Wednesday, August 19, 2026

He is the Memorable TONY

 

Jeri Jacquin

Coming to theatres from writer/director Matt Johnson and A24 is the story of a young man and a life he never expected with TONY.

Tony Bourdain (Dominic Sessa) is a college student in 1975 who cannot get his parents to accept that he wants to be a writer. The only way to get away is by telling his family he won a fellowship and is off to New York City. What they don’t know is that he is also following the lovely Nancy Putkoski (Emilia Jones). When the fellowship doesn’t happen, Tony takes off for Provincetown in Massachusetts because he knows Nancy will be there.

Once there, Tony is in for a surprise when he sees the girl who makes his heart thump–she is with another guy. Determined to drown his sorrows in alcohol, he ends up at the local restaurant The Flagship. Making a fool of himself, he gets thrown out on his behind! With no money, no scholarship, and a bad attitude, the only thing he can do is ask for a job from Chef (Antonio Banderas) and hope for a place to stay and start as a dishwasher.

The other kitchen staff gives Tony a hard time, but he finds a friend in Sal (Leo Woodall) who seems to be everything Tony would like to be. Confident, gets the girl, and has a habit that isn’t going to get him through life. When Sal doesn’t show up to work, Tony finds himself cooking. Chef sees something in the young man and starts by teaching him discipline and dedication to everything he does in his kitchen.

Tony sees an opportunity to impress Nancy and invites her to eat at The Flagship and introduces the restaurant to finer dishes. When tragedy strikes The Flagship and Tony’s deceptions become clear, he has to find a way to make it right in a place that he has come to love and with people who have heart.

Sessa as Tony is absolutely stunning. He portrays a young man who is reckless, careless, and, using the slang of today, feeling himself. Trying to bend the world to his will, he learns that the world tends to fight back. Each move he makes is truly on the edge of a sharp kitchen knife until he finally sees his path. Sessa’s 24-year-old timing is that of a seasoned actor. His scenes with Banderas are flawless and had me glued to my seat. In a short time and short resume, Sessa proves as Tony that he deserves center stage. In the film, that’s exactly what he got. Well deserved.

Banderas as Chef is a centered man. He takes his restaurant seriously and expects discipline in the kitchen. He sees something in Tony that he never saw in himself. A friendship blossoms between the two that is something needed. One mistake could have destroyed that, but Tony, in one moment, grows up and Chef sees it. Banderas is always interesting to watch, and in TONY, his character is the cement that holds them all together. He has his own story, of course, but instead of letting it break him, it made him. That’s what he portrays, and it’s beautiful. 

Woodall as Leo is the fly in the calm ointment. He is outrageous, dangerous, and, in his own way, a caring person. He tries to bring Tony into his reckless world but has no grip on his own life. The first time I noticed Woodall was in the 2025 film NUREMBERG, and I knew then, like Sessa, that in his short career, his impact is noticeable and strong. His character is as confused about life as Tony, but his path filled with bumps is far more dangerous than his friends'.

Other cast includes Dagmara Dominczyk as Gladys Bourdain, Rich Sommer as Pierre Bourdain, Ava Davey Bissett as Vicky, Caroline Portu as Robin, Derek K. Moore as Manny, Monica Raymund as Mary, Liam Fitch as Christopher, Stravros Halkias as Stravos, and Michael Jibrin as Tyrone.

Bourdain described his early years as, “I was – to be frank – a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, badly in need of a good ass kicking.” The story is based on Bourdain’s years working in Provincetown, with stories in the memoir Kitchen Confidential (2000)

TONY takes Bourdain’s journey step by step, filled with a young man’s angst, inability to please his parents, and eager enough to take the step that brings him to Provincetown. Watching Sessa bring Bourdain to life is nothing short of amazing. With Woodall and Banderas, the film takes the seaport journey as slow as life was in 1975. From bonfires to clam bakes, Tony’s life became part of a town he hadn’t planned to stay in.

I love the feel of the film and its simplicity. The costuming is so perfect for the times, hairstyles, and free attitude. The cinematography is absolutely everything because it is a character in the story as well. It completes the story director Johnson is trying to tell. Normally, I’m not a huge fan of biopics, but TONY is an exception. It doesn’t feel glorifying, but instead raw and stripped down to the heart of the story, and that is a young man who found his passion in an unexpected place.  

In the end – he followed a girl into an unsuspecting career!

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