Showing posts with label Guy Pearce. Show all posts
Showing posts with label Guy Pearce. Show all posts

Wednesday, December 12, 2018

MARY QUEEN OF SCOTS




Jeri Jacquin

Coming this Friday from director Josie Rourke and Focus Features is the story of a woman who would be more with MARY QUEEN OF SCOTS.

Mary (Saoirse Ronan) is returning to Scotland from France after the death of her husband King Francis. Taking up her crown as Queen of Scotland, she is met by her half-brother James (James McArdle) the Earl of Moray who doesn’t seem pleased to see her.

He isn’t the only one as John Knox (David Tennant) makes it very clear that he isn’t about to change faiths to accommodate her. Mary makes it very clear that he his council is no longer welcome at her court. James tries to tell Mary that she has started something that could hurt her along the way.

The one thing Mary wants is to seal any breach with her cousin Queen Elizabeth I (Margot Robbie). Elizabeth is being told repeatedly by her advisor William Cecil (Guy Pearce) that Mary is a danger and only wants to take the throne. Trying to find a middle ground, Elizabeth suggests that Mary marry an Englishman and offers up her own lover Robert Dudley (Joe Alwyn). Mary has other plans and marries Lord Darnley (Jack Lowden).


Realizing she may have made a mistake, the only way to solidify her position is by having a child before Elizabeth. When she has a son, it changes her feelings and she shares with Elizabeth asking her to be the child’s godmother. Elizabeth believes that this may just be the tie that binds the two women.

Mary is having a difficult time as well when Darnley has no problem showing his disregard for her position as Queen. When her own council tries to take the throne, Darnley is talked into being part of the conspiracy. Intrigue continues to plague Mary as the men around her lay claim, force marriages and don’t understand the fierceness of the Queen.

Seeing one last hope, Mary asks to meet with her sister-cousin Elizabeth in hopes to get support in fighting back those who would take the Scottish throne. Although Elizabeth feels for her cousin, it becomes clear to Mary that she may be at the end of her reign.

Two queens who want the same thing in different ways.

Ronan as Mary is remarkable but then again she is a remarkable actress. The first movie I ever saw her in was the intense and emotionally draining film ATONEMENT followed by the equally intense film THE LOVELY BONES. Since then nothing has stopped her from honing her craft in every way possible and with characters that have obviously taught her more and more about choosing roles and defining who she is as an actress. MARY QUEEN OF SCOTS is another example of why I will see every piece of filmmaking she is in – always. This is a character driven by a woman up against men who see her as a trophy to be one and then disguarded because she is, after all, only a woman. Well done Ronan, well done!

Robbie as Elizabeth doesn’t hesitate to put every little bit of her Queen out there – from her lovers, illness and inability to be told who to marry and what children to have. Robbie presents a strong force of a woman that shows moments of private struggle but when push comes to shove Robbie helps Elizabeth straightens her spine and her crown. The scene between the two queens is one of the most poignant and double-edged I have seen in a while on film.


McArdle as James is clearly a man who has been led by the nose at the hands of the council and happily so until Mary comes back. Then his little hurt feelings are put out for all to see and he wants justice for it all. McArdle is an actor on a mission and playing the role of a spurned brother isn’t easy. Lowden as Lord Darnley is just another man in Mary’s life that believes he is owed something at the cost of everything else. Tennant as Knox is a religious zealot who barks a good game hoping others will do the fighting for him.

Pearce as Cecil is a part of the pack on the other side of the pond who wants what he wants and thinks whispering in Elizabeth’s ear means he will get it. Alwyn as Dudley is a man who love Elizabeth the woman but takes orders from Elizabeth the Queen. Not easy being told to go be your enemy’s husband and Dudley is only saved by Mary’s hot headedness.

Other cast include Gemma Chan as Elizabeth Hardwick, Brendan Coyle as Matthew Stewart, Ian Hart as Lord Maitland, Adrian Lester as Lord Randolph, Maria-Victoria Dragus as Mary Fleming, Alex Beckett as Walter Mildmay, Ismael Cordova as David Rizzio and Simon Russell as Robert Beale.

MARY QUEEN OF SCOTS is a film about two women in a man’s era fighting for their crowns. They should never have had to make that choice between the two of them but with so many men whispering in their ears, I don’t know how they lasted as long as they did with each other.

Mary clearly didn’t know what Elizabeth did and that is you practically have to give up being a woman to hold onto the throne. Clearly having more time to learn that lesson than Mary, Elizabeth wanted to embrace their sisterhood-of-crowns but hard headedness got in both of their ways.

The film is beautifully done and the costuming is breathtaking. I have a weakness for period piece films and when they are done as well as MARY QUEEN OF SCOTS, well I can’t help but find no fault in it.


There have been other films that have touched on the relationship between Mary and Elizabeth, and even a television show called Reign that gave viewers a glimpse of her life in France. MARY, QUEEN OF SCOTS is a look at what happened once she left France and before the infamous and shocking red dress. From a young woman married to a French king to becoming a widow and returning queen of her own country – there is nothing about her life that is easy or without intrigue and betrayal.

In the end – bow to no one!

Monday, May 28, 2018

SPINNING MAN Brings Unexpected Twists




Jeri Jacquin

Coming to Bluray/DVD and Digital from director Simon Kaijser and Lionsgate comes the story of what happens when what you believe and what is real can cause one to become a SPINNING MAN.

Evan Birch (Guy Pearce) is a philosophy college professor living with wife Ellen (Minnie Driver) and daughter Zelda (Eliza Pryor) and son Adam (Noah Salsbury Lipson).  Life is idyllic until a young high school cheerleader goes missing bringing Det. Robert Malloy (Pierce Brosnan) on the case.

Evan goes about his business until there is a knock on his door asking to search his car. Both he and Ellen aren’t sure what is happening or what Evan is being accused of. Reaching out to their family lawyer friend Paul (Clark Gregg), he is asked straight out if there is any chance of involvement.


Upset that anyone would think so, it becomes even more difficult when evidence is found in the car and stories don’t match up. Det. Mallory isn’t making it easy either by planting suspicions in Ellen’s mind. She immediately makes it clear to Evan that she isn’t going to cover for him.

The only light to his days is that of student Anna (Alexandra Shipp) who doesn’t ask much of him other than coffee and talk about his book. As Evan waits for the police to find the missing cheerleader, his mind begins to chase between what is real and the truth.

Both are a matter of life and death.

Pearce as Evan is a man who absolutely has command of the classroom and the subject he is teaching. Living the stereotype of an attractive man professor and yet he is jittery that no one believes in his innocence in all things. Trying to balance his life, his secrets and his persona is what could be his undoing. There is something about Pearce on the screen from PRISCILLA QUEEN OF THE DESERT to L.A. CONFIDENTIAL to ALIEN: COVENANT that I know his role is going to be unique and memorable.

Brosnan as Det. Malloy isn’t ruffled in the slightest by anything that Evan says or does. He is one slick policeman when he plants little hints around the wife to get help in solving the case. There are even moments where it is easy to forget he is a cop when in the car with Evan which is, after all, what makes a good cop. Brosnan is still fun to watch and this role gives him grit.

Driver as Ellen is the dutiful wife and stands by her man, even if she’s done it more times that she would like. She also isn’t helping the police much in their investigation but that doesn’t mean she isn’t doing a little home detective work of her own. Driver gives character Evan a little public ‘what for’ shaming and I actually applauded her. It’s good to bend but Driver doesn’t break.


Shipp as Anna is a nice diversion to Evan’s problems and this is certainly the type of student a professor should run from – and run fast! Pryor as Zelda is at that age where parents can be embarrassing and this is just a few steps past the norm. Gregg as lawyer Paul is trying to get his client to stop talking and I suggest superglue to the lips!

Other cast include Jamie Kennedy as Ross, Sean Blakemore as Killian, Jeannie Austin as Barbara, Natasha Bassett as Carrie, Sterling Beaumon as Matt, Patrika Darbo as Kelly, Jennie Fahn as Irene and Odeya Rush as Joyce Bonner.

Lionsgate is a global leader in motion picture production and distribution for theatres, television, home entertainment and more. Theater franchises include THE HUNGER GAMES, and DIVERGENT along with JOHN WICK. Now, adding this film to it’s 16,000 motion picture and television titles you can see everything coming soon as well as available now at http://www.lionsgate.com.

The Bluray and Digital include the Special Features of Deleted Scenes, Inside SPINNING MAN Director’s Commentary and Trailer Gallery. SPINNING MAN is based on the book The Spinning Man by George Harrar.

SPINNING MAN is a cat and mouse game and most of it is being played by Pearce’s character. All of his antics begin to meld together and that causes him to have problems knowing what the facts are and what is the mind just playing stress tricks. The addition of Brosnan’s character is that of a cop who will let a person hang themselves because he’s got all the time in the world to wait.


Pearce is definitely juggling this character and where it all falls is anybody’s guess – right up until the very last second. That’s what makes a good psychological thriller and this qualifies.

In the end – what you believe and what you know is all in how you spin it!