Jeri Jacquin
Coming to theatres this week from writer/director Guy Moshe, Briarcliff and Inaugural Entertainment is the tale of war, greed, and trust about THE FIX.
Larry (Liam Neeson) is a CIA agent in 2021, dealing with a 2021 Special Ops mission in Kabul. When things go seriously wrong, the effects of it cause him debilitating pain. The death of his men and feeling as if he failed the team make it a struggle for him to continue in his role as a leader. Several years later, Tucker (Zachary Levi) is now the Special Ops leader, and Larry is once again the handler when things go wrong. This causes Tucker to have to deal with his own demons about his profession. One of them is being away from his young son, as his ex-wife Sophie (Annet Mahendru) has remarried and moved on with her life.
Taking a visit to see Larry after learning he is suffering from dementia, Tucker spends time and begins to hear ramblings from the elderly man. The most shocking is that in a hotel in Tehran, there is $25 million dollars stashed away and has been there since the Iranian Revolution. After seeing that his former team is hurting in a way that money can help with, Tucker decides it's time to get the band back together. In order to make this work, Tucker must reach out to contacts who agree to help as long as they rescue activist Maryam (Lara Wolf).
To help with the mission, Tucker hires Zara (Elnaaz Norouzi), a young woman who can pose as Tucker’s wife and also speaks the language. Learning that the hotel no longer exists and is now a government facility. Tucker and his men will do what they do best: get in, get out, and get home! Of course, you have to know who to trust to make that happen.
Levi as Tucker is a man haunted by so many different things he doesn’t know where to even begin. From a mission that went to a place he can’t get past, to only seeing his son from a distance because of what he does, he decides to take one last job. Not for his own personal gain, but to help the men he shared years with in the military and the suffering each has gone through since then. Levi is fine for this role. He manages to pull off the right kind of swagger. His character has no clue what he’s gotten himself into, and it puts everyone, once again, in danger. I do enjoy the moments between his character and Neeson’s, a good watch.
Neeson as Larry has seen as much go wrong as Tucker has. Now, with a medical condition, he has one last big secret that he entrusts to Tucker. I love the fact that Neeson has always played diverse characters, whether they be good, bad, or indifferent in the storyline; I can always count on him to give it his all and love every moment of it. He may not have as much camera time as Levi, but when he is on, he is on point and doesn’t hold back!
Norouzi as Zara takes on the role of Tucker’s wife, and when things get very dangerous, she refuses to leave him. That’s when lines are crossed, making things even more dangerous than ever. Norouzi is a stunner and definitely gives the highly male cast a run for their money. Wolf as Maryam is an activist trying to help rescue Iranian women from a fate worse than death. She is headstrong and refuses to give in when she probably should. There comes a moment in the film where a decision she makes will have her feeling the same way Tucker does. So well done.
Shout-out to Mahendru as ex-wife Sophie. As mad as she might be at Tucker for the way he had handled the relationship with their son, when Tucker needs her, she knows exactly what to do. I loved that about her character. Also, Navid Negahban as Qasim, in charge of the military installation where the money is hidden, gets a chance to be the serious bad guy who is just as determined as Tucker to take American prisoners.
Other cast include Grant Harvey as Matt, Oliver Trevena as Col. Wilkes, Augusto Aguilera as Bruce, Despina Mirou as Katarina, and Wes Chatham as Alex.
THE FIX is a lengthy film that, quite honestly, didn’t need to be over a two-hour film. I appreciate keeping the backstory quick and to the point, allowing the story to evolve naturally, but there are moments that were dragged out and could have been cut altogether. There are several plot lines that I feel have been seen in other films as well. It doesn’t change the dynamic of the film; I’ve just seen enough films to recognize it.
The cast that director Moshe has put together works seamlessly together. The action can be very intense at times, as each person has their own reason for doing what they are doing. This is definitely a heist of a different kind, if you consider what the group is doing a heist. Fund relocation, perhaps? The set looks authentic to what one would expect of Iran and the behavior of bad men doing bad things.
There are plenty of twists, turns, lies, stretched-out truths, and men who want to take on this private mission for their own reasons. It is up to the audience to keep up with it all and pay attention to the small details. Between the lies and the truth are the facts that are about to change everything.
In the end – settle the score!
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