Showing posts with label Michael Gandolfini. Show all posts
Showing posts with label Michael Gandolfini. Show all posts

Thursday, April 10, 2025

They are in the Middle of WARFARE

 

Jeri Jacquin

Coming to theatres this Friday from directors Alex Garland, Ray Mendoza and A24 is the startling film about a band of men who want to get back home during WARFARE.

A platoon of Navy SEALs is on a mission in Ramadi, Iraq to locate insurgents in November 2006. Leading the team is Erik (Will Poulter), with radioman Ray (D’Pharaoh Woon-A-Tai), Elliott (Cosmo Jarvis), Tommy (Kit Connor), Macdonald (Michael Gandolfini), Pete (Laurie Duncan), Sam (Joseph Quinn), and Frank (Taylor John Smith).

Taking over a house, the team spends hours watching their targets from across the road. Remaining as stationary as possible, they keep their eyes open as those they are watching are coming and going out of the building. Keeping in contact with their superiors, the soldiers notice that something is happening as the streets quickly clear and become empty. Immediately, things begin exploding and rapid fire hit the building the men are in.

Rallying, the men fight back hard while reaching for reinforcements. Until help arrives, the insurgents feel the power as military jets try to clear a path for the men to get clear. As the scene becomes chaotic, the men try to help one another with severe injuries while waiting for back up to arrive. Their bond for one another will be their strongest weapon against the enemy!

Poulter as Erik leads the men into their mission with a clear goal and understanding that each man is capable of their objective. This is such a strong role for Poulter and he handles it with precision and focus. Watching this actor come up through such diverse roles, he has definitely shown his worth as an actor in both comedy, action and now drama. Woon-A-Tai is equally as focused as Ray, a young man who keeps the positioning on track but has an even more difficult job ahead of him once things become more volatile. Ray becomes a focus put never pulls focus from the story being told.

Quinn as Sam gives a performance is sent shivers up my spine and emotions spiraling all over the place. His role is absolutely difficult to watch but necessary at the same time. Gandolfini, Jarvis, Connor, Duncan and Smith are part of the platoon trying to do their job and survive at the same time. They want to do their part and, at the same time, take care of their brothers. Their roles are so important to the story and make an impact that is powerful and meaningful. Each of these actors makes an indelible mark portraying their roles that captured my attention from start to finish.

Other cast include: Aaron Mackenzie as Kelly, Alex Brockdorff as Mikey, Evan Holtzman as Brock, Joe Macaulay as Mo, Laurie Duncan as Pete, Jake Lampert as Ted, Aaron Deakins as Bob, Henrique Zaga as Aaron, Noah Centineo as Brian and Adain Bradley as Sgt. Laerrus.

During the last U.S. premier showing of WARFARE at the Village Theatre in Coronado, California, the directors and cast were there to support the film in our military town and answer questions after the film.



Director Ray Mendoza talks what brought him into filmmaking and makes it clear that the viewers opinion matters, “What got me into this is the film ACTOR OF VALOR and it got me into this medium. Something I recognized right off the bat was the structure, working in concert to achieve an objective so I could relate to that. I like that team concept, it’s how I work and it is how I was raised. I found that it was a good outlet for me as I was transitioning at the time and it was very rough. A lot of things going on and it was rough and I had a lot of things going on so it really was rough. I had a hard time expressing what was going on and I didn’t have the vocabulary to do it. I hit rock bottom in a lot of ways and had a daughter I needed to be a father too; I had friends who helped me climb out of this whole and dig into this industry. I always try to approach it the way teams taught me with respect, tact and try to do it responsibly. So, I learned how to tell stories, not just military stories, doing humbling work. I needed to learn this new language and me wanting to tell this story, I knew I had to understand how to do this through storytelling and framing it.”

Director Alex Garland speaks on what caused him to search out Mendoza for a project they could do together, “Ray and I worked on CIVIL WAR. He was in a way a choreographer for gun fights and there was a particular sequence where the soldiers were fighting and watching Ray work with the performers. What was clear is that there were things in there that were not normally seen. As a civilian, I saw a rhythm to the gunfights and the explosion and recollecting and communicating with one another, it was fascinating. The sequence really interested me and I contacted Ray with a question and said, ‘what if we take 90 minutes or 100 minutes of real combat that had one task, to recreate it as accurately as we possibly can’. Ray said he had such a story and it was, for me, an exercise in listening. Civilians I think don’t listen enough. There is sort of a thing people believe that soldiers don’t talk about their experiences. I think they do under the right circumstances provided they are being heard! So, the actors had to listen to one another and it was humbling and fascinating.

Will Poulter says of his work on the film and the challenges, “Stating the obvious as actors, we were responsible of representing people. We were doing a very limited version of what, of course, the people in military learn over a much longer period of time. We were very lucky to get that opportunity and it served two key functions – the first, gave us enough of a skill set to put our best foot forward as far as representing the gentlemen we were responsible for and secondly, and equally important, is that it bonded us in kind of a measurable way. It surprised us all, what that meant is that when we got to set, we were responsible for executing various objectives entrusted to us by the director. It was in full naturally by genuine love, care and respect for each other. It was responding to protocol and falling back on the training we were lucky to get by Ray, who deserves a lot for his patience with us.”

WARFARE is an intense battle film that does not stop from start to finish. As the film begins there is already a sense of tension from the actors onscreen that trickles down into the audience quickly. The goal of the mission is clear as each moment passes in the telling from quiet radio transmission to non-verbal cues between the soldiers themselves. When the fighting begins, the senses are assaulted from the loud rapid fire and explosions to the intense reaction of the soldiers as they call for help and are wounded. The cast excel in their character portrayals and directors Garland and Mendoza have presented us with something truly well done.

With all of it, this is an important story that needs to be seen by the general public as a glimpse into war and what it does to those returning home long term. There is, of course, concern for those who may find the film triggering so I feel compelled to say so. For myself, it provided me with a deeper understanding of my own family’s history with war and its effects after. I agree with director Garland in that those who have experienced trauma need from us better listening and understanding skills. That is where the disconnect lies sometimes and it is something we all can change about ourselves for the sake of those who put their lives and bravery on the line.

In the end – the only way out is together!

Friday, October 1, 2021

THE MANY SAINTS OF NEWARK

 

Jeri Jacquin

Currently in theatres and HBO Max from director Alan Taylor and Warner Bros. is the story of life, death and betrayal when surrounded by THE MANY SAINTS OF NEWARK.

It is the later 1960’s and Dickie Moltisanti (Alessandro Nivola) is keeping the family business going with numbers running and the help of Harold McBrayer (Leslie Odom Jr.). Taking care of his own family, he also has an affinity for his nephew Anthony Soprano (Michael Gandolfini), especially when his father Johnny Soprano (Jon Bernthal) is sentenced do a stint in prison.

Also arriving home is Dickie’s father Hollywood Dick (Ray Liotta) and his new wife Giuseppina (Michela De Rossi). As the family business moves along with Junior Soprano (Corey Stoll), everything seems to be moving along, that is until the Newark riots happen, and Harold decides it is time to take his own family business in another direction.

Anthony, in the meantime, is already showing signs of falling into bad habits with gambling and getting into trouble. His mother Livia (Vera Farmiga) turns to Dickie to help get the kid straight being the only person the kid will listen to. But as Anthony grows older, he starts to understand more and more what the family business is and how deadly it can be.

Dickie uses the riots to his advantage when an incident happens with his father and also retaliates for Harold trying to muscle into the family business territory. Now a war is brewing, and Dickie is being pulled in every direction. Turning to his Uncle Salvatore (Ray Liotta) for guidance, the one piece of advice he is given is to leave nephew Anthony alone.

All of this is enough to keep anyone occupied because boiling underneath the surface is revenge, plotting and deception, then again, that’s the family business.

Nivola as Dickie carries this film from start to finish. He is basically a crazy man going from home life to business, family issues, betrayal, and trying to be a good uncle at the same time. He is a jack-of-all-trades in his life and can not seem to master any of them. It all may look good on the surface, but it is an underlying hot mess. Nivola’s character runs hot and cold when his button is pushed and trust that that button – does not lead to a nice conclusion.

Gandolfini as a teen Anthony Soprano does his father’s legacy justice. It is clear that there is a connection between Anthony and Uncle Dickie, a closeness even his father does not have. So, when that relationship is strained, it has an impact on the young teen who is trying to discover where it is he truly wants to go in life. Gandolfini has done his father James Gandolfini proud in taking up the mantle of his own family legacy, well done young man.

Liotta as both Hollywood Dickie and twin brother Salvatore has the chance to play both the good and bad of twin brothers. Dickie turns to Sally for advice and a chance to redeem himself for the wrongs he knows he is doing and has done. I saw Sally as a Sage for Dickie, offering him advice and wisdom that Dickie never got from his own father. Liotta is marvelous in both roles, and I loved every moment he was on screen.

Odom Jr. as Harold is a buddy of Dickie’s so working together is fine, until he realizes that there is more money to be made and that Dickie’s business family see him as nothing more than the lowest of the low. Breaking away is a dangerous move but Odom Jr. takes his character and rolls him in the world that is brutal and unforgiving. Stoll as Junior seems to be the gopher of the family always beings shot down and told what to do. He takes it until he can not take it anymore and lets leave it at that.

Michela De Rossi as Guiseppina is a woman who believed that coming to America has so many possibilities. Trying to break the mold of a kept woman is difficult and she fights every step of the way. Farmiga as Livia is a woman on the edge of a nervous breakdown with her kids and a husband who does not appreciate her. Trying to keep her sanity involves Anthony trying to help with medication. She is also a fighter but it seems its always for the right thing in the wrong way.

Other cast include: Joey Diaz as Buddha, Samson Moeakiola as Pussy Bonpensiero, Germar Gardner as Cyril, Alexandra Intrator as Janice Soprano, Lesli Margherita as Iris Balducci, Talia Balsam as Mrs. Jarecki, Kathryn Kates as Angie DeCarlo, William Ludwig as young Tony Soprano, Billy Magnussen as Paulie Walnuts, Nick Vallelonga as Carmine Cotuso, John Magaro as Silvio Dante, Ed Marinaro as Jilly Ruffalo, Lauren DiMario as Carmela De Angelis, Oberon Adjepong as Fran Lucas and Chase Vacnin as Jackie Aprile.

Warner Brothers is home to one of the most successful collections of brands in the world and stands at the forefront of every aspect of the entertainment industry from feature film, television and home entertainments with worldwide distribution to DVD and Bluray, animation, comic books, videogames and broadcasting. For more please visit www.warnerbros.com.

HBO Home Entertainment brings critically acclaimed and groundbreaking programming throughout the world. Releases include the global hit Game of Thrones, True Detective, Girls, The Sopranos, Sex and the City, True Blood, The Wire and Entourage. The company's catalog contains hundreds of titles including Big Little Lies and Band of Brothers. For more of what they have to offer please visit www.hbo.com.

A little fun factoid is that the film is called 'The Many Saints of Newark' because it revolves around Dickie Moltisanti, Christopher Moltisanti's father. In English, Molti Santi translates as 'many saints'.

THE MANY SAINTS OF NEWARK is a story with so many layers trying to tell a prequel story. The characters are introduced and send about to create havoc but mainly centers around Dickie with a young Tony Soprano on the side. The film has everything you would expect with family issues, prison, revenge, twists and friendships based on nothing more than money and what you can do with it.

I have to again say that I am a huge fan of period pieces and this film dives right in from the costuming to the cars to the look and feel of the city. All of that is important to drawing someone into the world of a family who would go on to bring one of the most talk about shows on television THE SOPRANOS.

That being said, everything moves very fast giving me little time to delve into the stories and understanding each of the characters. I am not sure if that is because I only know a scant bit about the original show having only seen it a few times. So, I am going to have to binge watch the entire series and perhaps my perspective of fast paced and fragmented will change. I will keep you updated!

In the end – it’s a Soprano’s story!