Coming
to theatres from writer/director Matt Johnson and A24 is the story of a young
man and a life he never expected with TONY.
Tony
Bourdain (Dominic Sessa) is a college student in 1975 who cannot get his
parents to accept that he wants to be a writer. The only way to get away is by
telling his family he won a fellowship and is off to New York City. What they
don’t know is that he is also following the lovely Nancy Putkoski (Emilia Jones).
When the fellowship doesn’t happen, Tony takes off for Provincetown in
Massachusetts because he knows Nancy will be there.
Once
there, Tony is in for a surprise when he sees the girl who makes his heart
thump–she is with another guy. Determined to drown his sorrows in alcohol, he
ends up at the local restaurant The Flagship. Making a fool of himself, he gets
thrown out on his behind! With no money, no scholarship, and a bad attitude, the
only thing he can do is ask for a job from Chef (Antonio Banderas) and hope for
a place to stay and start as a dishwasher.
The
other kitchen staff gives Tony a hard time, but he finds a friend in Sal (Leo
Woodall) who seems to be everything Tony would like to be. Confident, gets the
girl, and has a habit that isn’t going to get him through life. When Sal
doesn’t show up to work, Tony finds himself cooking. Chef sees something in the
young man and starts by teaching him discipline and dedication to everything he
does in his kitchen.
Tony
sees an opportunity to impress Nancy and invites her to eat at The Flagship and
introduces the restaurant to finer dishes. When tragedy strikes The Flagship
and Tony’s deceptions become clear, he has to find a way to make it right in a
place that he has come to love and with people who have heart.
Sessa
as Tony is absolutely stunning. He portrays a young man who is reckless,
careless, and, using the slang of today, feeling himself. Trying to bend the
world to his will, he learns that the world tends to fight back. Each move he
makes is truly on the edge of a sharp kitchen knife until he finally sees his
path. Sessa’s 24-year-old timing is that of a seasoned actor. His scenes with
Banderas are flawless and had me glued to my seat. In a short time and short
resume, Sessa proves as Tony that he deserves center stage. In the film, that’s
exactly what he got. Well deserved.
Banderas as Chef is a centered man. He takes his restaurant seriously and expects discipline in the kitchen. He sees something in Tony that he never saw in himself. A friendship blossoms between the two that is something needed. One mistake could have destroyed that, but Tony, in one moment, grows up and Chef sees it. Banderas is always interesting to watch, and in TONY, his character is the cement that holds them all together. He has his own story, of course, but instead of letting it break him, it made him. That’s what he portrays, and it’s beautiful.
Woodall
as Leo is the fly in the calm ointment. He is outrageous, dangerous, and, in
his own way, a caring person. He tries to bring Tony into his reckless world
but has no grip on his own life. The first time I noticed Woodall was in the
2025 film NUREMBERG, and I knew then, like Sessa, that in his short career, his
impact is noticeable and strong. His character is as confused about life as
Tony, but his path filled with bumps is far more dangerous than his friends'.
Other
cast includes Dagmara Dominczyk as Gladys Bourdain, Rich Sommer as Pierre
Bourdain, Ava Davey Bissett as Vicky, Caroline Portu as Robin, Derek K. Moore
as Manny, Monica Raymund as Mary, Liam Fitch as Christopher, Stravros Halkias
as Stravos, and Michael Jibrin as Tyrone.
Bourdain
described his early years as, “I was – to be frank – a spoiled, miserable,
narcissistic, self-destructive and thoughtless young lout, badly in need of a
good ass kicking.” The story is based on Bourdain’s years working in
Provincetown, with stories in the memoir Kitchen Confidential (2000)
TONY
takes Bourdain’s journey step by step, filled with a young man’s angst, inability
to please his parents, and eager enough to take the step that brings him to Provincetown.
Watching Sessa bring Bourdain to life is nothing short of amazing. With Woodall
and Banderas, the film takes the seaport journey as slow as life was in 1975. From
bonfires to clam bakes, Tony’s life became part of a town he hadn’t planned to
stay in.
I
love the feel of the film and its simplicity. The costuming is so perfect for
the times, hairstyles, and free attitude. The cinematography is absolutely
everything because it is a character in the story as well. It completes the
story director Johnson is trying to tell. Normally, I’m not a huge fan of
biopics, but TONY is an exception. It doesn’t feel glorifying, but instead raw
and stripped down to the heart of the story, and that is a young man who found
his passion in an unexpected place.
In
the end – he followed a girl into an unsuspecting career!

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