THE SON

 

Jeri Jacquin

Coming to theatres from writer/director Florian Zeiller and Sony Picture Classics is the story of struggle, pain and remembering THE SON.

Nicholas (Zen McGrath) is a seventeen-year-old kid who is struggling with his life. Living with Mom Kate (Laura Dern), he expresses that he can no longer live with her and she does not understand why. Turning to dad Peter (Hugh Jackman) and new wife Beth (Vanessa Kirby), he asks to live with them and his new baby brother.

Promising to attend school, go to therapy and do whatever his father asks, it seems that Nicholas is on the right path. Peter is thrilled to see his son doing so well, especially since his job keeps him away. But someone is noticing things aren’t quite right, Beth tries to speak with Peter about what she is sensing but Peter isn’t convinced.

Peter visits his father Anthony (Anthony Hopkins) and revisits old issues but Dad is not hearing it. Instead, he is making it clear that it is ridiculous that Peter lives in the past and holds resentments toward him. Returning home, Peter discovers that Nicholas has not been keeping his promises and a spiral sends the whole family into a place no family wants too ever be.

Jackman as Peter is a man torn between two families. Being consistently reminded of the breakup of his first family from both Nicholas and Kate, Peter is trying to do better the second time around. Jackman puts on a brave front for both families and believes that Nicholas will pull out of whatever is bothering him. Jackman’s performance is one of a man who can not bring him self to see the reality of what is happening around him.

Dern as Kate clearly does not know where to put her feelings. Still speaking of a life that no longer applies, it is a constant reminder to her son of what he feels he has lost. Dern is weepy and needy which makes the relationship with Peter awkwardly uncomfortable for anyone seeing it. That does not mean she doesn’t see what is happening with Nicholas but is equally confused about what to do as Peter. Dern turns on the needy and weepy full force.

McGrath as Nicholas is a young man who makes it clear that he does not feel like he fits in, has no friends and sees school as torture. Normally, if I saw this in a teen, I would make immediate calls and not stop until it was handled properly. Unfortunately, what I see in the character of Nicholas is a raging teen that seems more like he is throwing fits than crying for help. I do not believe that is what the director intended.

Kirby as Beth seems to be the only one who understands what is happening between the two families. Trying to bring it to Peter’s attention, she is reminding him that he is repeating neglecting his second family. She also understands far better what Nicholas is doing.

Other cast include William Hope as Andrew, Joseph Mydell as Brian, Erick Hayden as Allan, Isaura Barbe-Brown as Sophia, Akie Kotabe as Mr. Yama, Shin-Fei Chen as Alexandra, Danielle Lewis as Jessica and George Cobell as young Nicholas.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com. 

The accolades include nominations from the Venice International Film Festival, Satellite Awards and the Golden Globe Awards nomination for Hugh Jackman for Best Actor in a Motion Picture – Drama.

THE SON is a story of two families struggling with the issues of a teen who is living with his own whirlwind of insecurities and uncertainties. Those issues for a young person are serious, require immediate attention and ability to have available resources without a ‘waiting’ list. Unfortunately, that is not always the case.

The film also brings to the forefront the issue of parents who believe they can solve a problem that is not in their wheel house. As a parent I can say it is difficult when your child needs something that you can not provide, but then again, if there is someone who can you can believe I’d get my kid to them.

I found the characters of Peter and Kate just so clearly in denial of everything. Their own lives, their unresolved issues, and their inability to admit to practically anything that has happened between them and the issues about Nicholas. They seemed more concerned about optics than solving the problem.

Then again, that’s just the opinion of someone who raised four kids.

In the end – family is complicated and love even more so.

WILD MOUNTAIN THYME

 

Jeri Jacquin

Coming soon from director writer/director John Patrick Shanley and Bleeker Street comes the story of life and land in WILD MOUNTAIN THYME.

Tony (Christopher Walken) has lived his life on a beautiful plot of land in Ireland with his son Anthony (Jamie Dornan). In the land next to them is Aoife (Dearbhla Molloy) and daughter Rosemary (Emily Blunt) who keeps her heart out for Anthony.

When Anthony learns that his father might be selling the land to him, he is devastated. He also learns that nephew Adam (Jon Hamm) from America is coming for Tony’s birthday and that is who is considered front runner for the land. There is also a piece of land between Tony and Aoife that belongs to Rosemary!

Tragedy hits Rosemary, Tony wonders if his idea of selling the farm is a very good one and Adam returns to New York. When Anthony’s life changes, he suggests to Rosemary that maybe she should go and see the world and leave the farm. She takes off for New York and meets up with Adam and finally sees a dream on stage.

Anthony lets Rosemary know that he believes Adam is looking for a wife. This is where things get pickled as Anthony cares for Rosemary, Rosemary cares for Anthony and Adam will either make or break them or maybe the secrets they have will explain it all!

Blunt as Rosemary is just so dang cute its ridiculous. Of course, everything Blunt has done is amazing to watch so I did not expect this to be any different. As Rosemary, she is a dreamer and the most patient woman I think I have ever heard of. What I love about this character is that she knows there is something keeping them apart and pulls and pulls again believing that even in her dreams there is something to hold on to.

Dornan as Anthony is a painfully shy man who just does not know his worth to himself and those around him. Dornan is so sweet in this role and even the awkwardness of Anthony only makes him more endearing. Practicing a way to reach the point where he can speak to Rosemary, he constantly is being pulled back by his own fears. Playing opposite Walken is the father-son realities that there is a history in every one’s life, even a father.

Hamm as Adam is not happy when Tony keeps him dangling on a string. Returning to New York, he is surprised to see Rosemary again and that is when he wonders if he has what it takes to be an Irish farmer.  

Walken as Anthony is crotchety, pushy and has a goal – to see his son alone no longer. Although his accent gets a little muddled at times, it changes nothing about his performance. There is a scene between father and son that is not only tissue worthy but thumps the heart because it was a moment of pure love between the two.

Other cast includes Jon Tenney as tommy, Danielle Ryan as Maeve, Lydia McGuinness as Eleanor, Abigail Coburn as young Rosemary and Darragh O’Kane as young Anthony.

Bleeker Street is a New York City film company that has brought outstanding films to the public. Their library includes TRUMBO, DENIAL, THE LOST CITY OF Z, BEIRUT, HOTEL MUMBAI, ORDINARY LOVE and THE ROADS NOT TAKEN. For more information on the titles from Bleeker Street please visit www.bleeckerstreetmedia.com.

WILD MOUNTAIN THYME is the kind of film that I adore during a stressful time. It is set in the glorious green of Ireland with vast open land, animals and streams. There is something wonderful just seeing that scenery mixed with something we do not see a lot of in Southern California – rainstorms!

This is a story of generational families and stories that are not told until time has its way. Watching Walken play Dornan’s father is full of emotion, bold, brassy and loud emotion. In case anyone is wondering if Irish families are like that, well, my grandmother’s side certainly was and is. Outspoken, vocal, and no nonsense were the order of the day in her household. That in itself made me laugh at the film watching Blunt be everything I saw in my own grandmother.

It is also a story of love and longing by two people who have such different dreams yet have known each other since childhood. Even then, a fence did not stop them from consistently being pulled toward one another because everything they did not say are the things that could have brought them together sooner. Isn’t that how we all are?

Grab your own love, cuddle up with a huge comfy blanket on a fluffy sofa and be whisked away to Ireland and cheer on the couple who wants what you have – minus the fence.

In the end – there is nothing more dangerous than an Irish woman in love!

WANDER DARKLY

 

Jeri Jacquin

Coming from writer/director Tara Miele and Lionsgate comes a story of love, fracture and what we will all do to keep both in WANDER DARKLY.

Adrienne (Sienna Miller) and Matteo (Diego Luna) are a struggling new parents only made worse when he forgets their date night out. Pointing out that it was his idea, they try to make the best of the evening. In a fraction of a second that all changes when they are hit head on by another car.

That is when Adrienne’s journey into what is reality and what is fantasy begins. Believing she is dead; she jumps from memory to memory until Matteo stops her. Instead, he points out their memories together to prove that she is still alive. Refusing to believe it, she also points out to Matteo that he has not been honest with her about many things, including another woman.

Adrienne and Matteo start from the beginning of their relationship and remembering what it was that drew them together. Memory after memory gives Adrienne moments of pure joy and then moments of terror when she sees the Hooded Figure. Mom Patty (Beth Grant) tries her best, but Adrienne overhears how she really feels making things more difficult.

Only Adrienne can pull herself out of the place she is in and with Matteo’s help she just may be able to live again.

Miller as Adrienne is epic in this role as a woman caught between feeling death and trying to feel alive. Matteo taking her down the road gives her a chance to see how they came to be as a couple and where things started to go wrong. In the meantime, she sees this figure that cements her belief in no longer being part of this world. Matteo is her only way out of the nightmare, and he does it through forgiveness and love. Miller is stunning.

Luna as Matteo is a man trying his best but knowing that he truly has not given Adrienne all of himself. Unhappy with the way things are going in their marriage as well, he tends to run away, but now he must stay and face everything with Adrienne. Luna is beautiful and brilliant in this role.

Other cast include Tory Kittles as Liam, Dan Gill as Dane, Ayden Mayeri as Summer, Aimee Carrero as Shea and James Landry Hebert as the Hooded Figure.

Lionsgate is a global leader in motion picture production and distribution for theatres, television, home entertainment and more. Theatre franchises include THE HUNGER GAMES, and DIVERGENT along with JOHN WICK. Now, adding this film to its 16,000-motion picture and television titles you can see everything coming soon as well as available now at http://www.lionsgate.com.

WANDER DARKLY is a web of stories, memories and truths that need to be reckoned with. The casting of Miller and Luna together is absolutely stunning to watch. They move the story like weaving a delicate fabric, one misstep and it could ruin the cloth – but here they weave magic.

There are moments of frustration, tears, anxiety and pure love from a couple who lost their way for a bit. It is not unusual for this to happen but watching Adrienne and Matteo take it step by step is ethereal and beautiful even in the sadness.

In the end – some stories end with the beginning!

 

AMMONITE

 

Jeri Jacquin

Coming to theatres and On Demand from writer/director Francis Lee and Neon is a story of two women in search of something more than AMMONITE.

Mary Anning (Kate Winslet) is a renown fossil hunter who spends her days on the shores of Lyme Regis in 1840 England. Day after day the self-taught paleontologist has an amazing eye for finding fossils that she sells to tourists. Taking care of her ailing mother Molly (Gemma Jones), Mary keeps to herself.

One day, at her shop door is Roderick Murchison (James McArdle) looking to learn about how Mary finds fossils. Along with him on the visit is his wife Charlotte Murchison (Saoirse Ronan) who is quiet and meek. A few days pass when Murchison offers Mary a large amount of money to watch over the depressive Charlotte while he goes on his next adventure.

Knowing the money would help, she begrudgingly agrees. Almost right away Charlotte becomes seriously ill and as she starts to get well, she and Mary start to show signs of friendship toward each other. Both have pasts that are haunting their ability to be happy with thin veils of uncomfortableness that wakes up with them each and every day.

What comes from that friendship is complicated, loving and forces life choices that are painful for them both but needed to break free.

Winslet as Mary is a woman set in her ways. Taking care of an ailing mother, Mary, in a way, hides behind her as I see it. Diving into her work finding fossils is another way to avoid people totally. Making sure they have enough money to survive is important, but the years have created a bubble around Mary’s life. I actually love when Winslet takes on roles that are a challenge to understand and grasp as the tale unfolds.

Ronan as Charlotte has a depression she is fighting through and does not see any light in her life. Even with Mary, the first days she remains aloof and dangerously closed off. Ronan is always a light on the screen and following her career is a joy. With every role she chooses there is simplicity mixed with complexity that is all wrapped up on her face that does not give anything away until she is ready for us to know – and then only in doses.

Jones as mother Molly has become use to living the secluded life her daughter provides and sees Charlotte as an interloper. Shaw makes herself known as Elizabeth Philpot who has a connection to Mary that is endearing and telling.

McArdle as Murchison is a husband who says openly that he wants his wife back but does not seem to be heart broken over leaving her with Mary. Do not think we didn’t notice that Murchison!

Other cast include Claire Rushbrook as Eleanor Butters, Alec Secareanu as Dr. Lieberson and Fiona Shaw as Elizabeth Philpot.

Neon is a film production company that is best known for such films as I, TONYA and one of the most incredible Oscar winning film PARASITE. With a total of 12 Academy Award nominations, Neon appeals to audiences that are looking for in-your-face storytelling. For more information please visit www.neonrated.com.

Director Lee says, “I wanted to explore what this relationship might mean to someone who has not only been socially and geographically isolated but who has had to close off to any emotional life, where you replace affection and intimacy with work and duty. Where you have been overlooked and ignored your whole life because of your gender and social class. Given this world, would Mary be able to access how she feels for Charlotte? Would she be able to let her guard down to allow the possibility of something new and wonderful to enter her life?”

When asked about the importance to telling Mary’s story, Winslet says, “She is so important. Her strength, her courage – I admire those qualities very much, but also her vulnerability, which she had to keep hidden. Now more than ever we’re living in a time when women are absolutely obsessed with other women and when, more than what we look like or how we feel when we walk down the street, it’s about what women have to say. Women are greater together; the stronger female voices we have, the more togetherness we show.

When asked what she wanted audiences to take away from seeing AMMONITE, Saoirse Ronan says, “Everyone’s going to take away something different from it, which is always wonderful, when you have people coming up to you saying “I really got this bit” or “I felt like that was me…”. You’re watching two people really discover themselves as individuals and within a partnership, and I think that’s a really beautiful thing to watch and it doesn’t necessarily come easy.”

The film has a quiet character which is the shoreline itself with its secrets waiting for Mary to discover but also a gray and cold feel. You could say that both women can sit before the waves and feel a kinship with the waves showing outside what they feel inside.

AMMONITE is a simple tale with a not-so-simple story that pushes hard to be told. Winslet and Ronan carry the entire film and bring out the characters fears, hopes and desires is so well done. This might be the story of two women but know it is also the story of two people who are learned to break through the closed off life they had come to know.

In the end – it is simply love.

THE ARTIST’S WIFE Brings Sacrifice

Jeri Jacquin

Coming from director Tom Dolby and Strand Releasing is the story of love, creativity, sacrifice when you are THE ARTIST’S WIFE.

Claire (Lena Olin) is the loving wife of the famous artist Richard Smythson (Bruce Dern). She does everything so that he can be, well, him. Taking care of appointments, meetings and making sure the art still flows is an everyday occupation. Lately, Claire notices that Richard is behaving a little moodier and odd than usual and nervous as he has a show coming up.

After a doctor’s appointment turns their life around, she must now figure out how to deal with the onset of his dementia. The one thing she wants to mend before he forgets is the relationship with his daughter Angela (Juliet Rylance) who he has not spoken to in years. Visiting Juliet, she meets Danny (Avan Jogia) who is grandson Gogo’s (Ravi Cabot-Conyers) Manny.

The visit does not go well, and Claire returns to find that Richard has had his way with the house. Becoming unsure of herself now, she takes a step and rents a space so that she can return to being the artist she once was before Richards success. Claire even starts a friendship with Angela that is tense but there and she spends time with Gogo.

As much as she tries to avoid what is happening in her life, Claire realizes this is her life and refocuses on what is important – no matter what that entails.

Olin as Claire is practically a saint in this role. She is confused, angry, unsure, peacemaker, and trying to keep her life with Richard together. Stepping away to try and find herself is an intense and quick journey as there is no time for more. Olin gives us the whole gambit of emotion and knows that she must bring more to Richard’s life. I just love Olin so she could not do wrong playing this role.

Dern as Richard gets to be a grumpy, artistic, philandering, uncontrollable artist because Claire allows it. When he is not being any of the above, Dern gives us the deep sense of love for Claire and the years they have shared together. He is calm, thoughtful and loving. The constant flux of these two sides of Richard are quick and rapid fire and Dern does them both justice.

Rylance as Angela has deep daddy issues and is not about to make it easy for Richard, dementia or no. She is the younger version of Claire accept a little more defiant and for good reason. Yet, Claire and Angela find a center with each other and know that its time to put aside the past, even if Richard makes that difficult.

Jorgia as Danny is Gogo’s caretaker and has a dream of his own which gets Claire in trouble. Cabot-Conyers as Gogo has an opinion and shares it all at the right time. He is a patient young man knowing already that grown ups are nuts.

Shout out to Stefanie Powers in her role as Ada Risi, a legendary artist who wants to see more from Richard with the pressure of a show clearly on Claire’s shoulders.

Other cast include Caryn West as Dr. Abrams, Alexandre Bagot as Mikey, Laura Chaneski as Jordana, Tonya Pinkins as Liza Caldwell, Catherine Curtin as Joyce and Ms. Stefanie Powers as Ada Risi.

Strand Releasing is one of the leading distributors of American independent, documentary films and foreign langue films in the United States. Bringing their offerings to DVD, Bluray and Video-On-Demand as well. Honored with a 10- and 20-year retrospective at the Museum of Modern Art in New York, honors have also included at Yerba Buena Center for the Arts in San Francisco, Seattle International Film Festival, Provincetown Film Festival and Eastman-Kodak House in Rochester, New York.

THE ARTIST’S WIFE has been the Official Selection at the Hamptons International Film Festival, Palm Springs International Film Festival, Mill Valley Film Festival, Whistler Film Festival and Sonoma International Film Festival with a Jury Prize for Best US Independent Feature.

This is a film about love when you push past everything else. Claire and Richard are both artists that are clearly complicated, but those complications are just noise. Once time has made its own decision on Richard, Claire must get everything into perspective quickly. That is not easy when everyone has their own opinion and reasons for not wanting to be around Richard!

Yet, she pushes. Pushes herself to remember how she is still a creative person, pushes herself to accept what she does not want to about herself and the years of marriage and where they are now. That is a lot of pushing so there is bound to be an emotional explosion somewhere.

I so enjoyed watching the moments between Olin and Dern, they are absolutely magical in their complicated roles. Whether they are arguing or being loving, they are believable and with that comes the viewers round table of emotional experiences. This is a beautifully written, directed and acted story of life

In the end – the greatest art is learning how to love. 

There is Delight in a Girl Named EMMA

Jeri Jacquin

Coming to Bluray, DVD and Digital from director Autumn de Wilde and Universal Pictures Home Entertainment is a story of the flights of fancy with EMMA.

Emma Woodhouse (Anya Taylor-Joy) is a young woman growing up in Regency England. Searching out for a friend she finds Harriet Smith (Mia Goth), a young woman who is thrilled to have a friend like Emma but that is short lived when she discovers Harriet has been proposed to. Through a bit of emotional manipulation, Harriet declines Mr. Martin’s (Connor Swindells) offer.

Then Emma believes that their vicar Mr. Elton (Josh O’Connor) has feelings for Harriet and does what she can to encourage the match. Watching all of this happen is Mr. Knightley (Johnny Flynn) who Emma isn’t too keen on. Now things are about to get complicated as Emma learns that the vicar actually likes her and the young Jane Fairfax (Amber Anderson) who brings out a jealous streak.

Emma is thrilled to have a friend in Frank Churchill (Callum Turner) who she believes Harriet has fallen for. Then things get even more confusing as Emma sets everyone’s back hair up being rude at a picnic, discovering she does not know anything about Harriet’s feelings and extraordinarily little about her own.

Now Emma must learn what it is to take a moment and think about her actions because her group of friends is growing smaller with every word she speaks!

Taylor-Joy is sweet, filled with angst and childish mixed together as she tries to maneuver love, relationships and people. Not very good at any of it, the character of Emma must go through the maze that she has created and come out the other side a better person than when she started. Taylor-Joy is fun to watch make all of this happen in the film.

Goth as Smith doesn’t realize she is a pawn in the relationship game that Emma has created. She is as simple about life and love as her young friend and it shows with the ease in which she can fall in and out of ‘love’. Goth is also very entertaining to watch and brought a lot of charm to her role.

Flynn as Mr. Knightley isn’t amused by Emma yet can’t understand why he still wants to see what she will do next. Irritated by her most of the time, Flynn slowly breaks down his characters walls when Knightley’s own brand of jealousy rears up. He knows there is something about how Emma does things and never expected to become mixed up in it all.

Turner as Frank seems to be more like Emma in the way he flits about watching all the relationships pop about. He makes Emma smile and, in a way, boosts her ego just a little more not that it needs any help. O’Connor as Mr. Elton is a strange vicar who also gives off the wrong signals about his emotions, a running theme in the film. Not able to hide his emotional embarrassment, O’Connor is brilliant in dealing with the vicars’ life.

Anderson as Jane brings something to the story that none of them intended and they aren’t quite sure how to deal with it. Society goes into high gear in their guesswork when Jane received an extravagant gift from a stranger – or is it a stranger?

Shout out to Bill Nighy who I adore as Emma’s father who is sees what his daughter is going through and in one scene does what fathers do – just be there. The scene at the end is also quiet touching but I expect that from this fine actor.

Other cast include, Miranda Hart as Miss Bates, Rupert Graves as Mr. Weston, Gemma Whelan as Mrs. Weston, Tanya Reynolds as Mrs. Elton, Oliver Chris as John Knightley, Chloe Pirrie as Isabella Knightley, Myra McFadyen as Mrs. Bates, Esther Coles as Mrs. Cox, Suzy Bloom as Miss Gilbert, and Bill Nighy as Mr. Woodhouse.

Universal Pictures Home Entertainment has just added an amazing film to their library and making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.

MOVIES ANYWHERE gives viewers the ability to download the Movies Anywhere App. With that you can view films by downloading or streaming to your favorite device using a Digital Code. For more information on Movies Anywhere please visit www.MoviesAnywhere.com.

EMMA is a sweet film based on the beloved classic by Jane Austen. The writer is also known for her works including Pride and Prejudice, Sense and Sensibility, Northanger Abbey, and Mansfield Park. My favorite coffee mug has a pencil drawing of Jane Austen and below it says, “What would Jane do?”

The film is endearing, charming and fun even with its moments of heartbreak. If you, like myself, are a fan of costuming then EMMA will give you an eye full of beautiful gowns along with pomp in all its forms. The cast is stellar and brought a wonderful book to the screen.

In the end – love knows best!

MARRIAGE STORY Hits Viewers Hard with Life, Love and Relationships

Jeri Jacquin

Currently on Netflix from writer/director Noah Baumback is the story of a marriage that becomes a bit of a battle with MARRIAGE STORY.

Charlie Barber (Adam Driver) and wife Nicole (Scarlett Johansson) are a young married couple living in New York City and both are in the ‘business’. Charlie is a theater director and Nicole has been in film and on stage.

Things have been difficult for them both when Nicole is offered a television pilot in Los Angeles. Charlie watches her go to L.A. living with her mother Sandra (Julie Hagerty) and taking their son Henry (Azhy Robertson) with her. Its difficult to get away for Charlie with a play coming to Broadway as it takes up much more of his time than ever.

The more time the couple spends away from each other, issue begin to arise as Nicole feels neglected by Charlie. To his surprise Nicole is talking to attorney Nora Fanshaw (Laura Dern) who tells Charlie to get a lawyer of his own for the separation. Thinking it will all blow over, Charlie takes his time finding a lawyer. When it turns out everything isn’t going to blow over, he turns to Bert Spitz (Alan Alda).

The first order of business is to get an apartment in Los Angeles since everything now will be done according to the laws of California. This drives Charlie nuts because he believes they are New Yorkers! This isn’t going to be the only line in the sand to be drawn by Nicole’s attorney. Once the case hits court, Charlie is about to find out how much more his life is about to change.

The lawyers start with the smallest of accusations making them huge and worthy of fodder for the judge to deal with. Watching his own lawyer Bert accept what is happening, Charlie hires Jay Marotta (Ray Liotta) to try and salvage what is left of their shredded lives.

This is the story of love, relationships and what happens when those two things break down completely.

Johansson as Nicole is a woman who decides that she wants something more in her life. Letting her husband pursue his dreams, she decides that its time for her to do the same. I have to say that Johansson character was a tad bit shady in her dealings and I’m not the only one who thinks so. I mean really? I get that using the laws to her advantage is one thing but wow, I was head shaking a time or two. Of course, Johansson gives a stellar performance but I expect nothing less.

Driver as Charlie is a man who is sort of a bit of a narcissist in that he thinks what he does is more important that what’s going on in the real world. Don’t get me wrong, I think he was done under a time or two but at the same time he was seriously oblivious to his wife and young child. This is the year of Driver with saying adios to Kylo Ren in STAR WARS: The Rise of Skywalker, THE REPORT and now MARRIAGE STORY.

Dern as Fanshaw came in with legal guns blazing but then that’s what California divorce lawyers do with a good case that has the potential to be a money maker. Did that sound biting? Oh well. Alda as Spitz gives that California-laid-back lets-not-work-ourselves-up-lawyer-vibe that works well with Charlie – in the beginning anyway. Liotta as Marotta is the kind of lawyer Charlie needed from the beginning but there is a price to be paid for that kind of game play.

It was great to see Julie Hagerty on the screen again as Sandra who seemed to be more on Charlie’s side than her daughters.

Other cast include – Martha Kelly as The Evaluator, Rich Fulcher as the Judge, Mark O’Brien as Carter, Kyle Bornheimer as Ted, Matthew Shear as Terry, Brooke Bloom as Mary Ann, and Merritt Wever as Cassie.

MARRIAGE STORY is a harsh film to take in on many levels because there isn’t a speck of it that isn’t true in most divorces I’ve ever heard about. It is about the break down of communication between two people who are used to having words written to say by someone else so getting their own out takes a bit. They are a creative couple who have created a marriage that isn’t working without special effects.

That’s what makes their separation so difficult to watch, mainly because all I could think was how easy it all could have gone if they JUST TALKED it out. No secrets, no surprises and no other childish nonsense that seems to go hand in hand with divorces these days.

So, I think MARRIAGE STORY should be required before anyone gets married, especially the scene when the Evaluator visits both Charlie and Nicole because wow! Add THE WAR OF THE ROSES into that viewing list as well for good measure.

There will be awards and nominations for both Johannson and Driver to be sure because their performances are very good. Currently the awards up for grabs as the Golden Globes and the Screen Actors Guild so watch for those coming soon.

In the end – just a look inside one marriage.

THE LITTLE STRANGER

Jeri Jacquin

In theatres this Friday from director Lenny Abrahamson and Focus Features comes a story of twists and ghost with THE LITTLE STRANGER.

Dr. Faraday (Domhnall Gleeson) is the local town doctor who has a strange affinity for a place called Hundreds Hall. His mother was a housemaid in the employment of the Ayres family when Faraday was a child. Now, it is 1948 and the Ayres family calls upon Dr. Faraday to take care of one of their own.

Arriving at Hundreds Hall, he meets Roderick Ayres (Will Poulter) who was hurt in the war and still suffers horribly. Roderick tells Faraday that he keeps the family books and is responsible for making sure there is a family income – even if it means selling parcels of Hundreds Hall. Sister Caroline (Ruth Wilson) wants to help her brother and when it is suggested that there might be new methods to help, she is on board. Mrs. Ayres (Charlotte Rampling) still keeps airs about the hall that was once a beacon of another time.

Also in Hundreds Hall is something eerie that Roderick seems to be keenly aware that something resides in their home. No one listens believing that it is part of Roderick’s state of being and after an incident; Faraday believes it is in the best interest to send him away.

In the meantime, Faraday strikes up a relationship with Caroline seeking a kindred spirit. They are both needing moments away from Hundreds Hall and their talks are something both look forward too. Faraday begins to see that he is needed at Hundreds Hall to keep Mrs. Ayers and his beloved Caroline safe from what ever lurks in the shadows.

Slowly, the relationships begin to become strained and change because everyone has their own fears and secrets which are about to change the destiny of them all.

Gleeson as Faraday once again proves why he grows more and more bold about the roles he takes. Becoming widely known as Bill Weasley with the HARRY POTTER franchise, his career began ten years earlier in the television series Rebel Heart. In the following years he has put his stamp on such films as CALVARY, UNBROKEN, EX MACHINA, THE REVENANT and taking on the role of General Hux in STAR WARS: The Last Jedi. I have come really enjoy each and every thing he does from drama to comedy and everything in between. Here, Gleeson as Faraday is staunch, gripping and isn’t going to let anybody in on anything – not for any frame of the film. All of it is a set up for a great conversation after the film.

Wilson as Caroline is a young woman who seems to be a fixture in Hundreds Hall instead of a resident. Clearly dealing with family issues and secrets of her own, Wilson gives her character vulnerability wrapped up in a front that is almost as crumbly as the walls surrounding her. Wilson was recently seen in the drama The Affair and in THE LITTLE STRANGER has the same stoic appearance and ability to hide within herself. The film also puts Wilson and Gleeson together again as they both can be seen in the 2012 film ANNA KARENINA.

Poulter as Roderick is absolutely stunning and I mean stunning in his role. He completely captured my attention and although the role might not be a large one, its impact caught me. Yes, the role is that of a disfigured person but Poulter could have put a bag over his head and I’d have loved his portrayal of Roderick.

Now, Ms. Rampling as Mrs. Ayers – I am a huge fan of Ms. Rampling’s and to see her in this role just reminds me (as if I needed it) that she is a jewel that only remains bright. I find her to be amazing and riveting to watch and in THE LITTLE STRANGER she reinforces my belief that the actresses I grew up admiring deserve every bit of it.

Other cast include Kate Phillips as Diana Baker-Hyde, Anna Madeley as Anne Granger, Camilla Arfwedson as Young Mrs. Ayers, Dixie Egerickx as Gillian Baker-Hyde, Amy Marston as Mrs. Blundell, Sarah Crowden as Miss Dabney and Loren MacFadyen as Dr. Calder

THE LITTLE STRANGER is a slow moving film but has all the nuances of a genre that wants to invest in your time. There is no hurry in bringing you along for the ride because it is 1948 in an era that has a lot of secrets in a society that prides itself on those secrets.

Surrounded by the walls of Hundreds Hall, the characters play out family secrets, pains best kept unspoken and realities that each of them don’t want to face. There is time to get to know each character yet with the time restrains you feel as if you have to believe what’s being told – even though there is an itch that says not to.

I love that about this film as well as the cinematography, the era clothing, cars and attitudes that play into the storytelling. Of course I am a little partial to films like THE LITTLE STRANGER in that I don’t want to know everything because it takes away from the great after film chats that I get into.

In the end – from small acorns dark mysteries grow!

Find the Meaning of Life on DVD with WHEN THE STARLIGHT ENDS

Jeri Jacquin

Coming to DVD from writer/director Adam Sigal and Cinedigm is the story of life, the written word and the clash between the two with WHEN THE STARLIGHT ENDS.

Jacob (Sam Heughan) is stuck at a job he can't stand and girlfriend Cassandra (Arabella Oz) wants him to be happy. He truly wants to write and when Cassandra says he should follow his dream, their lives begin to change. Sitting in front of a computer screen daily, he pumps out his thoughts trying to put it all together in a book worth publishing.

When it begins to pay off, he knows that Cassandra deserves to fruits of their labor and finding the house of their dreams is a good beginning. Jacob begins working on his next work but starts to get sidetracked and tries to get it together with a side chat with dog-neighbor Ralph (Sean Patrick Flanery). When that doesn't help, his mind begins to wander wondering if it's possible that there is another 'Jacob' living another life.

Cassandra makes the painful decision to leave when she realizes that Jacob's writing is more important than she is. Knowing he could change this fate around with one simple promise, something inside stops every urge he has. That decision puts Jacob back in front of the keyboard to try and find a happy ending to it all.

He lives for the words.

Heughan as Jacob is a man who can't believe the love of his life allows him to finally have the time to put his thoughts into a book. When the book is successful, it releases him to freely write and take care of his life with Cassandra. Heughan is sweet in this role giving us all a look inside of the thought process of a writer but this character has moments of artistic narcissism.

Of course I'm sure it can be said that all artists carry a bit of it with them but Cassandra isn't about to have it in her life. Heughan came to the attention of American audiences from the STARZ original series Outlander playing the role of Scottish rogue Jamie Fraser. This is a different look for accent-less Heughan and the stories within the main story come off well.

Oz as Cassandra also has the opportunity to play other characters within the stories Jacob is writing. Because his work focuses around his love for her, it is also a very cool way of showcasing Oz's ability to go from loving girlfriend to hitchhiker. The brilliant scene toward the end of the film between Cassandra and Heughan is awkward, necessary and it felt like I was eavesdropping.

Flanery as Ralph is the odd duck neighbor who occasionally is Jacob's sounding board. It's not so much that he really cares about what Jacob is going through as much as it would be nice to have a buddy to have a few beers with. His story comes into play when the writer can't help but wonder how his life works.

Other cast include Armando Gutierrez as Don, Hunter Gomez as Danny, Georgia Cook as Ellie, George Griffith as Jimmy, AlexAnn Hopkins as Eva, and David Arquette as Bill.

Cinedigm is a leading distributor of amazing content in storefronts, digital platforms, Internet and Demand platforms for cable television. With an extensive library of over 52,000 films and television shows, Docudrama films, next-gen Indies and Independent films. At its inception, Cinedigm has played a pioneering role in transitioning movie theatres from traditional film prints to digital distribution to advance worldwide cinema modernization. For more on what Cinedigm has to offer please visit http://www.cinedigm.com.

WHEN THE STARLIGHT ENDS is a look inside the mind of Jacob as a writer and he truly does have a lot to say and in such a way that I loved hearing every word. The process of how he gets there is the story of a man who goes so deep into his own world that he forgets about the one person he constantly professes is his life.

Writer/director Sigal presents his complex story blanketed in the simplicity of love and the choices we all make using that emotion. Sometimes it isn't until we hurt or are hurt that what is in our hearts and minds flows out of us whether it is writing, painting, singing, etc.

The character of Jacob had the choice to keep the life he professed to love but instead took another path that was riddled with mirrors of pain, angst and ugly realities staring right back at him.

In the end - rewrite your life!

HOME AGAIN Arrives on Your Doorstep on Bluray for the Holidays: Talking with Pico Alexander

Jeri Jacquin

Coming to Bluray from Universal Pictures Home Entertainment and writer/director Hallie Meyers-Shyer is a film that reminds us it’s good to be HOME AGAIN.

Alice (Reese Witherspoon) finds herself back in Los Angeles separating from husband Austen (Michael Sheen) who is in New York. Getting in a routine with daughters Isabel (Lola Flanery) and Rosie (Eden Grace Redfield), she has a little help from Mom Lillian (Candice Bergen). Trying to start a new business and find her footing isn’t being helped with her 40^th birthday arriving.

Out with friends for a night of relaxing and a few drinks, she meets Harry (Pico Alexander) who, after a few flirty moments, ends up at the girls table. He brings brother Teddy (Nat Wolff) and George (Jon Rudnitsky) to join the party. These three are in Los Angeles to pitch their short film into a feature.

Waking up the next morning, Alice is uncomfortable to find everyone passed out in her house. Of course that’s right around the time Mom shows up with the girls yet something calming happens, everyone seems to hit it off nicely. When George realizes who Alice’s father is and meeting Lillian, he is thrilled.

That leads to Lillian and the three guys spending the day chatting while Alice gets on with life. Trying to land her first design job with Zoey (Lake Bell), Alice doesn’t have time to nonsense – or does she?

Lillian talks Alice into letting three young would-be artists stay in her guest house while pitching their film. One person who isn’t happy is Austen who learns from his daughters what is going on. Yet, it all seems to work as even Alice and Harry get closer.

As everyone begins to find their way, Alice must decide how her life plays out without the complications of manipulative husbands, mothers or house guests. It’s time to discover how to be comfortable and home again!

Witherspoon is delightful, as she always is, in the role of Alice caught up in just the jumble of life. Trying to find her place without a husband she can’t count on and girls who really need her, the character of Alice is learning to stop trying to control and let loose now and again. That is the diversity of Witherspoon in that she can play roles such as Alice with her frailties and bit of comedy and at the same time nail characters like Madeline in the series Big Little Lies (of which I’m a huge fan).

Alexander as Harry is as cute as he wants to be and knows it as he two companions know all to well. Yet he is also endearing and protective of Alice and the girls which sort of makes up for it all. He wants to succeed but on his own terms and fragile when it comes to believing that things work out the way they are suppose to. Putting on a good front from time to time keeps him focused.

Wolff as actor and brother Teddy is just wonderful in his protection of his new found family and the scene between he and Sheen is hilarious. Being quiet most of the film, this scene is his moment to express every emotion he’d been holding in. Rudnitsky as George is the writer of the group who brings out the confidence in young Isabel. He also wants to protect Alice from making a mistake while also herding in Harry!

Bergen as Lillian is just too wonderful for words but I will try. She is endearing, lovely, funny and just out there which is how Alice wishes she could be. Lillian has a history and Bergen embraces it with a comedic timing all her own.

I had the opportunity to speak with Pico Alexander who plays Harry to talk about making a movie about making a movie, his friendship with cast mates and what we all can learn about unconventionally conventional families.

Jeri Jacquin: Hi Pico, how are you today?

Pico Alexander: Very well, thanks for asking.

JJ: I saw your film.

PA:  Lovely, and what did you think?

JJ: I thought it was funny, endearing, moving and it’s a little bit of everything actually.

PA: Not to much tragedy, we stayed away from it.

JJ: Tell me about how you came to get the role of Harry?

PA: I did a self tape for it. I was in Europe and I did a casual tape with my friend and didn’t think there was really a chance that I would get the role.

JJ: You didn’t think you were going to get the role and I’m taken back hearing that. Why didn’t you think you would get the role of Harry?

PA: I just didn’t think I would be the guy to star opposite of Reese, I didn’t think I would be here love interest. It was just too crazy of an idea for me to wrap my head around. It just seemed like a total unreal concept that I would be a romantic love interest. Then it happened so I guess it wasn’t so surreal although I thought so at the time.

JJ: It wasn’t so crazy after all because I think you and Reese reacted to each other perfectly.

PA: So do I and thought it was such a joy and honor to act with her. It was a gift I was given.

JJ: You are with some pretty heavy hitters in the film with Candice Bergen and Michael Sheen as well.

PA:  The cast is unreal! I am so lucky to have gone from acting for three years to have the opportunity to share the screen with the likes of Candice Bergen, Michael Sheen, Reese Witherspoon, Jon Rudnitsky and Nat Wolff. Everybody else as well and everyone who even came in to play for day were so tremendous. I think that Nancy and Hallie did a great job casting the film.

JJ: I was going to say I don’t think there was a hair out of place with this film. It looked effortless.

PA: I can tell you it wasn’t effortless (laughing) and a lot of effort goes into making them look so graceful. There are a lot of takes and there is a vision and it’s our job to fulfill that vision to a tee.

JJ: You did it so well that in watching HOME AGAIN you feel like a fly on the wall watching the lives of everyone unfold. When you can do that you know it’s done by a really good cast.

PA: That is so cool to hear and the credit goes to Hallie, the casting and the editing. The way the film was put together with the material they had putting together our performances is a huge testament to them.

JJ: The relationship between you, Jon and Nat – you meshed so well together. You guys were hilarious in this film.

PA: That’s awesome and luckily it happened on screen and off screen.

JJ: I was wondering if a friendship came about.

PA: We went into best friend mode within like three days. I was to be staying at a hotel during the shoot being from New York and Nat and I started talking. Nat was staying at his parents place and he’s convinced it’s haunted so he asked if I wanted to move in with him. It was crazy but I liked it. We did the whole brother thing and then Jon would be there every night without fail. One of the first times we hung out, you know the scene where we meet with the producer who wants to fiancé our film? Then we are on the beach and Harry jumps in the water followed by Nat’s character Teddy. We had gone to the beach our first weekend off and we literally did the scene without even realizing it. We were trying to convince Jon to jump in the water because he had never been in the Pacific and we all jumped in while John was on the beach. We really leaned into that relationship because we felt it should be strong and a chemistry with a number of inside jokes. Hopefully that reads in the movie and I think that’s why we got along.

JJ: It absolutely does. Your relationship with Lola and Eden, you guys are just so sweet together.

PA: Those were the best days when they were on set. They were so awesome. Lola and Eden are two of the most charming and fantastic girls I’ve ever had the pleasure to work with. Eden is a genius and probably win a number of Oscars years from now – that is if she keeps on acting. She might decide to go and find a cure for cancer. Eden is so good and a natural talent. We would all joke that Eden was the most talented person on set. Lola is just so awesome and she was listening and learning her place on the set and see her pick up on acting tips and cues on how to function on a set. She is very savvy. They both have secure futures in acting and their parents are great as well. Their parents are so lovely.

JJ: When the three of you are dealing with Austen, Sheen’s character, it is hilarious when the three of you deal with it. It’s almost as if you three are the adults and Austen is the child.

PA:  Well, that is an interesting take away (laughing)

JJ: His character gets away with things like a kid and the three of you are guarded and protective.

PA: Yes, we know he is a significant threat to the family we have created. We want to make sure that Alice is in a fragile state. He does act childish but that’s what I appreciate about the film. It explores every characters childishness. Everyone has that little six year old in him or her even if we grow up, there are parts of us that don’t grow up. We have those tricks that the six year old in us has kept to get what we want. It’s important for generations to check you by saying you can’t do this anymore.

JJ: The funny thing is you are young men and you get that!

PA: I feel like Teddy gets it and he’s the baby in the group but the most emotionally mature. I don’t want to vilify Austen’s character because I get where he is coming from and he feels a little neglected. Harry acts a little irresponsible as well and kicks the door in to Alice’s life so there is a bit.

JJ: So would you say that Harry and Austen were probably closer than they even realized?

PA: Yes, Harry could easily grow up and be an Austen if he didn’t meet Austen. It’s a gift to see the result of impulses to always think you can get what you want and not really thinking things through and being self centered. There are long term consequences in that and seeing Austen he realizes he needs to spend more time being in someone else’s shoes. At the end of the day, what ever you take away from it.

JJ: How is it for you making a movie about three guys trying to get a movie made?

PA: It’s great because I didn’t really have to draw on imagination circumstances but instead draw on it from a personal level. I liked that about the movie and I like that these guys travel out from the east coast to get a movie made. I traveled the same way going to LA and they are given a great opportunity like I was given. It’s autobiographical in a weird way. I like movies about making movies.

JJ: Being that you are the younger man and playing opposite the character of Alice, I know its weird because it’s Reese Witherspoon, but the chemistry you two have is so amazing.

PA: That’s awesome, I’m so glad you feel that way. It was very nerve wracking and I haven’t spent too much time around many high profile people. I had a number of expectations wondering what it would be like to work with someone so famous. I was a little intimidated at the time and nervous to be close to someone like that. But ultimately it comes down to trust and a passion for the work. We just needed some time to get to know each other and have conversations talking about it all to make the best movie we could. We wanted to do the characters justice and after a week we were more comfortable around Reese and I can’t be grateful enough for her. I have so much gratitude for Reese’s ability to make me feel at ease, she has more experience than I do when it comes to these kind of things. She did a tremendous job in leading and guiding me without making it obvious that she was doing it. She made me feel like it was my own doing and she is just a tremendous actor and it was really all about the work. It was about this relationship and she thought it was an important story to tell. It was high time we reevaluate the May-December romances and she convinced me that it was important. I could keep raving about her.

JJ: The same with you guys and Candice Bergen on screen.

PA: I have never met anyone from the royal family but I can imagine they don’t come close to carrying themselves with the same grace and dignity at Candice Bergen. She is the classiest person I have ever met and a totally fantastic actress to top it all off.

JJ: Her sense of humor and timing is endearingly graceful.

PA: Graceful, class and doing it with such a straight face. I thought I was intimidated working with Reese? Forget it! The moment I met Candice I hoped she would like me. I think when I introduced myself to her, it was the first day and I was giddy and excited. I went over to her to introduce myself and she just looked at me and then cracked up. I still to this day I don’t know what that meant and that intimidated me.

JJ: I bet she thought it was charming that you came over to say hello.

PA: That’s it, of course, that’s what it was and I’m sticking with that (laughing).

JJ: The film is coming out on Bluray and DVD and I’d like to know what you’d like viewers to take away from the film.

PA: I would hope that when they finish their Bluray that they make a phone call to someone they care about. The movie has a strong sense of family for me and second chances. Relationships are difficult as we get older and I think it’s important to apologize for things and make them right. Take away a gratitude for people that are in their lives as unconventional families are formed every day.

JJ: I understand, this is a family that is unconventional where families are now are unconventional and this is another take on that. It can work if you all put your differences aside.

PA: Put differences aside and realize the love you have for each other is stronger than all the things that have gone wrong in the past. Pick up the phone and make that call to someone telling them how much they mean. It’s a heartwarming film and everyone needs a second chance.

JJ: I thank you so much for talking with me Pico. 

It’s Time to Experience HBO’s BIG LITTLE LIES on Bluray

Jeri Jacquin

Coming to Bluray this week from creator David E. Kelley, director Jean-Marc Vallee and HBO Home Entertainment is the unbelievable limited series BIG LITTLE LIES.

The story begins in Monterey when a death occurs on the steps of the local school. Through the investigation, the police speak to Madeline Mckenzie (Reese Witherspoon), a well known Mom who takes no guff from anyone as she raises her elementary school daughter Chloe (Darby Camp) as well as a teenager Abigail (Kathryn Newton).

Also, Celeste (Nicole Kidman) who is a mother of twin boys is a seemingly close friend to Madeline. New to Monterey is Jane (Shailene Woodley) who is raising her son Ziggy (Iain Armitage) all by herself. This is where the stories begin!

Madeline and Jane meet the first day of school when Madeline discovers her teenage daughter is acting out. At a stop sign there is a confrontation and Madeline ends up on the asphalt. Jane stops to help and their friendship begins from there.

Being new to school, Ziggy is accused by his classmate Amabella (Ivy George) of hurting her. Her mother Renata (Laura Dern) isn’t about to have it and wants something done. Jane meets with the principle and says that Ziggy denies hurting anyone but that’s not good enough for Renata.

If that isn’t bad enough, Madeline is dealing with ex-husband Nathan (James Tupper) who pushes constantly. Part of it is due to his new wife Bonnie (Zoe Kravitz) who doesn’t know her limitations when it comes to Abigail who drives Madeline to distraction. That distraction upsets her husband Ed (Adam Scott) who thinks she spends way to much time worrying about everyone else – except him.

Celeste and her husband Perry (Alexander Skarsgård) are also having issues when he has a problem with not knowing every little thing that goes on in the family. Their relationship is based on physical issues and not always good ones. Perry tends to resolve issues with an angry frightening tone.

Jane’s story is unclear to Madeline and Celeste but they both figure she will tell them in time. Yet Ziggy is coming to the age where he is asking questions about his father and where he might be. Jane continues to say she doesn’t know but Madeline believes there is more that she isn’t telling.

To keep from losing her mind completely, Madeline works with the local theatre on a production of Avenue Q which now the mayor objects to. Not about to give up, she talks Celeste into legal intervention to get city hall of their stage. Perry isn’t happy about this either.

Celeste and Perry begin therapy with Dr. Reisman (Robin Weigert) and she immediately asks questions that have the couple very uncomfortable. With Perry always traveling out of town, Celeste continues with therapy as she is confronted with the issues that are plaguing her.

Jane finally tells Madeline about Ziggy’s father and a search begins for the man. Jane isn’t sure how to handle all of her feelings as she plays out in her heard what could happen.

Renata is wielding her ugliness towards Jane and Ziggy by not making him welcome to a party. Madeline is furious and decides it is probably best that she put together a little fun of her own to keep Renata at bay. Of course the fact that she has a long arm means that there will be more problems between the two later.

Jane has finally had enough of Renata when she discovers there is a petition to have Ziggy suspended from school. The two come together for a confrontation that could either help or hurt but they are still no closer to the truth about the bullying.

The night of Avenue Q, Madeline is thrilled that everyone has shown up, that is everyone but Celeste and Perry. When Celeste is defending herself, Perry is hurt and a statement he makes later has her realizing that maybe it’s time to leave.

In the meantime Nathan discovers that having Abigail living with him is harder than he could have imagined, especially when he discovers she has found an interesting way to raise money for Amnesty International.

As with all secrets, there comes a tipping point as Celeste deals with Perry, Madeline has a moment of realization about her life with Ed and Jane learns the truth about the bullying that is more shocking that she could have imagined and in one snap of time everyone’s life will change.

It is a moment that could save them or ruin them all.

Witherspoon as Madeline is a total spit-fire who doesn’t take crap from anyone. She goes from 0 to bitch in a split second but she had me cracking up the entire time. Probably because I recognize some of those qualities in someone I know. Witherspoon is fast talking, fast paced and tries to give this character so much to occupy her mind; it’s easy to see she has real problems that can not be avoided forever. I just loved her in this role.

Kidman as Celeste has the role of a woman torn by a life and a husband that she seems to adore. Being a part of her kid’s life is so important to this character that she is willing to put aside the mounting issues that are a frightening reality that can’t be hidden much longer. Kidman handles this role with elegance, grace and with a manner that puts everyone else’s needs before her own life. An amazing performance!

Woodley as Jane is a woman who is full of secrets and the time is coming where those secrets can’t stay hidden much longer. It served her well for a long time but as her son gets older it becomes clear daily that she needs to face her fears and face the truth of the life she has been hiding behind. Just so well done!

Dern as Renata is a woman who is in dire need of something, anything! This character is that woman who will do anything to make sure that everyone else follows her directions. That form of control is hiding the fear that she really feels and to watch it unravel is truly interesting. Dern has always been a favorite of mine and between BIG LITTLE LIES and her returning role in TWIN PEAKS: The Return, she continues to be high on my list.

Skarsgård as Perry is a nightmare to watch. His presence is loving at times but there are moments where you can see something else, something frightening and that means has Skarsgård done his role proper. Scott as husband Ed has more patience with his wife than I ever could have. Trying to be supportive and understanding, Madeline pushes the boundaries of that until he lets her know things have to change. I applauded when he stood up for himself!

Kravitz as Bonnie is a yoga-practicing-health-food-eating step-mother to Abigail who drives Madeline to distraction. It is an interesting dynamic that happens in a lot of extended families. Tupper as Nathan is an ex-husband who doesn’t embrace his mistakes because he’s to busy trying to be super dad to make up for them.

Newton as Abigail is a teen character that just drives me nuts. Yes, I raised four teens and I can assure you none of them ever talked to me like that. It might have had something to do consequences because Abigail certainly didn’t seem to have any.

Other cast include Larry Bates as Stu, Larry Sullivan as Oren, Virginia Kull as Ms. Barnes, Merrin Dungey as Detective Quinlan, Hong Chau as Jackie, Santiago Cabrera as Joseph, PJ Byrne as Principal Nippal, Sarah Burns as Gabrielle, Sarah Baker as Thea Cunningham, Jeffrey Nordling as Gordon Klein and Joseph Cross as Tom.

HBO Home Entertainment has an extensive array of critically-acclaimed and groundbreaking programs found on Bluray, DVD and Digital HD. They have provided viewers with some of the most amazing programs with huge fan bases that include the shows True Blood, Sex and the City, The Sopranos, True Detectives, The Wire, Entourage and Game of Thrones. Launched in 1984, HBO is world wide in viewed entertainment in more than 70 territories around the world! For more of what they have to offer please visit www.hbo.com.

The Bluray and Digital HD includes the bonus features of About BIG LITTLE LIES – An extended behind-the-scenes look at the series with never-before-seen cast & crew interviews and Inside the Episodes with director Jean-Marc Vallee and writer David E. Kelley. Included as well is the Digital HD Ultraviolet that allows viewing on iTunes, television, computer, tablet and Smartphone.

BIG LITTLE LIES is an amazing limited series and I couldn’t help but binge watch on Bluray. There was no way I could sleep without knowing what was going to happen next and this cast made it all look so effortless. Witherspoon, Kidman and Woodley gave performances that were both intense, hilarious and stunning.

It is the story of the lives lived behind closed doors and the faces we put on to everyone else. It is about the secrets we keep from one another and the excuses given when the cracks begin to show. Most of all, BIG LITTLE LIES is a coming together when lives are torn apart which is stunningly done by Kelley and director Vallee.

I didn’t know what to expect from this HBO limited series but I can tell you that I would absolutely love if it were continued – at least for another season maybe? There is so much more of their stories to tell and by the end you will want to see more as well.

It’s time to experience BIG LITTLE LIES for yourself! We are giving away copies of the series and to discover how to get yours please visit http://moviemaven.homestead.com.

In the end – a perfect life is a perfect lie!