Jeri Jacquin
In theatres this Friday from director Lenny Abrahamson and
Focus Features comes a story of twists and ghost with THE LITTLE STRANGER.
Dr. Faraday (Domhnall Gleeson) is the local town doctor who
has a strange affinity for a place called Hundreds Hall. His mother was a
housemaid in the employment of the Ayres family when Faraday was a child. Now,
it is 1948 and the Ayres family calls upon Dr. Faraday to take care of one of
their own.
Arriving at Hundreds Hall, he meets Roderick Ayres (Will
Poulter) who was hurt in the war and still suffers horribly. Roderick tells
Faraday that he keeps the family books and is responsible for making sure there
is a family income – even if it means selling parcels of Hundreds Hall. Sister
Caroline (Ruth Wilson) wants to help her brother and when it is suggested that
there might be new methods to help, she is on board. Mrs. Ayres (Charlotte
Rampling) still keeps airs about the hall that was once a beacon of another
time.
Also in Hundreds Hall is something eerie that Roderick seems
to be keenly aware that something resides in their home. No one listens
believing that it is part of Roderick’s state of being and after an incident;
Faraday believes it is in the best interest to send him away.
In the meantime, Faraday strikes up a relationship with
Caroline seeking a kindred spirit. They are both needing moments away from
Hundreds Hall and their talks are something both look forward too. Faraday
begins to see that he is needed at Hundreds Hall to keep Mrs. Ayers and his
beloved Caroline safe from what ever lurks in the shadows.
Slowly, the relationships begin to become strained and
change because everyone has their own fears and secrets which are about to
change the destiny of them all.
Gleeson as Faraday once again proves why he grows more and
more bold about the roles he takes. Becoming widely known as Bill Weasley with
the HARRY POTTER franchise, his career began ten years earlier in the
television series Rebel Heart. In the
following years he has put his stamp on such films as CALVARY ,
UNBROKEN, EX MACHINA, THE REVENANT and taking on the role of General Hux in
STAR WARS: The Last Jedi. I have come really enjoy each and every thing he does
from drama to comedy and everything in between. Here, Gleeson as Faraday is
staunch, gripping and isn’t going to let anybody in on anything – not for any
frame of the film. All of it is a set up for a great conversation after the
film.
Poulter as Roderick is absolutely stunning and I mean stunning
in his role. He completely captured my attention and although the role might
not be a large one, its impact caught me. Yes, the role is that of a disfigured
person but Poulter could have put a bag over his head and I’d have loved his
portrayal of Roderick.
Now, Ms. Rampling as Mrs. Ayers – I am a huge fan of Ms.
Rampling’s and to see her in this role just reminds me (as if I needed it) that
she is a jewel that only remains bright. I find her to be amazing and riveting
to watch and in THE LITTLE STRANGER she reinforces my belief that the actresses
I grew up admiring deserve every bit of it.
Other cast include Kate Phillips as Diana Baker-Hyde, Anna
Madeley as Anne Granger, Camilla Arfwedson as Young Mrs. Ayers, Dixie Egerickx
as Gillian Baker-Hyde, Amy Marston as Mrs. Blundell, Sarah Crowden as Miss
Dabney and Loren MacFadyen as Dr. Calder
THE LITTLE STRANGER is a slow moving film but has all the
nuances of a genre that wants to invest in your time. There is no hurry in
bringing you along for the ride because it is 1948 in an era that has a lot of
secrets in a society that prides itself on those secrets.
Surrounded by the walls of Hundreds Hall, the characters
play out family secrets, pains best kept unspoken and realities that each of
them don’t want to face. There is time to get to know each character yet with
the time restrains you feel as if you have to believe what’s being told – even
though there is an itch that says not to.
I love that about this film as well as the cinematography,
the era clothing, cars and attitudes that play into the storytelling. Of course
I am a little partial to films like THE LITTLE STRANGER in that I don’t want to
know everything because it takes away from the great after film chats that I
get into.
In the end – from small acorns dark mysteries grow!
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