THE STARLING Flies onto Netflix

 

Jeri Jacquin

Currently streaming on Netflix from director Theodore Melfi comes a story of loss, grief and dealing with THE STARLING.

Lilly (Melissa McCarthy) and husband Jack (Chris O’Dowd) are dealing with a loss in their family. Jack is so distraught that he is in a facility to receive therapy and medication. Lilly deals with her anxiety by working at the local supermarket being watched over by boss Travis (Timothy Olyphant).

It is suggested to Lilly that she seek therapy of her own with Dr. Larry Fine (Kevin Kline) once therapist turned small town veterinarian. Their connection is cock-eyed at best but going home she realize that her home is surrounded by painful memories. Making a change Lilly decides to put a garden in her front yard.

Digging and planting, she is side swiped by a starling who is not happy about her presence. Lilly is not about to let a bird stop her and the battle between human and bird is on! What Lilly does not realize is that the universe works in mysterious ways. Seeing Dr. Fine and dealing with a starling along with a husband Jack and his issues, she becomes more and more aware of what she wants for her life.

This is where grief and happiness learn to co-exist!

McCarthy as Lilly is her usual hysterical self but, in this role, there is also an element of grief that, although may cause a few chuckles, is completely understandable. What Lilly learns in this process is that everyone grieves differently and once that is accepted, healing can begin. McCarthy is sweet, brave, understanding but bubbling underneath the surface is her own anger and when it comes to the surface – stand back!

O’Dowd as husband Jack is so swallowed up by grief that he does not see that his wife is struggling as well. He finds reasons to stay as it is which means he does not have to accept the challenge of continuing on with life which is the goal. The telephone scene between O’Dowd and McCarthy is so tender and yet strong because it is the turning point for them both and I loved it.

Kline as Dr. Fine is quirky and yet under that is a compassion he is sees for Lilly and Jack. Its not that Lilly does not take pot shots at him because boy does she, yet Kline’s character sees the potential for them both. It is so good to see Kline in a film again doing what he does best, being that voice and figure of reason when everyone else has gone a little mad.

Shout out to Olyphant as the supermarket manager who always has something interesting to say at the wrong times. Also, to Skyler Gisondo as Dickie, a young man who befriends Lilly and is curious about the starling. Finally, to Loretta Devine who cracked me up as Velma.

Other cast include Daveed Diggs as Ben, aura Harrier as Sherri, Rosalind Chao as Fawn, Kimberly Quinn as Regina, Jesse Garcia as Hector, Edi Patterson as Margie, Emily Tremaine as Alice and Ravi Kapoor as Dr. Manmohan.

Netflix is the world's leading streaming entertainment service with over 158 million paid memberships in over 190 countries. Enjoying TV series, documentaries and feature films, Netflix is across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere and on any internet-connected screen. For more information, please visit www.netflix.com.

THE STARLING is a charming, heart-felt film that does not forget to make us laugh, even about things that are uncomfortable in this life. McCarthy handles herself in a way that reminds me – well, of me! That is her uncanny quality, to take on serious roles that are relatable. If you have not watched her in the series Nine Perfect Strangers playing Francis Welty, then you are really missing something wonderful.

O’Dowd gives us the other side of the coin as a man who climbs inside his emotions and lives there in grief. He refuses to see things through the eyes of his wife and that’s how deep his sadness goes. It is a dark place to be and O’Dowd does not hold back giving us another grief perspective.

The cast is wonderful together and I absolutely adored the scenes between McCarthy and Kline. Their repartee had a bit of a snippy bite on McCarthy’s side, but Kline’s character held his ground. Kline gives his character the understanding that grief can bring out the worst in human nature, but compassion is there waiting when they are ready.

The interaction between Lilly/McCarthy and the starling is creative, clever and hilarious. This is another battle to be fought but there comes a moment when both human and bird realize that a compromise of emotion needs to be reached, yet a starling will always be a starling.

THE STARLING is a film to enjoy for all reasons.

In the end – hope starts small!

 

The Are Together Because of a MASS

 

Jeri Jacquin

Coming from writer/director Fran Kranz and Bleecker Street comes the story of two couples that are trying to come to terms with the MASS.

Judy (Breeda Wool) and Anthony (Kagen Albright) are preparing a room in the basement of a church. Trying to make it comfortable and stress free, they meet with Kendra (Michelle N. Carter) who looks over everything giving it her seal of approval.

In the parking lot are couple Gail (Martha Plimpton) and Jay (Jason Isaacs), sitting in the car discussing if they are able to go inside. Gail becomes stressed at the mere idea of what they have decided to do on this day. Gathering their wits about them, they go inside to meet with Kendra entering the very quiet room set up for them.

A few minutes later, Linda (Ann Dowd) and Richard (Reed Birney) come into the room as both couples sit around a table. Kendra leaves them to talk but that is where the awkwardness begins. These two couples have come together to discuss their sons, death, reasons, excuses and pain that no one else in the world could know.

It is about to get real honest real fast!

Plimpton as Gail is, as the actress describes it, “is a woman who is kind of frozen. She loves her husband; she’s alienated and stuck there. She desperately wants to see a way out, but she is not able to navigate it. I wanted to find out where the character would take me.” She takes on this character’s pain, frustration and anguish to such a level that is believable and hits deep to the heart.

Isaacs as Jay is a man who wants to help the grief his wife is feeling but it is mixed with anger of his own. Trying to be more analytical than emotion is testing his own limits. “I read it and sobbed…how do people get beyond resentment; how do people get beyond hatred? How do people see their sworn enemies as human beings?” Issacs takes his character through all the gambit of emotions, but it takes saying everything he needs to find that place of living again.

Dowd as Linda is a woman who has wrapped herself with a shroud of grief and guilt never knowing which is going to take over. Just walking into the room, Dowd’s character is a shell and guilt is pouring out of every move she makes. “Hers is a heart injury and a soul injury that she does not believe will be released ever. She’ll move forward, just to be able to stay alive…she retained her kindness, and she did not put up the strong and tall wall to protect herself.”

Birney as Richard is a well dress businessman who sees everything straight forward even though it clearly is not. He speaks as a man who is hesitant to admit to anything wrong but when push comes to shove, it is the way he speaks that brings out the frustration for Gail and Jay. “He [Richard] clearly does not want to be at this meeting. He’ll show up but he’s not going to be – intimidated by the situation in the room.”

Bleecker Street is a New York City film company that has brought outstanding films to the public. Their library includes TRUMBO, DENIAL, THE LOST CITY OF Z, BEIRUT, HOTEL MUMBAI, ORDINARY LOVE and THE ROADS NOT TAKEN. For more information on the titles from Bleeker Street please visit www.bleeckerstreetmedia.com.

MASS has its world premiere at the 2021 Sundance Film Festival.

“This is a movie about life after loss and the need for reconciliation,” says director Kranz. “I never imagined when I wrote it that it could fee so relevant and urgent, and I am honored to work with Bleecker Street in finding the largest audience possible for this story”.

MASS is a film that is so relevant as once something like this happens, we are shocked and speak about gun control then it stops. What is left behind are families – Moms, Dads, sister, brothers, aunts, uncle, grandparents, and friends who attempt to piece together the biggest question of all – why?

It is not that this film will answer those questions, instead, we are privy to the process of these two families sorting out the niceties, pleasantries and the brutal truth about what is really underneath. This is how they deal with the day-to-day life trapped in a swamp of toxicity. Its time for the truth, a reality check and to just breathe!

MASS is brilliantly done with no distractions on the screen as these four actors take this story head on and do not let up for the entire one hour and fifty minutes. Nothing slips by and excuses are not tolerated, instead, we are the fifth person in the room who is not allowed to speak but asked to feel. That is extremely powerful.

In the end – the only way out is to forgive.

She in Now Part of the LAND

 

Jeri Jacquin

Coming from director Robin Wright and Focus Features is a story of sadness and living in a dark place hoping to be rescued by the LAND.

Edee Mathis (Robin Wright) has packed up her life, thrown away her cell phone and went to live high up in the mountains where no one could possibly find her. Filled with an anguish she can not seem to control, Edee has also left behind sister Emma (Kim Dickens).

The cabin she now calls home is in disarray, in badly need of repair and sparse in furniture but each day Edee gets up and finds something to do. Her goal is to become totally self sufficient and live off the land with no help from anyone nor want to see anyone. When the winter comes, she had no idea how ill prepared she truly is.

In the middle of a storm she meets Miguel (Demian Bichir) and Alawa (Sarah Dawn Pledge) who try to help her. Edee and Miguel start up a friendship based on need, Edee needs someone to teach her how to hunt and Miguel needs to be a teacher. The line is drawn when she makes it clear that she has no interest in the outside world.

Fishing, hunting and gardening become her life with occasional visits from Miguel. Just when she is becoming comfortable, he announces that he might not be back for a while. Edee accepts it until time passes and she realizes that something is wrong. Now she has to decide if leaving her cabin will give her answers.

Wright as Edee is absolutely magnificent or maybe I just wish I could almost do what her character has done without the reasons of course. This character is stuck in a pain that permeates every pour of her being and Edee has not found a way to make sense of it. Wright gives us stages of sadness, discovery, angst, growth and acceptance – not only of the past but of her life. It is a deep portrayal by an actress who takes an emotional chance.

Bichir as Miguel is a man who accepts Edee for who she is and does not try to press and keeps his word on the outside world. Teaching her what it takes to survive in the mountains that she does not intend to leave, Miguel wants to at least make sure she can feed herself. As their friendship grows, he shares his humor, laughter and even vocals surrounded by the beauty of a place they both love so much.

Pledge as Alawa is a friend of Miguels but sees what Edee is putting herself through. Dickens as sister Emma has no idea where Edee has gone and wants to be there for her but Edee has made other plans.

Other cast include Warren Christie as Adam, Finlay Hissong as Drew, and Brad Leland as Colt.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

LAND is a twenty-nine day shoot and directorial debut for Wright and every frame is sheer perfection. The story is one of grief and the will to continue, even survive, when it is impossible to grasp it all. Wrapped also in the film is finding that place in the world where Edee can deal with it in her own unique way.

Another aspect of the film is the story of friendship between Edee and Miguel because they are so much alike. Miguel does not ask questions and Edee does not offer answers. Their friendship is solely based on hunting, drinking coffee watching the sunset over the vastness of her land and a wave of ‘see you later’ when they part.

That may seem strange to some people but in this film it works brilliantly. Both Wright and Bichir are so very talented that together they fill every inch of the screen with their characters. The film is slow paced and does not drag one bit, then again if it did I certainly did not feel it. Between the beautiful cinematography, the storyline and the two actors, LAND is a feast on so many levels of a wonderful film that is an experience.

In the end – a story of humanity in the face of uncertainty.

 

SOMETIMES ALWAYS NEVER is Silent Family Grief

Jeri Jacquin

Coming to Virtual Release from director Carl Hunter and Blue Fox Entertainment comes a story about SOMETIMES ALWAYS NEVER.

Alan (Bill Nighy) is widowed tailor and a bit of an eccentric who is taking a road trip with son Peter (Sam Riley) to discover whether Alan's other son Michael has finally been found. Disappearing after a tough game of scrabble, the years have been difficult for father and son Peter.

It isn't as if Alan has made it easy on anyone really, Peter has been feeling the emotional pinch for more years than he can count. Now married to Sue (Alice Lowe) with his own son Jack (Louis Healy), there is a new disconnect.

When the road trip does not work out, other than Alan meeting Margaret (Jenny Agutter) and Arthur (Tim McInnerny), Alan decides to spend time at Peter's house. Much to the dismay of Jack who must share his bunkbed set with grandpa, everyone is walking on eggshells.

Sue tells Peter that their son Jack has a bit of a crush on a girl two bus stops down and Jack is discovering that grandpa Alan might have a thing or two to teach him about the family and dressing snappy to get the girl.

All the while Alan is playing a game on the internet that leads him to believe that Michael is on the other end and reaching out. But when Alan goes missing, Peter is pushed to his limits.

This is a perfectly dysfunctional family that has more issues than a magazine rack!

Nighy has Alan is, as always, impeccable as this character. Calling for Alan to be a bit quirky and very, very smart - the film succeeds because of this talented and amazing actor. I have always enjoyed Nighy and the roles he chooses, and the last few years have continually proven his has it! His fearlessness makes me laugh, gives me heart squeezes and makes me listen to ever word whatever character he plays has to say. As Alan, he gives us all these qualities and gives it well.

Riley as Peter is a son who has lived in the shadow of a brother labeled the "prodigal son" for so long he just does not know who he is in the world. Son, husband, father - it is all blurred and giving him to much reason to be angry at Alan. His own silence has transferred to Jack and yet he does not see it, that is how powerful being angry at a past can be. Riley does such an amazing job and bouncing off of Nighy isn't as easy as it might look, but Riley gives it an exceptional shot and wins!

Healy as Jack is what I would consider a casualty of Alan and Peter's pain. He has grown into a young man that understands it is not good explaining things to his father and he does not even know his grandfather Alan - yet. The growth between the elder and grandson is so endearing and as a grandma I get it clearly.

Lowe as Sue actually likes Alan and has no problem with him staying with them for a bit. As much as Peter pushes away, it is Sue who doesn't go along with husbands' complaints. Agutter as Margaret has the same issues with a missing son as Alan but deals with them in a different way, much to the dismay of Peter.

Other cast include Ella-Grace Gregoire as Rachel, Alexei Sayle as Bill, Oliver Sincup as Young Peter, and Alan Williams as the Desk Officer.

Blue Fox Entertainment is a global film distribution and sales company specializing in connecting filmmakers to audiences and buyers in the United States and around the world internationally. For more of what Blue Fox Entertainment has to offer please visit www.bluefoxentertainment.com.

SOMETIMES ALWAYS NEVER is a sly look at family dysfunction when things are not said out loud. Father and son spend a lot of time being snarky with one another in an attempt to illicit a reaction to what the real problem is - brother Michael.

They have spent so much time not talking about it that the silence is at ear piercing decibels! Rather than talk it out and sharing how one person could walk away from a scrabble game, instead the trait of "no talking" has transferred onto Peter's son Jack and a new generation is not talking.

The reconnect is between grandpa Alan and grandson Jack who has only heard about how unhappy his father Peter is with their relationship. So, it's back to muttering, one-word answers or hiding up in a bedroom behind a computer screen.

That is not all too far from away many people see their family life and SOMETIMES ALWAYS NEVER is a look at that in your face. Yes, it is quirky, lovely, and very funny all wrapped up in an insightful story.

In the end - sometimes it is hard to find the right words.

M. Knight Shyamalan Brings Mystery to SERVANT

Jeri Jacquin

Currently on Apple TV+ from creator Tony Basgallop and M. Knight Shyamalan is the stunning and jaw dropping series SERVANT.

Chef Sean (Toby Kebbell) and television reporter Dorothy (Lauren Ambrose) are a couple that are dealing with the loss of their son Jericho.  At the suggestion of family friend, Sean gives Dorothy a doll that she sees as her son. Dealing with the situation, the arrival of the very young and meek Leanne Grayson (Nell Tiger Free) is hired to be Jericho's nanny. Following Dorothy's lead, it is Sean who waits until they are alone to inform Leanne that she doesn't have to pretend with him.

A few days after her arrival, Sean hears a baby crying and follows the sound to the nursery where Dorothy's doll has become a live baby. Freaking out, Sean calls brother-in-law Julian (Rupert Grint) to show him what has happened. Immediately Julian suspects that the new nanny has something to do with it and shares his theories with Sean.

Dorothy doesn't seem to notice the difference and is thrilled to be back to herself with a new baby and doing her reports once again. Leanne is actually fascinated and disturbed by the goings on in the Turner house with Sean's sous chef Tobe (Tony Revolori) taking an interest in her. At her husband's request, Dorothy starts asking questions about where Leanne is from and her life.

In the meantime, Julian is on the case hiring Matthew Roscoe (Phillip Brannon) to find out where this mysterious girl has come from and what she is up to. He can't wait to show his brother-in-law what they have discovered which deepens the mystery.

So, I'm going to stop right here because this is a series you absolutely have to experience for yourself!

Kebbell as Sean is an arrogant chef who loves his career and wife (even though they can, at times be mouthy to one another) and is twisted by what is happening. Giving a performance that mostly, so far, has this actor with a huge question mark above his head, also can't help but feel fatherly toward Jericho #2. I have to say that watching him great dishes during the show is pretty cool. He gets a chance to experience a one two punch of mystery and good eats and I'm all for that.

 

Ambrose as Dorothy is a woman who is proud of her reporter skills yet she seems to have blank screen when it comes to actually knowing what's going on in her own home. She's a good person with a quick wit and a protectiveness towards her family - including brother Julian. At first I was annoyed with Dorothy and then I just dropped my jaw and became in awe of her. Certainly most of us might behave differently but that isn't going to stop viewers from jumping on to her bandwagon to see where this ride is going to take us. Well done Ambrose!

Free as Leanne is a young girl who seems to be missing part of the real world in her life. Fascinated by the life she is beginning with the Turner's, she also seems to enjoy taking care of baby Jericho (that is, the doll that is now a real baby Jericho - confused yet?). Taking a liking to Dorothy, she begins to feel part of the family even if she gets snide comments and judgmental looks from both Julian and Sean.

Grint as Julian is a messed up human being who loves the wine at his brother-in-law's house. It is clear that he'd like nothing better than to expose Leanne for whoever he thinks she is but worrying about his sister has become a full time job. Julian wants to protect her from any more pain but this is a situation that isn't going to let that happen. Grint is on his game and I must admit to it being weird not hearing Ronald Weasly's voice come out. Trust me when I say that thought will fade fast because he is aaaaaamazing as Julian.

Brannon as Matthew is on the case by going with Julian to where Leanne says she comes from. What he finds disturbs him just as it would anyone else. Revolori as Tobe is attempting to be friends with Leanne but is confused by her reaction to things. That's not going to stop him from being Sean's best sous chef so we'll be seeing more of him in upcoming episodes.

Apple TV+ is a video on demand web television service of Apple Inc. The content is viewable through Apple's website and through Apple's TV app which is available through electronic devices. Accessible in about 100 countries, they distribute their own content and original programming.

The directing duties begin with Shyamalan taking the helm with the first episode Reborn, with the directing duties going to Daniel Sackheim for episode 2 Wood and 3 Eel. There are seven more episodes to bring the series to a climatic season finale with that feeling of 'awwwwwwwwwwwwwwwwwww!' knowing the wait it on.

SERVANT is a series that is going to have you wanting more and more and even more. The episodes are a half hour each which absolutely and totally drives me insane. That's probably what creator Basgallop had in mind in the first place. Sitting at his keyboard wondering what would be the best way to make everyone growl like a bear when the credits start to role - it worked so well played sir!

The show is a bit of brilliance and it is clear why Shyamalan would want to be part of it, the storyline is right up his professional ally. SERVANT is a mixture of feeling crazy, not understanding what is in front of us, twisting our brains trying to jump ahead and figure things out but then stopping because we can't get away from the crazy feeling. Now personally, I happen to like when a show does that and I'm not going to lie, SERVANT had me slapping my head a few times, yelling at the screen with 'what…THE…&$%@!' or 'you've GOT to be kidding me!'

Yet, I went back, again and again wanting more, wanting answers and wanting to be riveted and I got it (I still want more than a half hour but I guess you can't have everything - yet!). The show is creepy, eerie, maddening and filled with twisted humor moments. Apple TV+ has a hit on its hands and now I am curious to see the other series they have to offer and trust when I say I'll be checking them out for you so stay tuned.

In the end - there is not an easy mystery to unravel!

Tracing Love and Heartbreak with CORRESPONDENCE

Jeri Jacquin

Coming to DVD and Digital HD this week from writer/director Giuseppe Tornatore and 20^th Century Fox Home Entertainment is a emotional journey through CORRESPONDENCE.

Amy (Olga Kurylenko) is a college student who does dangerous stunt work part time. The love of her life is Professor Ed Phoerum (Jeremy Irons) and their relationship is very strong. Both very busy people they always make time for telephone calls, emails, texts and video chats looking forward to being reunited.

That is until Ed becomes so busy that several weeks go by and Amy wonders when they will come together again. While sitting in a lecture, Amy discovers that Ed has died. Confused, she can not even begin to understand how that is possible.

Ed isn’t finished however and letters begin to appear and text messages that take Amy on a journey of tears, pain and a sense of redemption. Following each piece of the puzzle, there are moments of total joy and equal moments of grief. Along the way she doesn’t realize that those involved are there for her.

It is a journey she must finish if she is to ever find joy again.

Kurylenko as Amy is a perfect actress to play this role. She brings every spectrum of emotion and her tears are completely believable. Dealing with the grief of losing Ed is only part of what she must endure. Even through her frustration, there are truths that she must face and Kurylenko plays out that journey beautifully.

Irons as Ed is just an amazing actor and it seems ridiculous to have to say so. His body of work is nothing short of stellar and although his role in this film is more vocal than visual, he carries his character with such exquisiteness and splendor. To be honest the words he speaks just ran through my heart and I wouldn’t have wanted it any other way.

Other cast include Oscar Sanders as Nicholas, Anna Savva as Angela, Irina Kara as Mamma, Ian Cairns as George, Simon Johns as Jason, James Warren as Rick and Shauna Macdonald as Victoria.

Twentieth Century Fox Home Entertainment brings award-winning global product and new entertainment to DVD, Bluray, and Digital HD. There amazing collection offers fans an opportunity to expand their own home libraries with the best films. To discover what other titles they have please visit www.fox.com.

CORRESPONDENCE is an emotional film filled with so much love, devotion and heartbreak all in one story. Taking the journey with Amy trying to discover the next clue or the next letter or text was intense to be a part of. That’s the true nature of this film in that the viewer, perhaps without even realizing it, finds themselves joining Amy in her discoveries.

With Kurylenko’s charged character and Irons voice leading us where she sometimes don’t want to go, it all becomes clearer and clearer. In that clearing is the release from the grief and confusion that sometimes comes from a magnificent love that most fear won’t come once let alone ever to come again.

CORRESPONDENCE contains not only the DVD but also the Digital HD which allows viewers to instantly stream and download onto their television, computer, tablet and Smartphone.

This is definitely a tissue testing film and I’m not at all upset about that, especially when it is a story of life and death and what we do after that.

In the end – it is a forbidden love filled with undying devotion.