HOW TO MAKE MILLIONS BEFORE GRANDMA DIES

 

Jeri Jacquin

Coming to theatres from director Pat Boonnitipat, GDH and Well Go USA is the story of a family struggling with HOW TO MAKE MILLIONS BEFORE GRANDMA DIES.

M (Putthipong “Billkin” Assaratanakul) is a young man still living at home with his mother. Spending his days gaming, mom Sew (Sarinrat “Jear” Thomas) takes care of everything even though she is a bit frustrated with her son who constantly wants money from her. She is also worrying about her mother, Amah (Usha “Taew” Seamkhum) who is elderly and having a few health problems. During a trip out to visit the ancestors in the cemetary, Amah takes a fall landing in the hospital. It is there that Sew finds out her mother is very ill.

M hangs out with cousin Mui (Tontawan “Tu” Tantivejakul) who is a caregiver to her grandfather. She tells M that he should become a caregiver in hopes that he will receive something for his time out of family loyalty. That’s when M gets the idea to help Amah by moving in with her. At first Amah is suspicious of her grandson’s motives but M begins to see how the rest of the family actually treats Amah. At a family dinner, M’s uncle Kaing (Sanya “Duu” Kunakorn), wife Pinn (Duangporn Oapirat), their daughter Rainbow (Himawari Tajiri) and Uncle Soei (Pongsatorn "Phuak" Jongwilas) hover around Amah until she lets the cat out of the bag.

That’s when M really sees what his own family is all about. Uncle Kaing wants Amah to live with them but he has the feeling that came from Pinn, Soei is in financial trouble again and his mom is just struggling to work and take Amah where she needs to go. Mui tells M to step it up before he loses his chance to gain something from his grandma. The problem is, M is starting to see things different, see people differently and, more importantly, see himself differently!

Assaratanakul as M is just stunning! He is witty, charming, selfish, a bit narcissistic and a tad lazy but there is something about this character that just won me over. His motives aren’t the best for being with his grandmother but sometimes what you think you know about someone isn’t what you really knew at all. That’s what is interesting watching Assaratanakul play this role, he grows as a person but in the most interesting ways as in, one step forward and two steps back. Ahhh, such is a young undirected life, right?

Thomas as Sew is a woman raising a son alone, taking moments to realize her life has just imploded in so many ways and she can’t seem to get a grasp on her own mother emotionally. I get her actually because even though this is a different culture, those guilt-mother feelings are universal. Such a wonderful performance. Kunakorn as Kaing is a brother you just want to forget you have (okay maybe not totally forget). He is into his life and everyone else seems like a bother or inconvenience, that is until there is something in it for his family. Oapirat as wife Pinn backs her husband and it is one of those things where I give the character the side-eye as I’m watching. That the sign of a good performance when you can make me turn my lip up at you.

Jongwilas as Soei is what I refer to as a problem child. Always in trouble and never comes around unless he is in trouble is another character most families can relate to. He is charming when he wants to be but his motives are shifty. Well played sir! Tantivejakul as Mui is a young woman also trying to find her way in the world. Making a buck where ever she can, tutoring M on how to make it work isn’t exactly – well, working. Mui does have a good heart toward her cousin and that is so sweet to see. Tajiri as Rainbow is just so dang adorable and sweet.

Now, for the big shout out – to Seamkhum as Amah! What an outstanding, loving, opinionated, charming, aggravating character and Seamkhum’s performance is everything for this film. I about lost it several times in laughter at her antics and then I broke out a box of tissue several times in tears for the heart wrenching scenes that are brilliantly done by this actress. Seriously, she will take you on an emotional roller coaster of it all and you will be glad you paid the price of emotional admission. Ms. Seamkhum, you won me heart and soul with this performance.

Well Go USA Entertainment is a theatrical and home entertainment company specializing in bringing the best Action, Genre and Independent films from around the world to North American markets. As a leader in independent film distribution, Well Go USA Entertainment’s titles can be seen across a variety of platforms including theatrical, digital, subscription and cable VOD, packaged media and broadcast television. Well Go USA Entertainment currently releases three to five films per month. To see more please visit www.wellgousa.com.

GDH stands for “Gross Domestic Happiness,” which refers to our philosophy of measuring the success of a film by how happy it makes our audience rather than its financial success at the box office. GDH aims to create unique and globally appealing content by elevating the quality of Thai films and TV series to a world-class level. The GDH purpose is to inspire smiles, laughter, pleasure, and greater gross audience happiness.

HOW TO MAKE MILLIONS BEFORE GRANDMA DIES is a hot mess in the best of ways. Noticing his sensitive approach to directing actors, the producers of Bad Genius: The Series teamed up with him once again on HOW TO MAKE MILLIONS BEFORE GRANDMA DIES (2024), a personal project developed from the original idea of screenwriter Thodsapon Thiptinnakorn. He will be making his feature directorial debut with this film.

There is so much to love about this film from its twists of family antics and behaviors to the cultural aspects to the moment when they realize that family isn’t forever. This film captures the beauty we often forget to see in our families even in the midst of total chaos. What I love is that it is relevant to everybody even through we are seeing it through the eyes of the Asian culture and family dynamic. M learns that it is time that is the ultimate gift and the last 20 minutes just about ripped me apart.

Keeping the cast to a minimum allows us to truly get to learn about each character and what drives them. It isn’t always a good look on them but that’s part of life, right? The film is a sneak peak inside the home life of Amah, the stories she remembers and what her family has grown into and M does not understand it at all. Could it be that he doesn’t understand it because he is actually in the middle of it himself? There are so many questions but don’t worry, the film answers every one of them. What a tremendously beautiful film from start to finish.

In the end – trust your Amah!