AMMONITE

 

Jeri Jacquin

Coming to theatres and On Demand from writer/director Francis Lee and Neon is a story of two women in search of something more than AMMONITE.

Mary Anning (Kate Winslet) is a renown fossil hunter who spends her days on the shores of Lyme Regis in 1840 England. Day after day the self-taught paleontologist has an amazing eye for finding fossils that she sells to tourists. Taking care of her ailing mother Molly (Gemma Jones), Mary keeps to herself.

One day, at her shop door is Roderick Murchison (James McArdle) looking to learn about how Mary finds fossils. Along with him on the visit is his wife Charlotte Murchison (Saoirse Ronan) who is quiet and meek. A few days pass when Murchison offers Mary a large amount of money to watch over the depressive Charlotte while he goes on his next adventure.

Knowing the money would help, she begrudgingly agrees. Almost right away Charlotte becomes seriously ill and as she starts to get well, she and Mary start to show signs of friendship toward each other. Both have pasts that are haunting their ability to be happy with thin veils of uncomfortableness that wakes up with them each and every day.

What comes from that friendship is complicated, loving and forces life choices that are painful for them both but needed to break free.

Winslet as Mary is a woman set in her ways. Taking care of an ailing mother, Mary, in a way, hides behind her as I see it. Diving into her work finding fossils is another way to avoid people totally. Making sure they have enough money to survive is important, but the years have created a bubble around Mary’s life. I actually love when Winslet takes on roles that are a challenge to understand and grasp as the tale unfolds.

Ronan as Charlotte has a depression she is fighting through and does not see any light in her life. Even with Mary, the first days she remains aloof and dangerously closed off. Ronan is always a light on the screen and following her career is a joy. With every role she chooses there is simplicity mixed with complexity that is all wrapped up on her face that does not give anything away until she is ready for us to know – and then only in doses.

Jones as mother Molly has become use to living the secluded life her daughter provides and sees Charlotte as an interloper. Shaw makes herself known as Elizabeth Philpot who has a connection to Mary that is endearing and telling.

McArdle as Murchison is a husband who says openly that he wants his wife back but does not seem to be heart broken over leaving her with Mary. Do not think we didn’t notice that Murchison!

Other cast include Claire Rushbrook as Eleanor Butters, Alec Secareanu as Dr. Lieberson and Fiona Shaw as Elizabeth Philpot.

Neon is a film production company that is best known for such films as I, TONYA and one of the most incredible Oscar winning film PARASITE. With a total of 12 Academy Award nominations, Neon appeals to audiences that are looking for in-your-face storytelling. For more information please visit www.neonrated.com.

Director Lee says, “I wanted to explore what this relationship might mean to someone who has not only been socially and geographically isolated but who has had to close off to any emotional life, where you replace affection and intimacy with work and duty. Where you have been overlooked and ignored your whole life because of your gender and social class. Given this world, would Mary be able to access how she feels for Charlotte? Would she be able to let her guard down to allow the possibility of something new and wonderful to enter her life?”

When asked about the importance to telling Mary’s story, Winslet says, “She is so important. Her strength, her courage – I admire those qualities very much, but also her vulnerability, which she had to keep hidden. Now more than ever we’re living in a time when women are absolutely obsessed with other women and when, more than what we look like or how we feel when we walk down the street, it’s about what women have to say. Women are greater together; the stronger female voices we have, the more togetherness we show.

When asked what she wanted audiences to take away from seeing AMMONITE, Saoirse Ronan says, “Everyone’s going to take away something different from it, which is always wonderful, when you have people coming up to you saying “I really got this bit” or “I felt like that was me…”. You’re watching two people really discover themselves as individuals and within a partnership, and I think that’s a really beautiful thing to watch and it doesn’t necessarily come easy.”

The film has a quiet character which is the shoreline itself with its secrets waiting for Mary to discover but also a gray and cold feel. You could say that both women can sit before the waves and feel a kinship with the waves showing outside what they feel inside.

AMMONITE is a simple tale with a not-so-simple story that pushes hard to be told. Winslet and Ronan carry the entire film and bring out the characters fears, hopes and desires is so well done. This might be the story of two women but know it is also the story of two people who are learned to break through the closed off life they had come to know.

In the end – it is simply love.

There is No Escaping KINDRED

 

Jeri Jacquin

Coming from writer/director Joe Marcantonio, Jason McColgan and IFC Films is a tale of facing the KINDRED.

Charlotte (Tamara Lawrance) is very happy living with boyfriend Ben (Edward Holcroft) and they have plans for their future. The problem is telling Ben's mom Margaret (Fiona Shaw) and Thomas (Jack Lowden). When their announcement is not well received, Ben makes it clear that it does not change their plans.

At work Charlotte is not feeling well and friend Jane (Chloe Pirrie) takes her to the doctor discovering she is pregnant. Not sure this is what she wants, Ben is thrilled, and Margaret sees this as a reason to change their moving plans.

After a tragic accident, Jane stays with Margaret while dealing with her grief. Thomas is constantly making sure that she has everything she needs. Day by day Charlotte learns what Margaret is controlling her life.

Charlotte is not about to give up any part of her life to the dilapidated mansion, Margaret or anyone else who tries to stand in her way.

Lawrance as Charlotte loves working with animals and life with Ben. Believing that their change of address is a good thing, she supports Ben's announcement to the family. When her life changes, Lawrance portrays a woman who is not ready for what is waiting for her. Yet, there are moments of pure brilliance when the mixture of reality and history come into play.

Shaw as Margaret has the keen ability to be disturbing without actually being outwardly disturbing. Her words are sharp and cutting, mainly aimed at Charlotte firmly believing they wouldn't even be considering moving if it wasn't for her. Of course, there is a history and mystery to Margaret and Shaw keeps it going throughout the film. Margaret is much like the house - run down but never giving an ounce of pride away.

Lowden as Thomas is a member of the family in a way that does not please Ben in the slightest. Once Charlotte is in the house, he tries to do whatever it takes to make her happy and feel safe.  Like Charlotte, there are moments of naivete mixed with a deep, dark story underneath. This character is a complete mystery until the very last frame.

Other cast include Toyah Frantzen as the Doctor, Nyree Yergainharsian as Doctor Rios, Natalia Kostrzewa as Betty, Kiran Sawar as Linsey, and Anton Lesser as Dr. Richards.

IFC Films is a leading distributor of quality talent-driven independent films. Some of the company’s successes include BOYHOOD, FRANCES HA, MY BIG FAT GREEK WEDDING, Y TU MAMA TAMBIEN, TOUCHING THE VOID, CHE, TINY FURNITURE and CARLOS. For more information on films from IFC please visit www.ifcfilms.com.

KINDRED is a reminder - KNOW THE FAMILY YOU’RE MESSING WITH. Yes, I put those in caps because this film gave me the creeps from start to finish. From the house to those living in it, there is a history, a mystery and something peculiar about them all. The house is actually a silent character that keeps the secrets but also can't help but show the viewer a peek into everything.

This film is also a bit reminiscent of ROSEMARY'S BABY (minus the devil although Margaret and Thomas as devil-ish), HUSH (1998) with Jessica Lange as Martha Baring and a few other films. Not that I am complaining mind you, if you can take a theme and go in a different direction and not have it be completely obvious then I'm all for it.

Prepare to believe, disbelieve, puzzle and unravel the past of all those living under one roof.

In the end - mother knows best!

Another Side of the Story We Haven’t Heard About LIZZIE

Jeri Jacquin

Coming to theatres from director Craig William Macneill and Roadside Attractions is a tragic tale when it comes to LIZZIE.

Lizzie Borden (Chloë Sevigny) is a woman who is unimpressed by what others think of her much to the irritation of her father Andrew (Jamey Sheridan). Living in her father’s home in Fall Rivers, Massachusetts with sister Emma (Kim Dickens) and step-mother Abby (Fiona Shaw), Lizzie is keenly aware of everything.

Especially when she realizes that her father Andrew has been handling his affairs in a way that Lizzie feels is irresponsible. When servant Bridget Sullivan (Kristen Stewart) comes into the home, Lizzie begins to feel as if there is someone in that house who understands her.

Constantly under her father’s thumb, Lizzie rebels when she can and the consequences are physically draining. Making matters even more dangerous, Andrew has given John Morse (Denis O’Hare) more control over family affairs. Even sister Emma tries to reason with Lizzie explaining this is how their life is.

As their relationship progresses, it is Lizzie’s father who begins to tighten the hold on both his daughter and Bridget. That is when the two women decide that nothing is going to keep them apart.

Nothing and no one.

Sevigny as Lizzie is intense, keeping her emotions in check but making sure her words cut deep and swift. Making it as clear as possible, no matter what her fathers says Lizzie will have her own life. Sevigny has that ability to keep a stoic expression and although this may be based on a true story, she isn’t giving anything away.

Stewart as Bridgett is just as nervous and a cat on a hot tin roof living in the Borden home. Dealing with Andrew’s proclivities, she finds solace with Lizzie that isn’t setting to well with the other members of the family. After the murders is where the mystery between the two women grows and Stewart plays her part well.

Sheridan as Andrew is a man who doesn’t treat others the way he would want to be treated. In fact, he sees mostly everyone as someone for him to control and take serious advantage of. The tension between Andrew and Lizzie is a battle of wills. Sheridan takes on the battle and gives more than a few jaw dropping moments.

Shaw as Abby is a woman attempting to take over the spot left by Borden’s first wife and Lizzie isn’t having a minute of it. Shaw is stern and goes along to get along but don’t think for one moment she isn’t clued in on what goes on inside her own home. Dickens as Emma just wants her sister to not make waves and again, that isn’t sitting well with Lizzie.

O’Hare as John Morse is the sleazy, greedy uncle and had every reason to do the job himself but he was never accused. Instead he completely loses his mind when believing he had his life settled with the stroke of a pen on a will. Once again Lizzie makes sure he is put in his place.

Other cast include Jeff Perry as Andrew Jennings, Tara Ochs as Susan Gilbert, Jay Huguley as William Moody, and Tom Thon as Professor Wood.

LIZZIE is the story of Lizzie Borden who, on August 4, 1892, was accused of axing her father Andrew and step-mother Abbey to death. Going to trial for the murders brought the town notoriety and when acquitted of the charges, saw the beginnings of a mystery that has lasted to this day.

This is not the first hint that Lizzie was caught in an intense relationship as the as the 1984 book Lizzie was the first time I was introduced to the possibility that the axe wielding young woman was caught in a love affair. Now writer Bruce Kass and director Craig Macneill bring it all to the screen and once again we are left to decide.

The cast brings it all into riveting focus with hints, family secrets and what could truly have been going on behind the doors of the Borden home. In 1975, actress Elizabeth Montgomery of the television series Bewitched fame game a harrowing performance about Lizzie Borden. This was considered shocking at the time and if you haven’t seen that version I suggest you should, it’s very well done.

Now, with LIZZIE, the story is expanded in another direction that brings Lizzie Borden and her entire household into question. Sevigny and Stewart are the bearers of great burden and an even greater secret and it became clear through their performances that their characters would take a secret to their graves.

The cinematography is bleak and color deprived which only adds to the story of a bleak and color deprived household. I love the costuming but I truly am a fan of period pieces that are done extremely well as in this case.

In the end – it is the legend of Lizzie Borden!