He is WHAT REMAINS

 

Jeri Jacquin

Coming to theatres from writer/director Ran Huang, writer Megan Everett-Skarsgard, Kaleidoscope Entertainment and VMI Worldwide is the story of a mystery based on true events and WHAT REMAINS.

Scandinavian Mads Lake (Gustaf Skarsgard), a confessed murderer, has been in a psychiatric hospital for years and trying to find a life within the madness he feels. His therapist Anna Rudebeck (Andrea Riseborough) is trying to not only help him find answers, but distinguish between what is true and what is something else. One man who just wants the truth of it all is policeman Soren Rank (Stellan Skarsgard), who does hold much stock in having Lake at a psychiatric hospital.

Pushing Lake further and further into the investigation, Rank is convinced that he knows more than he is telling. Anna tries to tell Rank that he must go slow with Lake and allow him to help the investigation at his pace. With each step forward, Lake becomes more emotional as well as fearful. All three are handling this situation in their own unique ways and all have the same goal – to understand what happened and bring answers to families who have been waiting for years.

Adding to the stress for them is that Lake can not get the story from his own brother, Anna is trying to deal with her own past traumas and Rank struggles to find answers to his own home troubles.

Skarsgard as Lake is pure perfection in this role. Yes, I came to know of him through his equally perfect role of Floki on the hit television series VIKINGS. In WHAT REMAINS, Skarsgard gives us a look at a deeper character that is locked in the cycle of what is real and the torture of it all. For every step forward, Lake is sliding further and further into a place of fear and memories and Skarsgard takes us along stunningly.

Riseborough as Anna is a therapist who believes she can help Lake in discovering his past so that he can at last know where it all came from. Riseborough’s character is full of her own complexities and traumas which, it seems, she masks by helping Lake with his issues. She has always given an intensity to the roles she has played but this one in particular is slow in its telling but when it becomes clear, it is equally as sad. Well done!

Stellen Skarsgard as Rank is an officer having home problems and personal issues of his own. Becoming involved in the Lake case affords him a way to avoid dealing with it all. Going in guns blazing, he is forceful and hard on Lake without understanding how working with Anna instead of doing things on his own might help him get to the answers of missing children as well. What I enjoyed most about Skarsgard’s portrayal is watching his character evolve.

VMI Worldwide was founded in 2010 and since its inception, VMI has represented an extensive variety of cast-driven titles. During its evolution, VMI possesses the ability and desire to board the right project, at any state of development. Some of their films include THE PRICE WE PAY, THE LAST SUN, WANDER and WAKE UP starring Jonathan Rhys Meyers and Francesca Eastwood. For more of what they have to offer please visit www.vmiworldwide.com.

Other cast include Eva Magyar as Lillemor, Antti Luusuaniemi as Dr. Jepsen, Malka Ahlroth as Elin, Darren McStay as Martin, Charlie Peterson as Helvin Holst, and Henrikki Haavisto as Eric Gunnarson.

Director Huang uses his interest in true crime to work with Stellan Skarsgard and his wife Megan Everett-Skarsgard to work on the story. That is not where the Skarsgard connection ends however, as son Gustaf joins the ranks in the leading role of Mads Lake. This is a family that has placed their talents on the map joined with Bill and Alexander Skarsgard as well. From almost every genre possible in the film industry, the Skarsgard clan has cemented their place beautifully.

WHAT REMAINS is a film about traumas, tragedies and the stories we refuse to allow ourselves to believe or experience. Dealing with a man who has come from childhood trauma, Skarsgard’s portrayal of Lake brings dual emotions for the viewer because is he a killer or is he lost in jumbled up false memories? Riseborough is not that far off the mark herself as Anna is also avoiding her own traumas and inability to accept truths in her life. Skarsgard as Rank is an officer who has anger issues brought on by his own inability to handle life using Lake as a way to avoid it all.

The story is slow in the telling but, for myself, it speaks volumes of how the director wanted to be sure that everyone is on board for the ride. Exploring the main character is rough in the context of Lake’s situation but, exploring that of Anne and Rank is equally as important. Attempting to do their jobs respectively when they are having a difficult time themselves calls into question the moves that each makes. Skarsgard’s Lake is a sad and frightening character and I couldn’t take my eyes off his performance.

In the end – they must discover what is real!

 

He Can Only Find Her With REMINISCENCE

 

Jeri Jacquin

Currently in theatres and on HBO/Max from writer/director Lisa Joy and Warner Bros. Pictures is the story of our world through REMINISCENCE.

Nick Bannister (Hugh Jackman) is living in a world now surrounded by water, rebellion and the have nots. During the day it seems quiet, and the nighttime is when everything comes alive. His business is investigating but also allowing people to revisit the past using a hologram program and the help of partner Watts (Thandie Newton).

At closing time, Nick is about to be thunderstruck when the beautiful Mae (Rebecca Ferguson) walks in with a request. She can not seem to find her keys and while in the program, Nick sees into her life. Starting a relationship that is filled with everything he never thought possible, devastation follows when Mae disappears.

Devastated, he uses his own program to try and understand if there are clues to where she has gone. Watts, trying to snap him out of it, reminds him that they need to get to the local police station to help a case. In the tank is Cyrus Booth (Cliff Curtis), during questioning Nick sees Mae.

Now he must come to terms with the mystery of who Mae truly is, those that have been part of her life, the connection with the Sylvan family and following the trail of murder.

Jackman as Nick is a love-struck detective that uses the mind technology to trace where Mae would have gone. Instead, he finds the life of bad guys and bad choices realizing that the only truth lies in the end. Jackman does his usual stellar job giving us a hardy performance with intensity and a broken heart.

Ferguson as Mae is a femme fatale songstress who sends Nick on a chase of love and pain. Is she really who she seems to be? That is the question and Ferguson is not giving up any answers to the very end.

Newton as Watts has worked with Nick for years and sees the path of destruction he is going on. They butt heads over the investigation and the choices Nick is making, and Newton makes sure her character is strong and no-nonsense.

Curtis as Booth looks as dastardly as they come, and he knows more than he ever plans to share. Locked inside his mind are a good portion of what has been happening all along and he is not going to give it up easily. Curtis has the remarkable ability to play both a good guy and a bad guy in equal measure because he does it so dang well.

Other cast include Natalie Martinez as Avery Castillo, Marina de Tavira as Swati Sylvan, Daniel Wu as Saint Joe, Mojean Aria as Sebastian Sylvan, Giovannie Cruz as Cindy, Brett Cullen as Walter Sylvan, Angela Saratyan as Elsa Carine, Javier Molina as Hank, Sam Medina as Falks, Norio Nishimura as Harris, Nico Parker as Zoe and Roxton Garcia as Freddie.

Warner Brothers is home to one of the most successful collections of brands in the world and stands at the forefront of every aspect of the entertainment industry from feature film, television and home entertainments with worldwide distribution to DVD and Bluray, animation, comic books, videogames and broadcasting. For more please visit www.warnerbros.com.

Although enjoying the film, I could not help but think that the story is a mixture of other stories and genres (WATERWORLD, INCEPTION, ALTERED STATES, a tad MEMENTO and all black and white P.I. films I have ever watched etc.). The backstory of the new ‘water world’ seems to be a story all its own and gave me more questions than answers.

Jackman, Newton and Ferguson carry their part of the film very well. I enjoyed their performances as Jackman takes us on the noir mystery thriller set in a future world. Director Joy was co-creator and executive producer of the HBO series Westworld.  Also, she might have gotten a few pointers from brother-in-law Christopher Nolan but for her first project, it is all about the mystery indeed.

So enjoy in a theatre or enjoy at home – just enjoy the mystery and discover REMINISCENCE.

In the end – don’t look back!

 

It’s the Holidays in July with THE CHRISTMAS DANCE

 

Jeri Jacquin

Coming to theatres and on demand from writer/director Michael Arcell and Gravitas Ventures is a little holiday reminder a few months early about THE CHRISTMAS DANCE.

Sarah (Kristen Vaganos) is a big city girl with a writing career that keeps her away from home. Never letting her forget that she is, brother Sherman Jr. (Miles Faber) pesters her with telephone calls letting her know that Mom Mary (Katherine Kelly Lang) and Dad Sherman (Richard Karn) want her home.

At work, Sarah is dealing with Mr. Davenport (Scott Bailey) who wants a story for the holidays but something told from a different standpoint than the way Sarah usually does her pieces. Complaining once again on the phone with Sherman Jr., she hears the sound of a crash!

Rushing back to her hometown, she finds her brother in the hospital along with Mom and Dad by his side. Also visiting is Jason (Carson Nicely) who recognizes Sarah from when they were young. Sarah prefers to forget things, especially the night she danced at the church Christmas pageant, and it did not go well.

Worrying about her brother and trying to write her article, Sarah gets talked into helping Jason with taking over for Sherman Jr. and the Christmas pageant. Needing some inspiration, Dad takes Sarah to visit Brother Moore (Master P), Sister Grace (Melissa Joe Bailey) and help with the local dinner. Also trying to keep her spirits up is Jason and it does not go unnoticed by the lovely Kate (Briana White) who still has issues with Sarah.

Sarah begins to see what it is she has been missing by finding excuses for not coming home and it is time to change, and it can all start with a dance!

Vaganos as Sarah is a young career woman who buries herself in her work and the city away from home. When it is time to acknowledge what she has been missing through the years, it is an awakening on levels she could not have imagined. Faber as Sherman Jr. has kept his faith and will not let his sister forget where it is she came from nor the love that is waiting for her.

Nicely as Jason is a good friend to Sarah's brother and believes in the community of faith he lives in. Seeing Sarah again reminds him of the night of the pageant and has memories of his own he would like to make right with Sarah. Long as Mom Mary is a caring and Christmas-y woman who is thrilled Sarah is home. Karn as Sherman is a man of faith who believes his daughter just needs a little push to see the world as a place of goodness.

Other cast include Symonne Harrison as Taylor, Jessica Richards as Karen, Josh Hooks as Brother Ron, Sinorice Moss as Dr. Leon McCoy, Cassady Jane Lorentzen as Young Kate and Brady Amaya as Young Sherman Jr.

Gravitas Ventures is a worldwide film distribution company that connections the global audience of over a billion people. Celebrating 15 years, they have had the honor to collaborate with thousands of artists to share important films. Gravitas was one of the first companies to develop a global network of digital media platforms like Video on Demand with a simple mission to deliver ideas that could bridge filmmakers to audiences. For more of what they have to offer please visit www.gravitasventures.com.

THE CHRISTMAS DANCE is a delightful look at what we can all relate too. First of all, letting our careers interfere with family life by excusing time after time the reasons we do not visit home. It also reminds us that there is so much to experience in a smaller community that allows people to be part of something that feels bigger than themselves - giving in all forms.

Sarah let one incident in her life cause her to continually break away from the family she clearly loves. Now we all do not get the opportunity to relive a moment so that it become a new memory, but we all have the same ability to see past our own excuses and open up to something wonderful.

THE CHRISTMAS DANCE is a nice little jingle in the middle of July as we all look forward to perhaps a better holiday season than 2020.

In the end - let the joy in early and celebrate a dance longer!

You Can’t Change a BLACKBIRD

 

Jeri Jacquin

Coming from director Roger Michell, Millenium Media and Screen Media Films is one family's story of frustration, secrets, togetherness, love and the flight of the BLACKBIRD.

Lily (Susan Sarandon) and husband Paul (Sam Neill) love their house nestled away from the world. This day they are waiting for their family to arrive consisting of daughter Jennifer (Kate Winslet), husband Michael and their son Jonathan (Anson Boon). Also, the elusive daughter Anna (Mia Wasikowska) and friend Chris (Bex Taylor-Klaus). Rounding off the group is family friend Liz (Lindsay Duncan).

Having made the decision to end her life due to ALS, Lily wants to spend time with her family enjoying each other's company. Paul, Jennifer, Liz and Michael understand and have accepted that these are her wishes but when Anna arrives, she makes it clear that there is no agreement from her.

The family has their first dinner together and it is uneasy filled with sarcasm hidden in humor. It is up to Jennifer to set Anna straight on what the plan is, and Paul informs Jonathan of what is going to happen. Thinking everything is in place, it starts to unravel when Jennifer does not understand what she has seen, Anna is full of revelations, Jonathan thinks it’s about time he has a say and Michael has a moment.

This was never going to be simple.

Sarandon as Lily is funny, quick, makes no excuses for what she wants and certainly is not going to let anyone stand in her way - not even the family. This is not the first time she has had to go up against family with a terminal illness. In 1998, she portrayed Jackie Harrison, a mother who discovers she is ill and prepare her two young children for that fact. In BLACKBIRD, it is the older kids with mommy issues as well as sibling rivalry that Sarandon's character must deal with.

Neill as Paul is heartbroken as Lily's decision but also knows it is just that - her decision. As a doctor he knows how to make her plan work and only wants her final days with the family to be filled with love. When Jennifer forces family issues, it is Neill that feels the pinch. Duncan as Liz is Lily's longest friend and cannot imagine her life or death without her. They have a chance to reminisce about their crazy life and it brings them both joy.

Winslet as Jennifer is the daughter who wants to control everything and everyone one. Keeping her husband and son in line is just the beginning and from the moment of their arrival, she wants to take over Lily and sister Anna. For someone who wants control, she seems out of it herself. Wasikowska as Anna has plenty of secrets of her own and built up resentment is kicking in. Wasikowska continues to prove that she is a talented actress but then again, so is everyone in this cast.

Wilson as Michael is pretty much the 'yes' man and Trivial Pursuit person of the crowd and Taylor Klaus wants to help Anna the best way possible and that might mean going against her wishes. Boon as Jonathan learns what the weekend is really all about and takes moments to get to know his grandparents on different levels and shares a secret with Lily.

Screen Media is an international distributor and in 2017 Chicken Soup for the Soul Entertainment, Inc. acquired Screen Media which is in its 23rd year as a leading global independent distribution company. With one of the largest independently-owned libraries of filmed entertainment in the world and license agreements across all forms of media, Screen Media’s distribution capability enables direct distribution of all rights in all countries, thus enhancing the profitability of Chicken Soup for the Soul Entertainment productions. The company is continually looking to add films and television series to its content library.

The film is a retelling of the 2014 Danish film STILLE HJERTE (Silent Heart) with director Bille August and writer Christian Torpe.

BLACKBIRD is such a stunning story of a family because it does not hold back any punches. Beginning with Lily's decision to call the shots and I whole heartedly believed in her right to choose. Having the backing of Paul and Jennifer made it seem like it was all taken care of. Of course, when you add more people to the mix, you add more emotions, resentments, conflicts and those who think they know better.

That is where the film takes off like a rocket. The mixture becomes the focus instead of Lily's wishes as everyone seems to want to avoid what is going to take place whether they like it or not. The cast is exceptional in their performances touching on personal issues of life and death as well as how kids perceive their parents. Here are three generations that have an opinion on that.

The film takes place in the house with a few outside exceptions and that in itself is like a tinderbox of emotions so buckle up, it’s going to get loud, accusational and a curves in a life that isn't a straight road by any stretch.

In the end - every family has its story!

There is Trauma in THE SECRETS WE KEEP

 Jeri Jacquin

This week from writer/director Yuval Adler, Ryan Covington and Bleeker Street is the story of pain and memories in THE SECRETS WE KEEP.

World War II is over and life in America for Romanian housewife Maja (Noomi Rapace) is busy one. Helping husband Lewis (Chris Messina) with his medical practice, they are a typical family raising young son Patrick (Jackson Vincent). While at the park, Maja hears something that brings about a unsettling memory.

A man whistling for his dog causes Maja to follow to see his face. Going home without answers, Maja starts to become nervous around Lewis and he notices. She becomes obsessed with discovering if the man is who she thinks he is and once its confirmed, another plan takes place.

Maja kidnaps Carl (Joel Kinnaman) and brings him to her basement. She finally comes clean with Lewis about her past, the war and who she believes is tied up in their basement. Questioning him and getting no answers, they decide to find out more about Carl and his past. Maja takes it as far as getting to know his wife Rachel (Amy Seimetz).

Declaring his innocence, Carl pleads for Lewis to listen and that Maja is mistaken. He tries his best, but Maja doesn't believe him and refuses to stop trying to get to the truth, no matter how painful for them all.

Rapace as Maja is a nervous chain-smoker who tries to a hide her past as deep inside her as possible. What happened in the war traumatized her so deeply that Lewis can always tell when something is wrong, he just does not know what it is. That is what makes Rapace so perfect for this role. She continues to show her strength in the roles she chooses, and this role is deep, intense and gut wrenching.

Messina as Lewis clearly loves his wife, son and his practice. He enjoys working with his wife and the community feeling he is contributing. He is shocked when Maja shares what is in their basement and why. He finds it all so difficult as his wife shares the secrets, she has been keeping from him for so long. Messina is understanding, suspicious and a husband trying to protect his wife.

Kinnaman as Carl has his own secrets that he is keeping from an unsuspecting wife. He pleads mainly with Lewis to understand that he is not the person Maja fears and that he is willing to walk away and forget the whole thing. Kinnaman is powerful for someone tied in a basement as everything Maja wants to know is in his eyes.

Seimetz as Rachel is a woman who is trying to understand why her husband would leave. Taking care of their two children now becomes her priority and she comes to appreciate Maja's visits. They talk about their husbands and lives, but Rachel does not know Maja is just getting information.

Other cast include Madison Jones as Annabelle, Jeff Pope as Jim White, David Maldonado as Officer Brouwer, Ed Amatrudo as Dr. Sonnderquist and Ritchie Montgomery as Mitchell.

Bleeker Street is a New York City film company that has brought outstanding films to the public. Their library includes TRUMBO, DENIAL, THE LOST CITY OF Z, BEIRUT, HOTEL MUMBAI, ORDINARY LOVE and THE ROADS NOT TAKEN. For more information on the titles from Bleeker Street please visit www.bleeckerstreetmedia.com.

THE SECRETS THEY KEEP is a story about survival and the trauma that follows years later. It's about remembering those loved and lost but never forgetting who caused the pain. Once Maja sees Carl, all the pain she has hidden from everyone in her life cannot be stuffed back down.

It is clear that Maja doesn't know exactly what she is doing or even what it is she truly wants. Revenge? Answers? She takes it one step at a time, one thought at a time and Lewis fears her as each episode passes. These three people are locked in madness created by the past and it will end - one way or another.

An excellent cast and a suspenseful story have been put together by Adler and Covington. The cast brings an intensity that leaves an ending that even I did not see coming. Fear is a terrible thing and makes people do things that would not ordinarily do and THE SECRETS THEY KEEP is an excellent example of that.

In the end - a quiet neighborhood with a secret past!

BY THE GRACE OF GOD is a Story Praying to be Told

Jeri Jacquin

In theatres this week from writer/director Francois Ozon and Music Box Films comes a true story of a continual fight BY THE GRACE OF GOD.

Alexandre Guerin (Melvil Poupaud) is a married father of five who is a devout Catholic. Enjoying his family holds only one part of life in secret. When Alexandre was a child, Father Bernard Preynat took away part of his childhood in a series of unspeakable acts. When he is confronted with the information that Father Preynat is still working with children, Alexandre is forced to make a decision about what to do next.

Understanding that there is a statute of limitations legally, he goes directly to Cardinal Barbarin (Francois Marthouret) with his story. Listening patiently, the Cardinal sends him to speak with Regine Marie (Martine Erhel) who sets up a meeting with Father Preynat (Bernard Verley). Worried how he is going to handle the situation, wife Marie (Aurelia Petit) is supportive knowing it's also time to tell his older sons.

During the meeting with Regine Maire and Father Preynat, Alexandre feels every panic emotion possible as the priest admits he has a problem and that he suffers. It is the "he suffers" that sends Alexandre into a tailspin and more emails to the Cardinal. Both Alexandre and Marie are starting to feel as if they are being placated instead of serious action being taken, especially when Father Preynat shows up in their church.

That is when Alexandre decides to file charges which does something he could not have expected. As he looks for more victims (and finds them), he also comes to meet Francois Debord (Denis Menochet). Francois is a man who has always had the support of his parents as they tried to do everything they could informing the church of Father Preynat which came to nothing.

At first Francois isn't interested in being part of anything to do with it, but when he and wife Odile (Helene Vincent) research they discover that Preynat has been working with children ever since. Finding the emotional strength, his righteous anger leads him to staying silent no longer.

Filing his own charges, Francois also begins looking for victims and helps to creates the Lift the Burden of Silence. Believing that the police and the church aren't going to much in the way of helping, the newly formed group take it step by step to get the word out through a media campaign. Hearing about it is Emmanuel (Eric Caravaca), a young man who is tormented by what happened and feels there has been nothing in his life. Encouraged by mother Irene (Josiane Balasko), he meets with Francois and learns that he now can speak out and have the emotional support to do so.

Continuing together to fight with whatever means possible, they create a website for other survivors to reach out and get the justice they deserve for a childhood taken by someone who is so trusted by families.

Poupaud as Alexandre is such a calm man considering the hurt he has carried since childhood. Looking for guidance still in the church, it becomes a daily struggle when the unresolved past comes back. He is a man who isn't looking for money, fame or to bring down the church - just to make it safe for children and the child still inside him. There are such strong moments that Poupaud is clearly angered but he doesn't let it control every step he takes after realizing that the church isn't going to make it right. Poupaud's performance actually kept my own anger in check and shared his hope until the very end of the film.

Menochet as Francois begins his story not wanting to bring up the past. Feeling he put his parents through enough when he was a child, just tries to wave it away. That is until he discovers that the man who left a scar on his soul is still being allowed to be around children. That's when his anger begins to find its way out and he takes a strong stand against those who claim to care but don't, those who claim to want to tell the story but don't and a religious system that will try to stonewall them all. Menochet gives it to us straight and without apology and there isn't a moment where his character should ever think to apologize. If Alexandre is the calm then Francois is the fierce storm.

Caravaca as Emmanuel is the openly tortured soul of the trio the film tackles. He has been unable to find his place in the world because of the constant internal struggle. His ability to hold relationships is shaky at best and the only thing stable in life is the support of his mother. Once he speaks with Francois and realizes there is a way out of the hole they've all been put in, he reaches for the light totally. He begins to see the world as it can be for him and that is everything for Emmanuel.

Verley as Father Preynat has the most difficult job of not caring that by the end of the film we despise his character. Throughout the film I became so engrained in the story I found myself shouting at him. Of course I realize he is the actor portraying Father Preynat but he is brilliant in getting the desired emotional effect. Marthouret as Cardinal Barbarin is another actor who had my total disgust by the films end. Barbarin should receive the same punishment as anyone else who covers their rear end with a cardinals robes and Marthouret gave us the performance needed to make that emotion come to the surface.

Erhel as Regine Maire is another character that just about send me over the edge. Her surface demeanor is one of care and concern, but each time she is on the screen I am less and less a believer that Regine Maire is someone I'd ever trust. Well done Erhel!

Other cast include Eric Caravaca as Gilles Perret, Helene Vincent as Odile Debord, Frederic Pierrot as Captain Courteau, Jeanne Rosa as Dominique Perret, and Amelie Daure as Jennifer.

BY THE GRACE OF GOD is a difficult film from beginning to end for several reasons. One, beause of the mere fact that it has taken so long for these men to receive some peace (and not at the hands of the church) by taking control. Seeing their stories of faith being tested, memories difficult to bear and the anguish of families who also are struggling with what happened to their children is heartbreaking. It is also a look at the children of these men who learn that their fathers have experienced something they can't even imagine just to make sure they never have to.

These men live in a world where it became necessary to jump out of their childhood fears and feel worthy of standing up to say 'this can no longer happen to any other child…ever again!' Their road could not have been an easy one and every time they were slapped down by the powers that be, the rose up even stronger and in more numbers. Finding that strength in each other and accepting that the process could take a while, they still didn't give up.

There was nothing in these men that sought fame or money and that's what kept me watching the film. How do you tell someone that has never experienced anything like they have that fighting for what is right takes as much strength as the will to live with what comes after. It is time for the Vatican to stand with victims such as the Lift the Burden of Silence group and do what is morally, spiritually and criminally right. To accept anything less from the Vatican is unacceptable.

Director Ozon says of his film, "My starting point for this film came from a desire to explore masculine fragility and sensitivity. My films are often about strong women. This time, I wanted to show men suffering and expressing deep emotions. As a matter of fact, my working title for the project was The Crying Man."

He explains that, "In 2018, I discovered La Parole Liberee (Lift the Burden of Silence), a website created by men who had been abused as children by a Catholic priest in Lyon [France]. I was particularly touched by Alexandre, a fervent Catholic who was finally able to tell his story at the age of forty. The website was full of powerful personal accounts, interviews, articles and email exchanges with local Catholic authorities. I'd found my subject. I would tell the story of three men and how each of them decides to lift the burden of silence: one within the church, one through the media and one in the justice system."

In the end - they battle faith, hope and peace to find justice!

John Boorman’s Film of EXORCIST II: The Heretic Returns on Bluray

Jeri Jacquin

Coming to Bluray from director John Boorman and Scream Factory is the next chapter in a young girl’s life of danger with 1977 film EXORCIST II: The Heretic

Living with guardian Sharon (Kitty Winn), grown Regan (Linda Blair) works with Dr. Gene Tuskin (Louise Fletcher) to help children who are plagued by sleep disorders and memories they keep hidden. Regan understands what the kids are going through because of the event in her life four years earlier.

Father Lamont (Richard Burton) receives his next order from the Cardinal (Paul Henreid) to find out what really happened to the beloved Father Merrin (Max von Sydow) that same night four years ago. It was during the exorcism of Regan that he died but that is all they know.

Father Lamont isn’t happy about the assignment knowing he is only asked because of his previous exposure to Merrin’s teachings. Dealing with a failed exorcism in South America, he goes into his assignment with less than holy feelings.

With the help of equipment developed by Dr. Tuskin, Regan and the doctor can sync up their memories. In a session, the demon Pazuzu who took over the young girls body four years ago, seems to still be around and wants Regan once again. Father Lamont tries to question Regan but the good doctor isn’t about to let that happen. Sharon takes the Father to the house in Georgetown where it all took place but feels that using the device with Regan is the only way.

That’s when he sees a boy named Kokumo and a swarm of locusts fighting Pazuzu and realizes he must go to Africa and find the boy who is now a man. Learning things he didn’t know before from the grown Kokumo (James Earl Jones), its back to Regan and the house in Georgetown where once again a battle between good and evil must happen if they are all to be saved.

Blair as Regan returns as the lovely young woman Regan who struggles with the memory of what happened in her mother’s house four years earlier. Tackling the first film at a young age was an incredible feat for this actress and taking up the mantle of Regan again can only be done by Blair. Seeing the storyline all the way through she shares the screen with Fletcher, Sydow and Burton and that doesn’t look bad on a resume.

Fletcher as Tuskin is a strong influence on Regan and only wants what is best for her. Protecting her is one thing but finally reaching what is inside of the young girl is something she could never have imagined. I believe Fletcher is one of our finest actors and I will watch and have watched everything she has performed in. Good, bad and in between, Fletcher has played her roles strongly.

Jones as Kukomo is a very young actor in this film and I’d know that voice anywhere even then. In this role he goes from a young man taking on a demon to a scientist who wants to forget it. Henreid as the Cardinal makes his final film appearance as a part of the church that wants to know exactly what happened to the priests who died at the hands of a demon. Winn returns as guardian Sharon and makes it her purpose to make sure Regan is looked after.

Two iconic actors share the screen in this film. Burton as Father Lamont has a history with Father Merrin having spent time with him as a younger priest. Dealing with his own failure at an exorcism, he is reluctant to deal with Regan. Max von Sydow – what an amazing iconic actor who returns to the film to give us more of the story behind the priest and his teachings.

Other cast include Joey Green as young Kokumo, Ned Beatty as Edwards, Belinda Beatty as Liz, Barbara Cason as Mrs. Phalor, Ken Renard as Abbott, Dana Plato as Sandra and Karen Knapp as the voice of Pazuzu.

SHOUT! Factory has grown into a tremendous multi-platform media company. Releasing new animated features such as the exquisite Long Way North, and the epic fantasy Beauty And The Beast. Also their own original horror film, Fender Bender gives fans a good scare. For more of what SHOUT Factor has to offer please visit www.shoutfactory.com.

The 2-disc Bluray includes the Special Features of Two Cuts of the Film, 117-Minute and 201 Minute Versions, New 2K Scan of Both Cuts from the Original Film Elements, New Audio Commentary with Director John Boorman (Longer Cut), New Interview with Actress Linda Blair, New Audio Commentary with Special Project Consultant Scott Michael Bosco, Teaser and Theatrical Trailers and Still Galleries.

William Goodhard took on the screenplay and used the works of Pierre Teilhard de Chardin for the storyline. Director Boorman found the new direction of the film quite different than the first film. It was the director who convinced Max von Sydow to return as Father Merrin and Kitty Winn to return as Sharon.

EXORCIST II: The Heretic has its own set of frights and scares that may not be as shocking as the first film but equally as engrossing. I might be playing favorites a bit since Burton, Blair, Fletcher, von Sydow and Jones happen to be on my list of actors I think made an impact on films. 

We are getting closer and closer to the season of spooky time and scary movies are high on the list of things to stack up for at my house. After scaring the neighbor kids and handing out candy – its time to shut off the lights and hunker down for a night of lights out frights.

EXORCIST II: The Heretic brings all that and more. I personally suggest watching the original and the new Bluray release back to back because that is four hours of spine tingles well worth every tingle!

If you would like the chance to win a copy for your own home entertainment library, please visit http://moviemaven.homestead.com to find out how.

In the end – four years later and what does she remember?

THE LEISURE SEEKER Take a Life Trip

Jeri Jacquin

Coming to theatres from director Paolo Virzi and Sony Picture Classics is a film about the journey’s we sometimes need to take to appreciate our lives with THE LEISURE SEEKER.

Stopping to check on her parents, Jane Spencer (Janel Moloney) discovers her parents are not at home. Calling brother Will (Christian McKay), it becomes quickly clear that not only are the folks gone – but so is their motor home called The Leisure Seeker. Family friend Lillian (Dana Ivey) is in a panic wanting them to be found quickly.

But Ella Spencer (Helen Mirren) and husband John (Donald Sutherland) are focusing on their trip. Making one stop to call home to reassure them that everything is fine, Ella does her best to explain that they just want a few days for themselves.

Ella is the commander-in-chief of the road trip and it is clear that something is wrong with John. Once an college professor, he now has moments of forgetfulness and random walks that keep her on high alert. Yet down the road they go remembering their lives together. Stopping at campgrounds they spend evenings with one another and even unexpected events on the road are hilarious.

But, with all trips down memory lane, each of us remember things differently and Ella learns that perhaps some memory’s are best left unspoken.

Mirren as Ella is a woman with the patience of a saint. As Ella and John reminisce about their lives, she is clearly happy with the journey they shared together. That’s not to say there aren’t times of frustration, but their memories and joys are solid in her heart. Mirren is such a fantastic actress and watching her bring this character with such depth and emotion smack forward is a privilege to watch.

Sutherland as John is a man who has lived in a world of knowledge and that world changes daily. The trip with Ella brings back the memories of their own children growing up and the many students he taught. Feeling that things are slowly becoming out of his control, it takes one sentence to bring out a secret that could fracture them. I love Sutherland’s humor mixed with the snide one liners from Mirren, it is a dance they do with such finesse.

Moloney as Jane starts off worrying but slowly listens to her mother Ella say they need time together. Backing off, she tries to convince Will to let them have some time. McKay as Will isn’t as thrilled about the road trip as his sister. Ivey as Lillian has been a friend of the family since their younger years. She believes the trip is insane as well!

THE LEISURE SEEKER is a film that touches every fiber of a human being. The connection for each of us is that this could quite easily be the story of our own parents. For the parents, it could easily be the story of trying to make life easier for their children.

These two elderly parents want to hit the road and feel the wind on their faces. They want to remember the good that has been their lives and come to terms with the not so good moments. Sutherland and Mirren are perfection forcing me to stop and truly listen to the color of their moments.

This film will break hearts because we are witnessing the story of a couple who has seen so much in their lives. Clearly they both have medical issues and yet in the midst of that there is humor that can only be portrayed by these two amazing actors.

I love the music of THE LEISURE SEEKER that adds not only to their attempt at moments of fun but also the amazing love when things go a little wrong. This is a story that I will truly carry with me for a long time to come.

In the end – a once in a lifetime road trip they will never forget!

NOSTALGIA is the Thin Thread Between Our Mementos and Memories

Jeri Jacquin

In theatres this Friday from writer/director Mark Pellington and Bleeker Street is the story of lives, love and loss all wrapped around NOSTALGIA.

Ronnie Ashemore (Bruce Dern) is an elderly man who is surrounded by his life of the written word and when visited by insurance agent Daniel Kalman (John Ortiz). Having a look around at the behest of Ronnie's granddaughter, the elderly gentleman makes it clear that there is no reason for him to leave his home. Daniel listens as Ronnie makes it clear that although he is surrounded by the life he shared with family, others might see it all as trash.

Daniel next meets Helen Greer (Ellen Burstyn), a widower who he finds sitting in the midst of ashes where her house once stood. Recalling the events of the fire, Helen explains the irony of the things she chose to save before the firemen came in to save her. One such item is a baseball that belonged to her late husband and she can't explain why she saved it.

Staying with her son Henry (Nick Offerman), Helen feels the pressure he is placing on her to consider assisted living. Helen feels the need to break away and packs the saved belongings and heads for Las Vegas to meet Will Beam (Jon Hamm) to talk to him about the ball. Their conversation turns nostalgic on the power that personal possessions have over each of them.

Will is off for the weekend to help his sister Donna (Catherine Keener) clear out their family home since their parents have moved to Florida. Making trip after trip to a dumpster outside the house, each decides they will take a few things but get rid of everything else. Donna wants daughter Tallie (Annalise Basso) to go through the attic but the young girl makes it clear that this is Donna and Will's history - not hers. Instead, Tallie wants to be with her friends and live in the now.

All of that comes to a screeching halt as Donna, husband Patrick (James LeGros) and Will come to terms with the memories of childhood, places we live, objects held dear and the technology that has changed the feeling of nostalgia.

Burstyn as Helen is an absolute treasure and every time she is on screen I stop in my tracks. In this role she is a widower who has been living on her own but all of that changes in a split second. Watching Burstyn take this character so deep kept me absolutely invested and put my heart through the ringer. Everything she said and every emotion poured out is believable because it is life and even the character Helen knows we don't get out alive. The scene between Helen and the insurance appraiser in the soot is just a true and brain-twisting as her realizations with Will and a baseball. Thank you Ellen for an endearing realistic perspective like no other.

Hamm as Will is a man who hides loss behind his collectables yet how could he know that the moments with Helen would prepare him for what is to come. Going through his parent’s home, this character takes the attitude that he's there to clean out, reminisce a little with sister Donna and move on. Hamm gives such a strong performance and makes it look amazingly easy but let me say when Hamm gets teary eyed - it hurts. Keener as Donna is a woman who is watching her teen daughter grow up so very quickly, has been taking care of her parents and now seeing her childhood close down for the last time. If that isn't enough, life has thrown her the cruelest hit of all. Keener doesn't hold back and she certainly gave me reason to think on her role for several days - she is that powerful.

LeGros as Patrick is a husband who has to be the shoulder his wife needs but also deals with the reality that there was once a time when photographs were everything. Now with cell phones, if that is destroyed then so are the pictures people would normally have as photographs on paper. Dern as Ronnie has a smaller role but it isn't any less impactful. He also understands the life he has lead and those he spent his life loving making no apologies for either.

Other cast includes Bella Pellington, Tamar Pelzig, Romy Rosemont, Amber Tamblyn, Ashlyn Williams, Jennifer Mudge, Chris Marquette, Mark Marcarian, Anna O'Bryan, Joanna Going, Lindsey Kraft, Beth Grant, Patton Oswalt and Hugo Armstrong.

NOSTALGIA is a film that is going to challenge everyone's perception of life. It is true that people of my age hold things dear because that is how we were raised. I was shown how to preserve photographs, baby books, family bibles, baptism gowns and family heirloom jewelry because they are a piece of history that I wanted to pass on to my children. Fortunately, my children are the same and often one will ask if I have something specific from their childhood and are thrilled when I do.

The pull between the objects and our emotions creates a bond that can be a blessing and a curse at the same time. The blessing is for family members who are thrilled to get beloved items and the curse are the family members that don't share the feelings and waste no time in turning everything over for donation fodder.

The film brings out the issue of how easy it is to lose mementos because we have become a world of snapping pictures with our phones or shooting video thinking we will download them later - but rarely do. In an instant the memories we took the time to 'preserve' are lost with a phone dropped in water or just a lost phone period.

NOSTALGIA also brings us into the lives of these characters that are so relatable because everything they are experiencing, we have all experienced with no exception. The loss of parents or loved ones, getting older and looking back means holding the items that represent milestones in our lives and the lives of those we love, and deciding when it is time to let the weight of those things go to find a freedom we didn't know possible.

In truth we are such emotional packrats, some of us just let what's inside leak out into our closets, storage rooms and lives.

I love this film, absolutely love it and am unapologetic for it. The cast is completely fascinating and sheer perfection bringing it all together beautifully, sadly and stunningly. The story is real, authentic and so damn emotional that for a moment I wasn't thrilled to feel so much so fast. That's life right?

In the end - it is the memories of the lives lived.