Disney’s THE LITTLE MERMAID

 

Jeri Jacquin

Coming this Friday to theatres from director Rob Marshall and Walt Disney Studios is the new version of THE LITTLE MERMAID.

Ariel (Halle Bailey) lives under the sea with father King Triton (Javier Bardem) and her sisters. Her friends fish Flounder (Jacob Tremblay) and seagull Scuttle (Awkwafina). Trying to keep up with her on the daily is crab Sebastian (Daveed Diggs). When Ariel doesn’t show up for a family meeting, King Triton is not happy and makes it clear that it’s time for Sebastian to be her full-time babysitter.

That’s a hard job because this mermaid loves going above water and seeing how the world is on land and collecting things that fall to the sea in shipwrecks. Both are on the not-to-do list of her father. Watching in the wings is Ursula (Melissa McCarthy) who isn’t happy about being basically banished by the King so she’s always looking for ways to make him pay.

On land is Eric (Jonah Hauer-King) who loves being on the water and sailing away on new adventures. Not happy about that is his handler Sir Grimsby (Art Malik) and mother Queen Selina (Noma Dumezweni). Especially when a storm sinks Erik’s ship and lands him in Ariel’s arms delivering him to the shores.

Eric gets a peak of the girl who saved him and spends his time trying to convince everyone that there was a girl who saved him. Meantime, Ariel gets herself into trouble with Ursula who tricks her into becoming human so she can experience land. Now Eric and Ariel get to spend time together and he finds himself falling for her.

Ursula isn’t about it and brings about mayhem as the truth comes in on a wave as everyone begins to see the whole world differently.

Bailey as Ariel is fine and she has a nice voice. Trying to decide between two worlds, the character of Ariel is about dreams, hopes and being different. Bardem as Triton is not only a King but a dad of almost every mermaid. Set in his ways, it is hard for him to change and it costs him.

Hauer-King as Eric is not such much. His story is muddled to make it okay that he’s “adopted” and not even called Prince Eric. Not a fan. McCarthy as Ursula is charming but quite honestly the scenes with her in it are so dark it’s hard to get the full evil-comic effect. Her song-take of ‘Poor Unfortunate Souls’ is still as catchy as the original Pat Carroll version.

Trembly as the voice of Flounder is cute but the animated Flounder looks like he needs to be in rehab for something because his eyes are freaky and I can’t get past that. Awkwafina as Scuttle just takes it too far, when she talks, all I hear is Sisu from MAYA AND THE LAST DRAGON. She seems to have only one comedy bit to offer and its starting to bleed all of her comedy together. Diggs as Sebastian gives us Sebastian but looks wise, he needs to join Flounder because he’s freaky as well.

Malik as Sir Grimsby seems to be the only smart person in this film so he can hang with me any day, plus he is a butler so there’s that.

Other cast include Martina Laird as Lashana, Emily Coates as Rosa, Christopher Fairbank as Hawkins, John Dagleish as Mulligan, Jude Akuwudike as Joshua, Lorena Andrea as Perla, Simone Ashley as Indira, Karolina Conchet as Mala, Sienna King as Tamika, Kajsa Mohammar as Karina and Nathalie Sorrell as Caspia.

THE LITTLER MERMAID is once again a film that did not need to be made. Disney seems to have forgotten itself and the thing that made us love Disney through the generations – animated films. They are so busy trying to prove that they are so in the know, they do not bother to ask themselves whether remakes should be done at all – let alone live-action that may thrill some but the dollars say otherwise to their success.

It has nothing to do with the squawking going on regarding the casting of Ariel, it has to do with the tweaking of the story (I mean really? Eric was found in the ocean and adopted? Please.) The animation itself is so all over the place that it feels unfocused, especially the scenes with Ursula. That is an awesome character that deserved better all around.

There are songs that don’t need to be sung (listen up Eric and Scuttle). The animated film runs 83 minutes from start to finish, the new version is two hours and fifteen minutes! There is absolutely no need for it but once again, it feels as if Disney and director Marshall are trying to prove how cool their live-action version is. Had it stuck to the 83 minutes I might have felt a little different.

I have no doubt that there will be those thrilled with the film, good on them and I hope they have an amazing time. There is a part of me that wishes it had gone straight to Disney+ so that perhaps more people could enjoy it but it will get there fairly quick is my guess.

Sometimes films do not resonate with some people and that’s okay. Let everyone enjoy what they like and keep their memories in tact of a special time in their lives. The new THE LITTLE MERMAID will resonate with others and add to their own special memories and that is what matters.

In the end – be part of her world!

Disney’s BEAUTY AND THE BEAST Returns as a Live Action Telling

Jeri Jacquin

This Friday in theatres from director Bill Condon and Disney is the return of a tale as old as time with BEAUTY AND THE BEAST.

Belle (Emma Watson) is a young girl living in a small village where everyone knows everyone. So much so that Belle is known as an unusual girl who would read than find a husband. Living with her father Maurice (Kevin Kline), he is also seen as unusual.

Also in the town is Gaston (Luke Evans), a tad self centered man who sees Belle as his prize and wants to marry her. Along with side kick LeFou (Josh Gad), it is a constant struggle to understand why she is not falling at his feet!

During a trip to the neighboring town, Maurice unexpectedly loses his way and ends up in a tattered castle. He quickly discovers that the inhabitants are a little more magical and terrifying. A Beast (Dan Stevens) roars down and puts Maurice in a tower cell.

When their horse returns to Belle, she immediately knows her father is in trouble and rides off to find him. Finding her father in a cell and meeting the Beast, Belle offers a trade to stay in exchange for releasing her father.

Maurice returns to the town and tries to convince everyone that Belle is being held prisoner by a Beast. In the meantime Belle is getting to know her surroundings and the magic that holds the castle captive. Taking care of her is the candlestick Lumiere (Ewan McGregor), the elegant clock Cogsworth (Ian McKellen), the motherly teapot Mrs. Potts (Emma Thompson) and her teacup son Chip (Nathan Mack), the chiffarobe Madame Garderobe (Audra McDonald) and the ivory keys of Maestro Cadenza (Stanley Tucci).

Getting to know the Beast, Belle begins to see a different side of the creature. This thrills the residence of the castle since there is a curse with a glass encased rose and when the last petal falls they all will become unchangeable forever.

The Beast begins to feel so much more than he could have imagined and when Belle needs to be with her father, his heart gives in. But that isn’t all changing as Gaston convinces the town that the Beast must be destroyed. The two sides collide but one thing is certain, nothing will ever be the same.

It begins with heart!

Watson is charming as Belle and she certainly has made her way out of another iconic character. She twirls and sings her way though and looks to be enjoying her performance.

Stevens voicing the Beast is gruff and unmoving at first but, of course, finds his heart and is changed.

Evans as Gaston is very funny and manages to capture the arrogance and narcissism of the marriage minded self-absorbed hunter. Gad as LeFou is clever and also funny.  Kline as Maurice gets a chance to portray Belle’s father in a less absent minded way but still well done.

McGregor as Lumiere is charming, but then again he is supposed to be. McKellen as Cogsworth has that voice that clearly defines who he is. Thompson as Mrs. Potts is sweet and caring along with the adorable Mack as Chip. McDonald as Madame Garderobe needs lessons in fashion and Tucci as Cadenza plays the ivories beautifully.

The original in 1991 with Robbie Benson voicing Beast and Paige O’Hara voicing Belle continues to be a brilliant and colorful animated film that will be first in my heart. I am not a fan of changing my opinion on that anytime soon.

I prefer the 1991 animated version and it’s because of the memories the animated film brings back. I have seen my children and now grandchildren embrace it lovingly and iconically still watch it on Bluray to this day. There is a liveliness, silliness and fun in animated films that can not be captured in live-action. 

The film is obviously beautiful and live-action fans will have a good time singing along to song they already know and one or two new ditties. The costuming is stunning (except for the ending scene where everyone changes and the makeup is pretty disturbing) and the cgi is clever. The cast is fun and that is all that will matter to those sitting in the theatre seats.

In the end – be our guest!