Showing posts with label Sam Elliott. Show all posts
Showing posts with label Sam Elliott. Show all posts

Friday, October 5, 2018

A STAR IS BORN Sings onto the Screen




Jeri Jacquin

In theatres this Friday from director Bradley Cooper and Warner Bros. is two people filled with the need for music when A STAR IS BORN.

Jackson Maine (Bradley Cooper) is a musician-singer who can fill a concert arena singing his songs. On stage or off he also has a problem with staying away from alcohol. Even with Bobby (Sam Elliott) keeping an eye on him and cleaning up the messes, Jack is one hot mess.

After a concert, Jack doesn’t have his liquid courage in the car and asks his driver to pull over to the local bar. Recognizing him at the door is Ramon (Anthony Ramos) who insists on bringing him to the bar and buying Jack a drink. That’s when he realizes that he is in a drag bar and watches the show.

Ramon insists that Jack prepare himself to see his friend Ally (Lady Gaga) perform and almost immediately he is taken in. Going backstage to meet her, they go out for a drink after to discuss her want of music. Seeing she is a straight shooter makes Jack go even weaker in the knees and he wants her to come to a concert the next night.


After kissing their jobs goodbye, Ally and Ramon make it to the concert and Jack decides to get her onstage for a song. The next day on YouTube, dad Lorenzo (Andrew Dice Clay) can not believe what he is seeing. Excited beyond belief Ally begins a relationship with Jack that puts them on the stage together over and over again.

Ally is noticed by manager Rez (Rafi Gavron) who wants to blow her up everywhere. Believing in her talent is one thing and changing her is another and although she sees what is happening, Ally also knows she has to go to get. Jack begins to feel as if he is losing her in some way and responds accordingly. 

His path of self destruction begins to have an effect on their relationship. In one instant Ally sees how destructive Jack’s life has become because of the past, his ability to have relationships and where they are both going musically. Yet she will not give up or give in when it comes to the man who brought her love and music.

Love has amazing powers as long as you believe.


Cooper as Jack is pretty much front and center of the film and although that may be fine, the character is not new. The only thing ‘different’ in this story is a brother and an alcoholic father but it is muddled which just drove me crazy. There was nothing unexpected here which again supports my theory that remakes need to have a 75 year stamp on them. What might surprise viewers is that he sings the heartfelt songs with ease and together with Gaga they are sweet performances. 

Lady Gaga as Ally is sweet in this role but again, there is nothing new for me to see here. Vocally she is outstanding but then again would anyone expect anything less? The songs are lovely and touching. I think what drove me nuts is that she goes from being Ally in the beginning to actually becoming ‘Lady Gaga’ by the middle to end. That means I don’t see Ally anymore and there goes the film!

Elliott as Bobby has a few scenes and makes the most of them. The problem is that the scenes seem so disjointed and I suppose that could be because their storyline has such an age gap. I love Sam Elliott so I’m happy to see him in anything but if you are going to use this iconic actor in a role, do it well and do it memorably.

Clay as Dad Lorenzo is a proud papa and I’ll admit I didn’t know for at least five minutes that it was him. There are appearances by Dave Chappelle and Eddie Griffin but I’m not sure how that storyline fit into it all, again disjointed. It was good to see both of them so there’s that.

Other cast include Bonnie Somerville as Sally Cummings, Michael Harney as Wolfe, Willam Belli as Emerald, Rebecca Field as Gail, Eddie Griffin as Pastor and Dave Chappelle as Noodles.


Okay, here’s the rough part. I am an avid and devoted fan to the 1937 Janet Gaynor/Frederick March A STAR IS BORN. There is something amazing about that era so that the ’37 version is stunning, emotional and heartbreaking for me. The first time I saw it I knew I had to see it again and again (which I have). Gaynor and March cemented my love of black and white films.

In 1954, Judy Garland and James Mason brought their colorful film to the screen and man, oh man, did the voice of Judy Garland dig deeper into my heart. There is no one like her and there will never be again so to watch her in this version of A STAR IS BORN reminds me of how wonderful both of these actors were. I saw both of these films on television as a kid.

In 1976, Barbra Streisand and Kris Kristofferson brought A STAR IS BORN to the big screen and I can not stress enough how blow away I was at 16 years old. The presence of Streisand and Kristofferson could have been enough but when they both sang their respective songs I absolutely couldn’t breathe. When they sang together I had a tear and a smile on my face. Yes, I remember every emotion the first time I saw the film because I spent several weekends after at the matinee to experience it all again and again. That is what this version of the film did for me and it is a memory as clear as if it were yesterday.


So, here we are in 2018 and although the music is amazing and the two performers put it down emotionally, there is nothing in the story that is going to keep me going back again. I don’t want that to sound as if I’m saying the film isn’t good, it’s alright to my way of thinking but because I hold the other films so dear – there just isn’t room for another version. It just didn’t need to be re-told, re-imagined, re-thunk or any other re…the studio should have just released the original in theatres like they are doing with SUPERMAN.

I know, I know, I’m going to get chided for my opinion but we all know it’s the truth. Understand there is so many original scripts out there waiting to be discovered and made into films that I just do not understand why Cooper thought this was in any way necessary. Why Hollywood, why?

Okay, I’m done. I know there are many people who are excited about the film so go and be excited. Cooper and Gaga can sing so enjoy that and pick up the soundtrack which I think has the potential to be so successful (just please don’t do a sequel Gaga!)

In the end – the music brought them love!



Thursday, June 15, 2017

THE HERO is an Absolute Winner





Jeri Jacquin

In theatres from writer/director Brett Haley and The Orchard is a performance that brings us THE HERO.

Lee Hayden (Sam Elliott) is an out of work actor who is about to discover his mortality. Given medical news that requires almost immediate action, Lee isn't sure what he wants to do.

Sitting with fellow out of work actor Jeremy (Nick Offerman), Lee has an opportunity to share the news with someone. Instead he tells Jeremy that he is getting ready to make another movie. He also meets Charlotte (Laura Prepon), a younger free spirited woman who happens to be a stand up comic. They take a liking to one another but Lee is distracted dealing with life.

Visiting his ex-wife Valarie (Katharine Ross), he tries to tell her as well but ends up asking about their daughter Lucy (Krysten Ritter) who seems to be avoiding him. Lee tries to invite Lucy to be his date to receive a Lifetime Achievement Award but receives a cold response. So he takes Charlotte who introduces Lee to a night of induced fun.


Charlotte invites Lee to see her stand up comedy stylings. He is devastated by what he hears and a tail spin ensues as Lee being to feel every moment of his life on his shoulders. You can run or swim in any kind of bottle through life and Lee learns that the hard way.

To his surprise there is a great potential for forgiveness, friendship, love and a chance to make his life a good one.

It is never too late to see the love!

Elliott as Lee is everything audiences have come to love about this actor and more. His magnificent slow cowboy drawl and full on mustache has always been recognizable. From his debut in the 1969 BUTCH CASSIDY AND THE SUNDANCE KID to THE SACKETTS in 1979 his cowboy persona wins. His side-eye and mischievous grin has become iconic and even more so in the 1989 film ROAD HOUSE. 

Elliott was quoted as saying, “I think I might have been a more interesting actor, had more of a career earlier on, if I had more formal preparation”. Not taking away how you feel there Sam but audiences continue to be thrilled by past performances and are going to be stunned with THE HERO.


Prepon as Charlotte is an interesting woman who sees past Lee’s age. To her there is a mystery too be unraveled about Lee but at the same time embraces her free spirit. That being said, he ‘take-it-or-leave-it’ attitude is also a bit of a façade.

Offerman as Jeremy is the relaxingly baked comic relief yet a gentle spirit for Lee. Enjoying Lee’s company since he was a young actor seems to be enough for him. Their scenes together are both funny and touching.

Ritter as Lucy has a years worth of bones to pick with her father and she gets her chance. The problem is, as in life, wanting to call someone out on their flaws doesn’t always feel as good as you think it will and Lucy learns that. Ross as Valarie is still stunning and I personally was thrilled to see her back on the screen across her husband.

Other cast include Doug Cox as the Doctor, Max Gail as Gary Babcock, Jackie Joyner as Betsy, Patrika Darbo as Diane and Frank Collison as the Man in Dreams.

TUBS OF POPCORN: I give THE HERO five tubs of popcorn out of five. Elliott gives a powerful, intense, funny, charming and heartfelt performance without special effects, cgi or sappy music pulling the audience into the story. Instead, we go willingly into Lee’s life because the journey is one we all have faced.

Owning up to past mistakes, Elliott gives the character every bit of the complexities we understand and care about. We also get treated to knowing that no matter what age, we all can still do crazy stuff and be surprised by life.


The one moving piece of THE HERO is that redemption maybe painful but it is a fleeting pain in comparison to the compassion and love that can follow. THE HERO is beautifully filmed, stunningly cast and had the screening audience thrilled to have experienced every moment.

THE HERO was nominated for a Grand Jury Prize at the Sundance Film Festival and nominated Best American Independent Feature Film by the Cleveland International Film Festival for Brett Haley. The film won Honors for Outstanding Achievement in Filmmaking for actor Sam Elliott at the Newport Beach Film Festival.

Take a moment to experience a film that will bring out every human emotion we share in this journey through life.


In the end – this is where the past and his mortality collide!