Jeri Jacquin
Coming to 4K Ultra HD from directors Tom Tykwer, Lana Wachowski and Lilly Wachowski, Radial Entertainment and Shout! Studios comes the ethereal story of CLOUD ATLAS.
It is 1849 and Adam Ewing (Jim Sturgess) witnesses the beating of Moriori Autua (David Gyasi) who has stowed away on his ship. Trying to discover a way to help the man, Ewing goes against the evil ship’s doctor Henry Goose (Tom Hanks) who has other greedy plans for the good-hearted man. When he arrives in San Francisco, his wife Tilda (Doona Bae) discovers his father complicity in keeping people as slaves.
Farther into the future, 1936, composer Robert Frobisher (Ben Whishaw) avoids his problems in the city by going to composer Vyvyan Ayrs (Jim Broadbent) and it also gives him time to work on his own music. When he ran away, he also left behind his love Rufus Sixsmith (James D’Arcy) but it can’t be helped. It doesn’t take long before Ayrs shows his true colors forcing Frobisher to once again make a decision that will ripple through the ages.
Moving even more into the future, it is 1973 San Francisco when Luisa Rey (Halle Berry) gets a message to meet Sixsmith who is a nuclear physicist. As a journalist, Luisa can’t say no to the chance to intrigue and a chance to get her hands on reports about what has happened at a nuclear reactor. Meeting the over-confidence Lloyd Hooks (Hugh Grant), she is not easy swayed by his sticky sweet charm. One person who notices she is trying to do good is Isaac Sachs, a scientist who slips her the report.
Across the ocean in 2012 is Dermot Hoggins who has no problem knocking off a critic after a bad review of his good. Angry with publisher Timothy Cavendish, he asks for help from his brother Denholme but it leads him to a place that now he can’t even get out of because it’s all been a lie and now, he has to deal with Nurse Noakes (Hugo Weaving)! Talking about the future, in 2144 Korea, clones called ‘fabricants’ are the new indentured servants. Sonmi is one such fabricant who learns from others that there is a world outside their existence. Managing to escape with the help of Commander Hae-Joo Chang, she learns of the writings and the history of the past. She decides then that she will join the resistance at a high price.
In 2321, Zachry lives with tribesman in a small village in the post-apocalyptic world. A stranger comes into their midst; Meronym is looking for a station long hidden needing to find a message that will help the Prescient (Keith David). It is the Abbess (Susan Sarandon) of the village who knew this would happen. Knowing where it is, Zachry has to deal with a few matters first as his village is constantly under attack from a cannibal tribe and his own fears as he is plagued by the devil on his shoulder.
Hanks begins as Zachary but he is throughout the film portraying different characters, as most of the cast is. I expect nothing different from this iconic actor and in this film the range of characters are horrible to absolutely lovely. That’s not a bad range to fit all into one film and I loved every rendition he does. Zachary is the most thoughtful and most frightened of all his roles yet, he does everything possible to keep that fear in check in an effort to do the right thing. A signature feeling from Hanks. Berry begins as a journalist seeking out the truth and ends as a woman in the future seeking out the truth. Her journey through the film is that of the all character not exactly playing by the rules but then again, if it gets the job done I’m all for it.
Sturgess begins the film as Ewing, a lawyer who sees the atrocity of seeing a man being beaten. What he doesn’t expect is that the same man would be the reason he lives to become an abolitionist. Sturgess has the looks of innocence which, even after understanding the cruelty of man, his character keeps his faith and face in each instance of his characters. Keith as Prescient has the voice that makes his presence clear and shows that there are no small roles in this film.
Whishaw as Frosbisher is the rogue of a musician and following his journey is actually filled with such pain and sorrow. I adored watching him take his role with such a riveting embrace, yes, bad boys can find good. Broadbent as Ayrs and Cavendish is such a duality that he makes look so damn easy and flawless. Weaving as Nurse Noakes certainly does give him a run for his money while entertaining me to the fullest. D’Arcy as Sixsmith carries in his character such a fore longing that is only shown on his face, and it is carried for more years than anyone I can imagine would. He is silently beautiful in his performance and the connections he brings to his other characters.
Sarandon is the perfect person to play the Abbess. She is the calm and the wisdom in all the madness. Okay, so I’m just thrilled to see her in anything but still, watching her be the future force for women is everything. Gyasi as Autura is a man seeking freedom within the chaos of the time but never forgot his humanity, it wrecked me totally with its sublime humbleness.
A huge shout out to Bae as Somni because her character is absolutely stunning, absolutely. As a fabricant she goes by the rules of her programming, yet once outside the bounds and awaken to the world, she understanding what most don’t – that injustice can not remain silent, no matter the cost. Bae is so sweet and charming in this role with her innocence as well, just so well, well done.
Other cast include Brody Lee as Javier, Ian van Temperley as Enforcer, Robin Morrissey as young Cavendish, Martin Wuttke as Mr. Boerhaave, and Zhou Xun as Yoona-939.
SHOUT! Studios have grown into a tremendous multi-platform media company. Releasing new animated features such as the exquisite Long Way North, and the epic fantasy Beauty and The Beast. Also, their own original horror film, Fender Bender gives fans a good scare. For more of what SHOUT! Studios have to offer please visit www.shoutfactory.com.
Radial Entertainment is a global entertainment company operating with FilmRise and Shout! Studios. They have a library of over 70,000 movies and episodes making it the largest independent catalog. Its programming spans a wide range of genre with true crime, reality, animation, action, westerns, classics, horror and so much more. Please visit www.radialentertainment.com
The Collector’s Edition comes in a 3-disc set loaded with bonus content, including a brand-new feature-length documentary with the filmmakers, cast and crew. New Interviews with a Wide Variety of Cast and Crew, Author David Mitchell, Tom Hanks, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Keith David, James D’Arcy, David Gyasi, Susan Sarandon and Hugh Grant. Also, Co-Producer Roberto Malerba, Co-Director of Photography Frank Griebe, Production Designers Hugh Bateup and Uli Hanisch, Costumer Designer Kym Barrett and Pierre-Yves Gayraud, Make-Up Artist Jeremy Woodhead, Daniel Parker and Sian Richard and so much more.
Bonus Features include New 4K Restoration of the Digital Intermediate, Presented in Dolby Vision, 1080p High-Definition Widescreen, “What is an Ocean…Reconnection the Cast and Crew of CLOUD ATLAS, 7 Archival Featurettes, A Film Like No Other, Everything is Connected, The Impossible Adaptation, The Essence of Acting, Spaceships, Slaves & Sextets, The Bold Science Fiction of Cloud Atlas, Eternal Recurrence: Love, Life and Longing in CLOUD ATLAS and Extended Look Trailer.
CLOUD ATLAS has always been in my top ten films and for several reasons. First of all, it is a ride and a half keeping focus on everything that happens in the two hours and forty-five minutes. The complex stories that are intertwined together bring out every human emotion possible because it is so raw. Adding to that is the music of Tykwer that brings out even more of the emotions the film is trying to tell. The author David Mitchell wrote Cloud Atlas in 2004 and it came to the screens in 2012. In the six stories he tells, the orders jump so that the viewer can piece it together.
It is such a brilliant piece of work both written and on the screen with haunting, longing, awareness and ethereal beauty. Instead of bringing a large cast in to cover all the characters, it is a stroke of brilliance to have the actors play different characters in different stages and it is as smooth as silk. I’ve read articles referring to the structure of the film as a ‘Russian-doll’ and it is a perfect way to say it. What is even more exquisite about CLOUD ATLAS is that the struggles with each story might confuse some but for those of us that are patient for resplendence, CLOUD ATLAS delivers.
In the end – everything is connected!
