Showing posts with label James McArdle. Show all posts
Showing posts with label James McArdle. Show all posts

Saturday, February 6, 2021

AMMONITE

 

Jeri Jacquin

Coming to Bluray, DVD and Digital from writer/director Francis Lee and Universal Pictures Home Entertainment is a story of two women in search of something more than AMMONITE.

Mary Anning (Kate Winslet) is a renown fossil hunter who spends her days on the shores of Lyme Regis in 1840 England. Day after day the self-taught paleontologist has an amazing eye for finding fossils that she sells to tourists. Taking care of her ailing mother Molly (Gemma Jones), Mary keeps to herself.

One day, at her shop door is Roderick Murchison (James McArdle) looking to learn about how Mary finds fossils. Along with him on the visit is his wife Charlotte Murchison (Saoirse Ronan) who is quiet and meek. A few days pass when Murchison offers Mary a large amount of money to watch over the depressive Charlotte while he goes on his next adventure.

Knowing the money would help, she begrudgingly agrees. Almost right away Charlotte becomes seriously ill and as she starts to get well, she and Mary start to show signs of friendship toward each other. Both have pasts that are haunting their ability to be happy with thin veils of uncomfortableness that wakes up with them each and every day.

What comes from that friendship is complicated, loving and forces life choices that are painful for them both but needed to break free.

Winslet as Mary is a woman set in her ways. Taking care of an ailing mother, Mary, in a way, hides behind her as I see it. Diving into her work finding fossils is another way to avoid people totally. Making sure they have enough money to survive is important, but the years have created a bubble around Mary’s life. I actually love when Winslet takes on roles that are a challenge to understand and grasp as the tale unfolds.

Ronan as Charlotte has a depression she is fighting through and does not see any light in her life. Even with Mary, the first days she remains aloof and dangerously closed off. Ronan is always a light on the screen and following her career is a joy. With every role she chooses there is simplicity mixed with complexity that is all wrapped up on her face that does not give anything away until she is ready for us to know – and then only in doses.

Jones as mother Molly has become use to living the secluded life her daughter provides and sees Charlotte as an interloper. Shaw makes herself known as Elizabeth Philpot who has a connection to Mary that is endearing and telling.

McArdle as Murchison is a husband who says openly that he wants his wife back but does not seem to be heart broken over leaving her with Mary. Do not think we didn’t notice that Murchison!

Other cast include Claire Rushbrook as Eleanor Butters, Alec Secareanu as Dr. Lieberson and Fiona Shaw as Elizabeth Philpot.

Universal Pictures Home Entertainment has just added an amazing film to their library and making it available for us to all experience and re-experience in our own home theaters. There are films of every genre available from scary to drama to family films. For more of what they have to offer please visit www.uphe.com.

MOVIES ANYWHERE gives viewers the ability to download the Movies Anywhere App. With that you can view films by downloading or streaming to your favorite device using a Digital Code. For more information on Movies Anywhere please visit www.MoviesAnywhere.com.

The Special Feature includes The Making of AMMONITE: Stars Kate Winslet and Saoirse Ronan join filmmakers to discuss how they were able to convey the extraordinary depth of the film’s two main characters, Mary Anning and Charlotte Murchison.  

Director Lee says, “I wanted to explore what this relationship might mean to someone who has not only been socially and geographically isolated but who has had to close off to any emotional life, where you replace affection and intimacy with work and duty. Where you have been overlooked and ignored your whole life because of your gender and social class. Given this world, would Mary be able to access how she feels for Charlotte? Would she be able to let her guard down to allow the possibility of something new and wonderful to enter her life?”

When asked about the importance to telling Mary’s story, Winslet says, “She is so important. Her strength, her courage – I admire those qualities very much, but also her vulnerability, which she had to keep hidden. Now more than ever we’re living in a time when women are absolutely obsessed with other women and when, more than what we look like or how we feel when we walk down the street, it’s about what women have to say. Women are greater together; the stronger female voices we have, the more togetherness we show.

When asked what she wanted audiences to take away from seeing AMMONITE, Saoirse Ronan says, “Everyone’s going to take away something different from it, which is always wonderful, when you have people coming up to you saying “I really got this bit” or “I felt like that was me…”. You’re watching two people really discover themselves as individuals and within a partnership, and I think that’s a really beautiful thing to watch and it doesn’t necessarily come easy.”

The film has a quiet character which is the shoreline itself with its secrets waiting for Mary to discover but also a gray and cold feel. You could say that both women can sit before the waves and feel a kinship with the waves showing outside what they feel inside.

AMMONITE is a simple tale with a not-so-simple story that pushes hard to be told. Winslet and Ronan carry the entire film and bring out the characters fears, hopes and desires is so well done. This might be the story of two women but know it is also the story of two people who are learned to break through the closed off life they had come to know.

In the end – it is simply love.

Wednesday, November 11, 2020

AMMONITE

 


Jeri Jacquin

Coming to theatres and On Demand from writer/director Francis Lee and Neon is a story of two women in search of something more than AMMONITE.

Mary Anning (Kate Winslet) is a renown fossil hunter who spends her days on the shores of Lyme Regis in 1840 England. Day after day the self-taught paleontologist has an amazing eye for finding fossils that she sells to tourists. Taking care of her ailing mother Molly (Gemma Jones), Mary keeps to herself.

One day, at her shop door is Roderick Murchison (James McArdle) looking to learn about how Mary finds fossils. Along with him on the visit is his wife Charlotte Murchison (Saoirse Ronan) who is quiet and meek. A few days pass when Murchison offers Mary a large amount of money to watch over the depressive Charlotte while he goes on his next adventure.

Knowing the money would help, she begrudgingly agrees. Almost right away Charlotte becomes seriously ill and as she starts to get well, she and Mary start to show signs of friendship toward each other. Both have pasts that are haunting their ability to be happy with thin veils of uncomfortableness that wakes up with them each and every day.

What comes from that friendship is complicated, loving and forces life choices that are painful for them both but needed to break free.

Winslet as Mary is a woman set in her ways. Taking care of an ailing mother, Mary, in a way, hides behind her as I see it. Diving into her work finding fossils is another way to avoid people totally. Making sure they have enough money to survive is important, but the years have created a bubble around Mary’s life. I actually love when Winslet takes on roles that are a challenge to understand and grasp as the tale unfolds.

Ronan as Charlotte has a depression she is fighting through and does not see any light in her life. Even with Mary, the first days she remains aloof and dangerously closed off. Ronan is always a light on the screen and following her career is a joy. With every role she chooses there is simplicity mixed with complexity that is all wrapped up on her face that does not give anything away until she is ready for us to know – and then only in doses.

Jones as mother Molly has become use to living the secluded life her daughter provides and sees Charlotte as an interloper. Shaw makes herself known as Elizabeth Philpot who has a connection to Mary that is endearing and telling.

McArdle as Murchison is a husband who says openly that he wants his wife back but does not seem to be heart broken over leaving her with Mary. Do not think we didn’t notice that Murchison!

Other cast include Claire Rushbrook as Eleanor Butters, Alec Secareanu as Dr. Lieberson and Fiona Shaw as Elizabeth Philpot.

Neon is a film production company that is best known for such films as I, TONYA and one of the most incredible Oscar winning film PARASITE. With a total of 12 Academy Award nominations, Neon appeals to audiences that are looking for in-your-face storytelling. For more information please visit www.neonrated.com.

Director Lee says, “I wanted to explore what this relationship might mean to someone who has not only been socially and geographically isolated but who has had to close off to any emotional life, where you replace affection and intimacy with work and duty. Where you have been overlooked and ignored your whole life because of your gender and social class. Given this world, would Mary be able to access how she feels for Charlotte? Would she be able to let her guard down to allow the possibility of something new and wonderful to enter her life?”

When asked about the importance to telling Mary’s story, Winslet says, “She is so important. Her strength, her courage – I admire those qualities very much, but also her vulnerability, which she had to keep hidden. Now more than ever we’re living in a time when women are absolutely obsessed with other women and when, more than what we look like or how we feel when we walk down the street, it’s about what women have to say. Women are greater together; the stronger female voices we have, the more togetherness we show.

When asked what she wanted audiences to take away from seeing AMMONITE, Saoirse Ronan says, “Everyone’s going to take away something different from it, which is always wonderful, when you have people coming up to you saying “I really got this bit” or “I felt like that was me…”. You’re watching two people really discover themselves as individuals and within a partnership, and I think that’s a really beautiful thing to watch and it doesn’t necessarily come easy.”

The film has a quiet character which is the shoreline itself with its secrets waiting for Mary to discover but also a gray and cold feel. You could say that both women can sit before the waves and feel a kinship with the waves showing outside what they feel inside.

AMMONITE is a simple tale with a not-so-simple story that pushes hard to be told. Winslet and Ronan carry the entire film and bring out the characters fears, hopes and desires is so well done. This might be the story of two women but know it is also the story of two people who are learned to break through the closed off life they had come to know.

In the end – it is simply love.

Wednesday, December 12, 2018

MARY QUEEN OF SCOTS




Jeri Jacquin

Coming this Friday from director Josie Rourke and Focus Features is the story of a woman who would be more with MARY QUEEN OF SCOTS.

Mary (Saoirse Ronan) is returning to Scotland from France after the death of her husband King Francis. Taking up her crown as Queen of Scotland, she is met by her half-brother James (James McArdle) the Earl of Moray who doesn’t seem pleased to see her.

He isn’t the only one as John Knox (David Tennant) makes it very clear that he isn’t about to change faiths to accommodate her. Mary makes it very clear that he his council is no longer welcome at her court. James tries to tell Mary that she has started something that could hurt her along the way.

The one thing Mary wants is to seal any breach with her cousin Queen Elizabeth I (Margot Robbie). Elizabeth is being told repeatedly by her advisor William Cecil (Guy Pearce) that Mary is a danger and only wants to take the throne. Trying to find a middle ground, Elizabeth suggests that Mary marry an Englishman and offers up her own lover Robert Dudley (Joe Alwyn). Mary has other plans and marries Lord Darnley (Jack Lowden).


Realizing she may have made a mistake, the only way to solidify her position is by having a child before Elizabeth. When she has a son, it changes her feelings and she shares with Elizabeth asking her to be the child’s godmother. Elizabeth believes that this may just be the tie that binds the two women.

Mary is having a difficult time as well when Darnley has no problem showing his disregard for her position as Queen. When her own council tries to take the throne, Darnley is talked into being part of the conspiracy. Intrigue continues to plague Mary as the men around her lay claim, force marriages and don’t understand the fierceness of the Queen.

Seeing one last hope, Mary asks to meet with her sister-cousin Elizabeth in hopes to get support in fighting back those who would take the Scottish throne. Although Elizabeth feels for her cousin, it becomes clear to Mary that she may be at the end of her reign.

Two queens who want the same thing in different ways.

Ronan as Mary is remarkable but then again she is a remarkable actress. The first movie I ever saw her in was the intense and emotionally draining film ATONEMENT followed by the equally intense film THE LOVELY BONES. Since then nothing has stopped her from honing her craft in every way possible and with characters that have obviously taught her more and more about choosing roles and defining who she is as an actress. MARY QUEEN OF SCOTS is another example of why I will see every piece of filmmaking she is in – always. This is a character driven by a woman up against men who see her as a trophy to be one and then disguarded because she is, after all, only a woman. Well done Ronan, well done!

Robbie as Elizabeth doesn’t hesitate to put every little bit of her Queen out there – from her lovers, illness and inability to be told who to marry and what children to have. Robbie presents a strong force of a woman that shows moments of private struggle but when push comes to shove Robbie helps Elizabeth straightens her spine and her crown. The scene between the two queens is one of the most poignant and double-edged I have seen in a while on film.


McArdle as James is clearly a man who has been led by the nose at the hands of the council and happily so until Mary comes back. Then his little hurt feelings are put out for all to see and he wants justice for it all. McArdle is an actor on a mission and playing the role of a spurned brother isn’t easy. Lowden as Lord Darnley is just another man in Mary’s life that believes he is owed something at the cost of everything else. Tennant as Knox is a religious zealot who barks a good game hoping others will do the fighting for him.

Pearce as Cecil is a part of the pack on the other side of the pond who wants what he wants and thinks whispering in Elizabeth’s ear means he will get it. Alwyn as Dudley is a man who love Elizabeth the woman but takes orders from Elizabeth the Queen. Not easy being told to go be your enemy’s husband and Dudley is only saved by Mary’s hot headedness.

Other cast include Gemma Chan as Elizabeth Hardwick, Brendan Coyle as Matthew Stewart, Ian Hart as Lord Maitland, Adrian Lester as Lord Randolph, Maria-Victoria Dragus as Mary Fleming, Alex Beckett as Walter Mildmay, Ismael Cordova as David Rizzio and Simon Russell as Robert Beale.

MARY QUEEN OF SCOTS is a film about two women in a man’s era fighting for their crowns. They should never have had to make that choice between the two of them but with so many men whispering in their ears, I don’t know how they lasted as long as they did with each other.

Mary clearly didn’t know what Elizabeth did and that is you practically have to give up being a woman to hold onto the throne. Clearly having more time to learn that lesson than Mary, Elizabeth wanted to embrace their sisterhood-of-crowns but hard headedness got in both of their ways.

The film is beautifully done and the costuming is breathtaking. I have a weakness for period piece films and when they are done as well as MARY QUEEN OF SCOTS, well I can’t help but find no fault in it.


There have been other films that have touched on the relationship between Mary and Elizabeth, and even a television show called Reign that gave viewers a glimpse of her life in France. MARY, QUEEN OF SCOTS is a look at what happened once she left France and before the infamous and shocking red dress. From a young woman married to a French king to becoming a widow and returning queen of her own country – there is nothing about her life that is easy or without intrigue and betrayal.

In the end – bow to no one!