James Stagg (Andrew Scott), a man recommended by Churchill himself. His job is clear: to do whatever is needed to accurately predict the weather on June 5^th, 1944, when all the Allied Forces are due to land on the beaches of Normandy.

Stagg is a no-nonsense man who gets to work, even if Eisenhower’s weather prediction by Irving Krick (Chris Messina) says everything is a go in sunny skies. Keeping an eye on Stagg is the general’s right-hand woman, Kay Summersby (Kerry Condon), who sees that Stagg is up against it. When called to give a briefing, Stagg tells a room full of military men things they don’t want to hear. The loudest complaint comes from Bernard Montgomery (Damian Lewis).

When Stagg and Krick are at odds with one another, it is on Eisenhower’s shoulders to make the decision that will decide the fate of every soldier who is to hit that beach. There are memories he deals with that make his choice between the two men’s reports extremely difficult. When the choice is made for him, Stagg and Krick come together, and there is only one moment in the clouds that turns the tide.

Fraser, as General Dwight D. Eisenhower, hits the screen in a bold approach to the role. Anyone who knows history will immediately pick up on the fact that Fraser does not attempt to mimic the historical figure. Instead, the actor portrays him as a deeply human leader under extraordinary strain. Fraser’s Eisenhower is tired, somewhat guilt-ridden, and quietly desperate, all while maintaining a general's outward appearance. Fraser’s emotional depth ultimately anchors the film.

Scott as Stagg brings in meteorologist James Stagg as a man who clearly understands the assignment, literally. Scott captures the anxiety of a man whose calculations could change history, portraying Stagg as both brilliant and haunted by the weight of responsibility. His performance injects urgency into scenes that might otherwise feel static. I’m a huge fan of Scott, and this performance in PRESSURE is absolutely one of the reasons why.

Condon as Summersby portrays a woman who clearly understands what it means to know her boss. Strong, very intelligent, and swift in her delivery, Condon also portrays a person who is in the midst of a war, never forgetting her humanity. I adore that about this character. Messina, as Krick, is the polar opposite of Stagg. He may be a man of weather science, but he tends to lead with more of a lax attitude than his counterpart. Following charts and patterns instead of reality, it is what causes conflict. Well done.

Lewis, as Montgomery portrays a man who is definitely in war mode, and he doesn’t want anything, even the weather, to get in his way of success. He doesn’t believe in what Stagg is trying to do and is often very confrontational with Eisenhower. Watching the top brass have a go at one another can be amusing, but Eisenhower knows how to put a stop to that!

Other cast include Tamsin Topolski as Lizz Stagg, Jojo Macari as Andrew Carter, Con O’Neil as Air Marshal Leigh-Mallory, Alexander Hanson as General Omar Bradley, Robert Portal as Admiral Bertram Ramsay,

In PRESSURE, director Anthony Maras delivers a gripping and unexpected take on World War II, shifting focus away from the battlefield and into the tense confines of Allied command rooms. Centered on the crucial days leading up to D-Day, the film explores how one decision—based largely on uncertain weather forecasts—could determine the fate of thousands.

What makes PRESSURE so compelling to watch is its restraint. This is not a traditional war epic filled with explosions and combat sequences. Instead, it thrives on dialogue, moral dilemmas, and the suffocating tension of uncertainty. The film unfolds like a high-stakes chess match, where every move is debated, second-guessed, and fraught with consequences.

Visually, the film leans into tight rooms where decisions are made, which adds another level to the title of the film. War rooms are tense, where a ticking clock is what replaces gunfire. There are a few moments where the film takes a breather in its pace, but the film succeeds in offering a fresh perspective on a well-known historical event. The film does remind me of other historical pieces such as CHURCHILL and THE IMITATION GAME.

PRESSURE is a thoughtful and quietly intense drama. It may not satisfy viewers looking for action-heavy war spectacle, but for those interested in the human side of leadership and the invisible forces that influence monumental decisions, it delivers a compelling experience.

In the end – one decision changed the world!

THE MANDALORIAN AND GROGU

 

Jeri Jacquin

Currently in theatres from writer/director Jon Favreau and Walt Disney Studios are the characters created by George Lucas, and from the series The Mandalorian comes the epic film THE MANDALORIAN AND GROGU.

Mandalorian bounty hunter Din Djarin (Pedro Pascal) and Grogu are now working with the New Republic to track and capture Imperial warlords from a deck of cards held by Ward (Sigourney Weaver). Back from a mission, Ward wants the Mandalorian to go to the Hutt twins, who have information about the next warlord, Commander Coin (Jonny Coyne).

Once in front of the Hutt twins, they want to trade the information in exchange for the safe return of their nephew Rotta (voiced by Jeremy Allen White) on Shakari. Agreeing, Djarin and Grogu make their way to the planet only to discover that Rotta is revered in the fighting pits. Not believing that the Mandalorian is there to rescue him, things take a turn that puts Djarin, Grogu, and Rotta in a very dangerous situation. It is only when they escape that it comes to their attention that they just left the commander!

Now, Djarin and Grogu are in even more danger as the Hutts want him punished for not seeing their contract through. Leaving Grogu in the hands of Anzelians’ (Shirley Henderson), Djarin takes on the Hutt twins only to be hurt. Never fear, Grogu knows what to do, and when it's all said and done, the Hutts have no clue who they are up against. That’s what happens when you fight for good and have friends who have your back!

Pascal, as the Mandalorian, brings his small-screen persona to the big screen, and it works. The relationship between Djarin and Grogu has become stronger, especially since his little ward has learned many new abilities. Pascal continues to bring his character such growth and the conscience to not do things just for the sake of money. Even the moment of his helmet’s removal, it doesn’t change his reason for working with the New Republic. I don’t know how many more films or series that Pascal does, but he has cemented himself in this character.

Weaver as Ward is part of the New Republic and keeps sending the Mandalorian on missions to capture, if he can, Imperial warlords. I actually thought it was so cool to see Weaver take on such a strong role and to see her in the ‘air’ because there has never been a time when I didn’t think sitting in the seat of an X-wing wouldn’t be the coolest. Coyne as Commander Coin, although his role is small, set the pace for the story to move forward.

White as the voice of Rotta is a very interesting character in that he is the son of the deceased Jabba the Hutt. Nothing like his father, he is up against and Aunt and Uncle who want him to return home. The relationship that comes about between Djarin, Grogu, and Rotta is very cool to watch come to fruition. Henderson as the Anzelians’ is nothing short of hilarious. I love the way they talk and am thrilled they have a bigger role in the film.

Other cast include Hemky Madera as Commander Barro, Cullen Douglas as Prefect Nobah, Stephen Henderson as Gatori, Steve Blum as Garazeb Orrelios, Matthew Willig as Hogsbreth, Martin Scorsese as Hugo Durant.

Walt Disney Studios continues to bring quality programming to kids and kids at heart. Home of the most beloved animated features, including SNOW WHITE, PINOCCHIO, and SLEEPING BEAUTY, to name a few, is what keeps families coming back for more. To see what is currently playing in theatres, please visit www.movies.disney.com for their At Home titles!

THE MANDALORIAN AND GROGU is such a family film that, of course, I took the family! We had such a good time cheering, laughing, and awwwww’ing at our favorite cute little big-eared Grogu. The story starts immediately with where Djarin and Grogu are in their lives and what they are capable of as a pair. The Mandalorian makes it clear that he may be a bounty hunter, but there are still lines he doesn’t cross. Grogu is still full of mischief yet, as the story moves along, it is clear that what he has learned is of help to all.

For Star Wars fans, the film is filled with everything one would want to see in a two-hour film. Action, ships, space, planets, and creatures that are both memorably seasoned and characters that are new. There isn’t a moment that isn't worthy of being part of the Star Wars universe. Favreau has seen to that with the way he kept the film focused, cinematically beautiful, with a look and feel of every Star Wars film.

That is what is bringing audiences into theatres to see THE MANDALORIAN AND GROGU. It feels as if we never left the galaxy far, far away because it feels so near, near to our hearts.  

In the end – they are part of the New Republic!

REMARKABLY BRIGHT CREATURES is a Hit for Netflix

 

Jeri Jacquin

Currently streaming on Netflix from writer/director Olivia Newman and John Whittington comes the story based on the Shelby Van Pelt novel of the same name with REMARKABLY BRIGHT CREATURES.

Marcellus (voiced by Alfred Molina) is a Giant Pacific octopus living in the quaint aquarium in Washington. Taking care of the facility each night is Tova Sullivan (Sally Field), a woman who finds solace being alone in her work. Marcellus knows from her talks that she still lives with the pain of the past. Her friendship with Marcellus means so much to her even when the eight-legged wonder manages to get in and out of his tank. During the day, Tova occasionally makes time for her knitting group, but would rather be with her aquatic friends.

Arriving in the small town is Cameron (Lewis Pullman) and his van that needs repair. Making friends with personable store owner Ethan Mack (Colm Meaney), he agrees to stay a while. Ethan also has a soft spot for Tova and when she gets hurt on the job, Ethan suggests that young Cameron take the job temporarily to make a few dollars. Training him, Tova and Cameron clash ways in how to handle the job and watching them is Marcellus. With a plan of his own about things, one of them is to try and help both people through their rough spots.

Cameron’s attitude comes from the angry desire to find his father. There are few clues but he is determined to see it through and there is the connection with Tova. Seeing that Cameron is in his feels, she wants to offer all the help she can and that includes hooking him up with the local board shop owner Avery (Sofia Black-D’Elia). When things for both Tova and Cameron become complicated, it is Marcellus that decides it’s time for him to step in, eight steps in, to show them all what they have forgotten. That human connection can be beautiful and full of surprises.

Sally Field as Tova is just as brilliant as I would have expected her to be. Her character is so complex and filled with every spectrum of human condition. Living her life in a house of sadness, the only place to feel outside of that is with Marcellus and the aquarium. Even as others try to reach her, Fields brings us into her part of the world where being older means acceptance and change, and not necessarily liking either. Her performance is brilliant and does exactly what it is intended to do which is squeeze our hearts.

Pullman as Cameron is a young man in the same predicament even though he refuses to see it. He pushes people away for very different reasons, mainly because he in unsure and doesn’t trust himself. Pullman gives a fantastic performance and, when in scenes with Fields, just fits in seamlessly. This character gives Pullman such an opportunity to also bring a complex character onto the screen in a story that grabs ahead and doesn’t let go.

Meany as Ethan is a jolly man who loves being part of the small community. He sees something in Cameron and befriends him at a time when he needs it most. I love that Meany’s character has a little crush on Tova. It takes everyone around to push him in the right direction. Meany is such an awesome actor and his diversity in character choices is always surprising. Here, he is a joy to everyone around him and I love that. Black-D’Elia as Avery is a young woman making her way in the community as a small business owner. As much as she fights it, there is someone that she finds herself drawn to but also has insecurities of her own.

Shout out to the Knitwits of Grant, Baker, Chen and Harris as friends you’d always want on your side. Hilarious and enlightening at the same time.

Other cast include, Beth Grant as Barb, Laura Harris as Andie, Miles Marthaller and Brandon McEwan as Erik, Dan Payne as Adam, Shauna Johannesen as Sandy, Katie Findlay as Liz, Joan Chen as Janice, and Kathy Baker as Mary Ann.

Netflix is the world's leading streaming entertainment service with over 158 million paid memberships in over 190 countries. Enjoying TV series, documentaries and feature films, Netflix is across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere and on any internet-connected screen. For more information, please visit www.netflix.com.

Author Van Pelt started writing at a young age, writing the novel the film is based on, she says, “It struck me that it would be really funny to give a voice to an octopus.” After she watched online videos of the antics of octopus’. “Especially one that was grumpy, coming to the end of his life, who didn’t enjoy being in captivity, and thought he was smarter than the humans who were around him.”

REMARKABLY BRIGHT CREATURES is such an amazing film that I wonder why a warning label isn’t put on it so people can have Kleenex at the ready. The story might be from the perspective of the eight legged grumpy sea creature, but that doesn’t mean that his awareness is any less insightful or, more importantly, so very accurate. It always takes an outsider to see what is so painfully clear, as human beings we can be ridiculous.

Ridiculous about our expectations for one another, in the guilt we carry, in the secrets that are buried so deep inside us that we forget to live and, sometimes, the resounding voices in our own heads telling us we don’t deserve love. That is only a brief bit of what this film has to offer so be prepared to learn lessons from Marcellus who truly is a remarkably bright creature. Kleenex required for viewing!

In the end – friendship and love take many shapes!

READY OR NOT 2: Here I Come

 

Jeri Jacquin

Currently streaming on multiple platforms such as Amazon Prime Video, Apple TV, and Fandango at Home, and coming to Bluray from director Matt Bettinelli-Olpin, Tyler Gillett, and Searchlight Pictures comes the next game of READY OR NOT 2: Here I Come.

Grace MacCaullay (Samara Weaving) has survived the Le Domas ritual and is now in the hospital trying to recover. What she isn’t expecting is the arrival of her sister Faith (Kathryn Newton). Their relationship is strained, but is Grace’s emergency contact after all. Meanwhile, back at murder mansion, Ursula (Sarah Michelle Gellar) and Titus (Shawn Hatosy) Danforth are raring up for another game, especially since there is a current vacancy in the High Seat of the Council. That’s because Chester Danforth (David Cronenberg) has chosen to, well, step down, shall we say?

Almost instantly, Grace and Faith come face to face with someone who doesn’t want to wait for a new gathering. Captured once again, this time with Faith, they are brought to The Lawyer (Elijah Wood), where the new game is explained and the rules. Grace, and now Faith, have to make it till morning in another game of hide-and-seek, this time at Le Domas. If Grace makes it until morning, she is free to go again. If she doesn’t, whoever makes the kill gets the High Seat.

Also, as a nice twist, since the families are at the games, if the oldest falls, the next in line joins in the game or forfeits. When the game begins, almost immediately, Chen Xing (Olivia Cheng) tries to tell the girls that there is another way, by a stipulation in the rules of the game. That doesn’t please Ignacio (Nestor Carbonell), who wants that seat for himself. As the families keep coming, it is Ursula and Titus that seem to be taking control – of everything.

While running, the two sisters bicker over the reason they are mad at each other. Both are still upset, and it gets in the way of things. Until Grace comes face to face with Titus and the deal she makes in order to save her little sister, but don’t count the sisters out just yet.

Weaving returns as Grace, a woman who married into a family of Satan worshipers who made her life a living hell – literally. Thinking she has finally survived the worst night of her life, the girlfriend needs to suit up once again because this time, she has more to lose than her own life. I love Weaving’s character's reaction to things this time around, because although gross, she just isn’t shocked by what the family is capable of. This actress has solidified herself as a serious and comedic actress all in one fell swoop, and she does it so bloody well.

Newton as sister Faith, is dealing with family issues that cause her to be just as sarcastic as her big sister. Even after she learns what Grace has been through, it isn’t until she experiences it up close and personal that she begins to understand. Even so, that family stuff is a killer, and hanging onto it for this long means someone has to forgive. Newton is perfectly paired with Weaving, and I enjoyed the banter between the two that is perfectly timed.

Gellar as Ursula is the twin to Titus and marches to the beat of her own evil drum. She is bossy, hard, but focused on one thing – that High Seat! Having Gellar in the game is fun as she brings her own brand of evil to the game. Hatosy, as Titus seems to be the whipped twin in the pair, doesn’t think before he acts. Everything he does is based on one thing: aggression toward anyone who gets in his way. I’m a Hatosy fan, but it’s probably because he is so good as Dr. Jack Abbott in the award-winning HBO series THE PITT. Of course, Titus would be a character Dr. Abbott would want to heavily sedate! Here, he gets the chance to be as bad as he wants to be.

Wood as The Lawyer is so charmingly evil that it made me laugh. He is so calm about the rules and knows exactly when to get out of the way when things get, well, explosive. Wood always has the amazing ability to choose roles that challenge how the audience sees him. There are expressions he gives his character that are so full of mischief that I couldn’t help but laugh.

Other cast include Kevin Durand as Bill Wilkinson, Varun Saranga as Madhu Rajan, Nadeem Umar-Khitab as Viraj Rajan, Juan Pablo Romero as Felipe El Caido, Masa Lizdek as Martina Rajan, Maia Jae as Francesca El Caido, Dan Beime as Kip Danforth, and Anthony Hall as Wan Cheng Fu.

Searchlight Pictures is responsible for such films as SLUMDOG MILLIONAIRE, 12 YEARS A SLAVE, THE SHAPE OF WATER, and THREE BILLBOARDS OUTSIDE EBBING, MISSOURI. They have an extensive film library as well as documentaries, scripted series, and limited series. For more information, please visit www.searchlightpictures.com.

MOVIES ANYWHERE gives viewers the ability to download the Movies Anywhere App. With that, you can view films by downloading or streaming to your favorite device using a Digital Code. For more information on Movies Anywhere, please visit www.MoviesAnywhere.com.

Special Features include The Games Goes On: The Making of READY OR NOT 2, Part 1: Written in Blood, Part 2: Casting the Chaos, Part 3: Designed for Destruction, Part 4: Blood, Guts and Practical Mayhem, Rules of the Game, Gag Reel, and Audio Commentary by Matt Bettinelli-Olpin and Tyler Gillett.

READY OR NOT 2: Here I Come doesn’t try to change the original formula of the 2023 READY OR NOT, which I absolutely love about it. Instead, it brings families together to share in the bloodlines with only a few loopholes in the original game plan. The race for the High Seat means greed, and greed is not always good. Especially when you are being chased by katanas, rocket launchers, and a man with a mean right hook.

Weaving and Newton go up against Gellar and Hatosy in most of the film. That means survival goes up against the lust for power, and sometimes, surviving is better than dealing with the devil. This is a film that calls out for a group movie night filled with fun, laughs, and expected violence when you are running for your life. So, gather up everyone, place your bets to see who makes it until morning!

In the end – it’s double or nothing!

Disney Shines with HOPPERS

 

Jeri Jacquin

Currently streaming across multiple platforms such as Prime Video, Apple TV, and Fandango at Home from Walt Disney Studios, Pixar, and Daniel Chong comes the story of loving animals in HOPPERS.

Mabel (Piper Curda) is a young animal lover from the city of Beaverton. Always trying to save animals, it is her grandmother who teaches her about the forest glade and the wild animals that live there. Staying in her grandmother's home after her passing, Mabel continues her fight. When she learns that the town's mayor, Jerry Generazzo (Jon Hamm), intends to build a freeway through the glen, Mabel is determined to stop him. How?

Well, Mabel learns that biology professor Dr. Sam Fairfax (Kathy Najimy) has an ingenious way that just might help. Technology called the Hoppers Program allows Mabel the ability to connect with the wildlife. Being monitored by Dr. Fairfax, Nisha (Aparna Nancherla), and Conner (Sam Richardson) helps to follow along. When Mabel breaks pond rule, Ellen (Melissa Villasenor), the bear, is taken to beaver King George (Bobby Moynihan), who takes care of displaced animals. He tells Mabel what is causing all of this, which means that when these two get together, Jerry doesn’t stand a chance!

There is a great summoning of all the animal royalty, from the fish, snakes, insects, all of them. Together, they discuss what to do next, but it doesn’t actually go according to plan. The animals come together to because, sometimes, you can’t go against nature!

Curda, voicing Mabel, is so charming and believes in what she is doing wholeheartedly. I just love her expression, which lends such warmth to the character. Moynihan, as King George, is such a fun-loving guy who just loves taking care of the other animals around him. Najimy, as Dr. Fairfax is responsible for Mabels, well, condition but is keeping an eye on her. Hamm, as Jerry, is the target of the animal world’s anger and is set to be handled.

Villasenor, as Ellen is the largest of the animals, is fighting for their place in the world. If you need someone on your side and don’t mind interfering with pond rules, then Ellen is your bear. Shout out to Franco as Titus because sometimes dynamite comes in small, crazy packages.

Other cast include Dave Franco as Titus, Eduardo Franco as Loaf, Tom Law as Tom Lizard, Ego Nwodim as Fish Queen, Isiah Whitlock Jr. as Bird King, Steve Purcell as Amphibian King, Vanessa Bayer as Diane, Lori Alan as Mabel’s mother, Karen Huie as Grandma Tanaka, Joe Spano as Elder Beavertonian, and Meryl Streep as the Insect Queen.

Walt Disney Studios Home Entertainment continues to bring quality programming to kids and kids at heart. Home of the most beloved animated features, including SNOW WHITE, PINOCCHIO, and SLEEPING BEAUTY, to name a few, is what keeps families coming back for more. To see what is currently available to add to your own family library, please visit. www.movies.disney.com for their At Home titles!

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Bonus Features include The Critter Diaries: Wander behind the scenes with director Daniel Chong and the Pixar creative team as they explore Yellowstone, study wildlife, and find real-life inspiration for our favorite new animated characters from Hoppers, Hopping In: The Making of Hoppers: Hop into the making of the movie as filmmakers, cast, and crew share how their ideas, collaboration, and creative process brought the story, animation, and lovable characters to life in Pixar’s Hoppers, "Meet King George" Scene Breakdown: Dive deep with director Daniel Chong and the filmmaking team as they reveal the craft of making King George’s Superlodge. Get insight into the directing process, editing, VFX, animation, and production design.

Also included is Beaverton Revealed: Explore Hoppers to find surprising Pixar film cameos, hidden references, and plenty of fun, behind-the-scenes facts. Dam Good Bloopers: Laugh along with your favorite voice actors from Hoppers as they have fun bringing their characters to life in the recording booth. Deleted Scenes: Check out these scenes that didn’t make the final cut, as introduced by director Daniel Chong and editor Axel Geddes. Cold Open, The Glade, The Mission, Kings Arrive, George's Bachelor Pad, and Helicopter Ride.

HOPPERS is such an emotional film dealing with so many important issues. The first is Mabel, a young girl who sees the beauty in the freedom of creatures. When no one else sees her heart, it is her grandmother who accepts everything about Mabel. A politician who sees only himself and power instead of what is right for the world around him, especially the animals. Let’s not forget the environment and animals who finally see a way to have a say in what is happening around them.

The story is so original and amazing, but then that’s what Disney and Pixar are very good at when it comes to animation. The funny is also on point, which I love. Bringing families together for not only an enjoyable time, but also to have plenty to discuss afterward. The animation is stellar as always, and they couldn’t have made George any cuter if they tried. So grab the family, get the popcorn ready, and curl up for a night among the wildlife!

In the end – be part of something big!