NE ZHA 2 is a Global Phenomenon

 

Jeri Jacquin

Coming to theatres from writer/director Jiaozi based on the story Investiture of the Gods by Xu Zhonglin and A24 is the animated NE ZHA 2.

Ne Zha (Crystal Lee) and Ao Bing (Aleks Le) bodies are in the hands of Master Taiyi Zhenren (Rick Zieff) as he tries to prevent their souls dying. Using the Seven-Colored Sacred Lotus to turn them from mush back to their original form, the two have a lot of healing to do. Ao Bing’s father, Ao Guang, is the East Sea’s Dragon King and he believes that his son is gone. Trying to make things right gets interrupted when Master Shen Gongbao is sent to fight for the Chentang Pass and without time to properly heal, Ao Bing falls once again.

Now, Ao Bing and Ne Zha will have to share one body but it will only last seven days. Master Zhenren tells everyone that Ne Zha will have to do the three trials to become immortal to get the elixir that will fix the Sacred Lotus and bring Ao Bing back. Going to the Immortal Wuliang (Robert Clotworthy), there is no time to waste to begin the tests. Believing Shen Gongbao (Aidyn James Ahn) will maintain a ceasefire during the process, Ne Zha’s parents Li Jing (Vincent Rodriguez III) and Lady Yin (Michelle Yeoh) attempt to reach him in understanding that what is happening is wrong.

But things go horribly wrong and Ne Zha turns his anger toward anyone who stands in his way. It is the love he has for his family that makes him realize that his anger should be focused towards one person – and it is shocking when they all find out about the lies, deception, and abuse of power. Ne Zha and Ao Bing realize working together to battle the true evil is worth putting themselves in danger as long as necessary.

Other cast include Damien Haas as Deero, Grace Lu as Crana, and Michael Yurchak as Ao Shun.

A24 is an American company specializing in film and television production. They are best known for distributing such amazing films as EVERYTHING EVERYWHERE ALL AT ONCE, MOONLIGHT, HEREDITARY, THE LIGHTHOUSE, MIDSOMMAR and this years stunning look at WARFARE. For more information, please visit www.a24films.com.

NE ZHA II is a fantastical, thrilling, artistically beautiful, funny and a complex story line that is captivating from start to finish. Using the Chinese mythology, it wraps itself around Ne Zha’s need to find out what he is capable of and Ao Bing trying to return to a form that allows him to help with the turmoil from all sides. There are family bonds that are being stretched to its heavenly limits and bonds being formed from the mostly unlikely places.

The relationship between Ne Zha and Ao Bing is complicated and, at times, frustrating to the little fire bomb. Master Zhenren is wise and at the same time a bundle of nerves and wants fire and water to find their way back to themselves. Ao Guang is a father who has his own anger issues and finds himself in the middle of a battle. Immortal Wuliang lives on his little cloud watching Ne Zha take the trials to become and immortal. Parents Li Jing and Lady Yin want what is best for their son and they have the capability to fight as well as any demon or immortal. Watching the journey of these characters is, shall we say, enlightening.

The animation is crips, clean, and mind blowing all at the same time with a powerful story and a message. A sequel to NE ZHA, the visuals fill the screen with flawless battle scenes and emotional family moments that makes the journey through the film helps it fall into the ‘epic’ category. There are so many characters and how they link test the mind and still manage to be surprising at times.

In the theatre there were families watching and cheering throughout the film. My granddaughter and I had such a stellar time together. Seeing it in IMAX 3D is eye candy completely!

In the end – they will change heaven and earth!

 

 

 

THE LEGEND OF OCHI

 

Jeri Jacquin

Coming to theatres from writer/director Isaiah Saxon and A24 comes the story of two who would become unexpected friends because of THE LEGEND OF OCHI.

On the remote island of Carpathia, Yuri (Helena Zengel) is a young girl surrounded by boys who are being trained by father Maxim (Willem Dafoe). They are training to fight creatures that live in the forest called Ochi that they hunt at night. Yuri is going on her first hunt with Maxim and his ward Petro (Finn Wolfhard) late into the night and for the first time she sees the Ochi. As gun shots ring out, it is an infant Ochi that Yuri sees racing high into the trees while the others scatter.

During dinner, Yuri experiences a sad like contempt Maxim seems to feel and it is enough to send her out to check Ochi traps that surround their home. She notices that one of the traps has been tripped and follows a trail that leads her to the small Ochi. Knowing that she must help the creature, she is confronted by Petro who is shocked at what he sees. Clearly unmoved by her goal, Yuri sets out to get the small Ochi back to her own family. The problem is that Maxim gathers up his boy-troops and set out to find her.

The only person she did not plan to find is mom Dasha (Emily Watson) who has been living on her own isolated from people. Trying to understand why, Yuri listens to Dasha’s stories about the Ochi, especially since she discovers that she can communicate with the little one. That pushes her even more to want to return her new friend back to its family. When Petro finds Dasha’s cabin, Yuri’s parents come face to face with the decisions that made long ago.

Yuri and little Ochi’s adventures are far from over as the two grow closer to understanding one another!

Zengel as Yuri is a young girl dealing with the disconnect with her father and the unknown about her mother. It is easy to listening to her father’s side of the story but it doesn’t match with his behaviors toward the girl. Zengel gives Yuri a spark that makes it clear that she is not a girl to be trifled with and knows exactly how she is seen. It is not in what she may say but the look in her eyes proving she will not be deterred from what is right for her – and for her friend. Dafoe as Maxim is a man driven by fear of the unknown and living by the lies he perpetrated on his own. Training the young men to fight the Ochi, Dafoe has his little army that see him as a leader but Yuri has her own beliefs.

Wolfhard as Petro is a ward of Maxim’s raised to fight the Ochi. One moment he seems to be a friend to Yuri and the next he seems to show loyalty to Maxim. It is a quiet role for Wolfhard who has become a very tall but still very recognizable young man. Watson as Dasha is a mother who has her own story with Maxim and it interfered with being a mother to Yuri. She has her own story to tell about the Ochi and will not suffer Maxim a moment longer than she has to. I love Watson’s character being strong enough to stand her ground but also know when she must come out of the shadows for her daughter.

Other cast include Razvan Stoica as Ivan, Carol Bors as Oleg, Andrei Anghel as Vlad, David Baltatu as Gleb, Eduard Oancea as Pabel, and Tomas Ghela as Tudor. The vocals of the Ochi are Zoe Midgley as Mother Ochi and Paul Manalatos as baby Ochi.

A24 is an independent entertainment company that specializes in film and television production based in New York City. Films such as A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, the amazing EX MACHINA, ROOM and THE WITCH. Many of their films can be found on DirecTV Cinema and Amazon Prime. For more information, please visit www.a24films.com.

THE LEGEND OF OCHI is a story about a young girl who finds a friend who is also looking to reconnect with family. Yuri understands that at the beginning but as the story unfolds, she realizes there is more of a connection than she could have ever imagined. In all her young years, she could never have imagined that the connection to an Ochi would change her life in so many ways. It is such a lovely tale that is told with Zengel carrying a large portion of the film in spectacular fashion.

Keeping the film simple, director Saxon uses nature as the set allowing the actors to move so freely between the tough farm life and the lush green of the forest to creating the Ochi home himself. Scouring the Carpathian Mountains in Romania, he wanted to find a place that looked as mysterious as the story he wrote. Since the dialogue is minimal, it is up to the surroundings to lead us on the adventure with Yuri.

This is not a film that moves quickly, instead, allows us all to connect with the characters on our own levels because of our own experiences. It is letting the character of Yuri show us her life and the measures she takes to show her strength and do what’s right, no matter the outrageous fears of others. It is a combination of charm and understanding and I think we could all use that right about now.

In the end – it is an unexpected friendship with an unexpected friend!

 

 

They are in the Middle of WARFARE

 

Jeri Jacquin

Coming to theatres this Friday from directors Alex Garland, Ray Mendoza and A24 is the startling film about a band of men who want to get back home during WARFARE.

A platoon of Navy SEALs is on a mission in Ramadi, Iraq to locate insurgents in November 2006. Leading the team is Erik (Will Poulter), with radioman Ray (D’Pharaoh Woon-A-Tai), Elliott (Cosmo Jarvis), Tommy (Kit Connor), Macdonald (Michael Gandolfini), Pete (Laurie Duncan), Sam (Joseph Quinn), and Frank (Taylor John Smith).

Taking over a house, the team spends hours watching their targets from across the road. Remaining as stationary as possible, they keep their eyes open as those they are watching are coming and going out of the building. Keeping in contact with their superiors, the soldiers notice that something is happening as the streets quickly clear and become empty. Immediately, things begin exploding and rapid fire hit the building the men are in.

Rallying, the men fight back hard while reaching for reinforcements. Until help arrives, the insurgents feel the power as military jets try to clear a path for the men to get clear. As the scene becomes chaotic, the men try to help one another with severe injuries while waiting for back up to arrive. Their bond for one another will be their strongest weapon against the enemy!

Poulter as Erik leads the men into their mission with a clear goal and understanding that each man is capable of their objective. This is such a strong role for Poulter and he handles it with precision and focus. Watching this actor come up through such diverse roles, he has definitely shown his worth as an actor in both comedy, action and now drama. Woon-A-Tai is equally as focused as Ray, a young man who keeps the positioning on track but has an even more difficult job ahead of him once things become more volatile. Ray becomes a focus put never pulls focus from the story being told.

Quinn as Sam gives a performance is sent shivers up my spine and emotions spiraling all over the place. His role is absolutely difficult to watch but necessary at the same time. Gandolfini, Jarvis, Connor, Duncan and Smith are part of the platoon trying to do their job and survive at the same time. They want to do their part and, at the same time, take care of their brothers. Their roles are so important to the story and make an impact that is powerful and meaningful. Each of these actors makes an indelible mark portraying their roles that captured my attention from start to finish.

Other cast include: Aaron Mackenzie as Kelly, Alex Brockdorff as Mikey, Evan Holtzman as Brock, Joe Macaulay as Mo, Laurie Duncan as Pete, Jake Lampert as Ted, Aaron Deakins as Bob, Henrique Zaga as Aaron, Noah Centineo as Brian and Adain Bradley as Sgt. Laerrus.

During the last U.S. premier showing of WARFARE at the Village Theatre in Coronado, California, the directors and cast were there to support the film in our military town and answer questions after the film.

Director Ray Mendoza talks what brought him into filmmaking and makes it clear that the viewers opinion matters, “What got me into this is the film ACTOR OF VALOR and it got me into this medium. Something I recognized right off the bat was the structure, working in concert to achieve an objective so I could relate to that. I like that team concept, it’s how I work and it is how I was raised. I found that it was a good outlet for me as I was transitioning at the time and it was very rough. A lot of things going on and it was rough and I had a lot of things going on so it really was rough. I had a hard time expressing what was going on and I didn’t have the vocabulary to do it. I hit rock bottom in a lot of ways and had a daughter I needed to be a father too; I had friends who helped me climb out of this whole and dig into this industry. I always try to approach it the way teams taught me with respect, tact and try to do it responsibly. So, I learned how to tell stories, not just military stories, doing humbling work. I needed to learn this new language and me wanting to tell this story, I knew I had to understand how to do this through storytelling and framing it.”

Director Alex Garland speaks on what caused him to search out Mendoza for a project they could do together, “Ray and I worked on CIVIL WAR. He was in a way a choreographer for gun fights and there was a particular sequence where the soldiers were fighting and watching Ray work with the performers. What was clear is that there were things in there that were not normally seen. As a civilian, I saw a rhythm to the gunfights and the explosion and recollecting and communicating with one another, it was fascinating. The sequence really interested me and I contacted Ray with a question and said, ‘what if we take 90 minutes or 100 minutes of real combat that had one task, to recreate it as accurately as we possibly can’. Ray said he had such a story and it was, for me, an exercise in listening. Civilians I think don’t listen enough. There is sort of a thing people believe that soldiers don’t talk about their experiences. I think they do under the right circumstances provided they are being heard! So, the actors had to listen to one another and it was humbling and fascinating.

Will Poulter says of his work on the film and the challenges, “Stating the obvious as actors, we were responsible of representing people. We were doing a very limited version of what, of course, the people in military learn over a much longer period of time. We were very lucky to get that opportunity and it served two key functions – the first, gave us enough of a skill set to put our best foot forward as far as representing the gentlemen we were responsible for and secondly, and equally important, is that it bonded us in kind of a measurable way. It surprised us all, what that meant is that when we got to set, we were responsible for executing various objectives entrusted to us by the director. It was in full naturally by genuine love, care and respect for each other. It was responding to protocol and falling back on the training we were lucky to get by Ray, who deserves a lot for his patience with us.”

WARFARE is an intense battle film that does not stop from start to finish. As the film begins there is already a sense of tension from the actors onscreen that trickles down into the audience quickly. The goal of the mission is clear as each moment passes in the telling from quiet radio transmission to non-verbal cues between the soldiers themselves. When the fighting begins, the senses are assaulted from the loud rapid fire and explosions to the intense reaction of the soldiers as they call for help and are wounded. The cast excel in their character portrayals and directors Garland and Mendoza have presented us with something truly well done.

With all of it, this is an important story that needs to be seen by the general public as a glimpse into war and what it does to those returning home long term. There is, of course, concern for those who may find the film triggering so I feel compelled to say so. For myself, it provided me with a deeper understanding of my own family’s history with war and its effects after. I agree with director Garland in that those who have experienced trauma need from us better listening and understanding skills. That is where the disconnect lies sometimes and it is something we all can change about ourselves for the sake of those who put their lives and bravery on the line.

In the end – the only way out is together!

A Thriller with DEATH OF A UNICORN

 

Jeri Jacquin

Coming to theatres this Friday from writer/director Alex Scharfman and A24 is a story with a mythical twist when there is a DEATH OF A UNICORN.

Elliot (Paul Rudd) is attempting to work his way up the ladder of a company owned by the Leopold’s. Driving up to their property in the mountains, he brings daughter Ridley (Jenna Ortega) along to spend time since his wife’s death and to show they are a close family. Driving up the winding road, Elliot takes his eyes off the road for one second before hitting something in the road.

Ridley walks up to the creature on the road and touches it causing something weird to happen. Elliot decides that it is up to him to put the creature out of its misery. Arriving at the Leopold house, he is met by Belinda Leopold (Tea Leoni) and son Shepard (Will Poulter) who bring them into the extravagant house that takes Ridley by surprise. Elliot meets with Odell Leopold (Richard E. Grant) who is very ill.

While Ridley takes a look around, Elliot is in the process of signing business papers with the Leopold’s who are happy he is working with them. That is until family assistant Shaw (Jessica Hynes) notices something moving in the back of Elliot’s car! Even butler Griff (Anthony Carrigan) sees the vehicle rocking like crazy. Everyone runs out of the house in time to see the creature Elliot hit earlier!

Odell immediately calls in Dr. Bhatia (Sunita Mani) and Dr. Song (Steve Park), two scientists who try to understand what the creature is. While all the madness is happening, Ridley is doing her research to discover what the creature is and present her findings to the Leopold’s – it is a unicorn! They aren’t as interested in her story as they are in what they discover about the creature. Now, Elliot and Ridley are faced with being the only two who realize that the Leopold’s are determined on destruction.

Actually, there are more creatures in the woods and they are, well, very angry and looking to hold someone responsible.  

Rudd as Elliot is a twitchy widower who wants to be financially secure to take care of his daughter. He believes the Leopold’s are they key to making that happen and is a bit of a shoe licker about it. When the craziness begins, he is still twitchy but slowly realizes his daughter is on to something! This role is perfect for Rudd as he takes on his usual humor and ability to be that “dad” who thinks wrong to make things right. Ortega as Ridley is a daughter who is irritated with her father for many reasons while trying to deal with the death of her mother. Once they arrive at the Leopold’s, Ridley wants to leave sensing that something isn’t right but there is a reason. Ortega gets a chance to wiggle around the crazies of the house and is the princess of the story.

Grant as Odell is a sickly man who hires Elliot to help with the family business. Once that sickness is put in check, the business side of Odell comes out and so does greed and destruction. Grant is fantastic in this role and I loved watching him do what he does best, take a role and make it his own. Leoni as Belinda does a superb job of being irritating in a hilarious way. Watching her bounce off Grant’s role of Odell is impressive and it is good to see her on the screen again.

Carrigan as Griff is one of the outstanding characters in the film and from now on, I will be yelling “Griiiiiiiffffff” anytime I want something. Carrigan has to be seen to be hilariously believed. Hynes as Shaw has only one goal, be as tough as she can be. As the Leopold’s assistant, Hynes character is protective of the family and is going to take on whatever is in the woods.

Song as Park is the scientist trying to discover what it is about the creature that can be a cure to so many things. Mani as Dr. Bhatia is the other scientist who knows that you don’t mess with the Leopold’s. Both of the scientists are just as twitchy as Elliot!

The outstanding character here is Poulter as Shepard who is a narcissistic, spoiled and entitled man-child. That being said, oh my goodness did he have me laughing myself silly. His antics and line deliveries were sheer perfection. I can’t even explain adequately Poulter’s performance because it truly does need to be experienced but be prepared to jaw drop and giggle like crazy.

Other cast include Denise Delgado as Ridley’s Mom and Kathryn Erbe as the Tapestry Narrator.

A24 is an independent entertainment company that specializes in film and television production based in New York City. Films such as A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, the amazing EX MACHINA, ROOM and THE WITCH. Many of their films can be found on DirecTV Cinema and Amazon Prime. For more information, please visit www.a24films.com.

DEATH OF A UNICORN is a thriller, comedy and horror film all rolled into one. Normally I’d be a little leery of that combination but writer/director Scharfman must have found some unicorn dust of his own. Putting this cast together was another stroke of genius because they played off one another and made it look so darn easy. I had so many reactions to the film and every single one of them was fun. The CGI gives us total unicorn and, as a childhood unicorn lover, I was thrilled with what they came up with.

Having beloved mythical creatures as the “bad guys” had me at go from the beginning and the way they are brought to the story had me cheering. Does it seem I’m being vague? Absolutely so! There is no way I want to spoil this film for anyone who is headed to the theatre this weekend. It is a weird, strange, twisted story and the biggest thing it has going for it is originality and that’s saying a lot with the films of late.

Get that tub of popcorn and take a mythical, magical ride of terror.

In the end – they’re going to make a killing!

He Survives THE INSPECTION

 

Jeri Jacquin

Coming to theatres from writer/director Elegance Bratton and A24 is the story of survival and acceptance from THE INSPECTION.

Ellis French (Jeremy Pope) is trying to find his place in life. He decides that the U.S. Marine Corps may be the answer of finding a path forward. Going to mom Inez (Gabrielle Union), he is met with a brick wall as she makes it clear that he had better come back straightened out. Parris Island, South Carolina is where French lands for boot camp.

Almost immediately, it seems that the instructor, Leland Laws (Bokeem Woodbine) has it out for French. Boot camp is tough enough for all the new recruits but Laws takes advantage. Keeping his hands clean, Laurence Harvey (McCaul Lombardi) becomes the person to especially watch out for.

Aware of what is happening, Rosales (Raul Castillo) tries to intervene when things become dangerous. Instead of running away, French tries to help fellow recruit Ismail (Eman Esfandi) who is dealing with his own abuses.

Taking it day by day, French begins to not only find his voice, but the strength to stand. When the voice of dissent comes, it is his brothers who stand with him as well.

Pope as French is a young man torn up by the streets. Living on his own since he was 16 and disconnected from his mother, the state of the world leads him to the Marines. Pope gives the performance of a man that has lived in fear and uncertainty.

Union as Inez is a character that is just distasteful in every aspect of being a human being. That has to be a tough role for Union to play knowing there would be that reaction but her performance embraced all the ugly in Inez and she went for it.

Woodbine as Laws is what you would expect from an instructor in boot camp. That being said, he goes far beyond the yelling, screaming and insulting into a dangerous zone. Woodbine’s performance is straight forward and straight-faced during scenes where my jaw was dropping. Well done.

Castillo as Rosales knows that Laws is crossing the lines in so many ways and tries to be the buffer between the boot camp life and that line. That is a difficult place as he has issues of his own that are coming to the surface. Esfandi as Ismail is stereotyped by Laws and uses that to the point of breaking his spirit. It is heartbreaking to watch which translates into a very good performance.

Lombardi as Harvey seems to enjoy being the mini-Laws. He shows no sympathy or emotion to what he is doing and who he is doing it to. Harvey is the definition of absolute power corrupts absolutely and Lombardi holds nothing back as this character.

Other cast includes Nicholas Logan as Brooks, Andrew Kai as Label, Aubrey Joseph as Boles, Wynn Reichert as Chaplain, Eddie Plaza as Bam Bam, Tyler Merritt as Shamus, Steve Mokate as Col. Casey and Aaron Dominguez as Castro.

A24 is an independent entertainment company that specializes in film and television production based in New York City. Films such as A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, the amazing EX MACHINA, ROOM and THE WITCH. Many of their films can be found on DirecTV Cinema and Amazon Prime. For more information, please visit www.a24films.com.

The Chicago International Film Festival nominated Elegance Bratton for Best Feature and Gold Q-Hugo, the Gotham Awards also nominated Elegance Bratton for the Bingham Ray Breakthrough Director Award and Outstanding Supporting Performance by Gabrielle Union. The Montclair Film Festival gives Bratton the award for Breakthrough Director & Writer and the Santa Barbara International Film Festival gives the Virtuoso Award to Jeremy Pope.

THE INSPECTION is a story of struggle, pain, love, loss, and the journey of finding a path and French gives the heart-tugging performance needed to make the story work. Union’s character is still just a reminder of so many people’s beliefs to the point of hurting family. I know people like Inez and watching this character is just so painful.

Woodbine and Castillo remind me of Sgt. Barnes and Sgt. Elias from the 1986 film PLATOON. That being destruction vs. understanding and although one could say that instructors are always like this, even Castillo’s character of Rosales knows the line may be thin but there is a line and Laws puts just one toe over it to meet his own need for control.

Through the struggle is the constant search for acceptance, especially when it can’t be found from French’s own flesh and blood. That internal part of this character is that he slowly begins to see his own self worth and that is everything.

In the end – it is a struggle for one man’s life!

 

Apple TV+ Stuns with THE TRAGEDY OF MACBETH

 

Jeri Jacquin

Currently streaming on Apple TV+ from writer/director Joel Coen based on William Shakespeare’s play Macbeth is the stunning THE TRAGEDY OF MACBETH.

The Thane of Cawdor has been vanquished for King Duncan (Brendan Gleeson) by Macbeth (Denzel Washington) and Banquo (Bertie Carvel). On the road back from battle, Macbeth encounters three witches (Kathryn Hunter) who tell him he shall be king! In gratitude, King Duncan gives the title of Thane of Cawdor to Macbeth who then writes Lady Macbeth (Frances McDormand) to tell her the news – and the witch prophecy. The king also gives his praises Prince Malcolm (Harry Melling).

Spending the night at the new Thane of Cawdor’s castle, Lady Macbeth speaks to her husband about regicide. After planning and carrying out the deed, Macbeth slays the king and covers it up in the morning. Out of fear, Prince Malcolm and Macduff (Corey Hawkins) escape the castle to England and Macbeth is now wearing the crown. Ross (Alex Hassell) is keeping is ear to the castle stone walls and knows there is something amiss.

Now, Macbeth is worried about another visit from the witches about Banquo and his young son Fleance (Lucas Barker) giving his mental health another shove into darkness. Murder most foul happens again and again including Macduff’s own family. Ross finds Malcolm and Macduff to tell them the news while Lady Macbeth begins to also lose her senses.

It all comes to a final battle as Malcolm brings his English backed army to Macbeth’s castle and Macduff finds justice for his family.

Washington as Macbeth is absolutely stunning in this role. His emotions, like his lines, roll off with such grace and ease. Even in the midst of insanity, he brings us in so we can be a little mad ourselves knowing that the heinousness of his acts to be king and stay king are crazy. Be cheery in the light, it is when he steps in the shadows does Washington’s Macbeth utter evil deeds. One of the most amazing performances I have seen this year.

McDormand as Lady Macbeth is equally as jaw dropping as the woman who wants her husband to be king, no matter what it takes. The problem with that is her mental state can not handle everything that is required to make it so. McDormand glides along in her costume like her feet never touch the floor yet every step she takes is for Macbeth.

Hawkins as Macduff has a reason for leaving but a more justified reason to come back to Macbeth’s castle. His character is strong in dedication to Prince Malcolm but even family overrides that. Hassell as Ross is that sneaky fellow lurking around castles making sure that every move he makes is done so to his own benefit. Well done and well played.

Carvel as Banquo is dedicated to Macbeth but when insanity sets in, dedication only gets a loyal subject so far. Melling as Prince Malcolm has put away his Harry Potter days and has decided to become a future king.

And extremely deserved shout out to Kathryn Hunter as the witche(s). Never in my life have I been scared and yet transfixed by a character like this. She is daunting, full of riddles and, when looking intensely at the television screen, held my gaze with jaw dropping wonder. Her motion and yet lack of emotion is pure genius.

Other cast include Miles Anderson as Lennox, Robert Gilbert as Angus, James Udom as Seyton, Matt Helm as Donalbain, Moses Ingram as Lady Macduff, Richard Short as Siward, Sean Patrick Thomas as Monteith, Ethan Hutchinson as Macduff’s young son and Susan Berger as Lady in Waiting.

Apple+ is a video on demand web television that debuted in 2019. Viewable through Apple’s TV app, CEO Tim Cook wanted original content calling it “a great opportunity for us from a creation point of view”. From THE MORNING SHOW to TRYING and THE BANKER and Jason Momoa in SEE, there is plenty of choices for everyone. Plenty of genres? That is exactly what they are bringing to viewers and to see more of what they have to offer please visit www.apple.com/tv/.

THE TRAGEDY OF MACBETH is brilliant on so many levels so let me just say first that the cinematography by Bruno Delbonnel and set design provided by Stefan Dechant is magic. Keeping it simple, with shades of light and dark that all play into the telling. The long foreboding shadows and high architecture where secrets are told, and plans are made is breathtaking.

The costuming by Mary Zophres is equally as simple with no fanfare of gold, heavy amour and ornate throne rooms or thrones for that matter. Taking away everything one would expect of a castle, the viewer is free to focus on the players and the end game.  Here are leathers and the fabric of a by gone era that are as rough as those characters wearing them.

Carter Burwell has worked with the Coen brothers before, so it seemed comfortable to have his bring in the film’s score. He gives a frightening life with the violin over the flapping of the crows that have their own meaning in the film.

Joel Coen has taken on a wonderful task going solo and has brought a story that has been told many times but with something intensely original. From the moment the film begins, it puts our own minds into a state of ‘what is hell is this?’. As Hunter’s tries to warn us from the beginning, the tale is one of twists, turns and omens.

But oh, no matter the warning, every frame of this tale is majestic to behold!  

In the end – something wicked this way comes!

 

 

Their love is for LAMB

 

Jeri Jacquin

Coming from director Valdimar Johannsson, Sjon and A24 comes the story of love, family and the secrets they keep with LAMB.

Maria (Noomi Rapace) and husband Ingvar (Hilmir Snaer Gudnason) live on a sheep farm far away from people out in the hills of Reykjavik, Iceland. Keeping their days filled with tending the sheep and being together, the time comes for all the females to give birth one by one. Maria and Ingvar deliver one lamb and their world is about to change.

Taking it indoors, Maria starts feeding the newborn and Ingvar brings in a crib to keep it safe. Day after day they enjoy the lamb but outside the window, there is trouble to bleating. When brother Petur (Bjorn Hlynur Haraldsson) comes to visit, he is not happy with what is going on. It is Ingvar that reminds him that he is a visitor, and his opinion is not invited.

Accepting everything, Petur finds himself finding respite and helping around their farm. They all spend time together not being bothered by anyone… but not anything.

Rapace as Maria has found something beautiful in their lamb named Ada. She embraces the life away from others and in a marriage that makes her happy. The thing I enjoy most about Rapace is her ability to say very little, yet everything is written on her face, in her eyes and body language. The film allows us to just follow her trusting that she will take us where we want to go.

Gudnason as Ingvar is happy to allow his wife to embrace the lamb into their home. He is also happy to lavish affection on the creature they helped bring into the world. There is also a deep sadness that he carries but keeps to himself. Gudnason is such a gentle soul from beginning to end and is the buffer between Maria and Petur.

Haraldsson as Petur is a destructive ex-rocker brother that seems to always find his way back to Ingvar and Maria. Not exactly sure what has been happening on the farm, he pushes emotional buttons until it turns on him.

A24 is an independent entertainment company that specializes in film and television production based in New York City. Films such as A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, the amazing EX MACHINA, ROOM and THE WITCH. Many of their films can be found on DirecTV Cinema and Amazon Prime. For more information, please visit www.a24films.com.

LAMB was the official selection of the 2021 Cannes Film Festival in the Un Certain Regard and also premiered at the BFI London Film Festival.

This film is filled with every human emotion imaginable starting with shock, but it is an almost fleeting thing as the story moves along. This is not a film that has or need a lot of dialogue, but I preferred that actually. Watching this couple decide how to live their lives is straight forward and refuses to offer excuses.

That being said, the story is also one of haunting and stunning beauty. Yes, Ada is the center of the story, but it is only a fraction of it. The story is also of two people in pain trying to live their lives the best they can and find happiness when they can. It is about the conflict of family and the history of secrets that are bubbling right below the calm surface.

Both Maria and Ingvar know it to be true. Finally, it is also a tale of loving what most would consider the unlovable with no hesitation and do not feel the need to justify that love. They are accepting, embracing and see the joy of their decision.

Sometimes there are life repercussions that cannot be ignored, and no one can avoid paying the ferryman.

In the end – it is mother nature!

 

 

THE KILL TEAM Brings More Fears During Wartime to Bluray

Jeri Jacquin

Coming to Bluray and Digital from writer/director Dan Krauss, A24 and Lionsgate are events of war and the effects caused by THE KILL TEAM.

Andrew Briggman (Nat Wolff) is a young man who joins the military and immediately send to the Middle East. Settling into camp, he tries to learn the ropes from the other soldiers. His first experience with the seriousness of their work is when their leader Weppler (Osy Ikhile) is killed. The group tries to come together as the new leader Sgt. Deeks (Alexander Skarsgard) walks in with confidence.

Deeks makes it very clear what he expects from the men under him and even treats them to a cookout. He also takes Briggman under his wing a little and encourages him to be more forward in his soldiering. The young soldier appreciates the attention and begins to find his way and becomes more inclusive with the platoon.

Out on a mission, Briggman remembers what Weppler told him about 'hearts and minds' but Deeks doesn't agree with this approach. In fact, while out on patrol, he witnesses something that he knows is frighteningly wrong. Unsure of what to do, Briggman reaches out to his father William (Rob Morrow) who tells his son to stand fast using his military contacts to find help.

As word begins to spread that there could be a rat in the ranks, Briggman watches everyone including Deeks for signs of danger. The days become more difficult to handle as the others start weeding out who could be the person turning on them all.

Every move brings him to a decision that will cost everyone!

Wolff as Briggman is a young man who comes from a military family and sees himself as doing his duty to country. Not as tough as some of the other soldiers he is with means if someone is going to be made to feel the outcast it is Briggman. Wolff brings a believable naivetés to his character that is shattered quickly and his reaction is fear. From beginning to the end of the film I felt with Briggman every step of the way (including feeling a big paranoid) and all of the emotions means Wolff delivers.

Skarsgard as Deeks is charming and disarming at the same time. Coming off as 'one of the guys' is perfect for a predator of his calibre. Of course I know Skarsgard can play a villain because I've seen him do it as a vampire in the HBO series True Blood, but this isn't the same by any means. In THE KILL TEAM, he uses war and the innocence of these young soldiers to fulfill his own nasty need for destruction. Despicable yes, well portrayed - absolutely.

Morrow as William Briggman is a father who just wants his son to come home alive without physical harm or emotional scars. When his son reaches out, Dad does what dad's do, try to fix a problem before it becomes bigger than a problem.

Other cast include Anna Francolini as Laura, Oliver Ritchie as Cappy, Brian Marc as Marquez, Jonathan Whitesell as Coombs, Adam Long as Rayburn and Ian Attard as Captain Weaver.

Lionsgate is a global leader in motion picture production and distribution for theatres, television, home entertainment and more. Theatre franchises include THE HUNGER GAMES, and DIVERGENT along with JOHN WICK. Now, adding this film to its 16,000 motion picture and television titles you can see everything coming soon as well as available now at http://www.lionsgate.com.

The Special Features of THE KILL TEAM include The Reality of Courage: Making THE KILL TEAM, Deleted Scenes and Audio Commentary with Writer-Director Dan Krauss.

THE KILL TEAM also includes a Digital Copy that allows the viewer to stream instantly or download to your devices such as PC's, laptops, tablets and your own phone.

THE KILL TEAM is a difficult film because the idea presented is one that people have thought about but never talk openly about. War brings about actions that otherwise wouldn't be a part of a person's behaviors in everyday life. Not just in the recent wars but wars throughout history people have done things to one another that aren't spoken of in 'polite society'.

Not so much in recent years as PTSD has become prevalent in our world and with that come the stories (and even photographs/video with our technology now) that show what the men/women of the armed services endure. The leader in this film, Deeks, is supposedly one of their own that is trusted to do his job and protect his soldiers is the disturbing part. Instead he is a man that betrays that trust and does the unthinkable.

Briggman is a character but not so far removed from all the young soldiers who join the military. When the trust of a leader is betrayed, the fear is just another thing that can get one killed. Anyone in the military or family of those in the military will experience this film in a more difficult way because having a service member in the family is already difficult enough. The choices they make as soldiers is one most of us will never have to make and the film portrays that as well.

The entire film is on an emotional roller coaster for the viewer but at the same time will have the same viewer writing up a mental list of questions. That's where the conversations come into play that need to be had regarding the realities of war. Of course my father and grandfather came from a generation where what happened in war was never discussed but that is no longer the case and, in fact, they are now speaking out for their own mental health.

In the years to come this will not be the only time we hear and see a story of this kind as writer/director Krauss gives us a based on a true story, in-depth look at a few good men brought to many bad (and sad) behaviors.

In the end - they are soldiers, brothers and enemies.

THE KILL TEAM

Jeri Jacquin

Coming to theatres and On Demand from writer/director Dan Krauss and A24 are events of war and the effects caused by THE KILL TEAM.

Andrew Briggman (Nat Wolff) is a young man who joins the military and immediately send to the Middle East. Settling into camp, he tries to learn the ropes from the other soldiers. His first experience with the seriousness of their work is when their leader Weppler (Osy Ikhile) is killed. The group tries to come together as the new leader Sgt. Deeks (Alexander Skarsgard) walks in with confidence.

Deeks makes it very clear what he expects from the men under him and even treats them to a cookout. He also takes Briggman under his wing a little and encourages him to be more forward in his soldiering. The young soldier appreciates the attention and begins to find his way and becomes more inclusive with the platoon.

Out on a mission, Briggman remembers what Weppler told him about 'hearts and minds' but Deeks doesn't agree with this approach. In fact, while out on patrol, he witnesses something that he knows is frighteningly wrong. Unsure of what to do, Briggman reaches out to his father William (Rob Morrow) who tells his son to stand fast using his military contacts to find help.

As word begins to spread that there could be a rat in the ranks, Briggman watches everyone including Deeks for signs of danger. The days become more difficult to handle as the others start weeding out who could be the person turning on them all.

Every move brings him to a decision that will cost everyone!

Wolff as Briggman is a young man who comes from a military family and sees himself as doing his duty to country. Not as tough as some of the other soldiers he is with means if someone is going to be made to feel the outcast it is Briggman. Wolff brings a believable naivetés to his character that is shattered quickly and his reaction is fear. From beginning to the end of the film I felt with Briggman every step of the way (including feeling a big paranoid) and all of the emotions means Wolff delivers.

Skarsgard as Deeks is charming and disarming at the same time. Coming off as 'one of the guys' is perfect for a predator of his calibre. Of course I know Skarsgard can play a villain because I've seen him do it as a vampire in the HBO series True Blood, but this isn't the same by any means. In THE KILL TEAM, he uses war and the innocence of these young soldiers to fulfill his own nasty need for destruction. Despicable yes, well portrayed - absolutely.

Morrow as William Briggman is a father who just wants his son to come home alive without physical harm or emotional scars. When his son reaches out, Dad does what dad's do, try to fix a problem before it becomes bigger than a problem.

Other cast include Anna Francolini as Laura, Oliver Ritchie as Cappy, Brian Marc as Marquez, Jonathan Whitesell as Coombs, Adam Long as Rayburn and Ian Attard as Captain Weaver.

THE KILL TEAM is a difficult film because the idea presented is one that people have thought about but never talk openly about. War brings about actions that otherwise wouldn't be a part of a person's behaviors in everyday life. Not just in the recent wars but wars throughout history people have done things to one another that aren't spoken of in 'polite society'.

Not so much in recent years as PTSD has become prevalent in our world and with that come the stories (and even photographs/video with our technology now) that show what the men/women of the armed services endure. The leader in this film, Deeks, is supposedly one of their own that is trusted to do his job and protect his soldiers is the disturbing part. Instead he is a man that betrays that trust and does the unthinkable.

Briggman is a character but not so far removed from all the young soldiers who join the military. When the trust of a leader is betrayed, the fear is just another thing that can get one killed. Anyone in the military or family of those in the military will experience this film in a more difficult way because having a service member in the family is already difficult enough. The choices they make as soldiers is one most of us will never have to make and the film portrays that as well.

The entire film is on an emotional roller coaster for the viewer but at the same time will have the same viewer writing up a mental list of questions. That's where the conversations come into play that need to be had regarding the realities of war. Of course my father and grandfather came from a generation where what happened in war was never discussed but that is no longer the case and, in fact, they are now speaking out for their own mental health.

In the years to come this will not be the only time we hear and see a story of this kind as writer/director Krauss gives us a based on a true story, in-depth look at a few good men brought to many bad (and sad) behaviors.

In the end - they are soldiers, brothers and enemies.

GLORIA BELL

Jeri Jacquin

Coming to theatres from director Sebastian Lelio and A24 comes the story of a woman trying to find her place with GLORIA BELL.

Gloria (Julianne Moore) is a divorced 50-something woman who is trying to find her way. Escaping occasionally to dance at a local nightclub, it helps her deal with life. When she isn’t tripping the lights, she sees her daughter Anne (Caren Pistorius) and son Peter (Michael Cera).

On one of her dancing nights she meets Arnold (John Turturro) and there is a connection as they start seeing one another. What Gloria doesn’t understand is the mysterious relationship Arnold has with his two grown daughters but she lets it alone. Deciding its time for her own family to meet him, Gloria invites him to Peter’s birthday party.

While there, Gloria’s ex-husband Dustin (Brad Garrett) makes Arnold feel as if he doesn’t exist so he sneaks away from the party. Upset beyond belief, Gloria won’t listen to anything Arnold says when he attempts to apologize.

She ignores his calls, ignores the flowers but the calls keep coming. After Anne leaves, Gloria gives in for a trip with Arnold to Las Vegas hoping they can get past any issues but it takes an instant for it all to change.

Now Gloria must decide whether to remain stagnant or remember that she can be everything and that includes happy!

Moore as Gloria has the serious chops to pull of this role. There is a vulnerability needed here to make this character believable and Moore gives it her all. Gloria is a woman who is trying to find her place in a world that doesn’t recognize her as a young woman any longer and doesn’t exactly embrace the number 50 when it comes to meeting a good man. Instead, she flounders with her family and the ability to let go adding a complicated relationship with Arnold. I just love Moore!

Turturro as Arnold is a complicated character because from the beginning you are never quite sure where he stands with the way he deals with things. One moment he is completely happy with and the next he is tortured by family issues that he can not seem to ignore.

Other cast include: Sean Astin as Jeremy, Cassie Thomson as Virginia, Chris Mulkey as Charlie, Barbara Sukowa as Melinda along with Jeanne Tripplehorn, Holland Taylor Tyson Ritter and Rita Wilson as Vicky and I just love her spunk which is exactly what Gloria needs!

GLORIA BELL is a film that dives in the deep end of the complications that come with older relationships. Being divorced with a family is one thing but trying to also be with someone who also has a family brings in every complication you can imagine. Director Lelio doesn’t hesitate to tackle these issues head on no matter how messy.

There is something about Moore’s portrayal of this character that brings about every range of the over-50 female experience. She is vulnerable, guilt ridden, lives slightly dangerously, reaches out to life only to pull back when it comes close and finds herself completely alone.

The music for the film is perfect but then again I found myself singing along with ease. Every song fit perfectly in the scene and working its way toward the end I would expect to see Gloria dancing madly!

In the end – this is her life.

THE VANISHING OF SIDNEY HALL is Stunning Storytelling!

Jeri Jacquin

In theatres this week from writer/director Shawn Christensen and A24 is a film that allows us a look inside of a life of secrets with THE VANISHING OF SIDNEY HALL.

Sidney (Logan Lerman) is a young man who sees the world differently than his classmates. He finds solace in writing and is encouraged by his teacher who sees something special in him. Sidney also has a little mystery in his life when a girl who lives across the street lets a bit of her feelings show.

He introduces himself to Melody (Elle Fanning) and they begin a deep relationship that Sidney knows is life changing. What becomes life-altering is when school jock Brett Newport (Blake Jenner) asks Sidney to hold something for him and to tell no one. Happy to oblige, he is also curious about what had Brett so nervous.

What happened between the two young men becomes the subject of Sidney’s book that sky-rockets him to literary stardom. The fame becomes a whirlwind that begins to affect his relationship with Melody and when it all begins to fall apart – Sidney disappears without a trace.

That’s when a detective (Kyle Chandler) begins searching for Sidney who is wanted for a series of fires set in places where there are books. Trying to follow the clues, the detective hopes it will lead to Sidney and answers as to what happened to push this young man toward a path filled with pain.

Lerman as Sidney carries this story and film brilliantly in a way that kept me wondering how much more one life can take. I literally couldn’t take my eyes off his performance because his character is so dedicated to everything he pursued that the pitfalls just crushed my heart. All of that emotion is because of Lerman’s portrayal which is a thing of true beauty.

Fanning as Melody clearly enjoys life, sees the beauty past the pain and loves Sidney. Her character sees the best in Sidney and supports when it all becomes too much for him. Trying to be his support comes at a price that Melody seemed more than willing to pay until it was no longer just she that would pay.

Chandler as the Detective is absolutely amazing in this role. Watching him take each crime scene apart piece by piece to ‘get his man’, it also gives the viewer the same opportunity to go back into Sidney’s life and see what might have gone unnoticed because, like our own lives, it is all in the eye of the beholder. I loved this performance by Chandler but then again if you’ve seen the series Bloodline, you know this actor was certainly up to the challenge in this role.

The must-see breakout performance is Jenner as Brett Newport. This BMOC senior jock walks the hallways of high school in his letterman’s jacket without a care in the world. Sometimes what we think is so true of someone can turn at a moments notice. Jenner’s character brings harshness mixed with a sadness that feels so real for this young man.

Another shout out to Nathan Lane as Harold! Although his role isn’t large, Lane has the unique ability to make every second he is on screen count and playing Harold is no exception. As Harold, Lane is brash, bold and I loved it.

Other cast include Michelle Monaghan as Mrs. Hall, Janina Gavankar as Gina, Margaret Qualley as Alexandra, Yahya Abdul-Mateen II as Duane, Tim Nelson as Johan, Michael Drayer as Max, Christina Brucato as Jeanine, Alex Karpovsky as Bauer, Darren Pettie as Gerald Hall and David Basche as Senator Dale.

TUBS OF POPCORN: I give THE VANISHING OF SIDNEY HALL four tubs of popcorn out of five. I know it is early in the year yet I feel like I’ve seen something stellar, heart felt wrapped in an honestly original story. Filled with a weaving of time periods that is done with such ease and yet so compelling to watch.

This is a cast that envelopes every moment of screen time stretching my emotional core and just when I thought I could take a deep breath – twist! Isn’t that what we want from good storytelling and good filmmaking? That’s what this film is all about, testing us all to our emotional limits and rooting for each to release the memories that hold them down.

Trust me when I say there is so much more to the film that I will not put in this review. I truly want everyone who sees this film to experience each moment for themselves and jaw drop at the twists that are nothing short of brilliantly done. The cinematography is equally well done and if you thinks places in the world are just geography – think again.

In the end – it’s all about beginnings.