War Has Built in PRESSURE on Bluray

 

Jeri Jacquin

Currently on streaming, on Bluray and Digital from director Anthony Maras, Focus Features and Universal Pictures Home Entertainment comes the true story of the seventy-two hours before D-Day, when they are all under PRESSURE.

The plans have been made, and General Dwight D. ‘Ike’ Eisenhower (Brendan Fraser) is preparing for all contingencies. The one thing he cannot predict? The weather. That’s when the general calls in Group Captain James Stagg (Andrew Scott), a man recommended by Churchill himself. His job is clear: to do whatever is needed to accurately predict the weather on June 5th, 1944, when all the Allied Forces are due to land on the beaches of Normandy.

Stagg is a no-nonsense man who gets to work, even if Eisenhower’s weather prediction by Irving Krick (Chris Messina) says everything is a go in sunny skies. Keeping an eye on Stagg is the general’s right-hand woman, Kay Summersby (Kerry Condon), who sees that Stagg is up against it. When called to give a briefing, Stagg tells a room full of military men things they don’t want to hear. The loudest complaint comes from Bernard Montgomery (Damian Lewis).

When Stagg and Krick are at odds with one another, it is on Eisenhower’s shoulders to make the decision that will decide the fate of every soldier who is to hit that beach. There are memories he deals with that make his choice between the two men’s reports extremely difficult. When the choice is made for him, Stagg and Krick come together, and there is only one moment in the clouds that turns the tide.

Fraser, as General Dwight D. Eisenhower, hits the screen in a bold approach to the role. Anyone who knows history will immediately pick up on the fact that Fraser does not attempt to mimic the historical figure. Instead, the actor portrays him as a deeply human leader under extraordinary strain. Fraser’s Eisenhower is tired, somewhat guilt-ridden, and quietly desperate, all while maintaining a general’s outward appearance. Fraser’s emotional depth ultimately anchors the film.

Scott as Stagg brings in meteorologist James Stagg as a man who clearly understands the assignment, literally. Scott captures the anxiety of a man whose calculations could change history, portraying Stagg as both brilliant and haunted by the weight of responsibility. His performance injects urgency into scenes that might otherwise feel static. I’m a huge fan of Scott, and this performance in PRESSURE is absolutely one of the reasons why.

Condon as Summersby portrays a woman who clearly understands what it means to know her boss. Strong, very intelligent, and swift in her delivery, Condon also portrays a person who is in the midst of a war, never forgetting her humanity. I adore that about this character. Messina, as Krick, is the polar opposite of Stagg. He may be a man of weather science, but he tends to lead with more of a lax attitude than his counterpart. Following charts and patterns instead of reality, it is what causes conflict. Well done.

Lewis, as Montgomery portrays a man who is definitely in war mode, and he doesn’t want anything, even the weather, to get in his way of success. He doesn’t believe in what Stagg is trying to do and is often very confrontational with Eisenhower. Watching the top brass have a go at one another can be amusing, but Eisenhower knows how to put a stop to that!

Other cast include Tamsin Topolski as Lizz Stagg, Jojo Macari as Andrew Carter, Con O’Neil as Air Marshal Leigh-Mallory, Alexander Hanson as General Omar Bradley, and Robert Portal as Admiral Bertram Ramsay.

Universal Pictures Home Entertainment has just added an amazing film to their library and is making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available, from scary to drama to family films. For more of what they have to offer, please visit www.uphe.com.

MOVIES ANYWHERE gives viewers the ability to download the Movies Anywhere App. With that, you can view films by downloading or streaming to your favorite device using a Digital Code. For more information on Movies Anywhere, please visit www.MoviesAnywhere.com.

Exclusive Bonus Features include Building Pressure: Go behind the scenes as the filmmakers and cast break down the story’s origins and the complex characters who were pivotal in changing the course of history, and An Authentic World of War: From set design and camera choreography to period props and costumes, filmmakers reveal the details they used to shape an accurate recreation of the era.

In PRESSURE, director Anthony Maras delivers a gripping and unexpected take on World War II, shifting focus away from the battlefield and into the tense confines of Allied command rooms. Centered on the crucial days leading up to D-Day, the film explores how one decision—based largely on uncertain weather forecasts—could determine the fate of thousands.

What makes PRESSURE so compelling to watch is its restraint. This is not a traditional war epic filled with explosions and combat sequences. Instead, it thrives on dialogue, moral dilemmas, and the suffocating tension of uncertainty. The film unfolds like a high-stakes chess match, where every move is debated, second-guessed, and fraught with consequences.

Visually, the film leans into tight rooms where decisions are made, which adds another level to the title of the film. War rooms are tense, where a ticking clock is what replaces gunfire. There are a few moments where the film takes a breather in its pace, but the film succeeds in offering a fresh perspective on a well-known historical event. The film does remind me of other historical pieces such as CHURCHILL and THE IMITATION GAME.

PRESSURE is a thoughtful and quietly intense drama. It may not satisfy viewers looking for action-heavy war spectacle, but for those interested in the human side of leadership and the invisible forces that influence monumental decisions, it delivers a compelling experience.

In the end – one decision changed the world!

War Has Built-In PRESSURE

 

Jeri Jacquin

Coming to theatres from director Anthony Maras, Studio Canal and Focus Features comes the true story of the seventy-two hours before D-Day, when they are all under PRESSURE.

The plans have been made, and General Dwight D. ‘Ike’ Eisenhower (Brendan Fraser) is preparing for all contingencies. The one thing he cannot predict? The weather. That’s when the general calls in Group Captain James Stagg (Andrew Scott), a man recommended by Churchill himself. His job is clear: to do whatever is needed to accurately predict the weather on June 5^th, 1944, when all the Allied Forces are due to land on the beaches of Normandy.

Stagg is a no-nonsense man who gets to work, even if Eisenhower’s weather prediction by Irving Krick (Chris Messina) says everything is a go in sunny skies. Keeping an eye on Stagg is the general’s right-hand woman, Kay Summersby (Kerry Condon), who sees that Stagg is up against it. When called to give a briefing, Stagg tells a room full of military men things they don’t want to hear. The loudest complaint comes from Bernard Montgomery (Damian Lewis).

When Stagg and Krick are at odds with one another, it is on Eisenhower’s shoulders to make the decision that will decide the fate of every soldier who is to hit that beach. There are memories he deals with that make his choice between the two men’s reports extremely difficult. When the choice is made for him, Stagg and Krick come together, and there is only one moment in the clouds that turns the tide.

Fraser, as General Dwight D. Eisenhower, hits the screen in a bold approach to the role. Anyone who knows history will immediately pick up on the fact that Fraser does not attempt to mimic the historical figure. Instead, the actor portrays him as a deeply human leader under extraordinary strain. Fraser’s Eisenhower is tired, somewhat guilt-ridden, and quietly desperate, all while maintaining a general's outward appearance. Fraser’s emotional depth ultimately anchors the film.

Scott as Stagg brings in meteorologist James Stagg as a man who clearly understands the assignment, literally. Scott captures the anxiety of a man whose calculations could change history, portraying Stagg as both brilliant and haunted by the weight of responsibility. His performance injects urgency into scenes that might otherwise feel static. I’m a huge fan of Scott, and this performance in PRESSURE is absolutely one of the reasons why.

Condon as Summersby portrays a woman who clearly understands what it means to know her boss. Strong, very intelligent, and swift in her delivery, Condon also portrays a person who is in the midst of a war, never forgetting her humanity. I adore that about this character. Messina, as Krick, is the polar opposite of Stagg. He may be a man of weather science, but he tends to lead with more of a lax attitude than his counterpart. Following charts and patterns instead of reality, it is what causes conflict. Well done.

Lewis, as Montgomery portrays a man who is definitely in war mode, and he doesn’t want anything, even the weather, to get in his way of success. He doesn’t believe in what Stagg is trying to do and is often very confrontational with Eisenhower. Watching the top brass have a go at one another can be amusing, but Eisenhower knows how to put a stop to that!

Other cast include Tamsin Topolski as Lizz Stagg, Jojo Macari as Andrew Carter, Con O’Neil as Air Marshal Leigh-Mallory, Alexander Hanson as General Omar Bradley, Robert Portal as Admiral Bertram Ramsay,

In PRESSURE, director Anthony Maras delivers a gripping and unexpected take on World War II, shifting focus away from the battlefield and into the tense confines of Allied command rooms. Centered on the crucial days leading up to D-Day, the film explores how one decision—based largely on uncertain weather forecasts—could determine the fate of thousands.

What makes PRESSURE so compelling to watch is its restraint. This is not a traditional war epic filled with explosions and combat sequences. Instead, it thrives on dialogue, moral dilemmas, and the suffocating tension of uncertainty. The film unfolds like a high-stakes chess match, where every move is debated, second-guessed, and fraught with consequences.

Visually, the film leans into tight rooms where decisions are made, which adds another level to the title of the film. War rooms are tense, where a ticking clock is what replaces gunfire. There are a few moments where the film takes a breather in its pace, but the film succeeds in offering a fresh perspective on a well-known historical event. The film does remind me of other historical pieces such as CHURCHILL and THE IMITATION GAME.

PRESSURE is a thoughtful and quietly intense drama. It may not satisfy viewers looking for action-heavy war spectacle, but for those interested in the human side of leadership and the invisible forces that influence monumental decisions, it delivers a compelling experience.

In the end – one decision changed the world!

Celebrate the 20th Anniversary of PRIDE & PREJUDICE

 

Jeri Jacquin

Coming to 4K Ultra HD, Bluray and Digital from director Joe Wright, Focus Features and Universal Pictures Home Entertainment is a celebration of the stunning Jane Austen story of PRIDE & PREJUDICE.

In England, Mr. Bennet (Donald Sutherland) and Mrs. Bennet (Brenda Blethyn) live a relatively quiet life in Hertfordshire. Along with daughters Jane (Rosamund Pike), Elizabeth (Kiera Knightley), Mary (Talulah Riley), Kitty (Carey Mulligan), and Lydia (Jena Malone), their home is always lively with the young girls as Mrs. Bennet attempts to find husbands for them all. She is thrilled when a ball is announced at Netherfield Hall and the young bachelor Charles Bingley (Simon Bingley) will attend with sister Caroline (Kelly Reilly).

The family gathers together for the carriage ride to the event where Jane is quite taken with Charles. Along with them is family friend Mr. Darcy (Matthew Macfadyen), who Elizabeth immediately sees as extremely full of himself, especially when she overhears him speaking so ill of her. The next day when Jane visits Netherfield Hall once again, she falls ill and Charles immediately wishes for her to stay until she is well. Elizabeth follows days later to check on her sister only to be met by Mr. Darcy and a very side-eyed Caroline.

At home, more pressing issues are about to arrive in the form of Mr. Collins (Tom Hollander), a clergyman who would be next in line to inherit the Bennet home and on the serious hunt for a wife to the advice of his patron Lady Catherine de Bourgh (Judi Dench). The girls also meet George Wickham (Rupert Friend), a soldier who has some ties to the Darcy family. After a bit of wife seeing, Mr. Collins and Elizabeth’s friend Charlotte (Claudie Blakley) seem to have hit it off. Jane is taken with Charles but there is someone in their way, the same someone who asks for Elizabeth’s hand with a swift rejection and a chastising regarding Mr. Wickham.

Darcy gives Elizabeth a letter to explain things she could not possibly know as she takes a trip with Mr. Gardiner (Peter Wight) and wife Mrs. Gardiner (Penelope Wilton). Turn after turn of events bring Mr. Darcy and Elizabeth in each other’s company, from a mother who can’t stay out of her own way, a father who is happy to allow the chaos and daughters who each are unique in their ability to love. Welcome to the Bennet home!

Knightley as Elizabeth portrays her as a young woman who has no problem speaking her mind regarding mostly anything. She is sharp witted, very attentive to everything that is going on around her and a bit amused by the actions of her own mother. Love is not a part of her life seeming happy with her books, long walks and time with sister Jane. Knightley is flawless in her portrayal and constantly makes me laugh under my breath because her character is so relatable.

Macfadyen as Mr. Darcy has basically ruined many a woman with his portrayal of this dark brooding man who doesn’t have time for folly of any kind. That is until Elizabeth catches his eye and he finds himself a bit stunned by her in the way he reacts when she is around. His idea of love is, in fact, not so dissimilar than that of Elizabeth, they just have different ways of showing it. One would be hard pressed to find anyone who doesn’t think that the scene of Mr. Darcy walking through a field toward Elizabeth is anything but pure magic and memorable. Yes, Macfadyen gives Mr. Darcy the right amount of being misunderstood mixed with moments where the puppy dog eyes give everything away to anyone paying attention. So well done and, to be truthful, makes us all want a Mr. Darcy in our lives.

Sutherland as Mr. Bennet is a character I always thought to be misunderstood as well. When I speak to people about the book, this character is always seen as not caring about the girls and their plight of being female yet, I don’t see that. I believe Mr. Bennet is the quiet in the storm of chaos who absolutely understands the predicament of his daughters but it’s hard to see that through the noise of – Mrs. Bennet. Blethyn as she is boisterous, loud, emotional, plotter and drama queen of the story. I just love her in that sense as her life is lived in a constant state of panic.

Friend as Wickham is exactly the man mothers warn about with his charm and constant compliments all wrapped up in a lie. That being said, I think Friend is such a fabulous character actor and he proves it time and time again. Pike as Jane is such a shy bit of a young woman but truly loves her family. I have seen Pike’s range over the years from good female characters to crazy ones, but in this film, it is an opportunity to see her play such a delicate side. Malone as Lydia is just as much a whirlwind of chaos as her own mother, it’s a mini-me if you will. Mulligan as Kitty is charming and a cross between her mother and father in demeanor.

Hollander as Mr. Collins is the most irritating character of all but it does prove one thing, that the woman of the 18^th century had to keep their ladylike demeanor in the midst of a narcissist. That being said, I just love his inability to understand that only Lady Catherine has in interest in what Mr. Collins says. Woods as Bingley is the young man who has no problem showing his feelings and is completely enamored of Jane (and who wouldn’t be). I see his open heart as the tender mood of the film and so well done. Reilly as Caroline is using her stings early in preparing for the later role as Beth in the series Yellowstone!

Shout out to the grand dame herself, Dame Judi Dench as Lady de Bourgh. She has the amazing ability to make you love to dislike this character. The love part is her ability to throw a good glare and the dislike is pretty self-explanatory.

Other cast include Tamzin Merchant as Georgiana Darcy, Pip Torrens as Netherfield Butler, Roy Holder as Mr. Hill, Sinead Matthews as Mrs. Betsy, Meg Owen as Mrs. Reynolds, and Cornelius Booth as Col. Fitzwilliam.

Universal Pictures Home Entertainment has just added an amazing film to their library and making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

MOVIES ANYWHERE gives viewers the ability to download the Movies Anywhere App. With that you can view films by downloading or streaming to your favorite device using a Digital Code. For more information on Movies Anywhere please visit www.MoviesAnywhere.com.

Bonus Features include Conversations with the Cast, Jane Austen: A Head of Her Time, A Bennet Family Portrait, HBO First Look: PRIDE & PREJUDICE, The Politics of 18^th Century Dating, The Stately Homes of PRIDE & PREJUDICE and Feature Commentary with Director Joe Wright.

Deborah Moggach is the screenwriter of the film and she explains, “I tried to be truthful to the book, which is already a perfect three-act structure, so I haven’t changed a lot. It is beautifully shaped as a story – the ultimate romance about two people who think they hate each other.” Producer Paul Webster describes Pride & Prejudice as ‘the original romantic comedy’. Director Wright shares his thoughts that, “this is a film about love…like a fairytale on an emotional level, PRIDE & PREJUDICE is a true story worth telling again and again through the generations.”

Restored for the first time on 4K Ultra HD, the 20^th Anniversary Collector’s Edition comes in a stunning and elegance sleeve with lovely artwork. Inside, a book that opens to the discs followed by pages of stunning photographs, and an introduction by Paul Webster, Deborah Moggach, the cast, costumes designs and music. This is a beautiful way to embrace not only a beloved Jane Austen story, but to see and experience it again and again.

PRIDE & PREJUDICE is, and it must be said Austen is one of my adored writers, pure stunning in every way. The cinematography by Roman Osin lends itself to a beautiful character in the film from the small home of the Bennet’s to the adorned home of Mr. Darcy, the color and sharpness that is just breathtaking. The cast fits into their characters with such depth, no matter if their characters truly have character or not. The set designs are a true compliment to the story and I am always in for a period piece. The costumes done by Jacqueline Durran are impeccable and embrace the 18^th century. Now, the music, the luscious and intoxicating music created by the Italian composer Dario Marianelli and is joined by pianist Jean-Yves Thibaudet and English Chamber Orchestra. The album of the music just brings one back to the story in its place and time while making the heart skip a beat.  

It is time to gather up every Austen fan you know, every person who loves love for an evening of wine with a side of PRIDE & PREJUDICE. Let’s be honest, the last ten minutes of the film are everything to tender hearts everywhere and that is everything.

In the end – sometimes the last person on earth you want to be with is the one person you can’t be without!

Revisit the Goodbye with DOWNTON ABBEY: The Grand Finale

 

Jeri Jacquin

Coming to 4K UHD, Bluray and currently on Digital from director Simon Curtis, Focus Features and Universal Pictures Home Entertainment based on the story created by Julian Fellowes is the ending of an era with DOWNTON ABBEY: The Grand Finale.

It is the 1930’s and the Crawley family is learning to literally change with the times. Beginning with the visiting the London stage show with Guy Dexter (Dominic West) and assistant Barrow (Robert James Collier). Lord Grantham (Hugh Bonneville), Countess Cora (Elizabeth McGovern), Lady Edith (Laura Carmichael) and husband Bertie (Harry Hadden-Paton) go backstage and meet the ever-popular Noel Coward (Arty Froushan). It is the height of the season and the next evening Lady Petersfield (Joely Richardson) has a ball and Lady Mary (Michelle Dockery) is dressed to the nines. That is when Mary’s world comes once again crashing as news of her marriage changes her social status.

Coming back to England is brother Harold (Paul Giamatti) who is visiting to update Cora on their late mother’s estate bringing advisor Gus Sambrook (Alessandro Nivola). The family happily returns to Downton welcomed by butler Carson (Jim Carter) who is turning over the reins to Andy (Michael Fox) under the watchful eye of Mrs. Hughes (Phyllis Logan). He is not the only one retiring as Mrs. Patmore (Lesley Nicol) is also preparing to depart Downton and leaving it in the hands of Daisy (Sophie McShera). Anna (Joanne Froggatt) is still by Mary’s side as is husband Bates (Brendan Coyle) caring for his Lordship. Baxter (Raquel Cassidy) and Mr. Molesley (Kevin Doyle) are still part of the downstairs staff as well. They all know what is happening with Lady Mary and, as always, keep their knowing to themselves.

Arriving at Downton as well is Tom Branson (Allen Leech) bringing daughter Sybbie (Fifi Hart) to visit and be a support to the family and Lady Mary. Isobel (Penelope Wilton) also comes to the family to talk about the upcoming family-community event asking Daisy and Mr. Carson to be part of committee much to the dismay of Sir Moreland (Simon Beale). If all of this wasn’t enough on the Crawley calendar, decisions on changes that have Lord Grantham must now make in order to keep their legacy growing.

Each come to terms with where they have been in their time at Downton Abbey and know that change is not always something to fear.

Other cast include Paul Copley as Albert Mason, Douglas Reith as Lord Merton, Lisa Dillon as Princess Arthur, Sarah Crowden as Lady Manville, Oliver Barker as George, Eva Samms as Marigold, and Rose Galbraith as Lady Gwendoline.

Universal Pictures Home Entertainment has just added an amazing film to their library and making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

Bonus Features include Changing Times, Society Season – Lady Petersfield’s Ball, Ascot Race and the Country Show, Authentic to the Core, A Farewell to Fans, DOWNTON ABBEY Celebrates The Grand Finale and Feature Commentary with Director Simon Curtis and Actress Elizabeth McGovern.

Now, let me get my Downton Abbey teapot of Earl Grey, teacup/saucer and my delicate plate of madeleines and box of tissues before I start this. Okay, here we go –

I accidentally discovered DOWNTON ABBEY in 2011 while watching another success story with The Great British Baking Show. For year, those shows were my Sunday night back-to-back fun that I could not get enough of. The cast of DOWNTON ABBEY drew me in immediately (as I am a huge fan of period pieces in television and film) and the storyline was riveting, powerful and thought provoking. The Crawley family, being led by Lord Grantham, are important to the community providing positions in the household as well as farming. From the beginning, the family dynamics were so interesting with Cora being the American wife and three daughters who were clearly so very different. Navigating their world from two different perspectives and finding themselves lost occasionally, Robert and Cora were the stabilizing force of Downton. All of it played beautifully by Bonneville and McGovern with an ending that they deserved that was graceful and loving.

Mary, Edith and Sybil were headstrong, insecure, lovely and met the challenges that the world brought them. Mary found Matthew, Edith found Bertie and Sybil found her prince charming in Tom Branson. Dockery as Mary saw more than her fair share of difficulties but the fact is, when the time came, she knew how to stand tall no matter who tries to knock her down in a time where women scratched harder than we, today, could have imagined. Carmichael as Edith began as a shrinking violet in life, love and an older sister who, at times, was not very nice. Yet, the more she experienced, the more she literally grew and deserved a loving and happily ever after. Findlay played Sybil for years and has never been forgotten season after season up until the last.

Stevenson played Matthew and he, as well, was not forgotten for Mary and I adored that about her. Patton as Bertie gave us a man who was content in his life and when it turned around, he became secure in who he was to become with Edith at his side. Now let’s talk Branson, Leech gave us a bit of Irish rebellion while wearing a chauffer’s uniform. He loved Sybil, lost himself in trying to mix working class with Downtown Abbey and it was a story within itself. I loved watching Leech grow and it was so well done.

Downton could not have been without the staff who kept the household together beginning with Mr. Carson. His story began as a young man working in the Crawley household working his way up to butler and always keeping an eye on Lady Mary. He was tough, secretly gentle but always, always put Downton first! That caused a few eyerolls from Mrs. Hughes, played by Logan, who was a woman of straight talk, a shoulder to cry on and believed that every person in service could be more than they could ever have imagined. Sharing the downstairs was the woman behind the dinners as Mrs. Patmore, played by Nicole, who made the kitchen her place of creation with pride in those she cooked for. Keeping her company was McShera as Daisy, a wide eyed, questioning and sometimes moody “sous chef” who often wondered if she’d ever be as good as her mentor. She does finally find a life with Andy, played by Fox, who shares his story of climbing the ladder of service but with a subdued character that made him instantly likeable.

Taking care of Mary’s needs was Froggat’s Anna, a woman with heart, soul and a person that trouble seems to follow on the regular. I just adored the character of Anna as such a stable force among the downstairs and even when her life was just in shambles, she found her way back. Mr. Bates might have had something to do with that strength; Coyle is a man wounded by war but finds a safe space and a kinship with Lord Grantham while also being the man who takes care of the head of house. When his life becomes a roadmap of chaos, it is Anna that helps him consistently so watching their ending in this film was everything anyone could have hoped for.

Mr. Moseley, played by Doyle, is the insecure bumbler of a footman who always seems to find himself on the ins and then the outs of Downton until he accidentally stumbles into a line of work that he enjoys and provides. It also gives him a chance at love with Miss Baxter; Cassidy portrays her as a woman who is used for his back history until the day she stood tall and made a new life for herself. Who was using that back history? Well, that would be Mr. Barrow played brilliantly by James Collier. This actor spent years perfecting the man who we all loved to hate and then love again. A mixture of complexities had everyone guessing every episode whether we all wanted to shake him or hug him. In the finale, Barrow finds the missing piece of his life in silent film actor Guy Dexter played by West.

Wilton as Isobel takes the center controls with the absence of Maggie Smith as the Dowager Violet Crawley. Taking the lead in representing the family for the township, I adore her ability to remain steadfast and even cutting when she needed to be and what a relationship between Isobel and Violet that can never be matched or repeated ever again. In the final film, West returns as Dexter to say his final farewells to the Crawley’s and brings along Noel Coward in the form of Froushan and I loved every moment he was on screen. Giamatti returns as Cora’s brother Harold and is taught a lesson in sisterly tough love but knows he can always come ‘home’.

The film is stunningly beautiful with the costuming, the score is everything we have come to know and memorable and, of course, Downton Abbey itself in the form of Highclere Castle. Every time a vintage car pulled in it was the light sound of pebbles below the tires, the front door castes and the sound of the click of the latch, the library that held so many teas, the staircase that is surrounded by stunning artwork, the gallery that overlooked so many events, the lush green vast lawn that anyone would be happy to stroll along – all of it, breathtaking. There are many castles in Europe but to Downton Abbey fans, there is only one that stole our hearts. Not stolen really, more like held onto it until the saga came to its conclusion, then returned it to us with a bow and a ‘thank you’ for the years of dedication we also had to the show.

Finally, to creator Julian Fellowes, how can this woman ever thank you for your thoughtfulness, your ability to tell an amazing story that has kept the world captivated and talking, the time it took for your imagination to find its way onto paper then screen and for taking us all year after year on a journey as the world changed in so many ways for Downton and its inhabitants. These characters grew, changed, felt their worlds collapse only to be rebuilt into something stronger, found amazing joy, unexpected friendships, death of beloved characters and birth of new additions to the family. Thank you for giving me Violate Crawley in the body of Maggie Smith, the woman who had my heart and spoke the words I always wanted to on so many occasions. You kept her front and center even after we all had to say goodbye. It was all you sir, and the words ‘thank you’ feel not enough to express what you have brought to us all.

As I sit here and sit the last drop of my tea, I am comforted in the knowledge that right behind me is a Blu-ray of every season of DOWNTON ABBEY as well as the films that followed. Anytime I wish, I can return to the characters that I have loved so much. DOWNTON ABBEY: The Grand Finale was a hard watch, yes. Kleenex worthy? Absolutely. There are moments that just wrecked me and when the credits rolled on my television screen. It was an extraordinary experience and, I will remember it. Or, in the words of the beloved and iconic Dowager, “My dear, a lack of compassion can be as vulgar as an excess of tears”.

In the end – the time has come to say goodbye!

DOWNTON ABBEY: The Grand Finale

 

Jeri Jacquin

Currently in theatres from director Simon Curtis and Focus Features based on the story created by Julian Fellowes is the ending of an era with DOWNTON ABBEY: The Grand Finale.

It is the 1930’s and the Crawley family is learning to literally change with the times. Beginning with the visiting the London stage show with Guy Dexter (Dominic West) and assistant Barrow (Robert James Collier). Lord Grantham (Hugh Bonneville), Countess Cora (Elizabeth McGovern), Lady Edith (Laura Carmichael) and husband Bertie (Harry Hadden-Paton) go backstage and meet the ever-popular Noel Coward (Arty Froushan). It is the height of the season and the next evening Lady Petersfield (Joely Richardson) has a ball and Lady Mary (Michelle Dockery) is dressed to the nines. That is when Mary’s world comes once again crashing as news of her marriage changes her social status.

Coming back to England is brother Harold (Paul Giamatti) who is visiting to update Cora on their late mother’s estate bringing advisor Gus Sambrook (Alessandro Nivola). The family happily returns to Downton welcomed by butler Carson (Jim Carter) who is turning over the reins to Andy (Michael Fox) under the watchful eye of Mrs. Hughes (Phyllis Logan). He is not the only one retiring as Mrs. Patmore (Lesley Nicol) is also preparing to depart Downton and leaving it in the hands of Daisy (Sophie McShera). Anna (Joanne Froggatt) is still by Mary’s side as is husband Bates (Brendan Coyle) caring for his Lordship. Baxter (Raquel Cassidy) and Mr. Molesley (Kevin Doyle) are still part of the downstairs staff as well. They all know what is happening with Lady Mary and, as always, keep their knowing to themselves.

Arriving at Downton as well is Tom Branson (Allen Leech) bringing daughter Sybbie (Fifi Hart) to visit and be a support to the family and Lady Mary. Isobel (Penelope Wilton) also comes to the family to talk about the upcoming family-community event asking Daisy and Mr. Carson to be part of committee much to the dismay of Sir Moreland (Simon Beale). If all of this wasn’t enough on the Crawley calendar, decisions on changes that have Lord Grantham must now make in order to keep their legacy growing.

Each come to terms with where they have been in their time at Downton Abbey and know that change is not always something to fear.

Other cast include Paul Copley as Albert Mason, Douglas Reith as Lord Merton, Lisa Dillon as Princess Arthur, Sarah Crowden as Lady Manville, Oliver Barker as George, Eva Samms as Marigold, and Rose Galbraith as Lady Gwendoline.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

Now, let me get my Downton Abbey teapot of Earl Grey, teacup/saucer and my delicate plate of madeleines and box of tissues before I start this. Okay, here we go –

I accidentally discovered DOWNTON ABBEY in 2011 while watching another success story with The Great British Baking Show. For year, those shows were my Sunday night back-to-back fun that I could not get enough of. The cast of DOWNTON ABBEY drew me in immediately (as I am a huge fan of period pieces in television and film) and the storyline was riveting, powerful and thought provoking. The Crawley family, being led by Lord Grantham, are important to the community providing positions in the household as well as farming. From the beginning, the family dynamics were so interesting with Cora being the American wife and three daughters who were clearly so very different. Navigating their world from two different perspectives and finding themselves lost occasionally, Robert and Cora were the stabilizing force of Downton. All of it played beautifully by Bonneville and McGovern with an ending that they deserved that was graceful and loving.

Mary, Edith and Sybil were headstrong, insecure, lovely and met the challenges that the world brought them. Mary found Matthew, Edith found Bertie and Sybil found her prince charming in Tom Branson. Dockery as Mary saw more than her fair share of difficulties but the fact is, when the time came, she knew how to stand tall no matter who tries to knock her down in a time where women scratched harder than we, today, could have imagined. Carmichael as Edith began as a shrinking violet in life, love and an older sister who, at times, was not very nice. Yet, the more she experienced, the more she literally grew and deserved a loving and happily ever after. Findlay played Sybil for years and has never been forgotten season after season up until the last.

Stevenson played Matthew and he, as well, was not forgotten for Mary and I adored that about her. Patton as Bertie gave us a man who was content in his life and when it turned around, he became secure in who he was to become with Edith at his side. Now let’s talk Branson, Leech gave us a bit of Irish rebellion while wearing a chauffer’s uniform. He loved Sybil, lost himself in trying to mix working class with Downtown Abbey and it was a story within itself. I loved watching Leech grow and it was so well done.

Downton could not have been without the staff who kept the household together beginning with Mr. Carson. His story began as a young man working in the Crawley household working his way up to butler and always keeping an eye on Lady Mary. He was tough, secretly gentle but always, always put Downton first! That caused a few eyerolls from Mrs. Hughes, played by Logan, who was a woman of straight talk, a shoulder to cry on and believed that every person in service could be more than they could ever have imagined. Sharing the downstairs was the woman behind the dinners as Mrs. Patmore, played by Nicole, who made the kitchen her place of creation with pride in those she cooked for. Keeping her company was McShera as Daisy, a wide eyed, questioning and sometimes moody “sous chef” who often wondered if she’d ever be as good as her mentor. She does finally find a life with Andy, played by Fox, who shares his story of climbing the ladder of service but with a subdued character that made him instantly likeable.

Taking care of Mary’s needs was Froggat’s Anna, a woman with heart, soul and a person that trouble seems to follow on the regular. I just adored the character of Anna as such a stable force among the downstairs and even when her life was just in shambles, she found her way back. Mr. Bates might have had something to do with that strength; Coyle is a man wounded by war but finds a safe space and a kinship with Lord Grantham while also being the man who takes care of the head of house. When his life becomes a roadmap of chaos, it is Anna that helps him consistently so watching their ending in this film was everything anyone could have hoped for. Mr. Moseley, played by Doyle, is the insecure bumbler of a footman who always seems to find himself on the ins and then the outs of Downton until he accidentally stumbles into a line of work that he enjoys and provides. It also gives him a chance at love with Miss Baxter; Cassidy portrays her as a woman who is used for his back history until the day she stood tall and made a new life for herself. Who was using that back history? Well, that would be Mr. Barrow played brilliantly by James Collier. This actor spent years perfecting the man who we all loved to hate and then love again. A mixture of complexities had everyone guessing every episode whether we all wanted to shake him or hug him. In the finale, Barrow finds the missing piece of his life in silent film actor Guy Dexter played by West.

Wilton as Isobel takes the center controls with the absence of Maggie Smith as the Dowager Violet Crawley. Taking the lead in representing the family for the township, I adore her ability to remain steadfast and even cutting when she needed to be and what a relationship between Isobel and Violet that can never be matched or repeated ever again. In the final film, West returns as Dexter to say his final farewells to the Crawley’s and brings along Noel Coward in the form of Froushan and I loved every moment he was on screen. Giamatti returns as Cora’s brother Harold and is taught a lesson in sisterly tough love but knows he can always come ‘home’.

The film is stunningly beautiful with the costuming, the score is everything we have come to know and memorable and, of course, Downton Abbey itself in the form of Highclere Castle. Every time a vintage car pulled in it was the light sound of pebbles below the tires, the front door castes and the sound of the click of the latch, the library that held so many teas, the staircase that is surrounded by stunning artwork, the gallery that overlooked so many events, the lush green vast lawn that anyone would be happy to stroll along – all of it, breathtaking. There are many castles in Europe but to Downton Abbey fans, there is only one that stole our hearts. Not stolen really, more like held onto it until the saga came to its conclusion, then returned it to us with a bow and a ‘thank you’ for the years of dedication we also had to the show.

Finally, to creator Julian Fellowes, how can this woman ever thank you for your thoughtfulness, your ability to tell an amazing story that has kept the world captivated and talking, the time it took for your imagination to find its way onto paper then screen and for taking us all year after year on a journey as the world changed in so many ways for Downton and its inhabitants. These characters grew, changed, felt their worlds collapse only to be rebuilt into something stronger, found amazing joy, unexpected friendships, death of beloved characters and birth of new additions to the family. Thank you for giving me Violate Crawley in the body of Maggie Smith, the woman who had my heart and spoke the words I always wanted to on so many occasions. You kept her front and center even after we all had to say goodbye. It was all you sir, and the words ‘thank you’ feel not enough to express what you have brought to us all.

As I sit here and sit the last drop of my tea, I am comforted in the knowledge that right behind me is a Blu-ray of every season of DOWNTON ABBEY as well as the films that followed. Anytime I wish, I can return to the characters that I have loved so much. DOWNTON ABBEY: The Grand Finale was a hard watch, yes. Kleenex worthy? Absolutely. There are moments that just wrecked me and when the lights came up in the theatre, I was so surprised to see that there wasn’t a dry eye in the seats. We all looked at one another and sort of giggled, passing tissue and felt that we had just experienced one of the best endings of a series ever. Strangers had become talking friends walking out of the theatre with tears turning into laughter and hugs. It was an extraordinary experience and, I will remember it. Or, in the words of the Dowager, “My dear, a lack of compassion can be as vulgar as an excess of tears”.

In the end – the time has come to say goodbye!

 

 

 

Day Three at CinemaCon Brings Dragons!

 

Jeri Jacquin

The third day of CinemaCon and a bit of weather doesn’t change what this amazing convention brings in its four days in Las Vegas. After breakfast, which is a fantastic time to catch up about what has been presented so far and what has interested each of us the most, it is time to move on to the days first presentation.

Angel Studios was founded in 2013 by Neal, Daniel, Jeffrey and Jordan Harmon who wanted then to create a studio that provides empowering films. Presenting their slate for the second year at CinemaCon, their philosophy is one of community and providing, what they call, a “viable family-friendly alternative to Hollywood”. The most recent success for Angel Studios is the television series The Chosen and the film Sound of Freedom. One of my favorites from the studio is the film SIGHT which is the true story of Dr. Ming Wang becoming a renowned eye surgeon. Coming to theatres next week is the animated THE KING OF KINGS. During their presentation they spoke about “the Angel Guild” which is a audience-driven entertainment landscape. They also announced that a Toronto International Film Festival choice of SKETCH with Tony Hale and D’Arcy Caden is under their umbrella and will hit theatres August 6^th.

The biopic TRUTH & TREASON is set for October and is a Holocaust story and the thriller ZERO A.D. directed by Alejandro Monteverde. The film has an impressive line up with heavy hitters with Deva Cassel, Gael Garcia Bernal, Ben Mendelsohn, Sam Worthington and Jim Caviezel. The latter actor has been known to be open about his faith and chooses that important part of his life over his career so Angel Studios is the place to be for Caviezel. Another actor who shares that his faith is a significant influence is Neal McDonough who has co-written the film THE LAST RODEO due in studios in May. Brandon Purdie, Executive Vice President and Head of Theatrical Distribution says of their presentation this morning, “At CinemaCon 2025, we unveiled the most ambitious and cinematic slate in Angel Studios’ history. There are no greater partners than the dedicated exhibitors who bring these stories to life on the big screen. We are all in on theatrical, bullish on the big screen, unwavering in our commitment to the theatrical window, and firm believers in the power of the shared moviegoing experience.” Their films have truly been successful as the box office shows.

Now it’s time to turn the lights down with the Universal and DreamWorks previewing of HOW TO TRAIN YOUR DRAGON. Prepare to return to the world of dragons and a friendship between a boy and a nightfury! Gerard Butler takes on the live-action character of Stoick the Vast.

Universal brings out their presentation reminding viewers of such offerings as BACK TO THE FUTURE, JURASSIC PARK, HOW TO TRAIN YOUR DRAGON, PSYCHO, JAWS DESPICABLE ME, CONCLAVE, OPPENHEIMER and WICKED. These films and so many more have left an iconic mark on the lives of movie-goers and brought film lines into our world like “we’re going to need a bigger boat!”. The dinosaur world isn’t done with us yet either as director Gareth Edwards offers up Scarlett Johansson and Mahershala Ali to talk about JURASSIC WORLD REBIRTH. It seems Johansson has been biding her time to get into the franchise saying, “This time I went to Steven Spielberg directly and told him I’ll play any role, even if I was eaten in the first five minutes. It’s an incredible honor to be here with Jurassic and we want to put the scares back into Jurassic.” Let’s just say from what I’ve seen, a T-rex chasing people in a dingy, sounds like a fun watch to me. DreamWorks is taking one of their beloved shows on Netflix and turning it into something on a larger scale with GABBY’S DOLLHOUSE and I personally know a few kids who are going to be thrilled about that. Universal is also taking a swing at a HOW TO TRAIN YOUR DRAGON sequel coming to theatres in 2027 so look for that. Tyriq Withers plays a football player with a head injury in HIM and there is going to be some more bustin’ and bruising coming to theatres when Bob Odenkirk returns in NOBODY 2.

Focus Features brings a slate of their own and one in particular is going to be a heartache for me but let’s get to that in a moment. First, Wes Anderson brings a cast that includes Benicio Del Toro, Michael Cera, Bryan Cranston, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch and the one and only Tom Hanks to star in THE PHOENCIAN SCHEME. Another director that likes the unusual is Yorgos Lanthimos and his next film BUGONIA with Emma Stone, Jesse Plemons, Alicia Silverton and more. Now, for my heartache, Focus Features comes to the screen one more time with DOWNTON ABBEY: The Grand Finale with a screenplay by Julian Fellowes and Carson telling everyone “Welcome to 1930”. Downton fans knew that one day this would come and I personally have watched the series over and over again along with the previous films but Kleenex is going to have to be included in the ticket price for sure. The cast we have come to love from both upstairs and down will be back for a final bow. Oh gosh, the tears just creeped in a little.

Blumhouse makes sure they are getting their turn at the frights with a trailer for FIVE NIGHTS AT FREDDY’S 2 as Jason Blum takes us all back at Freddy Fazbear’s Pizza and I’m already creeped out and that’s the point. Another of my family’s favorite films has a sequel as THE BLACK PHONE 2 is purported by Blum to be scarier than the first one a telephone ring and “Hello Finney, did you think our story was over?’ gave me chills. Ticket please! Want more frights? Well, M3Gan 2 brings a different look but same jaw drops and SOULMSTE is a little more adult but same crazy technology. Universal’s president Jim Orr teases of an upcoming Steven Spielberg film with “a return to form in the spirit of his monumental classics, with a propulsive, out of this world twist” which could basically be said of most of his films. Untitled for now, we will have to keep our eye on this one. Finally, producer Mark Platt and director Jon M. Chu get to talk about WICKED: For Good. For fans who are waiting for the second installment, Chu says, “Our second film deals with the consequences of the decisions made. This film brings us past the point where Dorothy drops in.”  Because, in the words of Elphaba, “this is between the wizard and I”.

The final presentation of the evening begins with Head of Prime Video & Amazon MGM Studios, Mike Hopkins. His first time at CinemaCon, Hopkins recalls seeing STAR WARS as a kid with his brother (something I can totally relate to with the hundreds of times I have seen the film since I was 16). He announces that the studio plans to offer up fifteen films a year by 2027 with 12-14 starting next year. He says, “It is still early days for us, and we have a ton of work to do but we are committed to epic, culturally, relative storytelling that needs to be seen on giant screens like the one behind me.” Later next year, Ryan Goslings film PROJECT HAIL MARY get a sneak peek. Gosling says of the film, “it’s an insanely ambitious story, massive in scope and so big we tried to put it on television once, it wouldn’t fit.”  That’s what happens when you make a film about space and a guy trying to save the world.

AFTER THE HUNT brings director Luca Guadagino (BONES AND ALL), and cast Andrew Garfield and Ayo Edebiri to talk about the thriller that also stars Julia Roberts as a college professor and situation that leads to secrets. Also shown is Michael Showalter’s VERITY and the remake of THE THOMAS CROWN AFFAIR with Michael B. Jordan. As a detective accused of a crime, Chris Pratt is seen in the footage for the film MERCY coming next January. A month after that is Hugh Jackman and Emma Thompson’s film THREE BAGS FULL: A Sheep Detective Movie. Two of my favorite actors together so I’ll be seeing it.

Another sneak peek is for the film CRIME 101 with Halle Berry and Chris Hemsworth. Directed by Bart Layton, he says, “from the very beginning, this movie was written, imagined, planned and dreamed for the big screen.”  Making her directorial debut, Aleshea Harris brings her own work to the screen with IS GOD IS with Vivica A. Fox, Kara Young and Mallori Johnson. Bassam Tariq brings YOUR MOTHER YOUR MOTHER with Mahershala Ali who has a message for the audience. Oh goodness my grown boys are going to get the first tickets in theatres to see MASTERS OF THE UNIVERSE!  Directed by Travis Knight and will be ready for fans next June, he says, “We’re not making a cartoon here!”.

Ben Affleck’s film THE ACCOUNTANT 2 bring he, Jon Bernthal, Daniella Pineda, Cynthia Addai-Robinson and director Gavin O’Connor to the stage and a look at what’s coming to theatres. Reflecting on his character, Affleck says, “It does feel great to continue the story of THE ACCOUNTANT. I’m thrilled to be playing this part again with this great cast. In some ways, I feel like this character never left me.

That’s the last for day three of CinemaCon with the last day tomorrow bringing all the fun to an end. Paramount and Disney are the last studios to bring their slates and then celebrate with awards at the end of the evening. See you then!

Holding on to His LAST BREATH

 

Jeri Jacquin

Coming to theatres this Friday from director Alex Parkinson and Focus Features is the true story of the men who live dangerously on their LAST BREATH.

Off the coast of Scotland in the North Sea, a ship takes divers Chris Lemons (Finn Cole), David Yuasa (Simu Liu) and veteran Duncan Allcock (Woody Harrelson) to replace a section of pipeline 300 feet down into the darkness of the ocean. Chris immediately tries to bond with David but land smack up against an emotional wall. The three men get into a diving bell as the seas above are rough from a storm.

The sea is thrashing the boat with 18-foot waves but Chris and David, tethered with an umbilical, are at the bottom beginning their 6-hour work underwater. What they done know is that the ship’s stabilizers stop working and it starts to drag the diving bell and the divers. Chris becomes entangled and the tether breaks. Panicking, David calms Chris saying that he will come back for him! Returning to the diving bell, the clock is ticking as Chris is running out of oxygen.

Commanding the ship is Captain Andre Jenson (Cliff Curtis), with the help of Hanna (MyAnna Buring), Craig (Mark Bonnar) and Mike (Josef Altin), do everything possible to get the boat back to where Chris is, including rebooting the ships systems. They each do what they can to bring Chris home as time is running out and they are not going to leave him behind!

Cole as Chris is a young man who cherishes time with his girlfriend but still loves to dive. Happy to meet up with Duncan, he is equally happy to meet the legendary David. Showing him respect, he wants to get the job done. Cole is sweet, charming and equally frightening in the role of a man who has no time to spare. I’ll keep what happens to myself so you can be just as surprised. Liu as David seems to have a hard outer shell which amuses veteran Duncan but when it comes to the chaos, he digs deep. Liu gives his character strength when he needed it the most. Wonderfully done.

Harrelson as Duncan loves what he does and has a close friendship with Chris. He knows what needs to be done and when it falls apart, he is the go-between from the diving bell to the ship up top. I adore Harrelson in roles like this as the solid but somewhat quirky man in charge. Curtis and Buring are in control of the ship and make unusual decisions to save one man. Bonnar as Craig tries everything to stay in contact with the diving bell and Altin as Mike does a little creative splicing to get their ship back.

Other cast include Connor Reed as Andrew, Nick Biadon as Stuart, Riz Khan as Kirk, Aldo Silvio as Brad, Kevin Naudi as Alex, Claudiu Baciu as Paul, Brett Murray as Nick, and Muhammad Arnini Bin Ariffin as Jun.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

LAST BREATH is based on the 2019 documentary of the same name that was done by Parkinson and Richard da Costa. The incident happened on September 19, 2012.

I am a huge fan of true stories and even more fascinated by those who do jobs I either never heard of or know very little about. Divers repairing pipeline 300 feet under water for up to 10 hours is absolutely astounding. Director Parkinson says of the film, “The story is about the emotional pull. If you were in that situation, you would want the people around you to do the same for you. That is the uplifting nature of the film.”.

It's true, the film shows the goal of every person involved, to get to Chris. They do things that are not either usual or by the book yet, they push what is necessary and that makes all the difference. From an unforgiving sea to the darkness of the deep, LAST BREATH is just as fast paced as the time in our heads ticking by.

The underwater scenes are frightening and well done so kudos to the cinematographers for that. The fear and sadness of each person on the screen is enough to get a sniffle out of me. Yet, when they kick into high gear, so did my emotions as I realized I was sitting up to the edge of my seat. That translates into a fantastic movie going experience so leave your thalassophobia at home and hit the theatres this Friday.

In the end – make every breath count!

The Fear of NOSFERATU

 

Jeri Jacquin

Currently in theatres from writer/director Robert Eggers and Focus Features comes another retelling of the story of NOSFERATU.

Ellen Hutter (Lily-Rose Depp) is a young woman living with her husband Thomas (Nicholas Hoult) in Germany. As an estate agent, Thomas is hoping that his position as Schloss Grunewald will give him an opportunity to bring a wonderful life for his wife. Called in to see his employer Herr Knock (Simon McBurney), Thomas is told that he would be traveling to visit the recluse Count Orlok (Bill Skarsgard) who wishes to purchase property in Wisborg.

Thomas asks friends Friedrich Harding (Aaron Taylor-Johnson) and wife Anna (Emma Corrin) to look after Ellen as he travels to Transylvania. Arriving after weeks, he is greeted with hostility by the Romani townsfolk and witnesses a ritual that is shocking. Having to make the rest of the journey to Orlok’s castle, he is greeted by Orlok and the appearance is disturbing to Thomas. Yet, he does what he must to finish the paperwork so he can return home to Ellen.

Lord Orlok has other plans and it includes also wanting to return to see the lovely young Ellen. Thomas realizes that he must escape before the nightmares and their effects consume him. Near death, his makes his way home without realizes that Ellen is also suffering melancholy to be confronted by scientist Albin Eberhart Von Franze (Willem Dafoe). Olek has no choice but to sail for Wisborg in a rat infested ship, using the scurrying creatures to cause havoc in his new hometown met by Knock.

Wisborg is struck by the plague and Thomas attempts to regain his strength as Ellen realizes that her own dreams and nightmares are caused by one thing. Now, Thomas, Dr. Wilhelm Sievers (Ralph Ineson), Von Granze and Ellen must come together with a plan that can put a stop to the madness and destruction happening in their town.  

Hoult as Thomas is a man that clearly wants a standard of life for himself and wife Ellen. Accepting an assignment that could bring him financial reward, it could never have imagined what was truly to come. Hoult has truly spent the last few years covering almost every genre of film and standing out. In this film he is challenged with horror and a bit of bravery all in the name of love. Depp as Ellen is clearly a woman who suffers from a strange malady. Finding refuge in her marriage, it is only a temporary reprieve. Depp gives her character the look of a woman struggling to discover what is true in her life and what is madness.

Skarsgard as Orlok is a strange character but that is nothing new for this actor. The mystery is in how Orlok truly looks which is masked by shadows. The other problem for me is that the attempted accent muddled the speech so much I gave up trying to understand him. Pennywise and Orlok do have a lot in common and that’s where Skarsgard wins. Dafoe as Von Franze comes across as slightly rattled in his own mind with zippy Shakespearean one liners causing a bit of chaos trying to convince everyone that there is a vampire present.

Taylor-Johnson as Fredrich is a wealthy man who befriends Thomas and Ellen. He loves his wife and children and as the world becomes unhinged, Taylor-Johnson character has a difficult time grasping the reality of the situation. Corrin as Anna loves her friendship with Ellen and is distraught at her condition. There is nothing Corrin’s character Anna won’t do for Ellen and it may cost her.

McBurney as Knock is the servant of Orlok but that doesn’t mean his opportunity to cause a little mayhem on his own isn’t possible. Creepy and dedicated, every opportunity McBurney is on screen is a chance to shock. Ineson as Sievers is a former student of Von Franze and doctor to Ellen. Seeking help to discover the cause of a young woman’s malady, he knows that his mentor may be a little off, but brilliant none-the-less.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

NOSFERATU is a film that is grey, dark and filled with vampyric folklore. That being said, I was not overwhelmed by it at all. It felt campy, with overdramatic characters that felt more like this should be a stage production and not a film. Changing the names and locations just didn’t work for me as it felt more like Eggers was trying to create a different vampire story. That’s fine but then do just that – be original and stay out of another writers back yard.

The cinematography was beautifully done with the exception of a few wonky camera sweeps and the music added a nice touch of eerie to the scenes. However, the 1992 film BRAM STOKER’S DRACULA continues to be my standard and this film hasn’t changed that opinion. It is unfortunate that NOSFERATU could not find its footing because, and let’s be honest, we want to see, understand and be scared of the being in the coffin and Orlok just isn’t any of these things.

Personally, it is not a good sign when the audience is talking and giggling during the film constantly and leaving after disappointed.

In the end – succumb to the darkness!

There are Secrets in the CONCLAVE

Jeri Jacquin

Coming to theatres from director Edward Berger based on the Robert Harris book of the same name and Focus Features is the story of secrets and desires for power in the CONCLAVE.

Cardinal Thomas Lawrence (Ralph Fiennes) arrives at the Vatican to discover that the Pope has passed. Gathering his emotions, he knows that now he must organize the election of the next head of the church. Turning to Cardinal Bellini (Stanley Tucci), they talk of the grief and who the rest of the cardinals are thinking of supporting.

Almost immediately there are three, Cardinal Adeyemi (Lucian Msamati), Cardinal Tedesco (Sergio Castellitto) and Cardinal Tremblay (John Lithgow) who quietly make it known of their desire to be the next Pope. Preparing for the conclave, Sister Agnes (Isabella Rossellini) brings other sisters in to prepare the rooms and cook the meals for the cardinals.

Cardinal Lawrence attempts to accommodate everyone and everything – especially the unexpected arrival of Cardinal Benitez (Carlos Diehz). This Cardinal is unknown to any but when presented papers from the previous Pope, Lawrence accepts him into the group even as the others are suspicious. Unfortunately, there isn’t any time to go deeper as the voting must begin.

There is no surprise that the three candidates are going to head-to-head with the votes, what it a surprise is a vote for Cardinal Lawrence. Shrugging it off, he begins to hear whispers of issues regarding the cardinals and he is not going to let it go, even if Cardinal Bellini suggest it is the best way to handle situations.

The problem is, now that Cardinal Lawrence has gone down the rabbit hole, he is confronted with the loss of a friend and a connection he could have never possibly ever seen.

Fiennes as Cardinal Lawrence is absolutely the film in every way. There isn’t a scene where his portrayal of this character isn’t stunning. He is the anchor to this story with his calm manner as he tries to navigate what is a gambit of secrets all in the name of faith. Not wanting the position himself, he actually isn’t looking to rise but to scale back to a simpler life. That is what Fiennes gives us – the duality of a man who has his own desires and must confront the powerful desires to rise of other men. This actor’s career has shown his diversity and legendary in the choices of roles he takes and Fiennes is an actor that if I know he is in a film – I’m there.

Tucci as Cardinal Bellini makes it clear that he does not want the position but he is adamant about who does. Believing that the changes the previous pope made strengthened their faith and those who trusted their religious leaders. He doesn’t want a reversal of it all and sees some of the candidates as a threat to it all. Tucci, as always, just takes the role and runs full speed with it. Of course, I am in the Tucci fan club and this role cements my belief that you can throw any role at this exceptional actor and he will make it stick!

Rossellini as Sister Agnes is the eyes and ears of everything around her. Believing deeply in the church and what is requires of the faith, she is not going to let anyone interfere just to be the new pope. Her stern appearance reminds me of a nun who would have no problem whacking your knuckles with a ruler but also a compassionate human being. There is her roles duality. Rossellini continues to show that there is a place for her still in films, are you listening Hollywood?

Lithgow as Cardinal Tremblay presents himself in a way that gave me the icks immediately. The words coming out of his mouth seem sincere but yet… That’s what makes this such a powerful role for Lithgow and he is amazing every second he is on the screen. Msamati as Cardinal Adeyemi believes he is the change the Vatican needs and makes his determination quietly clear to supporters. Msamati gives his part of the story a punch that the audience will be wide eyed about. Castellitto as Cardinal Tedesco is outspoken, rough in his beliefs and has no problem coming face to face with anyone who challenges him. Castellitto gives his character the outspoken fierceness that rocks the vote – literally.

The surprise here is Diehz as Cardinal Benitez! Arriving to bring a ripple in the waters, Diehz’ character is soft spoken, aware of what his presence brings to the conclave and a belief that is unshakable. Diehz is a strong presence in this role without overtaking any scene and the reason for this character’s presence shakes the films foundation completely.

Other cast include Brian F. O’Byrne as Monsignor Raymond O’Malley, Merab Ninidze as Cardinal Sabbadin, Thomas Loibl as Archbishop Mandorff, Jacek Koman as Archibishop Wozniak and Loris Loddi as Cardinal Villanueva.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

CONCLAVE is a thriller but not the kind that is filled with car chases and people running for their lives. Instead, this is a thriller that is confined in a space that doesn’t allow secrets to go undiscovered for long. Fiennes carries this film from the first frame to the last and his character takes us on a ride of faith, deception, secrets and the want for power. Cardinal Lawrence begins to understand his reason for being and Fiennes portrays it all so beautifully. If he isn’t up for an Oscar, then those who chose need to think about their life choices!

The construction of the set is so beautiful and it is, in fact, another character in the film. Each scene is surrounded by a history and a belief that is steeped in tradition and mystery. CONCLAVE uses that tradition and mystery to bring the Harris book to the screen in such a fantastic way with an ensemble cast that slowly bring us in for the thrill ride.

In the end – what happens behind these walls changes everything!

The One and Only DIDI

 

Jeri Jacquin

In theatres, on Digital and coming to Bluray from writer/director Sean Wang and Focus Features is the coming-of-age story of a young man referred to as DIDI.

It’s 2008 and Chris (Izaac Wang) is a 13-year-old living in Fremont, California with mom Chungsing (Joan Chen), grandmother Nai Nai (Chang Li Hua) and irritating older sister Vivian (Shirley Chen). Chris’ father is in Taiwan working to support the family in America. Chris spends his time with friends Fahad (Raul Dial) and Soup (Aaron Chang) making funny YouTube videos of their antics around town. While the boys are having fun, Chris does have moments to swoon over his crush Madi (Mahaela Park) who he talks to on AIM (Google it kids).

His friends push him to take Madi out for a date and even though he YouTubes ‘how to kiss a girl’, he gets caught up in his nerves that makes it difficult on his date. Now Chris is nervous to talk to her again and he can’t seem to find his place in social circles as easily as Fahad and Soup. Already irritated, Chris easily flies off the handle when he and Vivian go at it during dinner which upsets Nai Nai leaving mom feeling defeated.

Trying to make things better, Chungsing focuses on Chris’ education since Vivian has already been accepted to UCSD. He isn’t in the tutoring courses a day before someone else is picking on him leaving him to feel like he is just not good enough. Meeting a new group, they want him to video their skateboarding and Chris sees a chance to fit in.

But it all starts crashing down as the stress of life hits Chungsing and Nai Nai, Vivian starts planning for her life and Chris has to come to terms with the fact that he must find a way to fix the things he broke relationship wise and find something that truly gives him joy because being a teenager isn’t for the faint of heart!

Wang as Chris must have channeled his inner teenager because he plays this role marvelously. He captures everything I remember as a teenager, everything I remember as a mom of teenagers and everything a grandmother of teenagers remembers. He is rough, arrogant, mouthy, sad, a bit funny, an antagonistic brother and lovelorn kid. Wang takes this role and runs so fast with it that his acting future is going to be absolutely amazing. Well done young man!

Chen as Chungsing is that mother who is trying her best to raise children and deal with an in-law that doesn’t seem to see good in her. She is bombarded constantly and can only react in a way that doesn’t make her feel as if she is losing her children. Like most mothers, Chen has portrayed the guilt a mother feels when wondering what would life be like if she had chosen a different path.

Chen as Vivian is an absolute vision of an older sister who enjoys taking on her younger brother. The dinner scene is one for the ages and, minus the language, I can recall watching the same interaction when my kids were teens. It is par for the course and, if you dare, will make one giggle a bit at the nostalgia. Hua as Nai Nai is an in-law who has sage advice like, “eat fruit because…” but she consistently undermines Chungsing and that causes a rift. She has a connection to Didi (meaning ‘younger brother’) and it is charming when she smiles.

Other cast include Chiron Denk as Donovan, Alysha Syed as Jade, Alaysia Simmons as Ellie, Tarnvir Kamboj as Hardeep, Joziah Lagonoy as Josh, Sunil Maurillo as Cory, Montay Boseman as Nugget, Georgie August as Georgia, Joshua Hankerson as Mack, Jayden Chiang as Max, Spike Jonze as Dead Squirrel, and Alaysia Simmons as Ellie.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

DIDI is absolutely charming, infuriating, frustrating, memorable, nostalgic and a well written story that applies to everyone. Director Wang embraces all the mixed-up emotions of a teenager but also the struggles of a single mother, cultural beliefs, separation, guilt and the coming together of understanding in a family. In the midst of that, Wang re-creates a time when the internet was in its relative infancy, social media wasn’t even a title of things yet, and kids still ran around with their friends – you know - OUTSIDE

Chris’ relationships are complex, deep and rooted in ‘normal’ feelings with the added bonus of trying to find a slot in the world that he fits in. It is hard enough to be a teen without braces, acne and crushes running in circles around each other 24/365. The cast is absolutely stellar in their performances, even if they are teens themselves. Chen stands out even though she says very little and I know someone like Nai Nai and she is equally a hoot. The film is so relatable and that is what makes it awesome.

In the end – this is for anyone that’s ever been a teenager!