The Fear of NOSFERATU

 

Jeri Jacquin

Currently in theatres from writer/director Robert Eggers and Focus Features comes another retelling of the story of NOSFERATU.

Ellen Hutter (Lily-Rose Depp) is a young woman living with her husband Thomas (Nicholas Hoult) in Germany. As an estate agent, Thomas is hoping that his position as Schloss Grunewald will give him an opportunity to bring a wonderful life for his wife. Called in to see his employer Herr Knock (Simon McBurney), Thomas is told that he would be traveling to visit the recluse Count Orlok (Bill Skarsgard) who wishes to purchase property in Wisborg.

Thomas asks friends Friedrich Harding (Aaron Taylor-Johnson) and wife Anna (Emma Corrin) to look after Ellen as he travels to Transylvania. Arriving after weeks, he is greeted with hostility by the Romani townsfolk and witnesses a ritual that is shocking. Having to make the rest of the journey to Orlok’s castle, he is greeted by Orlok and the appearance is disturbing to Thomas. Yet, he does what he must to finish the paperwork so he can return home to Ellen.

Lord Orlok has other plans and it includes also wanting to return to see the lovely young Ellen. Thomas realizes that he must escape before the nightmares and their effects consume him. Near death, his makes his way home without realizes that Ellen is also suffering melancholy to be confronted by scientist Albin Eberhart Von Franze (Willem Dafoe). Olek has no choice but to sail for Wisborg in a rat infested ship, using the scurrying creatures to cause havoc in his new hometown met by Knock.

Wisborg is struck by the plague and Thomas attempts to regain his strength as Ellen realizes that her own dreams and nightmares are caused by one thing. Now, Thomas, Dr. Wilhelm Sievers (Ralph Ineson), Von Granze and Ellen must come together with a plan that can put a stop to the madness and destruction happening in their town.  

Hoult as Thomas is a man that clearly wants a standard of life for himself and wife Ellen. Accepting an assignment that could bring him financial reward, it could never have imagined what was truly to come. Hoult has truly spent the last few years covering almost every genre of film and standing out. In this film he is challenged with horror and a bit of bravery all in the name of love. Depp as Ellen is clearly a woman who suffers from a strange malady. Finding refuge in her marriage, it is only a temporary reprieve. Depp gives her character the look of a woman struggling to discover what is true in her life and what is madness.

Skarsgard as Orlok is a strange character but that is nothing new for this actor. The mystery is in how Orlok truly looks which is masked by shadows. The other problem for me is that the attempted accent muddled the speech so much I gave up trying to understand him. Pennywise and Orlok do have a lot in common and that’s where Skarsgard wins. Dafoe as Von Franze comes across as slightly rattled in his own mind with zippy Shakespearean one liners causing a bit of chaos trying to convince everyone that there is a vampire present.

Taylor-Johnson as Fredrich is a wealthy man who befriends Thomas and Ellen. He loves his wife and children and as the world becomes unhinged, Taylor-Johnson character has a difficult time grasping the reality of the situation. Corrin as Anna loves her friendship with Ellen and is distraught at her condition. There is nothing Corrin’s character Anna won’t do for Ellen and it may cost her.

McBurney as Knock is the servant of Orlok but that doesn’t mean his opportunity to cause a little mayhem on his own isn’t possible. Creepy and dedicated, every opportunity McBurney is on screen is a chance to shock. Ineson as Sievers is a former student of Von Franze and doctor to Ellen. Seeking help to discover the cause of a young woman’s malady, he knows that his mentor may be a little off, but brilliant none-the-less.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

NOSFERATU is a film that is grey, dark and filled with vampyric folklore. That being said, I was not overwhelmed by it at all. It felt campy, with overdramatic characters that felt more like this should be a stage production and not a film. Changing the names and locations just didn’t work for me as it felt more like Eggers was trying to create a different vampire story. That’s fine but then do just that – be original and stay out of another writers back yard.

The cinematography was beautifully done with the exception of a few wonky camera sweeps and the music added a nice touch of eerie to the scenes. However, the 1992 film BRAM STOKER’S DRACULA continues to be my standard and this film hasn’t changed that opinion. It is unfortunate that NOSFERATU could not find its footing because, and let’s be honest, we want to see, understand and be scared of the being in the coffin and Orlok just isn’t any of these things.

Personally, it is not a good sign when the audience is talking and giggling during the film constantly and leaving after disappointed.

In the end – succumb to the darkness!

He has the Howl of a WOLF

 

Jeri Jacquin

Coming to theatres from writer/director Nathalie Biancheri and Focus Features is the story of the struggle being yourself, even if yourself is a WOLF.

Jacob (George MacKay) is a young man with species dysphoria, an illness that human beings have when they believe they are an animal trapped in a human body. Jacob believes he is a wolf, so his distraught mother and father take him to a clinic to get help.

Immediately Jacob comes into contact with others like him. Young people who are birds, horses, dogs and cats being treated by The Zookeeper (Paddy Considine) to help them shed their animalisms. Convincing parents this is the place for their children, what the parents do not know is the methods The Zookeeper uses.

Jacob tries to keep his wolf side at bay but by night, he tries to find a way outside to let out what is screaming inside him. He meets Wildcat (Lily-Rose Depp), a young woman who has been at the clinic for some time with her cat side. The two become friends as they explore ways to be themselves without watchful eyes and Wildcat just happens to have a few keys.

They both watch other kids around them go through the fear of the clinic and when Jacob is caught, he lets out what is inside him. The Zookeeper knows just what to do when that happens. Now locked up, he must rely on help from Wildcat if he is ever to find his way into the world and live as he wishes to.

MacKay as Jacob was perfectly cast for not only his ability to show very little emotion to things happening around him but the physical stealth when allowing the wolf side to show. From the painful vocals of an animal trapped to the anger as well, MacKay’s portrayal of his character may be docile on the outside, but it is what is inside they should stay away from. The anger is not based on anything other than mistreatment of others and wrongs by human beings.

Depp as Wildcat is equally as physically stealthy, and she sees something in Jacob that touches him. Although she is in somewhat the same boat as Jacob, there is something more about her character that I wish had been explored more. There are hints at it, but it is never brought out clearly. Depp as Wildcat gives her performance dark side a chance to come to the light.

Considine as The Zookeeper is a man on a mission to cure what “ails” the kid, but the problem is he is horrible at it. I do not know where he got his training because it is clear he is more concerned with being cruel than curing. Coming face to face with some of the kids, he uses the verbal beat down to get their attention, but Jacob only bends and refuses to break.

Other cast includes Lola Petticrew as Parrott, Terry Notary as Lion Man, Fionn O’Shea as German Shepherd, Senan Jennings as Duck, Helen Behan as Jacob’s Mom, Karise Yansen as Annalisa, Amy Macken as Ola, Darragh Shannon as Jeremy, Mary Lou McCarthy as Shepherd’s Mom, Collen Keogh as The Zookeepers Assistant, Elsa Fionuir as Horse and Leo Hanna as Almost Out.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

The film reminds me a bit of the 1982 film CAT PEOPLE, which is high on my list of strange, unusual and I would see again and again type films. There is the ‘cat like’ movements in the film that are visually stunning, and WOLF has the same affect bringing the viewer in with brilliant moves.

WOLF can be understood on a few different levels. First, it is about these kids who are different than others but instead of understanding them, their parents choose to be mortified and want to hide them. Believing it is something ‘curable’, they entrust their child to a clinic and walk away.

Second, it could be seen as a double bit of cruelty to humans and ‘animals’. The Zookeeper will do anything to get results which includes treating the kids in ways that make him more of an animal than the kids/animals. Finally, it is a story about kids who just want to be accepted by the adults who are supposed to love them unconditionally. Their differences are not worthy of what is happening to them.

All that being said, I truly wish the story had been explored more. The Jacob and the other kid/animals have such a deep story to tell, and the film just lays on the surface instead of going to the depths that would have made the film even more intense. Jacob shows us a bit of what it is like to be him, and I thought to myself that there was so much more to explore about his emotional and physical process.

WOLF is a film filled with so many different directions but the main one is that these kids believed in who they are even if no one else does. That is a powerful statement and one that has become so in recent years.

In the end – they want too just be!

 

 

 

 

 

 

They are Young VOYAGERS

 

Jeri Jacquin

Coming to theatres from writer/director Neil Burger and Lionsgate is the story of being raised in isolation and being sent into space being the next VOYAGERS.

It is time to look for other places to live in the universe and Richard (Colin Farrell) is part of a space program that is creating children in isolation for a journey across space. The idea is to raise the children into young men and women who will take the ship across the vastness of space to a specified distant planet.

Richard decides that he must go with them in order to monitor them. He has come to care for the young people being sent up and is given permission to go. Christopher (Tye Sheridan) and friend Zac (Fionn Whitehead) are curious about everything and spend their time getting into harmless mischief. That is until they uncover information that had only been known to Richard and they are not happy.

This is the time where the two young men make a decision to either follow the plan or rebel in a way that could be dangerous for them all. Christopher tells Sela (Lily-Rose Depp) what is happening and begins to see a change in Zac who is collecting others to his side. When an accident on the ship makes it clear that it is time to choose a leader, two that were once friends become rivals for good and evil.

If any of them are to survive, each person will have to decide for themselves how they want their confined world to be – working together or total destruction.

Sheridan as Christopher has a grasp on what their mission is and even when he discovers that not everything is as he believed, even then he understood there were serious implications for the entire crew. He could have easily chosen the road of narcissism but instead, when the truth comes slowly forward, it gives him options of survival. Sheridan does a fantastic job playing Christopher and if there were ever such a voyage, I would hope there were many Christopher’s on the ship. Sheridan gives his character a sharpness that kept me silently cheering every move his character makes.

Whitehead as Zac has a friendship with Christopher that one would expect since they were raised together. As their trip gets deeper into space, it is Zac that gets deeper into a place that is dangerous for everyone. There is a rage that just lies underneath the surface and Whitehead’s performance lets you know that every moment his character is on screen is scary because there is no place to run! Whitehead has the unique ability to give a frightening stare that can fill the viewer with anxiety beyond belief.

Depp as Sela of course has the look of her very famous father. In her role as Sela, she is a straightforward ‘we have a job to do’ ship mate. When Christopher fills her in on everything that has been happening and his suspicions, Sela wants to do everything possible to stop the chaos just waiting around every corner. Constantly feeling the very stalker-like behavior of Zac, she is not a young woman to be trifled with either. Depp gives us a look at a strong, intelligent and capable space traveler who knows what it is going to take to survive.

Farrell as Richard decides to take this one-way trip with the young crew to keep an eye on their progress and how they handle space. He is also there to dole out advice should his young wards need it. As Richard, Farrell gives his character a soft spoken but stern leader model yet there is one of the crew that does not take to kindly to anyone telling him what to do. Farrell has given us so many unique characters (one of my latest favorites is from the film THE GENTLEMEN) in films so I expect nothing less from any film he does.

Other cast include Chante Adams as Phoebe, Quintessa Swindell as Julie, Archie Madekwe as Kai, Isaac Wright as Edward, Viveik Kalra as Peter, Madison Hu as Anda, Archie Renaux as Alex, Wern Lee as Tayo, Veronica Falcon as Marianne and April Grace as the Mission Director.

Lionsgate is a global leader in motion picture production and distribution for theatres, television, home entertainment and more. Theatre franchises include THE HUNGER GAMES, and DIVERGENT along with JOHN WICK.

Writer/director Burger says of his film about the 80-year voyage, “It’s about human nature in a vacuum – who we are at our core and about a group of extraordinary young people waking up to sensual desires, to freedom, to power, and the thrilling euphoria that goes with that experience.” He also explains that he wanted everything in the film based in reality, “VOYAGERS is not a fantasy. The spacecraft is purely utilitarian and functional based on actual proposals within NANA studying space travel outside our solar system.”

Because of that, the viewer will feel totally drawn into what is happening knowing full well there is no where to go. These individuals are confined to a place where they either work out their problems or fall but if they fall, they fall totally. The ship is very practical and is very much like those aboard – to frilled and very plain to look at. I believe that is what makes these characters stand out as there is nothing else to distract the viewer.

When there is division among the young voyagers, again, there is no place to hide the rage and emotional turmoil which is frightening in the sense that one wrong move….  Buckle up because this is going to be a bumpy ride into space!

In the end – what does it feel like?