Speaking with Spencer Stone, Anthony Sadler and Alek Skarlatos - heroes all!
Jeri Jacquin
Coming to theatres from legendary director Clint Eastwood
and Warner Bros. is a film about adversity, courage and being on THE 15:17 TO
PARIS.
It made the news around the world when, on August 21, 2015,
a terrorist attacked a train heading for Paris
with 500 passengers aboard. The event could have had life shattering
consequences but for three men – Airman Spencer Stone, Specialist Alek
Skarlatos and Anthony Sadler.
These three men took it upon themselves to rush in while
others were rushing out. What makes these three even more outstanding is that
they have been friends since childhood. That’s where the story begins, Spencer
and Alek are having problems at school as teachers and administrators see them
as needing medication to keep them in line.
Not about to have it are their mothers Joyce (Judy Greer)
and Heidi (Jenna Fischer) who are not about to be told how to parent –
especially out of a medicine bottle. It is in school that they meet Anthony and
a bond is formed out of mutual acceptance. Although they each have to go their
separate ways, that bond becomes stronger as they grow up.
Spencer decides he wants to join the military but soon
discovers that the job he wants is not where the military sends him. Struggling
with studies and keeping up, he becomes frustrated which makes things even
harder. Alek is over seas when, along with Spencer and Anthony, plans are made
to see the sights of Europe.
Reunited once again, Spencer, Anthony and Alek become
tourists going from place to place enjoying their freedom. After visiting Italy and Amsterdam,
they board the Thalys train #9364 for Paris
where the lives of everyone aboard will change.
I had the amazing opportunity to speak with Spencer, Anthony
and Alek who director Clint Eastwood decided would portray themselves in the
film. Let me say first off that I found these three young men to be exactly how
I expected them to be. They are very welcoming, funny and with a laid back ease
I so enjoyed.
Jeri Jacquin: Hello
gentlemen, it’s such a pleasure to meet you.
Spencer Stone: Oh, I think we are missing one. Alek will be
back in a sec.
Anthony Sadler: If we let him back in the room.
(they immediately start laughing and I sense a plot forming)
JJ: Well, lets hit the ground running before he gets back
then.
Spencer: Yes!
JJ: First of all, it’s so weird; I mean you look exactly
like yourselves.
Anthony: (laughing) I know right, I get that a lot.
JJ: I saw the film and I have to ask you, is it very strange
when you watch it? Because it is like you are watching yourself doing something
you have already done.
Anthony: It’s weird on so many levels. It’s our story on
camera with music with Clint Eastwoods name on it and it’s also weird watching
how accurate it is because we lived it. It isn’t all Hollywood’ up so seeing us doing what we did
two years ago is strange for us as well.
JJ: I felt like I was intruding almost while watching in a
way.
Spencer: Yes, that’s exactly what it feels like putting it
out there.
Anthony: We hope that people like it and it spread like
wildfire. We want the audience to feel like they are there and see exactly how
it happened and who it happened to. It’s not documentary and I know it gets
tagged that because we are not actors but it’s not that. It’s like you are
literally there.
JJ: Even more so for you.
Anthony: Exactly!
(we are rejoined by Alek Skarlatos and immediately Spencer and Anthony
give him a good natured hard time with lots of brotherly joking)
JJ: Hello Alek, I’m Jeri.
Alek: Awwww man, you started without me?
JJ: It’s not that we don’t love you or anything but the
clock is ticking.
Anthony: Yea dude, we have things to do. (again they start laughing at each other)
Spencer: Back to the question Alek (chastising as only a brother can do), you have to be okay with
everyone knowing everything about your life. Not everything in detail but a
majority of it out on a big stage with Clint Eastwood. It’s a scary decision
but an exciting one.
Anthony: We are a week away from release and we have shot
the movie, promoted it, wrote a book about it and have talked about it all
over. At this point it is so weird to be in this place because millions of
people are about to see it. It’s just an interesting time and pretty surreal
and we are excited for everyone to see it. I just really want to know what
everyone thinks of it actually. I want to know how it touches them and makes
them feel.
JJ: When you were first approached, did you think the film
was going to go as far back into your life as it does? Because you are dealing
with a 94 minute film but going back to when you were kids.
Anthony: When Clint picked it up the book I knew there was a
strong possibility and I was wondering how much of our childhood he was going
to show because I didn’t know how relevant it was. We were all three discussing
it amongst ourselves wondering what was relevant to the story and what’s not.
It’s weird because when I read the script I wondered why some scenes where there
but when I watched the finished product I thought – he’s such a genius. Every
scene in there had a theme in it that set up the bigger picture.
JJ: Oh absolutely.
Anthony: No matter how trivial it looked, like going to the
principal’s office because that speaks to a bond that we shared even as
children. Ever scene mattered and only Clint Eastwood would have a vision like
that.
JJ: Did he tell each of you why he decided to use you
instead of actors?
Spencer: Not directly, the information we had was of interviews
he has done talking about it.
Alek: I’m so glad he did though because the first time we
watched the film with our families and having our relationships on camera – the
way we talk to each other – even they could tell that’s really how we act. We
weren’t being different people so the film really shows that that is who we
really are and it’s very accurate.
JJ: Earlier you said
that some people were hinting the film was like a documentary and I can see why
they might say it even though they are pretty much wrong (the laughing commences again). When you
are speaking to each other on the screen there aren’t ‘characters’ acting like
you – it’s you three being –well, you three! Again, there is that eavesdropping
feeling.
Anthony: Clint didn’t want us to act either. He didn’t want
us to…
Alek: …do too much.
Anthony: Yes, do too much. We were trying to be ourselves
and not overplay it. He took the weight of a motion picture out of the
situation. He said be friends and forget what the script says. He said, ‘you
were here and you know how it was, do that and I’ll capture it’. The trust goes
both ways because we trusted him to tell the story and he trusted us to just be
ourselves. His trust was huge and we didn’t want to disappoint him. We wouldn’t
have trusted anyone else to be so personal with our story and when we saw the
picture we just wanted to be happy with it and we are. We are thrilled that he
did the film justice.
Spencer: I don’t think we would have been happy with the
film if it was anyone other than Clint Eastwood.
Anthony: He gave us the confidence to try. We thought if
Clint sees something, I don’t know what it was but if he sees something then we
will do it.
JJ: Clint always does stories that share something of a
character, but here it is the three of you so it is much wider of a story being
told.
Anthony: We are all so very different as well.
JJ: Yes, you certainly are.
Anthony: The movie will show that we are three very
different individuals. Typically you wouldn’t think we would be friends and not
only friends but life long friends. We risk our lives for each other and that’s
a huge theme of the film.
JJ: I think you literally proved that.
Spencer: I guess we did.
JJ: One scene that touched me was your troubles Spencer
growing up and struggles with the military. I recognize that in you, I can’t
exactly say ‘your character’ because it’s you! Did you ever in a million years
think all those struggles would be called upon in a fraction of a second?
Spencer: Absolutely not, I felt like even all the way up to
the train attack I was feeling very unfulfilled and kind of angry because I
felt like that’s all I ever wanted. I felt like joining the military was the
first time I ever truly applied myself just to have it stripped from me. It was
devastating for me. Then to be put in another career that I wasn’t too excited
about and to fail out of that just felt like a huge waste of time. It’s just
funny how I would be pushed away from the things I wanted and guided towards
the things I needed in my life. I think that wasn’t something I was able to
fully comprehend until I went through this experience. Now having that
perspective in my life it has much improved how I see things in a hundred
different ways. It is something I can carry throughout my life in any situation
and just feel calm and at ease and pretty much know that I am here for a
reason, I don’t know what that is but I need to trust.
JJ: Life is busy chugging along while you are busy making
plans?
Spencer: Absolutely.
Anthony: That’s perfect!
JJ: So Alek, I heard people refer to you as ‘the quiet one’,
is that true?
Alek: I mean…depends on the context.
Spencer: It depends on who is around.
Alek: Yea, it does depend on who is around. If it’s these
guys then I’m not but other people I might be quiet.
Spencer: If there was a cute girl he would be all chatty.
Alek: Yep, that’s right.
JJ: I kind of got that feeling with the scene in Rome.
Spencer: Oh look at the pretzels!
(a joke that took these boys almost to the floor laughing)
JJ: So Alek, seeing yourself on screen did you see anything
about yourself that you didn’t notice before?
Spencer: Oh, good question.
Alek: I think how ridiculous I look sometimes. If you add up
between the pretzel scene and me drinking the baby soda it’s like wow, I’m kind
of stupid. That’s very accurate to who I am but you don’t notice those idiosyncrasies
in an objective manner until you see them on screen.
(Spencer and Anthony are cracking up at Alek’s answer so the Mom in me
steps in)
JJ: Stop teasing your brother!
Spencer: (explaining
the laughter) Every time we hear a good word we bank it so that we can use
it next time. Now we have to look it all up.
Alek: Google it!
JJ: You guys are too much. Okay onto a serious note because
we have to go there. Watching the attack scene the train begs the question for
you Spencer of how do you manage to do that again? Your face is so focused.
Anthony: You put anything in slow motion and add music to it;
it’s going to look good.
(They have fallen out cracking themselves up again)
JJ: Now you will go through the rest of your life putting
music and slo-mo in your head to everything you do.
Alek: (still laughing) Right?
Spencer: We have to give the entire credit to Clint and his
whole crew. They went into such detail and as far as having the same exact
clothes we were wearing that day, the same luggage, being on the exact same
train going to Paris
– it’s insane. We had Mark and his wife and everyone else there.
Anthony: People think it’s traumatic for us.
JJ: I think that is how most people would see it.
Spencer: Clint knew that we didn’t have much experience and
that he was going to do this in a positive way. Being back in the moment for
us, Clint made it easy to get back to that moment.
Anthony: The first 24 hours after the attack we went back to
the hotel while Spencer went to the hospital. All we wanted to do was to see
Spencer, that’s all we wanted. Finally the next day we laughed for like twenty
minutes in the car saying ‘can you believe that happened?’ This is the day
after!
Alek: I mean we are drinking champagne as the Ambassador’s
house talking about a terrorist attack.
Anthony: We are just a bunch of young guys living the dream.
Clint Eastwood came along and put the stamp of ‘badass’ on it all for us.
Spencer: I mean if Clint Eastwood says something is badass,
then its badass.
JJ: When the attack scene was made, did the adrenaline flow?
You can not walk away from that and now feel something about it.
Alek: I would say that while we were shooting the scene the
adrenaline absolutely did because those feelings came rushing back. It was very
realistic like Spencer said but after it was over we were chilling with the
gang again.
Anthony: People expect so much, it’s not that deep, it’s
pretty simple. We are pretty simple guys.
Spencer: Not going through something this crazy before and
I’m sure there are people who have gone through crazier things in their life
before, I feel like we have been able to cope with it very well. It’s not that
we aren’t affected by it; it’s just that we have been able to deal with it
well.
Anthony: We’ve had the luxury of talking about it on such a
large scale whether it’s the initial media frenzy or the book or the movie
process. We have talked about it so much.
Alek: We’ve dissected it.
JJ: You have been each other’s therapist.
Spencer: Exactly, that’s why talking about it has been so
helpful and therapeutic.
Anthony: We’ve been able to share and it’s out there.
Spencer: Even now we’ve done about 200 interviews and we get
to talk with other people and each other in a way that means something to us.
JJ: So being together has made all the difference.
Spencer: Absolutely it has.
Anthony: Yes.
Alek: Always together. Whenever one is uncomfortable we have
the other to make it easier and joke around like we do. We have three brains.
If it had been just one of us on that train we would have been all alone in it.
JJ: Nobody else would understand it.
Alek: Yes, no one would be able to understand it and
couldn’t make jokes about it.
Spencer: They would look at you like you were crazy.
Alek: Exactly. Going through it with these two has been
fantastic.
JJ: Here is the final question.
Alek: Ut oh!
(Spencer and Anthony laugh with Alek)
JJ: You have said that about a lot of my questions Alek.
Spencer: Getting all serious on you now Alek.
Anthony: Just when we were having so much fun.
JJ: Oh it’s not that tough of a question. Okay, here it is,
what would you like the audience to talk about after they see THE 15:17 TO PARIS.
Alek: I would just like them to remember that if they ever
are in a situation where they can help – then help. You really don’t have to
just stop a terrorist attack to contribute positively to society. If you see a
car accident and you don’t know first aid you can call 911 and find someone who
does. You can always help by doing something positive. It’s rare because people
seem to want to just whip out their cell phones and watch instead of doing
something. Also, remembering the importance of friendship.
Spencer: It is important to show how God has played a factor
in our life and this is a good way of showing that on such a big stage.
Terrorist attacks and things like that we have been asked ‘what advice would
you give me to stop an attack’ and I can’t really give you advice because
nothing is the same. You are probably more than likely not to be on a train
where a terrorist who has a gun that doesn’t go off on you. Nothing is the same
but the only thing we can offer as advice without putting someone in a bad
position because I’m not telling anyone to run toward a loaded gun. I would
never tell anyone to run toward a man with a loaded gun so just ask yourself
what you would do and have an answer. That’s all you can do. We have talked
about it so many times before it actually happened so something engrained in
our minds.
Anthony: I just hope it inspires people. People think there
is something special about the three of us and say ‘what do you three have
that’s so special’ and I think the movie shows that we are just three guys.
Maybe someone will see something of us in themselves and be inspired to know
they are capable of being extraordinary themselves and overcome adversity as
well. It doesn’t have to be a terrorist on a train, just any obstacle and they
need to know that they are on a journey and capable of being extraordinary.
It’s not just us.
And that ladies and gentlemen is why I
love what I do. These three men shared a moment of time with me and will
forever be in the hearts of those they saved. I thought it extremely important
to share their playfulness because it is a bond created by their friendship
that endured the difficulties of childhood up to the most important moment of
their lives.
Yet, it didn’t change their friendship; in fact I see how it
made them even closer than can be imagined. Their belief in one another and the
ability to not to take life so seriously is the lesson created in childhood and
the lesson they take with them from their experience.
That is not to say what happened hasn’t had an effect on
their life at all, of course it has, but as they all agree that having their
friendship and the ability to lean on each other has made all the difference.
We should all be so blessed to have friends like that in our lives.
Experience the journey as director Clint Eastwood brings THE
15:17 TO PARIS
to theatres this Friday.
