Jeri Jacquin
In theatres from director Gia Coppola and Roadside Attractions is the story of the life of THE LAST SHOWGIRL.
Shelly (Pamela Anderson) has spent thirty-years in a show called Razzle Dazzle in Las Vegas as one of its dazzling showgirls. A few of the younger showgirls, Mary-Anne (Brenda Song) and Jodie (Kiernan Shipka) look to Shelly for advice and friendship. Stage manager Eddie (Dave Bautista) keeps the show running like clockwork and the girls where they need to be during performances. Shelly’s best friend Annette (Jamie Lee Curtis) is a cocktail waitress who has the same Las Vegas mileage on her shoes.
Attempting to keep up with the younger dancers, it comes as a shock to her when Eddie finally comes clean to tell the girls that the show will be closing. This is the only life Shelly knows and now she needs to do what she hasn’t done in 30 years, audition for other shows. Life shifts again when Hannah (Billie Lourd) comes to town wanting answers to years of unanswered questions. Shelly is hardly in the mood to deal with it and leans on Annette as they both wonder where the time has gone.
As the show draws to a close, Shelly is going to make sure that everything about her final performance is bathed in the glitter and shine of Las Vegas!
Anderson as Shelly comes across as a showgirl who is happy with her life choices, even if they do not always settle right with others. The show is her life and as thirty years brings it to a close, so does the reality that once was can not be again. I loved watching Anderson take on this character from beginning to end with a bit of a young girls naiveness packaged in a showgirls wake up call. It is a wonderful performance.
Curtis as Annette tries to ignore the problems of a woman working in Las Vegas. Seeing the younger women coming up, their tips are better and the attention focused on them. The friendship with Shelly is one of understanding and realization that they both can not continue in the lights. Lourd as Hannah has a whole magazine rack full of issues and she doesn’t hesitate to throw it all out toward Shelly. Their relationship is complicated and conflicting as Lourd gives her character moments of forgiveness.
Song as Mary-Anne is extraordinary in this role who hasn’t given as much to the stage as Shelly and tries to truly understand how the show ending will effect her. Shipka as Jodie is someone that relies on Shelly for motherly advice and is the opposite of Mary-Anne in that Jodie only sees how the world has an effect on her.
Bautista as Eddie is a rather quiet man who knows how to do his job. He is the only person who doesn’t feel the strain of the show ending but tries to be compassionate in his own unique way toward the girls. The relationship between Shelly and Eddie has its own set of complications as well. Bautista is quiet in nature and a full head of hair so there’s that.
Roadside Attractions has, since 2003, grossed over $300M and garnered nineteen Academy Award nominations. They have had critical and commercial hits such as MANCHESTER BY THE SEA, BEN IS BACK, BEATRIZ AT DINNER, HELLO MY NAME IS DORIS, WINTER’S BONE and THE COVER as well as so many others. For more information of what Roadside Attractions has to offer please visit www.roadsideattractions.com.
THE LAST SHOWGIRL has garnered such awards from the San Sebastian International Film Festival with a Special Jury Prize for the cast, Zurich Film Festival’s Golden Eye Award, SCAD Savannah Film Festival, Miami Film Festival and Winter IndieWire Honor Awards for Pamela Anderson, Outstanding Feature Narrative from the Newport Beach Film Festival, and Astra Film Awards.
The film is written by Kate Gersten who takes on the task of telling the story of a woman who has spent the greater part of her life in one show. As the film progresses, it becomes clear what this life has cost the showgirl and Shelly comes to terms with those choices. In an odd way, this is what I would have envisioned the character of Nomi from the 1995 SHOWGIRLS life would have ended up being has she stayed in Las Vegas!
Beautifully shot, the film is also kept quite simple which gives the actors the spotlight perfectly. Each character is given enough time to show how they fit into Shelly’s life while, at the same time, the true story of her life comes into full view. Everything about the film carries with it the air of total believability that this could actually happen to a showgirl. Anderson captures this role and Coppola provides the stage to let the character razzle dazzle one last time. Brava!
In the end - this is her last call!
