Showing posts with label Will Poulter. Show all posts
Showing posts with label Will Poulter. Show all posts

Thursday, April 10, 2025

They are in the Middle of WARFARE

 

Jeri Jacquin

Coming to theatres this Friday from directors Alex Garland, Ray Mendoza and A24 is the startling film about a band of men who want to get back home during WARFARE.

A platoon of Navy SEALs is on a mission in Ramadi, Iraq to locate insurgents in November 2006. Leading the team is Erik (Will Poulter), with radioman Ray (D’Pharaoh Woon-A-Tai), Elliott (Cosmo Jarvis), Tommy (Kit Connor), Macdonald (Michael Gandolfini), Pete (Laurie Duncan), Sam (Joseph Quinn), and Frank (Taylor John Smith).

Taking over a house, the team spends hours watching their targets from across the road. Remaining as stationary as possible, they keep their eyes open as those they are watching are coming and going out of the building. Keeping in contact with their superiors, the soldiers notice that something is happening as the streets quickly clear and become empty. Immediately, things begin exploding and rapid fire hit the building the men are in.

Rallying, the men fight back hard while reaching for reinforcements. Until help arrives, the insurgents feel the power as military jets try to clear a path for the men to get clear. As the scene becomes chaotic, the men try to help one another with severe injuries while waiting for back up to arrive. Their bond for one another will be their strongest weapon against the enemy!

Poulter as Erik leads the men into their mission with a clear goal and understanding that each man is capable of their objective. This is such a strong role for Poulter and he handles it with precision and focus. Watching this actor come up through such diverse roles, he has definitely shown his worth as an actor in both comedy, action and now drama. Woon-A-Tai is equally as focused as Ray, a young man who keeps the positioning on track but has an even more difficult job ahead of him once things become more volatile. Ray becomes a focus put never pulls focus from the story being told.

Quinn as Sam gives a performance is sent shivers up my spine and emotions spiraling all over the place. His role is absolutely difficult to watch but necessary at the same time. Gandolfini, Jarvis, Connor, Duncan and Smith are part of the platoon trying to do their job and survive at the same time. They want to do their part and, at the same time, take care of their brothers. Their roles are so important to the story and make an impact that is powerful and meaningful. Each of these actors makes an indelible mark portraying their roles that captured my attention from start to finish.

Other cast include: Aaron Mackenzie as Kelly, Alex Brockdorff as Mikey, Evan Holtzman as Brock, Joe Macaulay as Mo, Laurie Duncan as Pete, Jake Lampert as Ted, Aaron Deakins as Bob, Henrique Zaga as Aaron, Noah Centineo as Brian and Adain Bradley as Sgt. Laerrus.

During the last U.S. premier showing of WARFARE at the Village Theatre in Coronado, California, the directors and cast were there to support the film in our military town and answer questions after the film.



Director Ray Mendoza talks what brought him into filmmaking and makes it clear that the viewers opinion matters, “What got me into this is the film ACTOR OF VALOR and it got me into this medium. Something I recognized right off the bat was the structure, working in concert to achieve an objective so I could relate to that. I like that team concept, it’s how I work and it is how I was raised. I found that it was a good outlet for me as I was transitioning at the time and it was very rough. A lot of things going on and it was rough and I had a lot of things going on so it really was rough. I had a hard time expressing what was going on and I didn’t have the vocabulary to do it. I hit rock bottom in a lot of ways and had a daughter I needed to be a father too; I had friends who helped me climb out of this whole and dig into this industry. I always try to approach it the way teams taught me with respect, tact and try to do it responsibly. So, I learned how to tell stories, not just military stories, doing humbling work. I needed to learn this new language and me wanting to tell this story, I knew I had to understand how to do this through storytelling and framing it.”

Director Alex Garland speaks on what caused him to search out Mendoza for a project they could do together, “Ray and I worked on CIVIL WAR. He was in a way a choreographer for gun fights and there was a particular sequence where the soldiers were fighting and watching Ray work with the performers. What was clear is that there were things in there that were not normally seen. As a civilian, I saw a rhythm to the gunfights and the explosion and recollecting and communicating with one another, it was fascinating. The sequence really interested me and I contacted Ray with a question and said, ‘what if we take 90 minutes or 100 minutes of real combat that had one task, to recreate it as accurately as we possibly can’. Ray said he had such a story and it was, for me, an exercise in listening. Civilians I think don’t listen enough. There is sort of a thing people believe that soldiers don’t talk about their experiences. I think they do under the right circumstances provided they are being heard! So, the actors had to listen to one another and it was humbling and fascinating.

Will Poulter says of his work on the film and the challenges, “Stating the obvious as actors, we were responsible of representing people. We were doing a very limited version of what, of course, the people in military learn over a much longer period of time. We were very lucky to get that opportunity and it served two key functions – the first, gave us enough of a skill set to put our best foot forward as far as representing the gentlemen we were responsible for and secondly, and equally important, is that it bonded us in kind of a measurable way. It surprised us all, what that meant is that when we got to set, we were responsible for executing various objectives entrusted to us by the director. It was in full naturally by genuine love, care and respect for each other. It was responding to protocol and falling back on the training we were lucky to get by Ray, who deserves a lot for his patience with us.”

WARFARE is an intense battle film that does not stop from start to finish. As the film begins there is already a sense of tension from the actors onscreen that trickles down into the audience quickly. The goal of the mission is clear as each moment passes in the telling from quiet radio transmission to non-verbal cues between the soldiers themselves. When the fighting begins, the senses are assaulted from the loud rapid fire and explosions to the intense reaction of the soldiers as they call for help and are wounded. The cast excel in their character portrayals and directors Garland and Mendoza have presented us with something truly well done.

With all of it, this is an important story that needs to be seen by the general public as a glimpse into war and what it does to those returning home long term. There is, of course, concern for those who may find the film triggering so I feel compelled to say so. For myself, it provided me with a deeper understanding of my own family’s history with war and its effects after. I agree with director Garland in that those who have experienced trauma need from us better listening and understanding skills. That is where the disconnect lies sometimes and it is something we all can change about ourselves for the sake of those who put their lives and bravery on the line.

In the end – the only way out is together!

Thursday, March 27, 2025

A Thriller with DEATH OF A UNICORN

 

Jeri Jacquin

Coming to theatres this Friday from writer/director Alex Scharfman and A24 is a story with a mythical twist when there is a DEATH OF A UNICORN.

Elliot (Paul Rudd) is attempting to work his way up the ladder of a company owned by the Leopold’s. Driving up to their property in the mountains, he brings daughter Ridley (Jenna Ortega) along to spend time since his wife’s death and to show they are a close family. Driving up the winding road, Elliot takes his eyes off the road for one second before hitting something in the road.

Ridley walks up to the creature on the road and touches it causing something weird to happen. Elliot decides that it is up to him to put the creature out of its misery. Arriving at the Leopold house, he is met by Belinda Leopold (Tea Leoni) and son Shepard (Will Poulter) who bring them into the extravagant house that takes Ridley by surprise. Elliot meets with Odell Leopold (Richard E. Grant) who is very ill.

While Ridley takes a look around, Elliot is in the process of signing business papers with the Leopold’s who are happy he is working with them. That is until family assistant Shaw (Jessica Hynes) notices something moving in the back of Elliot’s car! Even butler Griff (Anthony Carrigan) sees the vehicle rocking like crazy. Everyone runs out of the house in time to see the creature Elliot hit earlier!

Odell immediately calls in Dr. Bhatia (Sunita Mani) and Dr. Song (Steve Park), two scientists who try to understand what the creature is. While all the madness is happening, Ridley is doing her research to discover what the creature is and present her findings to the Leopold’s – it is a unicorn! They aren’t as interested in her story as they are in what they discover about the creature. Now, Elliot and Ridley are faced with being the only two who realize that the Leopold’s are determined on destruction.

Actually, there are more creatures in the woods and they are, well, very angry and looking to hold someone responsible.  

Rudd as Elliot is a twitchy widower who wants to be financially secure to take care of his daughter. He believes the Leopold’s are they key to making that happen and is a bit of a shoe licker about it. When the craziness begins, he is still twitchy but slowly realizes his daughter is on to something! This role is perfect for Rudd as he takes on his usual humor and ability to be that “dad” who thinks wrong to make things right. Ortega as Ridley is a daughter who is irritated with her father for many reasons while trying to deal with the death of her mother. Once they arrive at the Leopold’s, Ridley wants to leave sensing that something isn’t right but there is a reason. Ortega gets a chance to wiggle around the crazies of the house and is the princess of the story.

Grant as Odell is a sickly man who hires Elliot to help with the family business. Once that sickness is put in check, the business side of Odell comes out and so does greed and destruction. Grant is fantastic in this role and I loved watching him do what he does best, take a role and make it his own. Leoni as Belinda does a superb job of being irritating in a hilarious way. Watching her bounce off Grant’s role of Odell is impressive and it is good to see her on the screen again.

Carrigan as Griff is one of the outstanding characters in the film and from now on, I will be yelling “Griiiiiiiffffff” anytime I want something. Carrigan has to be seen to be hilariously believed. Hynes as Shaw has only one goal, be as tough as she can be. As the Leopold’s assistant, Hynes character is protective of the family and is going to take on whatever is in the woods.

Song as Park is the scientist trying to discover what it is about the creature that can be a cure to so many things. Mani as Dr. Bhatia is the other scientist who knows that you don’t mess with the Leopold’s. Both of the scientists are just as twitchy as Elliot!

The outstanding character here is Poulter as Shepard who is a narcissistic, spoiled and entitled man-child. That being said, oh my goodness did he have me laughing myself silly. His antics and line deliveries were sheer perfection. I can’t even explain adequately Poulter’s performance because it truly does need to be experienced but be prepared to jaw drop and giggle like crazy.

Other cast include Denise Delgado as Ridley’s Mom and Kathryn Erbe as the Tapestry Narrator.

A24 is an independent entertainment company that specializes in film and television production based in New York City. Films such as A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, the amazing EX MACHINA, ROOM and THE WITCH. Many of their films can be found on DirecTV Cinema and Amazon Prime. For more information, please visit www.a24films.com.

DEATH OF A UNICORN is a thriller, comedy and horror film all rolled into one. Normally I’d be a little leery of that combination but writer/director Scharfman must have found some unicorn dust of his own. Putting this cast together was another stroke of genius because they played off one another and made it look so darn easy. I had so many reactions to the film and every single one of them was fun. The CGI gives us total unicorn and, as a childhood unicorn lover, I was thrilled with what they came up with.

Having beloved mythical creatures as the “bad guys” had me at go from the beginning and the way they are brought to the story had me cheering. Does it seem I’m being vague? Absolutely so! There is no way I want to spoil this film for anyone who is headed to the theatre this weekend. It is a weird, strange, twisted story and the biggest thing it has going for it is originality and that’s saying a lot with the films of late.

Get that tub of popcorn and take a mythical, magical ride of terror.

In the end – they’re going to make a killing!

Friday, August 31, 2018

THE LITTLE STRANGER




Jeri Jacquin

In theatres this Friday from director Lenny Abrahamson and Focus Features comes a story of twists and ghost with THE LITTLE STRANGER.

Dr. Faraday (Domhnall Gleeson) is the local town doctor who has a strange affinity for a place called Hundreds Hall. His mother was a housemaid in the employment of the Ayres family when Faraday was a child. Now, it is 1948 and the Ayres family calls upon Dr. Faraday to take care of one of their own.

Arriving at Hundreds Hall, he meets Roderick Ayres (Will Poulter) who was hurt in the war and still suffers horribly. Roderick tells Faraday that he keeps the family books and is responsible for making sure there is a family income – even if it means selling parcels of Hundreds Hall. Sister Caroline (Ruth Wilson) wants to help her brother and when it is suggested that there might be new methods to help, she is on board. Mrs. Ayres (Charlotte Rampling) still keeps airs about the hall that was once a beacon of another time.


Also in Hundreds Hall is something eerie that Roderick seems to be keenly aware that something resides in their home. No one listens believing that it is part of Roderick’s state of being and after an incident; Faraday believes it is in the best interest to send him away.

In the meantime, Faraday strikes up a relationship with Caroline seeking a kindred spirit. They are both needing moments away from Hundreds Hall and their talks are something both look forward too. Faraday begins to see that he is needed at Hundreds Hall to keep Mrs. Ayers and his beloved Caroline safe from what ever lurks in the shadows.

Slowly, the relationships begin to become strained and change because everyone has their own fears and secrets which are about to change the destiny of them all.

Gleeson as Faraday once again proves why he grows more and more bold about the roles he takes. Becoming widely known as Bill Weasley with the HARRY POTTER franchise, his career began ten years earlier in the television series Rebel Heart. In the following years he has put his stamp on such films as CALVARY, UNBROKEN, EX MACHINA, THE REVENANT and taking on the role of General Hux in STAR WARS: The Last Jedi. I have come really enjoy each and every thing he does from drama to comedy and everything in between. Here, Gleeson as Faraday is staunch, gripping and isn’t going to let anybody in on anything – not for any frame of the film. All of it is a set up for a great conversation after the film.

Wilson as Caroline is a young woman who seems to be a fixture in Hundreds Hall instead of a resident. Clearly dealing with family issues and secrets of her own, Wilson gives her character vulnerability wrapped up in a front that is almost as crumbly as the walls surrounding her. Wilson was recently seen in the drama The Affair and in THE LITTLE STRANGER has the same stoic appearance and ability to hide within herself. The film also puts Wilson and Gleeson together again as they both can be seen in the 2012 film ANNA KARENINA.


Poulter as Roderick is absolutely stunning and I mean stunning in his role. He completely captured my attention and although the role might not be a large one, its impact caught me. Yes, the role is that of a disfigured person but Poulter could have put a bag over his head and I’d have loved his portrayal of Roderick.

Now, Ms. Rampling as Mrs. Ayers – I am a huge fan of Ms. Rampling’s and to see her in this role just reminds me (as if I needed it) that she is a jewel that only remains bright. I find her to be amazing and riveting to watch and in THE LITTLE STRANGER she reinforces my belief that the actresses I grew up admiring deserve every bit of it.

Other cast include Kate Phillips as Diana Baker-Hyde, Anna Madeley as Anne Granger, Camilla Arfwedson as Young Mrs. Ayers, Dixie Egerickx as Gillian Baker-Hyde, Amy Marston as Mrs. Blundell, Sarah Crowden as Miss Dabney and Loren MacFadyen as Dr. Calder

THE LITTLE STRANGER is a slow moving film but has all the nuances of a genre that wants to invest in your time. There is no hurry in bringing you along for the ride because it is 1948 in an era that has a lot of secrets in a society that prides itself on those secrets.

Surrounded by the walls of Hundreds Hall, the characters play out family secrets, pains best kept unspoken and realities that each of them don’t want to face. There is time to get to know each character yet with the time restrains you feel as if you have to believe what’s being told – even though there is an itch that says not to.


I love that about this film as well as the cinematography, the era clothing, cars and attitudes that play into the storytelling. Of course I am a little partial to films like THE LITTLE STRANGER in that I don’t want to know everything because it takes away from the great after film chats that I get into.

In the end – from small acorns dark mysteries grow!

Thursday, April 19, 2018

Get Ready to Bolt with MAZE RUNNER: The Death Cure Coming to Bluray




Jeri Jacquin

On Bluray and DVD, as well as 4K Ultra HD, this week from director Wes Ball and 20th Century Fox Home Entertainment is the race for life with MAZE RUNNER: The Death Cure.

Thomas (Dylan O’Brien) is already back in the game becoming stronger as a leader to save their friends from WCKD. When they learn that Minho (Ki Hong Lee) is among the kids that have been taken by Janson (Aidan Gillen) to WCKD, Thomas doesn’t hesitate to want to jump in.

Vince (Larry Pepper) refuses to put more people on the line to save Minho even when Jorge (Giancarlo Esposito) knows where he is. Even worse, they group knows that the enemy is getting closer and have to abandon their base.


Thomas decides he can’t go with the group and attempts to leave camp, but not without Newt (Thomas Brodie-Sangster) and Frypan (Dexter Darden). Not about to let them go alone, they are joined by Jorge and Brenda (Rosa Salazar) who are equally wanting to get their friend back.

Minho is shocked when he wakes up to find himself back inside the maze with the help of Ava Paige (Patricia Clarkson) – but it is a new maze. Her creation has created a potential antibody to the virus that has taken so many but she must convince the leaders to continue the trials. Help comes in the words of Teresa (Kaya Scodelario) who is working with Ava.

Trying to get into the city to find Minho, Thomas and the group are taken by a group and a familiar face. Gally (Will Poulter) sets them all on edge until he explains how it is that he survived. Explaining that he wants to help Thomas get inside the city, Gally takes them to see Lawrence (Walton Goggins) who might be able to help.

Making their way to WCKD one step at a time, Thomas and Newt have their first look at the big city. In the lab Ava and Teresa test more subjects but not before Janson is told that he needs to find Thomas while keeping another secret from Teresa. The virus is now inside the city and Teresa has been taken. Ava and Janson now realize that time is not on their side.


The fight is now inside the lab as Thomas and Newt get closer to Minho and Teresa has something that could be a game changer. Now, those on the outside that have been running are turning to fight strong.

Now, they have a chance!

O’Brien as Thomas returns to the role of a young man clearly on a mission that will save some and not others. Loyal to the people he met in the maze, he is not about to let Minho and the others stay inside the city of WCKD. O’Brien plays out his role in the trilogy as he began, intense and strong.

Scodelario as Teresa is the character everyone loves to hate. With the upset from the second film it is easy to want to give her character redemption but it might be to late. Poulter as Gally is the surprise as he also ends his time in the maze with a twist.

Clarkson as Ava tries to find a way to create an antibody to the virus that is now inside the city. What hope she has depends on Minho and Clarkson always stands out in every performance she gives. Gillen as Janson is clearly irritated with the fact that he can’t seem to always get what he wants out of life in WCKD. He has the amazing ability to be the perfect bad guy without getting to much flack on him.


Goggins as Lawrence is one jacked up human being yet he still attempts to help the gang get inside the city. Lee as Minho gets the worst end of the deal as the labs want more and more from him. Sangster as Newt truly believes in the friendships that have kept him alive. We have literally watched Sangster grow up in this series of films.

Salazar as Brenda continues to be a strong presence even if she is in the middle of wanting to be on her own and not helping others to being an amazing leader in her own right. Along with Esposito as Jorge, these two characters are trying to be better people while maintaining a rough exterior.

Twentieth Century Fox Home Entertainment brings award-winning global product and new entertainment to DVD, Bluray, and Digital HD. There amazing collection offers fans an opportunity to expand their own home libraries with the best films. To discover what other titles they have please visit www.fox.com.

The Bluray and DVD Special Features includes Audio Commentary by Director Wes Ball, Screenwriter T.S. Nowlin and Producer Joe Hartwick, Jr., Unlocking the Cure: The Final Run, Dystopia: The Completed World; Allies Reunited, A Look Back: The Director’s Journey, Deleted & Extended Scenes with Optimal Commentary, Going Out on Top, Gag Reel, Visual Effects Breakdowns and Visual Effects Reel with Optional Commentary and Gallery.


Also included is Movies Anywhere which is just that, the ability to watch anywhere with the App as well as a Digital Movie included.

There is an epic and exclusive 24-page prequel origins comic book written by screenwriter T.S. Nowlin. The trilogy box set is also available that includes an exclusive MAZE RUNNER bandana chosen by fans.

MAZE RUNNER: The Death Cure brings about the finishing touches to a story that has been filled with twists, turns, intensity, trust issues, friendships, world colliding and a virus that can turn friends into foes and vice versa.

Wrapping everything up means preparing to take on the emotions of characters saying goodbye and smiling knowing that there future is deserved. Grab the popcorn and prepare for a marathon run of the MAZE RUNNER trilogy!

In the end – the time for lies is over!

Thursday, December 14, 2017

It’s a Night that Changed Everything as DETROIT comes to Bluray



Jeri Jacquin

Currently on Bluray/DVD from 20th Century Fox Home Entertainment, Annapurna Pictures and writer/director Kathryn Bigelow is the stunning DETROIT.

It all begins on the night of July 23, 1967 when Detroit police raid an unlicensed party for returning Vietnam vet. As people are being arrested, others throw rocks at police and loot stores. That is when Governor Romney orders the Michigan National Guard and the Army to restore order.

The R&B group The Dramatics has arrived in the city with big dreams of getting a recording contract. Just seconds before they are to perform, police bust in and order everyone to leave immediately. When the mayhem starts, Larry Reed (Algee Smith) and Fred Temple can’t find their friends and end up at the Algiers Motel. While there they meet Julie Ann (Hannah Murray) and Karen (Kaitlyn Dever), two white girls and they spend a little time together.


Also at the hotel are Carl Cooper (Jason Mitchell) and Aubrey Pollard (Gbenga Akinnagbe) who are hearing the police outside. Julie and Karen aren’t impressed and meet up with the Vietnam vet Greene (Anthony Mackie). As a joke, Carl uses a racing pistol to pretend to shoot out into the street and the Algiers is fired on by every law enforcement available.

Melvin Dismukes (John Boyega) is a grocery store security guard who wants to help the police with what is going on at the Algiers. Police Officer Krauss (Will Poulter), who already has a chip on his shoulder, along with Melvin and other soldiers get inside the Algiers where they find Julie, Karen, Carl, Aubrey (Nathan Davis Jr.), Larry, Fred (Jacob Latimore) and Greene. Krauss takes it upon himself to take lead on the situation sending everyone else on to handle other situations on the streets of Detroit.

What happens at the Algiers is disturbing, relentless and shocking bringing about one of history’s biggest secret of madness.

Poulter as Krauss is absolutely fantastic in this role which is kind of weird considering what is role is – that of a man who has no business being a police officer. He is cruel, deceptive and full of himself in all the wrong ways. What this person allows to happen is unimaginable yet it is true. Poulter takes on this role and doesn’t hesitate to let it play as it should.

Boyega as John is a man who wants to help keep the peace and shows it from the moment his character is on screen. Even to go as far as making law enforcement and the military comfortable, it becomes clear that not everyone is wanting a peaceful end to an already struggling night. Once part of Krauss’ madness, he continues to try and keep things calm until it becomes clear that it is all crumbling.


Smith as Reed is a man caught in something that can never be imagined, along with Latimore as Fred these two men can only keep themselves alive minute by minute and do so in stunning performances. Mackie as Greene understands the insanity he is involved in and coming home alive, he is once again fighting for his own life.

Other cast includes Ben O’Toole as Flynn, Jack Reynor as Demens, Dennis Staroselsky as Detective Jones, Darren Goldstein as Detective Tanchuck, Zurin Villanueva as Martha, Joseph Jones as Morris, Leon Thomas III as Darryl, Ephraim Sykes as Jimmy, Samira Wiley as Vanessa, 

Twentieth Century Fox Home Entertainment brings award-winning global product and new entertainment to DVD, Bluray, and Digital HD. There amazing collection offers fans an opportunity to expand their own home libraries with the best films. To discover what other titles they have please visit www.fox.com.

Annapurna Pictures focuses on creating sophisticated content that appeals to a conscious and diverse audience. Their vision is to put filmmakers and artists first to give an authentic voice no matter the genre or medium. Films such as THE GRANDMASTER, JOY and PROFESSOR MARSTON AND THE WONDER WOMAN and brought by this studio. For more of what they have to offer visit www.annapurna.pictures.com.


The Bluray includes the Bonus Features of The Truth of Detroit, The Cast of Detroit, The Invasion of Detroit, The Hope of Detroit, Detroit – Then and Now, and Algee Smith and Larry Reed: “Grow”. DETROIT can be viewed also with the Digital copy that can be seen on television, computer, Tablet and Smartphone.

Kathryn Bigelow is an award-winning director with films such as THE HURT LOCKER and ZERO DARK THIRTY. Bringing her vision of one night in history, she tells the story without sugar coating it in any way, which causes such an intense viewer reaction.

DETROIT is a film that absolutely refuses to hold back anything that might make the viewer uncomfortable. By doing so it asks us all to know the truth about what really happened the night at the Algiers Motel and be informed about who and what is responsible.


The performances in DETROIT are stellar and should be recognized for taking on the subject matter and being a part of telling an important story.


In the end – it’s time we all knew!