Jeri Jacquin
Coming to theatres from writer/director Christopher Nolan, Homer, and Universal Pictures comes the epic poem of Homer to the screen with THE ODYSSEY.
Odysseus (Matt Damon) is the King of Ithaca and married to Penelope (Anne Hathaway). Off to fight the Trojan War with Agamemnon (Benny Safdie), he leaves behind a wife and son who wait for his return. After the war and on a ship for the return home with Eurylochus (Himesh Patel) and his men, problems arise. Back in Ithaca, Penelope and her son Telemachus (Tom Holland) are dealing with the constant issue of suitors arriving for Penelope.
The voyage home brings Odysseus and his men to confront Cyclops, then the Sirens, the mythical creatures of the ocean, the Underworld, the witch Aeaea (Samantha Morton), and after a fierce storm, to land on an island with Calypso (Charlize Theron). In between, he is constantly met by Athena (Zendaya), who is a companion no one else sees. Waiting at home, Penelope and her son are dealing with the likes of Antinous (Robert Pattinson), who tries his best to be the one Penelope chooses to marry next. Antinous believes the first thing he needs to do is get rid of Telemachus. Watching out for the family is Eumaeus (John Leguizamo), a faithful servant who warns the king’s son.
Telemachus sails off with Mentor (Ryan Hurst) to meet with the King of Sparta, Menelaus (Jon Bernthal), to discover news of his father. There, he also meets Helen of Troy (Lupita Nyong’o), who has her own story to tell. Hearing what he needs to, he returns home knowing that the suitors have gotten out of hand. Arriving on the shores of his home, Odysseus is much older and manages to pass for a beggar to get inside his castle.
There, he decides it is time to reclaim what he lost!
Damon as Odysseus is an immediate powerhouse from scene one. I can not even imagine the physicality it took for him to play this role, and yet, he made the character of Odysseus all his own. He is a hero in the eyes of those left behind, but to his crew and the mythical creatures he encounters, he is clearly just a man fighting anything in front of him to get home. That means he also shows anger, poor decision-making, and an inability to admit he has lost his way. That’s what I love about Damon’s portrayal; he shows those frailties with ease and brought me along for the ride.
Hathaway as Penelope, is a Queen with her own plans to keep the riffraff out of her space. Being the dutiful wife, she believes her husband will return, no matter who may say otherwise. Hathaway gives us the performance of an even-tempered woman (when people are around) and occasionally makes her feelings clear to her son. Her movements are deliberate, and her cool pays off, and I’m here for it. Holland as Telemachus, is the dedicated son to a father he doesn’t really remember. Disgusted by the rowdy suitors for his mother’s hand, he reaches the point where going out to look for his father is the only way to save her. His journey into the world gets noticed by others who plot against him. Holland takes this role and gets stronger and stronger as each scene he is in plays across the screen. It doesn’t surprise me that he stands out so much in this film. Watch the 2012 film THE IMPOSSIBLE and see how I knew he could play such a strong character.
Pattinson as Antinous is as despicable and ruthless as one would expect of someone who turns on family. He is antagonistic and pokes the bear to get others to do his dirty work. There are moments when he doesn’t have to say a thing, and I didn’t like him. That’s how you know he’s wrapped up in the role of believability. Leguizamo as Eumaeus is clearly dedicated to the royal family on so many levels, and is as slippery when he needs to be. I enjoyed his role as so very important, but he slips constantly under the radar to help at every turn. Bernthal, as Menelaus may be the King of Sparta, but he is also the only man who tells Telemachus the truth as it truly is about his father, and why he needs to transform from a boy to a man, and quickly.
Morton as Aeaea is so stunning and amazing to watch. Her calm demeanor, even during frightening moments, just tickled me so much. There truly isn’t anything this actress can’t do, but I can honestly say I’ll never forget her in this role. Nyong’o as Helen of Troy is equally amazing in this role. Even though it may be smaller, it still has such strong moments. Theron, as Calypso has kept Odysseus at bay as the story starts to come to the surface. Her role is also quiet in a sense, and she makes it her own. Zendaya as Athena is just a presence trying to help Odysseus come to terms with his own decisions, and she is stunning for it.
A shout-out to Ryan Hurst as Mentor for two reasons: 1) His character is the man standing behind a King’s son no matter what, and 2) it’s about damn time he gets screen time in such an epic tale. Am I partial? Absolutely!
Other cast include Bill Irwin as Polyphemus, Corey Hawkins as Polybus, Mia Goth as Melantho, Logan Marshall-Green as Melanthius, Elyes Gabel as Elatus, James Remar as Tiresias, Elliot Page as Sinon, Travis Scott as Bard, and Jimmy Gonzales as Cepheus.
The film starts out with Scott telling the story of Odysseus to all those in the hall, trying to get their hands, literally, on the queen. The story is that of the Trojan War. Now, with the audience’s attention, Nolan breaks into the epicness of not only Ithaca and the Queen’s plight but also of where Odysseus has been in his travels to get back home. The ride doesn’t hold back and doesn’t cut corners. As if the actors playing their spectacular roles weren’t enough, Nolan throws in effects that are so good it’s frightening. Seamless, beautiful, and adding such richness to the story that it is easy to forget they are effects.
There is not one thing wrong with THE ODYSSEY, even if Nolan takes liberties here and there in the storytelling. What audiences are going to get is battle scenes, equally epic creatures that have one goal: destroying Odysseus and his men, and a cast of characters that each has a story of their own to tell. Homer's poem is filled with so many themes, and although many thought it impossible to put it on the big screen, it clearly is not. In the hands of someone who understands both the poem and how to bring it to life, the audience will believe in the return of the word epic. We also get the flaws of humanity, the greed for power, loyalty, the insecurities of one man, dedication, revenge, and love on many levels. Who could ask for more?
In the end – defy the Gods!
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