Monday Opens CinemaCon 2026

 

Jeri Jacquin

Back in Las Vegas again for CinemaCon 2026 at Caesars Palace wastes no time gathering theatre owners in the Dolby Colosseum. Taking the first slot of presentations is Angels Studios and their announcement of their plan to release ten films this year.

Beginning with THE BRINK OF WAR, it is the story of the 1986 US and Soviet Union Reykjavik Summit between Ronald Reagan and Mikhail Gorbachev played by Jeff Daniels and Jared Harris. Director Michael Gunn and cast include Guy Burnet, Aya Cash, Hope Davis, and Branka Katic is due in theatres August 14^th.  One of my favorite directors, Scott Waugh, has the film RUNNER coming to the screen with Owen Wilson and Alan Ritchson. It is the story of an ex-soldier who ends up in trouble with the cartel while trying to make medical deliveries for those in need. It is due in theatres on September 11^th.

The 1947 John Wayne film ANGEL AND THE BADMAN is going to see new life when director Julio Quintana brings a new look to the screen. The cast includes Tommy Lee Jones, Zachary Levi, and Neal McDonough. A wounded outlaw is taken care of by a Quaker girl. The film is due in theatres in October. Director Mark Waters brings the film HERSHEY to theatres in November. Finn Wittrock stars in a film about the chocolate maker in the early years. Nice way to welcome the holiday season.

Directors Ben & Joel David Smallbone bring an American Revolutionary War film to the screen with DRUMMER BOY. This is another November release. Other films due for release are ANIMAL FARM from Andy Serkis, due in May. YOUNG WASHINGTON tells the story of a young George Washington with a large cast including William Franklyn-Miller, Mary-Louise Parker, Ben Kingsley, and Kelsey Grammer. Finally, in December, Alejandro Monteverde’s ZERO A.D. brings a biblical story with the cast of Deva Cassel, Ben Mendelsohn, Jim Caviezel, and Sam Worthington.

Sony Picture Classics brings a sizzle reel showing why their 166 Oscar nominations are a standout. VP of Sales, John Z. Shahinian, is there to not only speak on the Sundance films such as BEDFORD PARK and THE ONLY LIVING PICKPOCKET IN NEW YORK, but he also announces the trailer for BITTER CHRISTMAS from Pedro Almodovar. For something different, the thriller UNIDENTIFIED is a story of a woman who intends to solve the murder of a young girl. It is a Saudi thriller from Haifaa al-Mansour.

Studiocanals CEO Anna Marsh talks about the partnership between them and Universal, Sony, and A24. First out of the gate is PADDINGTON 4, which is still in development. Also coming is PIPPI LONGSTOCKING, MR. MAN, ESCAPE FROM NEW YORK, and THE HOWLING. All of these are books and films I grew up with, so I’m interested to see which direction each of these takes.

Coming to theatres in September is the world's favorite four-legged cotton-ball with SHAUN THE SHEEP: The Beast of Mossy Bottom. The film EVERYBODY WANTS TO F**K ME shows Taron Egerton being followed by women who seem to want him. Also, Andrew Scott plays an actor with AIDS in ELSINORE. Danny Boyle shows the first look at the film INK with Jack O’Connell and Guy Pearce, showing the story of media moguls Larry Lamb and Rupert Murdoch. INK is due in 2027.

Sony brings their slate beginning with SPIDER-MAN: Brand New Day from SONY has Peter Parker dealing with memory problems of Ned and MJ.  SPIDER-MAN: Beyond the Spider-Verse talks of the “final chapter” of Miles’ story. Prepare for Miles to meet Prowler-variant! JUMANJI: Open World is going to be fun around the holidays. The cast is back for more adventures and onstage is Dwayne Johnson, Kevin Hart, Jack Black and Karen Gillan.

Just when you thought it was safe, Zach Cregger teases the reboot of RESIDENT EVIL coming this September. Announcement made to look forward to BLOODBORNE, HELLDIVERS with Jason Momoa, THE SOCIAL RECKONING with Jeremy Strong. Another franchise that wasn’t done, INSIDIOUS: Out of the Further, taking the audience into the “bleeding” world. Sony Pictures has announced that filming on the new movie has officially wrapped up, another memorable video game (at least I remember playing it when my kids were little), with THE LEGEND OF ZELDA. 

As I said, CinemaCon 2026 jumped right in with a vast offering of films with such diverse stories. During this week, theatre owners get to experience all that is offered for the rest of 2026 and beyond. It is also an opportunity for them to connect with one another and have a bit of fun with everything exhibitors also have to offer. There is so much to see and do, and tomorrow, NEON and Warner Bros. are up with their slate!

Unraveling the Mystery of A PRIVATE LIFE

 

Jeri Jacquin

In theatres from director/writer Rebecca Zlotowski and Sony Picture Classics comes the story of a mystery and realizations about A PRIVATE LIFE.

Lilian Steiner (Jodie Foster) is a well-known psychiatrist that takes her profession seriously. Seeing patients regularly, Paula (Virginie Efira) has been missing appointments. Reaching out, Lilian still isn’t able to reach her. It isn’t until daughter Valerie (Luana Bajrami) informs her that Paul has died. Not understanding how it could have happened, Lilian begins to look through notes and tapes of sessions to see how it could have happened.

Her personal life is a struggle as well with a distance with her son Julien (Vincent Lacoste) that she can’t seem to put back together. Looking for a distraction from that is discovering what truly happened to Paula. Piece by piece, Lilian begins to suspect family members Valerie and her father Simon (Mathieu Amalric), who has his own secrets. Enlisting the help of ex-husband Gabriel (Daniel Auteuil), they both make discoveries that are both disturbing and even more confusing.

Trying to help other patients, Lilian is taken into a world where she begins to understand her connection, not only to Paula but her own life.

Foster as Lilian is portraying a complex character that is diving into her life. The driving force is keeping busy seeing patients ignoring the issues that were never resolved in her life of marriage and family. I truly enjoyed watching Foster grow into Lilian and take it places that were very unexpected. Bajrami as Valerie is a daughter who doesn’t understand the death of her mother and looks towards Lilian for answers. Meeting a bit of a wall, suspicions are aimed at her. Bajrami gives mystery to her character and it works beautifully.

Auteuil as Gabriel is a man who clearly still has feelings for his ex-wife and when he realizes she is struggling, he becomes her person. Taking it all step by step with her, nothing is too outrageous if it will bring her the answers, she is so desperate to find. His character also brings in a little comedic relief and I loved it. Lacoste as Julien is a young married new father who is detached from his mother. The fascinating thing about his character is that, despite the twist, he is more like Lilian than he realizes.

Other cast include Noam Morgensztern as Pierre Hallan, Sophie Guillemin as Jessica Grange, Frederick Wiseman as Dr. Goldstein, Irene Jacob as Vera, and Aurore Clement as Perle Friedman.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

A PRIVATE LIFE has been nominated for several awards including the 2025 City Of Sonostia for Rebecca Zlotowski from the San Sebastian International Film Festival, the Polish Film Institute Award from the Warsaw International Film Festival, two nominations from the Lumiere Awards for Best Actress, Jodie Foster and Best Music, Robin Coudert, Best Actress nomination for Jodie Foster from the CinEuphoria Awards, and AARP Movies for Grownups Awards Best Actress for Jodie Foster.

The film is such a mixture that working out the mystery is going to take a bit of sleuthing. Just as the character of Lilian does, it’s a step at a time unraveling what is true from what is masking as the truth. Throwing in a big of past life regression adds an interesting layer to the story director Zlotowski is putting up on the screen. It is brilliantly done and the shadows are real in these characters lives.

Foster carries the story and, as always, she is so fascinating to watch. Hearing her speak French through the entire film is always quite captivating. She has always been able to bring intensity to a character and, this time, she adds a layer of intrigue that tests us all to go along for the ride. From start to finish, her presence along with fellow actors, brings a depth to this tale of love, loss, intrigue, and redemption of spirit.  

In the end – it is not always in what you see!

 

 

 

 

 

 

 

 

 

The Life of ELEANOR THE GREAT

 

Jeri Jacquin

Coming to theatres from director Scarlett Johansson and Sony Picture Classics is a tale of friendship and stories with ELEANOR THE GREAT.

Eleanor (June Squibb) and roommate/bestie Bessie (Rita Zohar) have a daily routine with one another. From morning coffee to long walks, their friendship has spanned decades, and so have their stories. When their time comes to a close, Eleanor finds herself moving to New York with daughter Lisa (Jessica Hecht) and grandson Max (Will Price). Lisa has decided its time for Mom to check out places where she can make friends and Eleanor isn’t too thrilled about that.

She does give in and wanders into the community center and a group gathered together to share. They are also introduced to Nina (Erin Kellyman) who is writing an article about survivors of the Holocaust and Eleanor realizes she has stumbled into the wrong group. As they talk, she can’t help but tell a story as if she were Bessie about her time in a concentration camp. Captivated by the story, Nina approaches her and asks if they can talk more. Believing her mom has found a group of new friends, Lisa feels less stressed and can focus on Max’s adolescent problems.

Eleanor is also surprised to discover that Nina’s father is none other than Roger (Chitwetel Ejiofor), someone Bessie admired greatly. She does find herself becoming friends with Nina and the young girl encourages Eleanor to continue telling her stories and spending time together. They learn more about one another but secrets have a way of coming out and that’s when friendships are tested and forgiveness feels impossible.

Squibb as Eleanor is absolutely stunning in this role as a woman who clearly has a life and history with her friend Bess. They have shared lives since their youth and that includes all the stories that come with it. Trying to start over again it never easy for anyone, but even less for someone who is under the roof of family that don’t understand her. Squibb gives us all the realities of aging from sensible shoes to feeling distant from the life she loved. There are so many moments of heartbreak and laughter that there never is enough time to recover from one to the other and I’d have it no other way.

Kellyman as Nina is a young woman following in her father’s journalistic footprints in her own way. Meeting Eleanor, she believes there is an important story to tell and will not let up on Eleanor until she agrees. Nina doesn’t understand the cost of it and Kellyman is lovely at showing us exactly what it means to love and lose and still love again. Ejiofor as Roger is a man grieving a loss and forgets that he is not the only one who is trying to find a place to put all the emotions. I love Ejiofor in everything he does, and here we see a man trying to do it all alone.

Hecht as Lisa is a daughter doing ‘her duty’ to bring Eleanor to come and live with them, even though she’s trying to find a way around that. There is a muddled history between mother and daughter as the roles are now reversed. Price as Max is a kid who is doing what kids do nowadays, their own thing with emotions that can fit on the head of a pin if it means dealing with anyone but themselves. Well done Price.

Shout out to Zohar as Bessie is so adorable and charming playing next to Squibb. It is totally believable that these two ladies could be lifelong friends.

Other cast includes Lauren Klein as Vera, Stephen Singer as Rabbi Cohen, Raymond Thomas as Professor Thompson, Tristan Murphy as Charlie, Stephen Bradbury as Ivan, Barbara Andres as Clarice, Samti Steigmann as Sami, Mila Falkof as Rebecca and Elaine Bromka as April.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

ELEANOR THE GREAT was nominated for the Un Certain Regard Award and Golden Camera for Scarlett Johansson at the Cannes Film Festival, nominated for the Grand Special Prize and winner of the Audience Award for Scarlett Johansson at the Deauville Film Festival, and a nominee for Best Feature Film for Scarlett Johansson as the CineFest – Miskolc International Film Festival. 

There is so much about this film to love from the relationship of two life long friends, to mother-daughters history, new friendships but ultimate all in jeopardy because of one story that is told. I love the simplicity of the film that allows us to follow along being able to laugh, jaw drop, feel the pull of our hearts and a level of sincere friendship. Squibb is so marvelous of an actress who, at 95 years old, has put herself wholeheartedly into this story that I can not imagine anyone else playing this role.

This is Johansson’s directorial debut and taking on this storyline is so well done from start to credits. A generational story, we are taken on a journey of two stories – no matter how they are told it is love that transcended both. It is filled with complexities and although it might be easily pointed to Eleanor’s fib as the culprit, it is so much deeper than that and should resonate that way.

In the end – stories have a life of their own!

It is all About THE PENGUIN LESSONS

 

Jeri Jacquin

Coming to theatres from director Peter Cattaneo from the true story novel of the same name by Tom Michell and Sony Picture Classics comes a story of a friend and THE PENGUIN LESSONS.

Taking a teaching job at Buenos Aires in 1976, slightly disgruntled-about-life Englishman Tom Michell (Steve Coogan) arrives at the all-boys St. George’s College. He is immediately greeted by the political upheaval in the country. Headmaster Buckle (Jonathan Pryce) makes it clear that the scores for the boys in his class are low and they must be brought up. From day one in the classroom, Michell sees the boys have no desire to listen or learn but his apathetic attitude just goes along to get along.

An unexpected creature comes into his life in the form of an oil-soaked penguin. Getting him cleaned up, Michell soon discovers that finding a penguin is one thing, trying to get it to leave is another. Sneaking it back to his teacher’s dorm, Michell immediately tries to find someone else to take him but sets up house with his new roommate. Trying to hide a penguin proves to also be interesting but housekeepers Sofia (Alfonsina Carrocio) and her grandmother Maria (Vivian El Jaber) are let in on the secret and Juan Salvador (Juan Salvador Gaviota is Spanish for Jonathan Livingston Seagull) is named and instantly loved.

Inviting the women to lunch, Michell learns more about the struggle the people of Buenos Aires are facing and it is Sofia who is vocal about it all much to his delight. The authorities taking people off the streets never to be seen again makes Michell uncomfortable. Back in class, he is once again met by students who seem to have no use for education with the exception of the young bullied boy Diego (David Herrero). Michell decides that Juan Salvador might help in this regard and – it works. The students begin to finally hear their teacher but also, a change happens in Michell.

Juan Salvador becomes a quiet fixture to students and staff and enjoys their company and feeding time as Michell realizes that being with the school is everything. When frightening events happen with Sofia, as well as Michell, he discovers that he truly had become someone that needed to stand up for his students, people he cares about and even a black and white penguin that has become the biggest teacher of all.

Coogan as Michell gives us the character of a man who just seems to have given up being anything other than a being in survival mode. Seeing this teaching position as a way of earning a paycheck and little else, the universe has a big surprise for him. Oh sure, he fights it and he tries to make it go away, but a little penguin has other plans. Coogan is so good at being indifferent that when his frailties come forward and his story is told, it begins to make sense. What a wonderful role and beautifully done.

Carrocio as Sophia is a young woman who believes in her country and shares her feelings with Michelle. He instantly knows that she is someone special and besides, Juan Salvador kind of likes her. Carrocio gives us a peek into her character and my only wish is that she shared the screen more. El Jaber as Maria is a loving grandmother who wants what’s best for her generational family. She instantly takes to Juan Salvador and wants what is best for him and that’s not a cage. When her family struggles, El Jaber shows us a woman who came from strong people and will do whatever is necessary to keep her family intact. Absolutely amazing!

Pryce as Headmaster Buckle is firm in what he expects from Michell and keeps an eye on him. When he discovers Juan Salvador, his barking orders are quickly turned with a single conversation. I have to say, I absolutely adore Pryce and everything he has done so even this small role I am here for. Herrero as Diego is a young man who feels out of place among his classmates and, oddly enough, it is Michell who understands the young man. Herrero is just a dear and there is a moment that he gave his character a grace that just made me tear up, you will see.

Shout out to Bjorn Gustafsson as Tapio, another teacher in the school who also has a chance to be won over by Juan Salvador’s fishy charms!

Other cast include Julia Fossi as Anna, Hugo Fuertes as Ramiro, Miguel Serrano as Walter, Aimar Miranda as Ernesto, Nicanor Montechiarini as Igor and Florencia Nocetti as Nora.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

THE PENGUIN LESSONS is an absolutely lovely film that is a mixture of a schoolteachers awakening, a country’s madness, a school’s bit of apathy and a penguin that finds more to his own life. That would seem like a lot but, in this case, it works brilliantly. You cannot remove one of these scenarios without the story caving in on itself and the fact that it is a true story is even more emotionally intense.

To be honest, I do enjoy films where animals take the front stage to show humans that we are more capable than we realize. Yes, this is a penguin who doesn’t have a lot to say but in that lies the truth that we hold the keys to our own jails. Recognizing his own frailties, Coogan’s Michelle is sarcastic, confrontational, avoids almost everything having to do with his emotions and has a history he refuses to acknowledge. We should all be so graced with an unexpected penguin to snap us back into the real world.

Working with a beautiful creature, director Cattaneo says, “Juan Salvador is a small Magellanic penguin. Like all our favorite pets, his charm comes partly from his imperfections. He can be stubborn, he’s quite scruffy and stinks of fish. Working to capture him on camera called for an unorthodox, naturalistic approach.  I encouraged the cast and crew to stay patient and reactive, embracing the unexpected from the penguin. This way, I found the door was opened to unscripted magic. His little moments of spontaneity brought joy to the case and crew alike and resulted in some of my favorite scenes in the film”.

In the end – life can change when an enlightened being arrives!

 

 

 

The Story of Why I’M STILL HERE

 

Jeri Jacquin

Coming to theatres this Friday from director Walter Salles and Sony Picture Classics comes the three Academy Award nominated film of I’M STILL HERE.

It is 1970 Rio de Janeiro and the Paiva family are living close to the beach. Father Rubens (Selton Mello) has brought the family back after being in extended exile after the 1964 Brazilian coup. Wife Eunice (Fernanda Torres) is raising their five children as Rubens takes up his career in engineering. It is slowly becoming clear that the military is around but Rubens and Eunice are focusing on their large family.

When another ambassador is kidnapped, the country starts to show signs of instability. The couple decide that they should sending daughter Vera (Valentina Herszage) abroad with friends. Shortly after, a group of men come to the Paiva home asking that Ruben go in to answer a few questions. Eunice keeps calm but wants to know the reason, instead, the men keep the family inside the home until further notice. That upsets Eliana (Luiza Kosovski), Nalu (Barbara Luz), Marcelo (Guilherme Silveira) and Beatriz (Cora Mora).

Trying to keep their normal routine, even housekeeper Zeze (Pri Helena) noticed what is happening around the home. Unexpectedly, Eunice and Eliana are taken in to answer questions as well and this is where the family’s world turns upside down. Eunice wants to know where her husband is and as time goes by it becomes clear that those who took him refuse to give her any answers.

The family comes together waiting for what could come next with intensity. That’s when Eunice makes decisions to take on the governments denials about her husband and stand up for those who need it the most.

Torres as Eunice is a wife and mother who is happy with her life and love of Rubens. Making plans to build a house in a beautiful part of Rio and taking care of their children, there is no way she could have seen what would be coming. Torres gives us a woman who stands her ground and becomes an activist against all the odds as well as all the dangers. She portrays a woman who, because of what happened, stands those who do wrong to others.

Kosovski as Eliana is a young girl who is brought into a situation of extreme danger that no child should be. She plays the role extremely well as she goes from fun loving kid to dealing with adult madness. Kosovski shows her abilities as a young actress and she is amazing. Herszage as Vera is a young woman about to see the world from outside her own. She shares the joy with her family and Herszage is also shining in this film. Helena as Zeze is completely aware of what is happening and tries her best to keep the children focused on other things. Helena is a strong silent character that is equal in many ways to Eunice  

Luz, Silveira and Mora portray the three other Paiva children that are being protected by their mother about what is happening in their family, as they should be. I would think (at least I would) protect the young from knowing that their world is not a safe place.

Other cast include Fernanda Montenegro as older Eunice, Maria Manoella as older Vera, Antonio Saboia as older Marcelo, Humberto Carrao as Felix, Maeve Jinkings as Dalva, Caio Horowicz as Ricardo, Camila Mardila as Dalar, Charles Fricks as Fernando, Luana Nastas as Helena, Isadora Ruppert as Laura, Daniel Dantas as Raul, Maite Padilha as Cristina, Carla Ribas as Martha, Dan Stulbach as Bocaiuva, Marjorie Estiano as older Eliana, Gabriela Cunha as older Nalu, Olivia Torres as older Maria,

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

I’M STILL HERE has been nominated for Best International Feature Film, Best Performance by an Actress in a Leading Role and Best Motion Picture of the Year by the Academy Awards, the Golden Globes gave Best Performance by a Female Actor in a Motion Picture, Drama to Fernanda Torres, A Satellite Award for Best Actress for Fernanda Torres, and the Miami Film Festival gives Director Walter Salles the Audience Award, National Board of Review and Palm Springs International Film Festival awards Walter Salles their prize. This is only a small list of wins and nominations for the film.

Every actor gives a beautiful performance in this film based on the book Ainda Estou Aqui (I’m Still Here) written by Marcelo Rubens Paiva’s 2015 memoir. Torres leads the ensemble with brilliance and although her emotions aren’t outward, they certainly are in her eyes and every step she takes. Based on the reality of the Paiva’s family, the film is striking in every way and, if one were to think about it, a frightening possibility at any time in any country.

Director Salles doesn’t hide anything about this story but instead dives into the deep end of the ocean with the power of family, one woman’s fight against a corrupt government, and the hope that is held by them all. Watching Torres as Eunice, we get a mama bear mixed with a woman dealing with her own fears and grief. I don’t believe anyone with a heart could walk away from this film not being touched in so many ways.

In the end – she will fight the injustice!

 

 

 

She Watches THE ROOM NEXT DOOR

 

Jeri Jacquin

Coming to theatres from writer/director Pedro Almodovar and Sony Picture Classics is a story based on the book What Are You Going Through by Sigrid Nunez with THE ROOM NEXT DOOR.

Writer Ingrid (Julianne Moore) is back in town promoting her new book when she learns from a Stella (Sarah Demeestere) that their mutual friend Martha (Tilda Swinton) is in the hospital with cancer. Surprised to hear of it, Ingrid decides to visit much to Martha’s surprise. They speak of the time that has passed between them and decide that they are going to visit a lot more now that Ingrid is back in town.

Spending time with together reminiscing about their years as friends, Ingrid wonders why Martha’s daughter is not taking care of her. Martha decides to share the story of that situation of love, loss and choosing her career as a war correspondent. That is when she asks Ingrid for a favor of sorts that Martha could never have expected. Not sure how to respond, she calls their mutual friend Damian (John Turturro) to talk through it.

The women pack up and head to Martha’s lakeside home to spend more time talking and listening to one another about life and what she has experienced. Each day brings deeper conversations but it also brings about the reality of the situation between the two women and the decisions they have made.

Ingrid is conflicted about those decisions and finds herself writing daily to understand it all as Martha takes it a day at a time looking for the perfect day!

Moore as Ingrid is a woman who has enjoyed a life of traveling and writing not even realizing so much time has passed since seeing Martha. Once she does, she is compelled to spend as much time with her as possible talking about their life choices. When Ingrid has a request of Martha, that is when Moore kicks into high gear of portraying a woman who wants to be there for her friend even if she realizes the conflict within herself. I adore when Moore gets her hands on complex characters because I know she is going to bring anyone watching into the story with ease.

Swinton as Martha is equally matched with Moore portraying a woman who looks on her life with not so much regret but a sense of intense understanding. Swinton gives Martha a strength that almost says “I am not mad or upset about anything in my life” and has us believing it as well. I feel the same toward Swinton’s performances in that no matter what role she takes, I am thrilled to see where she will take me and, most of the time, its to the most unexpected places of emotion, thoughtfulness and intrigue.

Turturro as Damian is a man dealing with his own emotions yet manages to keep them in check when Ingrid needs his help. This is a softer side of Turturro and I have to say, I enjoyed it very much.

Other cast include Esther McGregor as young Martha, Alex Andersen as Fred, Alvise Rigo as Jonah and Tilda Swinton as Michelle.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

THE ROOM NEXT DOOR is a totally thought-provoking film that is not mired by anything other than the thoughts and emotions of these two women. There is not outside white noise keeping us from investing totally in the story they are trying to tell. Director Almodovar keeps the surroundings to the bare minimum and I appreciate that very much in this particular case.

Each of these women has a story to tell and they do it in their own way. One talks through it and one writes through the journey of their emotions. The raw energy between these two award winning actresses is intense, amusing, caring until it swings back to intense once again. The rich love between Ingrid and Martha is not lost even if time separated them throughout their lives. Swinton and Moore command the screen together, in unison leaving me breathless at the startling conclusion.

In the end – friendship has no limit!

 

 

 

THE PEASANTS

 

 

   

Jeri Jacquin

Coming to theatres from writers/director DK Welchman, Hugh Welchman and Sony Picture Classics is a story of forbidden love and a life of no choices with THE PEASANTS.

The young and beautiful Jagna (Kamila Urzedowska) is a talented artist who is constantly talked about by the 19th century Polish villagers. Stories are being told by the men of the village and Jagna just ignores them having only heart for Antek Boryna (Robert Gulaczyk) who is married. The leader and richest farmer in town is Antek’s father Maciej (Miroslaw Baka) who has recently lost his wife.

It comes to his attention that the women of the village are suggesting he remarry and after going down a list of candidates, Jagna’s name is put forward. Daughter Hanka (Sonia Mietielica) is not happy to think that Jagna will be living with them and wearing her mother’s beautiful clothes and Antek fights with his father and is kicked out of the home. When a deal for land of Jagna’s own is struck, down goes the vodka and a wedding happens quickly.

There is nothing Jagna can do but accept her life as Maciej’s wife while still being talked about by the villagers but in much lower tones to keep from upsetting the new groom. When tragedy strikes, Jagna’s life becomes one trauma after the other. The only one who sees this is Mateusz (Mateusz Rusin) who wants to save Jagna before anything else can possibly happen to her.

But once an idea is in the minds of the villagers – nothing and no one is going to stop it from its path of destruction.

Urzedowska as Jagna is beautiful and a free spirit who just wants to be happy in her life without being told who to love. When it becomes clear that a deal has been struck for her life, she is not a happy bride but instead a stoic woman following along with the rituals of the village. Urzedowska is stunning in this role as she portrays the downsize of being young, beautiful and a free spirit in a time when women had no say so in their own lives. So well done!

Gulaczyk as Antek has fallen hard for Jagna and has put his own family, including his father, into the gossip soup of the village. Tearing a family apart for love, Antek can afford to become the talk of the town with no consequences, unlike Jagna. Gulaczyk gives his character a bit of obsession, a bit of cowardice and a bit of rage and tops it with no accountability. The 19th and 21st century are not so far apart with this character’s issues.

Baka as Maciej is a man who takes his village power seriously. As the top farmer in the village, he has a great deal of say about what happens. When he decides to marry Jagna, it sets up anger from his own family but doesn’t stop the rumors from flying. Baka’s performance is that of an insecure man who has so many layers that are hidden behind power.

Mietielica as Hanka is a daughter who is already angry that her father has taken on a younger wife who will take her mother’s place. She wants the family’s reputation, farm and wealth to stay intact and not fall into the hands of Jagna. The one thing I can say about Mietielica’s portrayal is that she is not going to be swayed by anyone, including her family, about how she feels.

Shout out to Mateusz as Rusin as a man who truly cares for Jagna and when the village goes rogue, it is this character who sees who Jagna truly is. I just love Mateusz’s character because he is consistent in his belief that the village is in some need of common sense.

Other cast include Cyprian Grabowski as Witek, Ewa Kasprzyk as Marcjanna, Cezary Lukaszewics as Michal, Dorta Stalinska as Jagustynka, Andrzej Konopka as the Mayor, Andrzej as Kuba, Helena Korczycka as Jozka, Sonia Bohosiewicz as the mayor’s wife, Maciej Musial as Jasio, Anna Grzeszczak as Magda, Malgorzata as Organiscina, and Lech Dyblik as Jambrozy.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

THE PEASANTS is a stunning story being told but what adds an even more mind-blowing element is the painted animation technique of the film. The telling is over four seasons that are captured in such rich depth of color. This is the same used in the film LOVING VINCENT which is also a personal favorite of mine. This film took over five years and 200,000 hours to flawlessly complete.

The Welchman’s know exactly what they are doing when it comes to creating such elegant cinematography lovingly wrapped in a fantastic story of love, gossip and treachery. Once the story comes to a jaw-dropping crescendo, the ending will either leave you totally drained or wanting to stand out in the rain.

In the end – her life is in seasons!

He is THE SON

 

Jeri Jacquin

On Bluray from writer/director Florian Zeiller and Sony Picture Classics is the story of struggle, pain and remembering THE SON.

Nicholas (Zen McGrath) is a seventeen-year-old kid who is struggling with his life. Living with Mom Kate (Laura Dern), he expresses that he can no longer live with her and she does not understand why. Turning to dad Peter (Hugh Jackman) and new wife Beth (Vanessa Kirby), he asks to live with them and his new baby brother.

Promising to attend school, go to therapy and do whatever his father asks, it seems that Nicholas is on the right path. Peter is thrilled to see his son doing so well, especially since his job keeps him away. But someone is noticing things aren’t quite right, Beth tries to speak with Peter about what she is sensing but Peter isn’t convinced.

Peter visits his father Anthony (Anthony Hopkins) and revisits old issues but Dad is not hearing it. Instead, he is making it clear that it is ridiculous that Peter lives in the past and holds resentments toward him. Returning home, Peter discovers that Nicholas has not been keeping his promises and a spiral sends the whole family into a place no family wants too ever be.

Jackman as Peter is a man torn between two families. Being consistently reminded of the breakup of his first family from both Nicholas and Kate, Peter is trying to do better the second time around. Jackman puts on a brave front for both families and believes that Nicholas will pull out of whatever is bothering him. Jackman’s performance is one of a man who cannot bring himself to see the reality of what is happening around him.

Dern as Kate clearly does not know where to put her feelings. Still speaking of a life that no longer applies, it is a constant reminder to her son of what he feels he has lost. Dern is weepy and needy which makes the relationship with Peter awkwardly uncomfortable for anyone seeing it. That does not mean she doesn’t see what is happening with Nicholas but is equally confused about what to do as Peter. Dern turns on the needy and weepy full force.

McGrath as Nicholas is a young man who makes it clear that he does not feel like he fits in, has no friends and sees school as torture. Normally, if I saw this in a teen, I would make immediate calls and not stop until it was handled properly. Unfortunately, what I see in the character of Nicholas is a raging teen that seems more like he is throwing fits than crying for help. I do not believe that is what the director intended.

Kirby as Beth seems to be the only one who understands what is happening between the two families. Trying to bring it to Peter’s attention, she is reminding him that he is repeating neglecting his second family. She also understands far better what Nicholas is doing.

Other cast include William Hope as Andrew, Joseph Mydell as Brian, Erick Hayden as Allan, Isaura Barbe-Brown as Sophia, Akie Kotabe as Mr. Yama, Shin-Fei Chen as Alexandra, Danielle Lewis as Jessica and George Cobell as young Nicholas.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com.

The Special Feature includes Bringing THE SON to the Big Screen.

The accolades include nominations from the Venice International Film Festival, Satellite Awards and the Golden Globe Awards nomination for Hugh Jackman for Best Actor in a Motion Picture – Drama.

THE SON is a story of two families struggling with the issues of a teen who is living with his own whirlwind of insecurities and uncertainties. Those issues for a young person are serious, require immediate attention and ability to have available resources without a ‘waiting’ list. Unfortunately, that is not always the case.

The film also brings to the forefront the issue of parents who believe they can solve a problem that is not in their wheel house. As a parent I can say it is difficult when your child needs something that you cannot provide, but then again, if there is someone who can you can believe I’d get my kid to them.

I found the characters of Peter and Kate just so clearly in denial of everything. Their own lives, their unresolved issues, and their inability to admit to practically anything that has happened between them and the issues about Nicholas. They seemed more concerned about optics than solving the problem.

Then again, that’s just the opinion of someone who raised four kids.

In the end – family is complicated and love even more so.

THE SON

 

Jeri Jacquin

Coming to theatres from writer/director Florian Zeiller and Sony Picture Classics is the story of struggle, pain and remembering THE SON.

Nicholas (Zen McGrath) is a seventeen-year-old kid who is struggling with his life. Living with Mom Kate (Laura Dern), he expresses that he can no longer live with her and she does not understand why. Turning to dad Peter (Hugh Jackman) and new wife Beth (Vanessa Kirby), he asks to live with them and his new baby brother.

Promising to attend school, go to therapy and do whatever his father asks, it seems that Nicholas is on the right path. Peter is thrilled to see his son doing so well, especially since his job keeps him away. But someone is noticing things aren’t quite right, Beth tries to speak with Peter about what she is sensing but Peter isn’t convinced.

Peter visits his father Anthony (Anthony Hopkins) and revisits old issues but Dad is not hearing it. Instead, he is making it clear that it is ridiculous that Peter lives in the past and holds resentments toward him. Returning home, Peter discovers that Nicholas has not been keeping his promises and a spiral sends the whole family into a place no family wants too ever be.

Jackman as Peter is a man torn between two families. Being consistently reminded of the breakup of his first family from both Nicholas and Kate, Peter is trying to do better the second time around. Jackman puts on a brave front for both families and believes that Nicholas will pull out of whatever is bothering him. Jackman’s performance is one of a man who can not bring him self to see the reality of what is happening around him.

Dern as Kate clearly does not know where to put her feelings. Still speaking of a life that no longer applies, it is a constant reminder to her son of what he feels he has lost. Dern is weepy and needy which makes the relationship with Peter awkwardly uncomfortable for anyone seeing it. That does not mean she doesn’t see what is happening with Nicholas but is equally confused about what to do as Peter. Dern turns on the needy and weepy full force.

McGrath as Nicholas is a young man who makes it clear that he does not feel like he fits in, has no friends and sees school as torture. Normally, if I saw this in a teen, I would make immediate calls and not stop until it was handled properly. Unfortunately, what I see in the character of Nicholas is a raging teen that seems more like he is throwing fits than crying for help. I do not believe that is what the director intended.

Kirby as Beth seems to be the only one who understands what is happening between the two families. Trying to bring it to Peter’s attention, she is reminding him that he is repeating neglecting his second family. She also understands far better what Nicholas is doing.

Other cast include William Hope as Andrew, Joseph Mydell as Brian, Erick Hayden as Allan, Isaura Barbe-Brown as Sophia, Akie Kotabe as Mr. Yama, Shin-Fei Chen as Alexandra, Danielle Lewis as Jessica and George Cobell as young Nicholas.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com. 

The accolades include nominations from the Venice International Film Festival, Satellite Awards and the Golden Globe Awards nomination for Hugh Jackman for Best Actor in a Motion Picture – Drama.

THE SON is a story of two families struggling with the issues of a teen who is living with his own whirlwind of insecurities and uncertainties. Those issues for a young person are serious, require immediate attention and ability to have available resources without a ‘waiting’ list. Unfortunately, that is not always the case.

The film also brings to the forefront the issue of parents who believe they can solve a problem that is not in their wheel house. As a parent I can say it is difficult when your child needs something that you can not provide, but then again, if there is someone who can you can believe I’d get my kid to them.

I found the characters of Peter and Kate just so clearly in denial of everything. Their own lives, their unresolved issues, and their inability to admit to practically anything that has happened between them and the issues about Nicholas. They seemed more concerned about optics than solving the problem.

Then again, that’s just the opinion of someone who raised four kids.

In the end – family is complicated and love even more so.

It is all About LIVING

 

Jeri Jacquin

Coming to theatres from director Oliver Hermanus and Sony Picture Classics is the story of coming to life to learn about LIVING.

Mr. Williams (Bill Nighy) is a quiet man living in the 1950’s working in a bureaucratic role. Once a week he would take time to go see a film at the local cinema but life becomes awakened when it is discovered that Mr. Williams is ill.

Also, in the office working with Mr. Williams is Miss Margaret Harris (Aimee Lou Wood), a young woman who sees that moving ahead is not going to work so she decides to move on. The only thing stopping her is needing a reference from her boss Mr. Williams who seems to be absent from work.

Mr. Williams discovers that there is a life outside the office and away from the son Michael who means well. There is song, drink and discovering that sharing feelings with someone else is never too late to experience. It is in this grand opportunity of opening up does Mr. Williams discover what he has been afraid of, what he has been missing and the chance to embrace the time left of his life.

Nighy as Mr. Williams is so charming, eloquent and poignant in this role. He is a man that has been stuck in one place to the point of not even realizing it until the word ‘terminal’ is put into his life. Confused about what to do and how to feel, life shows Mr. Williams a path he never expects to be on and it is subtly beautiful in the hands of Nighy. Honestly, I’d expect nothing less from this fine actor.

Wood as Miss Harris is equally charming in that she gets to see a different Mr. Williams than everyone else gets to see. She wants to find her own place in the world and once she enters the into his new open world, she also sees the possibilities herself. Wood is the life breeze in a room full of stale air.

Other cast include Barney Fishwick as Michael Williams, Nichola McAuliffe as Mrs. Blake, Patsy Ferran as Fiona Williams, Jessica Flood as Mrs. Porter, Anant Varman as Mr. Singh, Lia Williams as Mrs. Smith, Zoe Boyle as Mrs. McMasters, Adrian Rawlins as Mr. Middleton, Oliver Chris as Mr. Hart, Michael Cochrane as Sir James, Hubert Burton as Mr. Rusbridger, and Alex Sharp as Mr. Peter Wakeling.

Sony Pictures Classics brings television, digital content, new entertainment services, independent films and technologies to viewers. Such films as GREED, THE BURNT ORANGE HERESY, THE CLIMB, CHARM CITY KINGS, I CARRY YOU WITH ME and THE FATHER are just a few of the current and upcoming releases. For more information on what Sony Pictures Classics has to offer please visit www.sonyclassics.com. 

LIVING is actually a remake of IKIRU written by novelist and Nobel Laureate Akira Kurosawa. It is the story of postwar Japan and a family moving from Nagasaki to England and their struggle to rebuild their lives after war.

The film has always been given nods from the Hollywood Music in Media Awards, British Independent Film Awards, National Board of Review, Los Angeles Film Critics Association, Chicago Film Critics Association, Dallas-Ford Worth Film Critics Association, Alliance of Women Film Journalists, National Society of Film Critics, San Francisco Bay Area Film Critics Circle, Critics’ Choice Movie Awards, London Film Critics’ Circle, Satellite Awards and Golden Globe Awards.

LIVING moves slowly and deliberately in the life of Mr. Williams. He has one final chance to feel, live, remember and explore the possibilities of life. He sees the opportunities to be something more, anything more than he has been and Nighy lights up the screen with his blossoming portrayal of this man.

Director Hermanus keeps the story so simple and that keeps my eye on Mr. Williams’ exploration. It gives the viewer pause when Nighy speaks bringing a reaction of thoughtfulness and awakening to the reasons for having a purpose in this life. It is a marvel and beauty to see and experience this film.

In the end – an ordinary man discovers the extraordinary key to life!

 

A Decision is Made in NINE DAYS

Jeri Jacquin

Coming to Bluray from director Edson Oda and Sony Picture Classics is a tale of life, mystery, and even love learning it all in NINE DAYS.

In an interesting position of the universe, Will (Winston Duke) judge’s souls before they are sent to a human being. Living in a quiet house in the middle of nowhere, he spends his time researching and interviewing soul-candidates.

When he is not doing that, Will watches people that are living their daily lives. One in particular is Amanda. She is a violinist that plays music that touches Will, although its hard to see it by his demeanor. On the day she is to give a big recital, Will is joined by Kyo (Benedict Wong), another who also has the same job as Will but a more outgoing judge.

What happens while they wait is something that sends will into disbelief. That does not stop him from interviewing candidates to take Amanda’s place. As each candidate comes into his office, he tells them the process takes nine days and all the while taking copious notes to their responses.

Emma (Zazie Beetz) has caught Will’s attention as she seems to show an interesting in what is happening without really caring how the process works. But, Will is not going to be distracted, even when Kyo brings someone to him that shows him more about Amanda. Refusing to react, he is then subjected to Emma’s curiosity and candidate Alex’s (Tony Hale) calling him out.

As Will begins to send candidates away, the choice becomes even narrower and so does Will’s perceptions. Making a decision based on emotions he refuses to accept; a moment comes where Will has to accept the choice he has made.

Duke as Will gives us a mysterious character to follow and be totally curious about. Even as his story unfolds, Will is a mystery wrapped in an enigma because he calmly does not give anything away about his ‘life’ or how the process of the 9-days works. The moments of emotion that he does give are powerful and moving. Duke may be a judge of soul-candidates but there is something much deeper that he brings to this role.

Wong as Kyo is the yang to Will’s yin. He is full of emotion, says what he feels, is curious about the people they are dealing with and has an instant response of the event surrounding Amanda. He takes an instant liking to Emma and again, is not afraid to show it. Trying to help Will deal with his unfeeling-ness is like a second job for Kyo and he is more successful than he realizes.

Beetz as Emma is a free-spirit spirit that takes the nine days as it comes. She sees the joy in everything and is curious about the world she is in now and not whether she will see another world soon. She is lovely and entertaining with a laugh that is contagious. Watching Beetz’s character work her unassuming magic is everything and Emma is pure gold.

Hale and Skarsgard are the two candidates that are so interesting to watch because, like Will, they are hard to read most of the time. Hale is willing student to the process and does give Will something to thing about. Skarsgard is a candidate that does not give anything but in his responses tells everything – kind of scared me a bit too.

Other cast include David Rysdahl as Mike, Arianna Ortiz as Maria, Geraldine Hughes as Colleen, Erika Vasquez as Luiza, Perry Smith as Anne, and Bill Skarsgard as Kane.

Sony Pictures Home Entertainment encompasses motion picture production for television, digital content and theater releases. The studios include Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, Stage 6 Films and Sony Picture Classics. To see what is coming to theaters and to home entertainment please visit www.sonypictures.com.

The Special Feature includes THE MAKING OF NINE DAYS.

NINE DAYS is a stunning and powerful look at belief and the ‘process’ of the soul. It is truly a beautiful film to just sit back and let it come to you piece by piece. It challenges us, in a great way, to think about who would we be, how would be handle the nine days?

It is a desire to be born but each candidate has a different way of wanting it because they are in different stages of thought. The questions Will asks also asks us; how would we answer? Do we think about the spirituality of it all or the metaphysical implications of the nine days? Yes, NINE DAYS will have everyone watching asking so many questions.

Outside of Will’s house may seem desolate but to me, it is beautiful with sunsets that are stunning and even the characters walking around at night is lovely. Duke’s recitation of Walt Whitman’s Song of Myself is a celebration of the beauty of the entire film from start to finish.

In the end – would you be chosen?

 

 

 

 

 

 

 

 

 

 

THE LOST LEONARDO

 

Jeri Jacquin

Coming from director Andreas Koefoed and Sony Pictures Classics comes the story of a painting that takes over the world as THE LOST LEONARDO.

In 2005, Alexander Parish spots a painting at a New Orleans auction and purchases it with Robert Simon for a meager $1,175. Joined by Art Dealer Warren Adelson, the trio believes they have Leonard da Vinci’s Salvator Mundi.

They take the painting to the most reputable woman in the art world for cleaning and restoration, Dianne Modestini. While working on the painting, she came to believe that the painting truly was the Salvator Mundi.

Simon, Adelson and Parish begin a journey with the painting that would soon take over the world. Traveling the world for the experts to see, it would soon go on the auction block and be sold and resold for unimaginable sums of money.

The debate begins from the moment the painting is purchased and continues to the very end. The person taking the most heat is Dianne Modestini for her restoration but even with that, there are those that will not be convinced that it is not da Vinci’s Salvator Mundi.

Those that do not believe are equally convincing in their beliefs so now it becomes a matter of which side is more convincing.

Other interviews include expert Martin Kemp, Curator of the National Gallery in London Luke Syson, Leonardo da Vinci Expert in Milan Maria Teresa Fiorio, Leonardo de Vinci Expert in Germany Frank Zollner, Artist and Restorer Jacques Franck, Global Art Services Executive Evan Beard, Journalist Georgina Adam, Investigative Journalist Bradley Hope, Writer Alexandra Bregman, Art Critic and Writer Kenny Schachter, Art Critic Jerry Saltz and Associate Professor Stephane Lacroix.

Also, The Art Newspaper Editor Alison Cole, Investigate Journalist Antoine Harari, The New York Times Journalist David Kirkpatrick, Found of the FBI Art Crime Team Robert Wittman, ex-CIA Doug Patteson, Yves Bouvier’s business partner Bruce Lamarche, La Tribune de l’Art Editor Didier Rykner and Gemaldegallerie in Berlin Director Bernd Lindemann.

THE LOST LEONARDO is a journey into the find and the reaction of the art world. The same thing happened in 1992 when Terry Horton was thrift shopping in Costa Mesa. Purchasing a 66 by 44 painting for $5, an art teacher would tell her it looked a lot like the work of Jackson Pollack. With no providence, she fought an uphill battle to prove her beloved purchase was that of Pollack.

The same is true of the Salvator Mundi in the case of not having a providence, yet because it is the work of da Vinci, the world stood up and took notice. So began the biggest bidding war I have ever seen.

What the documentary also shows is the insatiable power the art world holds over artists works such as da Vinci. The moment the words Salvator Mundi are uttered, the art world sets itself up for the game of a lifetime and they are not disappointed with the results.

In the end – what do you believe?

 

 

12 MIGHTY ORPHANS Plays onto Bluray

 

Jeri Jacquin

Coming to Bluray and DVD from director Ty Roberts and Sony Picture Classics comes the story of young boys about to become young men with 12 MIGHTY ORPHANS.

Rusty Russell (Luke Wilson) is a football coach and teacher along with wife Juanita (Vinessa Shaw) and young daughters, they have come to a Fort Worth orphanage to teach and coach. Upon arrival they meet Frank (Wayne Knight) who introduces them a bit and takes them to their dilapidated new home. New arrival Hardy Brown (Jake Austin Walker) is brought in and taken to Doc E.P. Hall (Martin Sheen).

Russell was a former coach at Temple wanting to come to the orphanage to make a difference. Trying to get the boys to become interested in creating a team, he discovers that there are more roadblocks than there are rocks in his field. He also discovers that Frank mistreats the boys at every turn.

Russell starts to make headway with the boys but at the same time tries to get through his own traumas of childhood and time of war. Being a fighter will come in handy as he is met with constant obstacles by those who do not want the orphan boys to play in Division A. In September of 1938, the boys start to prove what they are made of even with the bumps and bruises along the way.

Coming together is not easy but when it happens, it is a sight to see!

Wilson as Rusty Russell is a coach and teacher with a past of his own. Relating to the orphans, he has the opportunity to speak and treat them the way the boys had never known. Then again that is the pattern of Wilson, playing roles that are understanding, insightful and reaches through thoughtfulness.

Sheen as Doc is a father figure to most of the boys and sees exactly what Russell is trying to do for the boys. Doc also has his own demons he is fighting but when Russell influences him as well giving him a chance to be part of the team.

Walker as Hardy Brown is a young man who is full of anger and resentment, but it slowly starts to fade when with Russell. He brings the team together and also turns out to be one of the strongest players the team has and the strongest advocates for the boys have.  

Shaw as Juanita is supportive of her husband on the field and off reminding him that football is only part of what he needs to be teaching these boys. She also works with the kids to teach them how it is possible to become something more than the word ‘orphan’.

Other cast include Natasha Bassett as Opal, Jacob Lofland as Snoggs, Lane Garrison as Luther, Scott Haze as Rodney Kidd, Kelly Frye as Mary Jane, Sampley Barinaga as Chicken, Levi Dylan as Fairbanks, Slade Monroe as Wheatie, Lucy Faust as Wanda, Treat Williams as Amon Carter and Robert Duvall as Mason Hawk.

12 MIGHTY ORPHANS includes Deleted Scenes.

Sony Pictures Home Entertainment encompasses motion picture production for television, digital content and theater releases. The studios include Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, Stage 6 Films and Sony Picture Classics. To see what is coming to theaters and to home entertainment please visit www.sonypictures.com.

The story is based on the book Twelve Mighty Orphans: The Inspiring True Story of the Mighty Mites Who Rules Texas Football by Jim Dent.

12 MIGHTY ORPHANS is a lovely story at the time when there were no electronics, no television, barely a radio and orphanages were always full. These characters have all been through their own personal struggles and the pain is one that is not of their own making.

During the depression, people were looking for anything to take them away from problems that the brought them such hardships. This team slowly became the focus of everyday people who wanted to root for the underdog. What they did not see was the turmoil these boys faces personally and the emotions that come from feeling abandoned.

It was their coach Rusty Russell who came up with amazing changes in the way football was played bringing his boys the opportunity to win – but more than just football. Off the field there are outside obstacles but inside the orphanage there is just one – the heinously abusive Frank Wynn.

When people begin writing from all over explaining how what the boys are going through brings them hope and courage, it means something to the coach and the boys.

In the end – winning lies within the heart!