Jeri Jacquin
Coming to theatres from director Anthony Maras, Studio Canal and Focus Features comes the true story of the seventy-two hours before D-Day, when they are all under PRESSURE.
The plans have been made, and General Dwight D. ‘Ike’ Eisenhower (Brendan Fraser) is preparing for all contingencies. The one thing he cannot predict? The weather. That’s when the general calls in Group Captain James Stagg (Andrew Scott), a man recommended by Churchill himself. His job is clear: to do whatever is needed to accurately predict the weather on June 5th, 1944, when all the Allied Forces are due to land on the beaches of Normandy.
Stagg is a no-nonsense man who gets to work, even if Eisenhower’s weather prediction by Irving Krick (Chris Messina) says everything is a go in sunny skies. Keeping an eye on Stagg is the general’s right-hand woman, Kay Summersby (Kerry Condon), who sees that Stagg is up against it. When called to give a briefing, Stagg tells a room full of military men things they don’t want to hear. The loudest complaint comes from Bernard Montgomery (Damian Lewis).
When Stagg and Krick are at odds with one another, it is on Eisenhower’s shoulders to make the decision that will decide the fate of every soldier who is to hit that beach. There are memories he deals with that make his choice between the two men’s reports extremely difficult. When the choice is made for him, Stagg and Krick come together, and there is only one moment in the clouds that turns the tide.
Fraser, as General Dwight D. Eisenhower, hits the screen in a bold approach to the role. Anyone who knows history will immediately pick up on the fact that Fraser does not attempt to mimic the historical figure. Instead, the actor portrays him as a deeply human leader under extraordinary strain. Fraser’s Eisenhower is tired, somewhat guilt-ridden, and quietly desperate, all while maintaining a general's outward appearance. Fraser’s emotional depth ultimately anchors the film.
Scott as Stagg brings in meteorologist James Stagg as a man who clearly understands the assignment, literally. Scott captures the anxiety of a man whose calculations could change history, portraying Stagg as both brilliant and haunted by the weight of responsibility. His performance injects urgency into scenes that might otherwise feel static. I’m a huge fan of Scott, and this performance in PRESSURE is absolutely one of the reasons why.
Condon as Summersby portrays a woman who clearly understands what it means to know her boss. Strong, very intelligent, and swift in her delivery, Condon also portrays a person who is in the midst of a war, never forgetting her humanity. I adore that about this character. Messina, as Krick, is the polar opposite of Stagg. He may be a man of weather science, but he tends to lead with more of a lax attitude than his counterpart. Following charts and patterns instead of reality, it is what causes conflict. Well done.
Lewis, as Montgomery portrays a man who is definitely in war mode, and he doesn’t want anything, even the weather, to get in his way of success. He doesn’t believe in what Stagg is trying to do and is often very confrontational with Eisenhower. Watching the top brass have a go at one another can be amusing, but Eisenhower knows how to put a stop to that!
Other cast include Tamsin Topolski as Lizz Stagg, Jojo Macari as Andrew Carter, Con O’Neil as Air Marshal Leigh-Mallory, Alexander Hanson as General Omar Bradley, Robert Portal as Admiral Bertram Ramsay,
In PRESSURE, director Anthony Maras delivers a gripping and unexpected take on World War II, shifting focus away from the battlefield and into the tense confines of Allied command rooms. Centered on the crucial days leading up to D-Day, the film explores how one decision—based largely on uncertain weather forecasts—could determine the fate of thousands.
What makes PRESSURE so compelling to watch is its restraint. This is not a traditional war epic filled with explosions and combat sequences. Instead, it thrives on dialogue, moral dilemmas, and the suffocating tension of uncertainty. The film unfolds like a high-stakes chess match, where every move is debated, second-guessed, and fraught with consequences.
Visually, the film leans into tight rooms where decisions are made, which adds another level to the title of the film. War rooms are tense, where a ticking clock is what replaces gunfire. There are a few moments where the film takes a breather in its pace, but the film succeeds in offering a fresh perspective on a well-known historical event. The film does remind me of other historical pieces such as CHURCHILL and THE IMITATION GAME.
PRESSURE is a thoughtful and quietly intense drama. It may not satisfy viewers looking for action-heavy war spectacle, but for those interested in the human side of leadership and the invisible forces that influence monumental decisions, it delivers a compelling experience.
In the end – one decision changed the world!
