Showing posts with label TriStar Pictures. Show all posts
Showing posts with label TriStar Pictures. Show all posts

Thursday, December 21, 2017

ALL THE MONEY IN THE WORLD



Jeri Jacquin

Coming to theatres for Christmas from director Ridley Scott and TriStar Pictures is the true story of greed and kidnapping when you have ALL THE MONEY IN THE WORLD.

John Getty II (Andrew Buchan) and wife Gail (Michelle Williams) are raising their children under the shadow of being related to the richest man in the world, J. Paul Getty (Christopher Plummer). When their finances become difficult, Gail suggests that John write a letter to his father and mend their relationship.

To their surprise, Getty sends a telegram asking them to come to Rome and for John to work with him. The older Getty takes a liking to his grandson Paul (Charlie Plummer) and encourages him to be a part of the family business and spending time learning about their history.


As the years pass, John falls hard into drugs and Paul is brought back home to Gail. The relationship with the elder Getty is back to where it was before and they all have little contact with him. Paul has a wild side and he tends to come and go as he pleases and Gail doesn’t know how to deal with it.

One night, as Paul walks the streets of Rome, in an instant he is kidnapped. Gail receives a telephone call informing her of it and that she is to pay a hefty ransom. Reaching out to Getty, she does not get the response of a grandfather concerned about his grandson but instead, the response of a penny pinching old man.

Getty does one thing however, brings in Fletcher Chase (Mark Wahlberg) to work with Gail in trying to locate who might have Paul. Working with the Italian police, Chase isn’t sure he is getting the whole story about the kidnapping or the family.

Paul deals with the kidnappers, especially Cinquanta (Romain Duris) who believe that the ransom will be paid. Phone call after phone call begins to anger them as Gail tries to explain that it is not she who has the money.

This is what happens when greed meets a man with an iron will because one way or another – everyone is going to pay!

Williams as Gail is a mother who knows the dynamics of the family but isn’t about to let her son die. It would be easy to see that she might be considered a tad cold but I also understand her more than I thought I would. As each phone calls comes in and each new threat is given, Williams thought process is quite clear.


Wahlberg as Chase is a man who clearly has worked with Getty on other issues but this one is different. Trying to understand why Getty just plain refuses to participate in what is clearly a serious matter stuns Chase. Wahlberg’s character begins to invest more of himself in what is happening and doesn’t care what his employer thinks. He puts on his usual badass and makes it known that what is right is right – no matter how much money you have.

Duris as Cinquanta is a kidnapper with a weird conscience. Between a rock and a hard place, it is clear he knows the difference between right and wrong. I’m not defending the guy in the slightest but Duris gives the character his moments.

There are two winners in this film and both of them have the last name of Plummers. First, Charlie Plummer as Paul is a young man who was going through life with a strange chip on his shoulder. There is a disconnect with his parents that just has him feeling as if nothing can touch his free spirit. He is also smarter than his kidnappers give him credit for. Plummer’s performance is everything I’d expect and still pleasantly surprised.

Christopher Plummer as J. Paul Getty is absolute and stunning perfection! From the moment he is on screen, Plummer portrays the richest man in the world with such a range of non-emotion emotion. What I mean to say is when he is angry you know he is although he’s not screaming, when he doesn’t care about something it is clear that it’s not on his to-do list and when it comes to money he clearly can talk about it with such believeability that it’s jaw dropping. Plummer has always been on my list of performers to watch but in ALL THE MONEY IN THE WORLD he deserves an Oscar!

Other cast include: Timothy Hutton as Oswald Hinge, Marco Leonardi as Mammoliti, Giuseppe Bonifati as Giovanni Iacovoni, Nicolas Vaporidis as Il Tamia, Andrea Bodini as Corvo, and Guglielmo Favilla as Piccolino.


ALL THE MONEY IN THE WORLD is a journey through this family’s story in the middle of a kidnapping heard round the world. I knew about the young boy being taken but there is so much more than I didn’t know. That’s what makes this film even more interesting is that it kept my attention with one jaw drop after another.

It is an interesting look inside a family that proves money doesn’t buy happiness. The performances are brilliant but, as I said, it is the two Plummer’s that steal the entire film. Director Ridley Scott delivers with solid storytelling and gives us a thriller, drama and suspenseful look deeper inside a true story.


In the end – J. Paul Getty had a fortune and everyone else paid the price!

Thursday, June 29, 2017

BABY DRIVER Rides in on Rails!



Jeri Jacquin

Racing into theatres this Friday from writer/director Edgar Wright and Tri-Star Pictures is the song mix of the summer with BABY DRIVER.

Baby (Ansel Elgort) is a quiet young man who has the uncanny knack for calm driving in intense situations. That is exactly what boss man Doc (Kevin Spacey) consistently counts on. Using Baby’s wheel talent for heists, it quickly becomes clear that Doc is using him.

Taking car of a worried Joseph (CJ Jones), Baby lets him know that one more job will get him free of Doc. Using music to keep his focus, it takes lovely waitress Deborah (Lily James) to pull out the ear buds.

Finishing his last job with Doc, Baby wants to be part of life without fear. Taking a job in pizza retail, even Joseph is happier. Taking Deborah out for a grand dinner to celebrate, Baby freaks when he sees Doc who sways him in for one more go by threatening through charm.


Putting a plan into action, Doc recruits Buddy (Jon Hamm), his gal Darling (Eliza Gonzalez) and Batts (Jamie Foxx) for the most intense and brazen score. Keeping focused, Baby is about to turn left while everyone else goes right and all to the beat of his own iPod.

Never mistake being quiet for being a pushover!

Elgort as Baby is brilliant! Everything about this character, Elgort makes look so seamless and easy. From his smooth walking, music choices and quirkiness, Baby is somebody you watch intently and cheer on with an evil grin. Also, Elgort is as cool as an outsider can possibly be and I loved every minute of his performance. Can someone explain to me why isn’t he Han Solo?

Spacey as Doc is just impeccable because, as everyone should know by now, you don’t mess with the Spacey! This actor has brought roles of badness to a level no one can touch. As Doc he once again plays outside the good guy lines with a gleam in his eye all the way.

Jones as Joseph cares so much about Baby and it is in their relationship that a deeper understanding of his story comes to light. James as Deborah is charming, sweet and knows Baby isn’t all he seems yet she doesn’t hesitate to be all in.

Foxx as Batts is intense and out to get all he can. Having a problem with Baby from the moment they meet, Foxx has no problem showing his edgy side. Gonzalez as Darling is into her man and the money they get together. At the same time she certainly isn’t shy about cutting someone down who gets in her way.


Hamm as Buddy just rocks the screen. This is such a dark character and Hamm certainly embraces every scene and aspect of his character. There is one particular moment where his character just goes deep dark and the change happens right before our eyes. Absolutely fantastic!

Other cast includes Sky Ferreira as Baby’s Mother, Lane Palmer as Baby’s father, Flea as Eddie, Lanny Joon as JD and Jon Bernthal as Griff.

TUBS OF POPCORN: I give BABY DRIVER four and a half tubs of popcorn out of five. Giving Edgar Wright the props he totally deserves, this film has saved my film sanity. Depressed at the ridiculous franchise films, superheroes being jammed down my throat and lack of imagination elsewhere in tinsel town, BABY DRIVER gave me story, action, cinematography and music for months to come.

The audience was yelling, cheering and laughing from start to finish. There is something to be said for sitting in a theatre and to be taken on a ride in so many storyline directions. Does it hurt to have a cool ass cast and awesome soundtrack? In this case, not one dayyuum bit!

In the first five minutes of the film I was happily hooked and like a kid, I found myself sitting on the edge of my seat wanting more. Translated…I was having fun. Using music across so many eras allowed something for everyone to lip-synch too.


Car chases, underlying stories, sweet romance, good guys, bad guys and the lines between them blurred, BABY DRIVER is a mash-up of what summer fun at the movies is all about. Grab a group of cool, a large bucket of popcorn, sit middle seat dead center and mentally buckle up for 113 minutes of awesome.


In the end – all you need is one killer track!